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Lot 227
Charles G Hards (British ex.1883-1898): The Young Kitchen Assistant and Companion, oil on canvas signed and dated 1878, 37vm x 54cmCondition Report:Very good overall condition, re-lined, shows some signs of overpaint to bottom left corner under UV light. In good swept gilt frame, ready to hang
Lot 27
Isobel Atterbury Heath (British 1908-1989): 'Berrymans Farm', watercolour indistinctly inscribed l.l. 36cm x 55cm Provenance: private collection, purchased Market House Gallery, Marazion, 'Post War St Ives' 2002 No.33; the artist's studio sale, 1988; exh. Britain in Watercolours, labels versoCondition Report: Good condition; some light mat burn and cockling, light spotting in the sky. Ready to hang.
Lot 77
Theodor Alexander Weber (German 1838-1907): French Tug Boat entering Calais Harbour, oil on canvas signed with initial 29cm x 59cm Provenance: private collection, purchased David Duggleby Ltd 4th November 2006 Lot 35Condition Report: Good condition, well presented - ready to hang. Relined, some overpainting visible under UV light.
Lot 131
Frederick (Fred) Dade (British 1874-1908): 'Evening Reed Farm', oil on canvas signed, titled with artist's address 'Paradise Scarborough' verso 19cm x 29cm Provenance: from the estate of Christine Dexter and by descent from Frank Henry Mason's sister Eleanor Marie (Nellie). Fred was a keen yachtsman and together with his brother Ernest and Frank Mason were founder members of Scarborough Yacht Club in 1895.Condition Report: Well presented - ready to hang. Shows significant over-painting under UV light, relined.
Lot 105
Henry Dawson (British 1811-1878): Cattle Watering, oil on canvas signed and dated 1867, 74cm x 97cm Provenance: private collection, purchased David Duggleby Ltd 14th November 2005 Lot 704; with John Simpson, Ryland Fine Art, Haisthorpe Hall, DriffieldCondition Report: Good condition, well presented in superb swept gilt frame (minor losses). Relined, minor overpainting visible under UV light.
Lot 244
William Gunning King (British 1859-1940): 'June Roses', oil on canvas signed 105cm x 65cmProvenance: private local collection, purchased Christie's 8th June 1989, Lot 58 (titled 'Lovers' Tryst'); exh. Royal Academy 1893 No.240 Condition Report: Very good condition, well presented in quality frame, ready to hang. Re-lined, shows no signs of over-paint under UV light
Lot 238
William Hemsley RBA (British 1819-1906): 'Setting a Rabbit Snare', oil on canvas signed, titled and dated 1857 on original label verso with Christie's stencil 42.5cm x 36cmCondition Report:Good original condition, previously behind glass, in its original slip without frame. Very minor overpainting visible under UV light.
Lot 16
Letitia Marion Hamilton (Irish 1878-1964): Seabirds above a Rocky Coast, impasto oil on board signed with initials 34cm x 44cmCondition Report:Overall good condition; paint stable with no losses; board with a concave bow, some craquelure and vertical striation in the sky. Would benefit from a light clean.
Lot 169
Owen Bowen (Staithes Group 1873-1967): 'Jennie Waites - The Village Greengrocer Robin Hood's Bay', oil on canvas board unsigned c.1900, titled in the artist's hand verso (within the frame) 35cm x 30cmCondition Report:Good original condition - ready to hang. No signs of overpainting visible under UV light.
Lot 231
Harry Windsor-Fry (British 1862-1947): A Noise on the Stairs, oil on canvas signed 109cm x 66cm Provenance: private collection, purchased David Duggleby Ltd 4th November 2006 Lot 37; from the estate of Edward Henry Carson, Baron Carson (1854-1935)Condition Report: Overall good condition - ready to hang. Some bloom to the varnish which gives a whitish appearance to some of the darker areas. Light craquelure to the gentleman's hair, sleeve, and stairs.
Lot 79
James Webb (British 1825-1895): Unloading on the Beach, oil on canvas signed 75cm x 126cm Provenance: private collection, purchased David Duggleby Ltd 28th November 2011 Lot 176Condition Report: Some paint loss and flaking along the right hand edge with associated overpainting, light craquelure throughout. Otherwise good condition, no further overpainting visible under UV light. Relined.
Lot 233
Fritz Wagner (German 1896-1939): Discussing the Letter, oil on canvas signed 29cm x 39cmProvenance: private collection, purchased Haynes Fine Art, Broadway, Stock Ref.5572, label versoCondition Report: Excellent condition, well presented, ready to hang. Re-lined, shows very very minimal over-paint under UV light
Lot 241
Alfred Dixon (British 1842-1919): 'Lady Jane' - Lady with Fan at the Foot of a Staircase, oil on canvas signed, titled on label verso 42cm x 30cmCondition Report:Good original condition, well presented in quality gilt frame - ready to hang. No signs of restoration or overpainting visible under UV light.
Lot 28
Charles Herbert Thompson (Cornwall 1870-1946): 'Breaking Stones', oil on canvas signed and dated 1913, 60cm x 49cm Provenance: private collection, purchased Bonhams Cornwall 1st March 2007 Lot 237Condition Report: Good original condition. Canvas slightly uneven with a few indentations, no signs of overpainting visible under UV light.
Lot 230
Edward Antoon Portielje (Belgian 1861-1949): Ladies Having Tea, oil on canvas board signed 16cm x 24cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with Campo & Campo Antwerp 1st December 1998 Lot 239, label versoCondition Report: Good condition, well presented - ready to hang. Minor overpainting around the edges visible under UV light.
Lot 165
Owen Bowen (Staithes Group 1873-1967): Building a Hayrick, oil on canvas signed and dated 1900, 28cm x 45cm Provenance: private collection, purchased Tennants Auctioneers 22nd May 2021 Lot 226Condition Report: Very good condition, well presented in quality swept gilt frame - ready to hang. Minor stretcher mark along the top edge, no signs of overpainting visible under UV light.
Lot 143
Frank Henry Mason (Staithes Group 1875-1965): Yachting 'Off Dover', oil on canvas laid on to board signed, titled verso 14cm x 25cm Provenance: private collection, purchased David Duggleby Ltd 16th March 2015 Lot 16Condition Report: Good condition - ready to hang. No signs of overpainting visible under UV light.
Lot 100
William Pitt (British fl.1851-1890): 'On the Severn' and 'The Ferry - Tewkesbury' Gloucestershire, pair oils on canvas signed and dated 1850 and 1956, respectively, titled on printed labels verso 24cm x 34cm (2)Condition Report:Good condition, well presented - ready to hang. Light overall craquelure, minor overpainting visible under UV light.
Lot 114
George Smith (Scottish 1870-1934): Cattle and Sheepdog in the Farmyard, oil on board signed 29cm x 39cmCondition Report:Good condition, well presented in quality swept gilt frame (minor losses) - ready to hang. Behind glass, no signs of overpainting visible under UV light, slight convex bow to the board.
Lot 57
"Flora Medica" two volumes on plants with coloured plates, London, Callow and Wilson, 1829 As no list of plates contained, difficult to collate but certainly in excess of 100 including some folding plates, some faint pencil notes on odd plates. Plates are mostly clean, some very light foxing but not intrusive.Top hinge of volume 2 broken spine, spine labels are chipped or missing
Lot 76
Live Steam, a 3/4″ scale Burrell Agricultural Traction Engine, green and black livery, solid flywheel, in need of light restoration, 39 x 21 x 19cm. Provenance; built c.1950/1955 by Alan Hopkinson, and his grandfather, of Newark, then by descent. They also built a larger example, two period photographs are with this lot.
Lot 253
Corgi Toys; 447 Ford Thames Ice Cream Van "Wall's" - light blue body with cream back. off white interior, chrome trim and spun hubs, blue and yellow carded picture box, inner carded stand with figures, instruction/collectors club folded leaflet, together with Corgi 428 Smiths Karrier Ice Cream Van "Mister Softee", two-tone cream over light blue, silver trim and spun hubs, having pictorial blue and white box. (2)
Lot 152
Corgi Toys - A Corgi 802 Popeye Paddle-Wagon, finished in yellow, red, white including rear wheels, complete with moving figures and working pistons, having blue and yellow window box having inner pictorial stand. The car is in good original condition - showing no damage and complete.The outer box is in good condition showing no damage or repairs only light creasing.Inner display stand has small tear to base (1cm) Please see pictures to determine the originality of the box.
Lot 1429
WILLIAM FAULKNERLicht im August. Roman. (Deutsch von Franz Fein). Berlin: Rowohlt 1935. 20,3 x 12,5 cm. 456 SS. Illustr. OrLn. mit illustr. OrSchutzumschl. von Heinz Kiwitz.(Schutzumschl. mit l. reparierten Randblessuren.)KNLL 5, 424 f. Wilpert, Lex. d. Weltlit. II, 691. Vgl. Johnson's / Blanck S. 170 (amerik. EA). - Erste deutsche Ausgabe des hochgelobten amerikanischen Romanes. - Die amerikanische Originalausgabe "Light in August" erschien 1932 bei Harrison Smith und Robert Haas in New York. Es ist der erste Roman Faulkners, der auf Deutsch editiert wurde. Ernst Rowohlt verlegte ihn noch rechtzeitig im Nazi-Deutschland, bis er schließlich 1938 durch den Ausschluss aus der Reichsschrifttumskammer mit Berufsverbot belegt worden war. Der Umschlag-Künstler Heinz Kiwitz, (geb. 1910 in Duisburg, ab 1938 vermisst in Spanien) war Karl-Rössing-Schüler und Mitglied der KPD. Nach einem Überfall durch die SA, die sein Berliner Atelier verwüstete, ging er 1933 zurück nach Duisburg, wurde aber im August desselben Jahres verhaftet und ins KZ gebracht. Nach seiner Entlassung 1936 war er wieder in Duisburg, Düsseldorf und Berlin tätig. Besonders fruchtbar wurde für Kiwitz die Zusammenarbeit mit dem Verleger Ernst Rowohlt. Höhepunkte seiner Arbeiten waren die Gestaltung diverser Faulkner-Ausgaben. 1937 verhalf ihm Rowohlt zur Flucht. Kiwitz ging nach Dänemark, wo er mit Brecht zusammentraf, anschließend nach Paris. Dort beteiligte er sich an der Ausstellung "Fünf Jahre Hitlerdiktatur", die emigrierte deutsche Künstler veranstalteten. 1938 blieb er als Angehöriger der Interbrigaden in Spanien verschollen. (s. Ausstellungskat. Revolution und Realismus, Revolutionäre Kunst in Deutschland 1917 bis 1933 ; Staatl. Museen Bln. 1979; S. 50 f. und J. Holstein, Buchumschläge in der Weimarer Republik S. 416.).
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534325 item(s)/page