Tag Heuer, a stainless steel Formula 1 chronograph bracelet watch, reference CAU1115, quartz movement with quick date set, serial WEB4953, fitted to a signed stainless steel bracelet with folding clasp, box, case measures 41mm- Movement is not currently functioning - May only require a new battery, we have not tried to replace it - Crown screws down, date and hands can be set - Dial appears to have minor marks only - Hands show minor marks - Case has mostly small marks and light scratches only - Glass has small marks and a few small nibbled along the edge - Bracelet has noticeable marks, scratches and minimal stretch - Bracelet measures approximately 18cm including the case - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
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Hermes, two silk ties, to include a light blue tie featuring a frog motif, and a darker blue tie featuring lions jumping through hoops- Overall good condition - No obvious marks - Without maker's boxes - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
An 18ct gold triangular-shape aquamarine and brilliant-cut diamond three-stone ring, with asymmetric shoulders, aquamarine estimated weight 1.60ct, estimated total diamond weight 0.15ct, hallmarks for Birmingham 2009, ring size P1/2, 7.4g- Overall good condition - Aquamarine is a medium light blue hue, with good clarity - Aquamarine is in good condition, with minor abrasions - Diamonds are very well matched, lively and bright - Personal engraving to inside of band 'All my love' - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Givenchy, a Pandora wallet on chain handbag, designed in a black leather and white bead embellished exterior, featuring a detachable chain-link shoulder strap, front flap with snap button fastening, opening to a black leather lined interior with multiple interior card slots and a zipped compartment, measuring 4 by 12 by 19cm, with maker's care guide, dust cover and box- Overall fair to good condition - Slight wear to the tops of the white bead embellishments - Light scuffs to the interior lining - Stitching has come loose at one end of the interior leather strip which attaches the shoulder strap, does not affect the usability - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
A late Victorian gold and silver, old and rose-cut diamond foliate openwork necklace, with 9ct gold curb-link chain, estimated total diamond weight 3.50ct, clasp stamped 9K, length 43cm, central pendant is detachable and may also be worn as a brooch, 30.5g- Overall good condition - One smaller diamond is deficient - Diamonds are well matched and bright - Diamonds have light and dark, scattered inclusions, predominantly SI clarity - Length of detachable brooch 5.7cm - Chain later replacement - Brooch fitting later replacement - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Louis Vuitton, a damier ebene Sistina handbag, featuring the maker's brown check coated canvas exterior, with brown leather trim, polished gold-tone hardware, single leather shoulder strap, oversized front clip closure and top zip fastening, opening to a red alcantara lined interior, measuring 15 by 23 by 36cm- Overall good condition - Some scuffs and scratches to the smooth brown leather trim - Light wear to the top edge trim - Minor wear to the base edge piping - Few faint marks to the interior lining - Date code not legible - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Tag Heuer, a stainless steel Link bracelet watch, reference WG131B, quartz movement with quick date set, serial KJ5354, fitted to a signed stainless steel bracelet with folding clasp, case measures 28mm- Movement is not currently functioning - May only require a new battery, we have not tried to replace it - Dial appears to have minor marks only - Hands show some minor marks - Case has light marks, scratches and minor dints - Glass has some a few small marks - Bracelet has marks, scratches and some stretch - Bracelet measures approximately 17cm including the case - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Louis Vuitton, a monogram Sac Plat handbag, crafted from the maker's classic monogram coated canvas, with vachetta rolled leather handles, an open top, and cream water resistant Vuittonite lining, measuring 7 by 35.5 by 38cm- Overall very good condition - Very slight discolouration to the centre of the rolled leather handles - Very light wear to the base corners - Blue mark to the interior lining base - Date code MI0086 (August 2006 in France) - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
An early 20th century pave-set diamond fox brooch, with ruby cabochon eye, estimated total old-cut diamond weight 0.80ct, length 4.2cm, 5.5g- Overall good condition - Some marks and scratches, in keeping with age and general wear - Diamonds well matched, lively and bright - Diamonds are a mixture of old, circular and rose-cut - Diamonds have mostly small, light and dark, scattered inclusions - Ruby cabochon is in good condition, with minor abrasions - Fine jeweller's scratches to reverse of mount - No marks to indicate metal composition - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Prada, a nylon Boston bag, designed with a plum nylon exterior and dark metallic plum leather top handles and trim, with polished gunmetal hardware, lockable wraparound zip fastening with maker's padlock, detachable leather clochette and keys, logo patterned lining and two interior pockets, measuring 12.5 by 22 by 32cm- Overall very good condition - Light wear to the base corners - No other noticeable marks or wear to the bag exterior or interior lining - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Zenith, a stainless steel El Primero Chronomaster Star Open Love wrist watch, reference 03.1230.4021, signed automatic movement calibre 4021, fitted to a signed blue leather strap with stainless steel deployant buckle, box, case measures 37mm- Movement is currently functioning - The chronograph counts one minute, but the hour counter has not been tested due to time constraints - Dial appears to be in good condition - Hands appear to be in good condition - Case has some marks and mostly small scratches - Glass has mostly light scratches only - Strap shows marks, creasing and some discolouration - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Breitling, a DLC-coated stainless steel Navitimer 8 wrist watch, circa 2019, reference M17314, signed automatic movement with quick date set, serial 6181756, fitted to a signed black leather strap with stainless steel pin buckle, box and papers, case measures 41mm- Movement is currently functioning - Dial appears to have minor marks only - Hands appear to be in good condition - Case has mostly light marks and minor wear to the DLC coating - Glass has mostly minor marks only - Strap shows marks, creasing and some fraying - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Papers dated 05-04-2019 - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Louis Vuitton, a multicolore monogram Claudia handbag, designed with a white multicoloured monogram coated canvas exterior, with tan leather trim, gold-tone hardware, side buckle details, dual leather handles, top zip fastening, and a raspberry red alcantara lined interior, measuring 17 by 21.5 by 35.5cm- Overall good condition - Some faint marks and light scuffs to the tan leather trim and top handles - Minor wear to the base corners - Interior lining is clean and unmarked - Serial number AS1150 (15th week of 2010) - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Louis Vuitton, a blue epi St Jacques GM handbag, crafted from textured blue epi leather with smooth leather trim, with long flat leather handles, top zip fastening and blue alcantara interior lining, measuring 16.5 by 26 by 44cm- Overall good condition - Minor wear to the base edges and edges top corners - Light dust to the interior lining - Serial number AS0995 (September 1995 in France) - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
An 18ct gold aquamarine two-stone pendant, with brilliant-cut diamond double line surmount, suspended from an 18ct gold spiga-link chain, estimated total diamond weight 0.40ct, H-I colour, VS clarity, stamped 750, length of pendant 4cm, length of chain 40cm, 5.8g- Overall good condition - Aquamarines are a well matched, medium light blue hue, with good clarity - Aquamarines are in good condition, with minor abrasions and a few minor nibbles - Diamonds are well matched, lively and bright - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold alternating square-shape amethyst and rectangular-shape prasiolite bracelet, with prasiolite briolette and lobster clasp terminals, hallmarks for Sheffield 2010, length 20.7cm, 8.4g- Overall very good condition - Amethysts are a well matched, medium purple hue, with good clarity - Prasiolites are a well matched, light green hue, with good clarity - Gems are in good condition, with minor abrasions - Width (at widest) approximately 1.1cm - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Omega, a stainless steel De Ville wrist watch, circa 1982, reference 195.0023, signed quartz movement calibre 1387, serial 45025019, fitted to an unsigned black leather strap with gold plated pin buckle, case measures 24 by 29mm- Movement is currently functioning - Dial appears to have minor marks only - Hands show light marks only - Case has a few marks and mostly small scratches - Glass appears to be in good condition, with light marks only - Strap shows minor marks and light creasing - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Cartier, a top handle Happy Birthday handbag, designed with a structured shape, featuring a black logo embossed patent leather exterior, rigid looping leather top handle, flap closure with a twist-lock fastening and two interior side pockets, measuring 9 by 23 by 28cm- Overall very good condition - Few light scratches and minor marks to the bag exterior - Interior lining is clean and unmarked - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
A 14ct gold morganite and single-cut diamond cluster ring, estimated total diamond weight 0.30ct, band stamped 14K, ring size N1/2, 4g- Overall fair condition - Morganite is a medium light peach hue, with good clarity - Morganite is in good condition, with minor abrasions - Diamonds are well matched and fairly bright - One claw deficient, but morganite is secure in the setting - Length of ring head approximately 1.3cm - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Rolex, a stainless steel and gold Oyster Perpetual Datejust wrist watch, circa 1981, Buckley dial, reference 16013, signed automatic movement, serial 7010809, fitted to an unsigned black leather strap with stainless steel pin buckle, case measures 35mm- Movement is currently functioning - Dial appears to have some marks - Hands show mostly small marks - Case has a few marks and scratches - Glass has some marks and mostly small scratches - Strap shows minor wear and light marks only - The case measurement stated in our main descriptions always excludes the crown unless otherwise stated - Please note that we cannot guarantee the working order, accuracy or water resistance of any watches sold in our auctions - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A pair of 18ct gold pear-shape green beryl and marquise-shape aquamarine drop earrings, with square-shape pink tourmaline surmount, estimated total green beryl weight 5ct, hallmarks for Edinburgh, length 3.7cm, 8.5g- Overall very good condition - Beryls are a well matched, light green hue, with good clarity - Aquamarines are a well matched, medium blue hue, with good clarity - Tourmalines are a well matched, medium pink hue, with good clarity - Gems are in good condition, with minor abrasions only - Fixed post fittings for pierced ears - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A late Victorian silver and gold, old-cut diamond star pendant, estimated total diamond weight 2ct, principal diamond estimated weight 0.50ct, I-J colour, VS2-SI1 clarity, diameter 4cm, may also be worn as a brooch, 9g- Overall good to fair condition - A few claws are worn - Diamonds are well matched, lively and bright - Diamonds with light and dark, scattered inclusions - Six of the smallest diamonds are rose-cuts - Pendant and brooch fittings are both present - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Gucci, a Princy Boston bag, featuring a beige GG canvas exterior with metallic gold leather trim and bow detail, dual thin leather top handles, pale gold-tone hardware, double zip fastening and maker's logo printed interior lining, measuring 13 by 16 by 33cm, with maker's dust bag- Overall good condition - No obvious marks to the bag exterior or interior lining - Slight wear to the base corners and centre of the top handles - Light scratches to the metal hardware - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Aspinal of London, a travel wallet with matching passport cover, crafted from light blue grained leather, with front flap closure, multiple interior labelled compartments and suede lining, together with a matching blue passport cover with metal corner guards, measuring 3 by 14 by 23cm- Overall good condition - Few faint marks to the back of the wallet - Small scattered marks to the suede interior flap underside - Without maker's dust bag or box - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Chloe, a small bicolour Baylee handbag, featuring a navy blue and pale pink calfskin leather exterior, with polished gold-tone hardware, detachable leather crossbody strap, rolled leather handles, double top zip fastening with a connecting chain-link bracelet, and a brown textile lined interior, measuring 8 by 16 by 20cm, with maker's dust bag- Overall good condition - Very light wear to the base corners - Interior lining is clean and unmarked - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
A mid 20th century gold, synthetic sapphire and old-cut diamond cluster ring, estimated total diamond weight 1ct, I-J colour, SI1-P1 clarity, ring size M, 4.4g- Overall good condition - Synthetic sapphire is a dark blue hue, with good clarity - Synthetic sapphire is in fair condition, with moderate abrasions - Diamonds are well matched and bright, with light and dark, scattered inclusions, one diamond chipped to girdle - Length of ring head approximately 1.9cm - No marks to indicate gold purity - Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot - For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A Pair of 20th Century Two-Seater Sofas, upholstered in light yellow fabric, on Victorian style forelegs with castors, 190cm, by 108cm by 82cm; together with various scatter cushions (2)Feather-filled. 108cm is the depth, the height is 81cm. The frames are sound. The upholstery has some marks.
An Arts & Crafts Shapland & Petter of Barnstaple Inlaid Oak Sideboard, with raised upstand, above three drawers, above two doors enclosing a small drawer (fitted for cutlery) over an open section, strap work hinges, on four square section legs, locks stamped S & P.B,167.5cm wide, 51cm deep, 111cm highVariations in colour. The top has numerous ring marks and some light fading. Some further fading to the marquetry panel doors. The bottom shelf with numerous ring marks.
A Sèvres plate probably from a supplement for the Palais de Compiègne, circa 1813-15Decorated with a gilt foliate border of willow leaves and flowers around the rim, called frise d'or saule, 23.3cm diam., crowned Imperial eagle mark stencilled in red, gilt marks (rubbed), incised S and 10 (very light surface scratches)Footnotes:The plate is probably from a supplement to the service purchased by M. Ertault, quartier maître de la Bouche in December 1808. Two supplements noted in the sale records in 1809 were for the table of the Grand Maréchal, and the Princess Corsini, respectively; see Camille Le Prince, Napoléon Ier & la Manufacture de Sèvres (2016), p.273, no.124.For further information on this lot please visit Bonhams.com
Corinna Button In a Dream, 2023 Collage, acrylic, graphite and oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Rose Durley Pink Dreams, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory. Education BA (Hons) Fine Art Painting, University of Brighton 2017 Select Exhibitions/Awards House & Garden magazine - The Art Edit, June 2018 The World of Interiors magazine - Artistic Impressions/Spring Pickings, January/February/March 2023 The Other Art Fair London - March 2022, June/July 2022, March 2023 Upcoming: Roy's Art Fair London - 28 September - 1 October 2023 Gallery Representation Rise Art Statement about AOAP Submitted Artwork Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kate Mary Slow Morning, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Mary (b.1992) is a Glasgow based artist and designer working predominantly with Oil Pastels and Acrylic. She completed her honours degree in Interior Design at Glasgow School of Art, graduating in 2019. Kate's practice is largely 2D drawings and paintings. These are detailed, idealised representations of places; collaged together to form immersive and calming visions of escapism. They are influenced by memories of local and far-flung journeys she makes, and the architecture, light, and pattern within them. Kate's work explores and responds to our built environment, capturing moments of intrigue in order to create intimate and otherworldly scenes. Education Glasgow School of Art, Interior Design, 1st class hons Select Exhibitions/Awards Delphian Gallery - Open Call Exhibition - October 2022 Delphian Gallery - Kate Mary + Rie Kitagawa - September 2022 Kobi + Teal - 'Framed' - June - August 2021 Auction Collective - 'The Beat Goes On' - October 2021 London Design Festival - 'Lockdown Art' Heals - September 2020 Gallery Representation Murus London, Delphian Gallery Statement about AOAP Submitted Artwork It was so lovely to be asked to make some miniature works for this auction. I have created three works inspired by the Cote d'Azur in France, capturing happy memories in order to create uplifting artworks. Two works are completed in ink, and one oil pastel on paper. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Olivia Rose Durley Beyond, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory. Education BA (Hons) Fine Art Painting, University of Brighton 2017 Select Exhibitions/Awards House & Garden magazine - The Art Edit, June 2018 The World of Interiors magazine - Artistic Impressions/Spring Pickings, January/February/March 2023 The Other Art Fair London - March 2022, June/July 2022, March 2023 Upcoming: Roy's Art Fair London - 28 September - 1 October 2023 Gallery Representation Rise Art Statement about AOAP Submitted Artwork Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Vinna Begin Untitled (1), 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in West Java, Indonesia Lives and Works in Montreal, Canada. Education MFA, Academy of Arts University, San Francisco, USA Select Exhibitions/Awards 2023 Duo, Galerie C.O.A, Montreal Canada 2023 New Landscapes, Alzueta Gallery, Barcelona, Spain 2022 Curtains, My Pet Ram Gallery, New York NY 2022 PLATFORM David Zwirner, online presentation 2022 Anamorphosis, Fir Gallery, Beijing, China 2022 The Container Garden, Sears Peyton Gallery, New York NY 2022 Bioelectric Fields, Stellar Highway, Brooklyn NY 2022 Here Come the Suns, Bark Berlin Gallery, Berlin Germany 2021 FUN&FLORE, Le LIVart, Montreal Canada 2021 Artist Focus, solo online presentation by Wilder Gallery, London UK Statement about AOAP Submitted Artwork Vinna's work delicately balances shape, colour and light amid structures one encounters in nature. Portraits of lucid experience, rendered as soft, hazy marriages of organic form, mirror her interest in the universal, contemplative and transcendental. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Vinna Begin Untitled (3), 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in West Java, Indonesia Lives and Works in Montreal, Canada. Education MFA, Academy of Arts University, San Francisco, USA Select Exhibitions/Awards 2023 Duo, Galerie C.O.A, Montreal Canada 2023 New Landscapes, Alzueta Gallery, Barcelona, Spain 2022 Curtains, My Pet Ram Gallery, New York NY 2022 PLATFORM David Zwirner, online presentation 2022 Anamorphosis, Fir Gallery, Beijing, China 2022 The Container Garden, Sears Peyton Gallery, New York NY 2022 Bioelectric Fields, Stellar Highway, Brooklyn NY 2022 Here Come the Suns, Bark Berlin Gallery, Berlin Germany 2021 FUN&FLORE, Le LIVart, Montreal Canada 2021 Artist Focus, solo online presentation by Wilder Gallery, London UK Statement about AOAP Submitted Artwork Vinna's work delicately balances shape, colour and light amid structures one encounters in nature. Portraits of lucid experience, rendered as soft, hazy marriages of organic form, mirror her interest in the universal, contemplative and transcendental. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sheila Clarkson Abbots Pool Low Light, 2023 Pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Artist based in Bristol Uk and interested in capturing light in the landscape. Education North Staffs. Poly B.A.Hons. Fine Art specialising in Printmaking 2.1 Walsall College of Art Foundation Course Select Exhibitions/Awards 2021 Solo show Beaux Arts Bath June 5th 2019 Gallery artists Summer exhibition RHG Conway St London. 2018 Finalist in ING Discerning Eye Drawing Bursary Mall Gallery London. Affordable art fair Hampstead 'Art on Paper' New York 'Constellations' solo show at Rebecca Hossack Gallery, Charlotte Street, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Frances Hatch Arws Light Rain Coast Guard Look Out Portland Bill Portland Dorset, 2023 Watercolour and cliff material on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About FRANCES HATCH ARWS (elected as a member of The Royal Watercolour Society in 2022) Frances Hatch maintains a spacious, reflective landscape practice. She grew up in the Fenland at the edge of The Wash in Cambridgeshire and describes herself as 'of' that place. Its black earth formed her as a plein air painter. Frances makes site-responsive work whilst on location. She integrates site materials with water-based media. She has travelled widely over the years to work in environments such as Antarctica, Norway, Finland, Guernsey and Scotland as well as in her own locality. Her artworks witness to a reciprocity between artist and place. The works become containers of shared experience. Her current studio is in Weymouth, Dorset. Along the Jurassic Coast, close to home, the geology offers generous earth palettes with a wide tonal and colour range. Indeed, each site suggests and offers a unique palette. She integrates commercial pigments (gouache, acrylic or watercolour) with locally available pigment. 'Sun, moon, tide, season animate reveal and conceal matter on the move particulate provisional a permanent impermanence.' It is pertinent that the two pieces hung in the Royal Academy Summer Exhibition (2016) were placed in Gallery 1V described by its curator, Jock McFayden RA, as 'radical landscape'. At the invitation of Professor Simon Olding, Frances conceived and curated The Common Ground for The Crafts Study Centre at University College for the Arts Farnham in 2020. This integrated her curatorial skills with an interest in the written word. Education TRAINING: C.C.A.T. (Cambridge) Foundation Course 1973-74 Aberystwyth University College of Wales - Hons degree in French and Visual Art 1974-78 Auditrice Libre, Ecole des Beaux Arts, Nantes 1976 Goldsmiths' College, A.T.C. 1978-79 Wimbledon College of Art: Postgraduate- MA Printmaking 1986-89 Select Exhibitions/Awards Selected Recent Exhibitions: The Royal Institute Of Painters In Watercolours. The Mall Galleries, 2016 - 2022 ROYAL SOCIETY OF BRITISH ARTISTS OPEN. The Mall Galleries, London 2022 ROYAL WATERCOLOUR SOCIETY OPEN, Bankside, London. 2020, 2022 ROYAL WATERCOLOUR SOCIETY Regular Members Shows 2022- ROYAL ACADEMY SUMMER EXHIBITION. 2016 + 2019 RWA: 159th & 161st ANNUAL OPEN EXHIBITION, Bristol. 2011 + 2013 + 2015 KEVIS HOUSE GALLERY, Petworth. Solo And Group Shows 2014- 2022. THE RUSSELL GALLERY, London. 2020-2022 SLADERS YARD, West Bay, Dorset. 2015- 2022 The Common Ground. Crafts Study Centre, U.C.A. Farnham. 2020 Bermondsey Project Space, London. 2019+ 2021 Gallery Representation Bankside Gallery, London. The Russell Gallery, Putney. Sladers Yard, West Bay, Dorset. Kevis House Gallery, Petworth, West Sussex. Statement about AOAP Submitted Artwork Small works made on site using watercolour and earth. I'm on the island of Portland not far from Portland Bill. Kneeling in the long wind-combed grass I notice the way the wind is describing the undulations on the distant shaping of thorn bushes and bramble- the texture on the sea too. The only relatively still element is the weight of the stone face of the cliffs. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Kate Mary Window to Other Worlds, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate Mary (b.1992) is a Glasgow based artist and designer working predominantly with Oil Pastels and Acrylic. She completed her honours degree in Interior Design at Glasgow School of Art, graduating in 2019. Kate's practice is largely 2D drawings and paintings. These are detailed, idealised representations of places; collaged together to form immersive and calming visions of escapism. They are influenced by memories of local and far-flung journeys she makes, and the architecture, light, and pattern within them. Kate's work explores and responds to our built environment, capturing moments of intrigue in order to create intimate and otherworldly scenes. Education Glasgow School of Art, Interior Design, 1st class hons Select Exhibitions/Awards Delphian Gallery - Open Call Exhibition - October 2022 Delphian Gallery - Kate Mary + Rie Kitagawa - September 2022 Kobi + Teal - 'Framed' - June - August 2021 Auction Collective - 'The Beat Goes On' - October 2021 London Design Festival - 'Lockdown Art' Heals - September 2020 Gallery Representation Murus London, Delphian Gallery Statement about AOAP Submitted Artwork It was so lovely to be asked to make some miniature works for this auction. I have created three works inspired by the Cote d'Azur in France, capturing happy memories in order to create uplifting artworks. Two works are completed in ink, and one oil pastel on paper. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alexandra Rubinstein Bloody Cherries, 2023 Menses on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Rubinstein is a Brooklyn-based conceptual artist whose practice focuses on how culture and gender affect power and narrative. She came to the United States from Russia when she was 9, and spent the magical years of puberty enduring the misogyny of both cultures. Through education, therapy, and self-help, she learned to identify her feelings and channel her rage and resentment into her work. In said work, she challenges dated social systems and prejudices, and reconstructs the cis heterosexual female experience by transforming women from passive objects into active consumers. Taking back power and control, without taking centuries of oppression too seriously. When she's not working, she can be found running around park, reading in the park, drinking near the park, and generally not leaving her neighbourhood. Education 2010, Carnegie Mellon University, BFA. Select Exhibitions/Awards Solo Exhibitions 2022, The Moon Also Rises, Mother Gallery, New York, NY 2020, Dick Diaries, Established Gallery, Brooklyn, NY Group Exhibitions (Selected) 2023, Paroxysm, Westbeth Gallery, New York, NY Night, Light, Cob Gallery, London, UK. 2022, Mother Booth at Untitled Art Fair, Miami, FL Even A Cat Can Look At The Queen, Mrs. Gallery, Maspeth, NY You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sue Arrowsmith Firefly 1, 2023 Acrylic and champagne gold leaf on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sue Arrowsmith (b. 1968, Manchester) has exhibited widely in the UK and Europe since graduating from Goldsmiths College, London in 1990 with a BA Hons Textiles degree. She was a prize-winner in both the John Moores Liverpool Exhibition 20 in 1997 and the Natwest Art Prize, London in 1998, and in 2010 was Artist in Residence at the Josef and Anni Albers Foundation, Connecticut, USA. She lives and works in London. Education Goldsmiths College, London Select Exhibitions/Awards Selected Solo Exhibitions Her solo exhibitions date back to 1994, beginning at the Entwistle Gallery, London, followed by Cold Spring, Entwistle Gallery (1997), Galerie Frahm, Copenhagen (1999), Galerie Fahnemann, Berlin (2001), Galerie allerArt, Blundenz, Austria (2009), The Courtyard Gallery, The National Botanic Garden of Wales, Carmarthen (2011), Whisper from The Shadows, Purdy Hicks Gallery, London (2015), Waiting for the Moon, Galerie Andres Thalmann, Zurich (2016), We could dream this night away, Purdy Hicks Gallery, London (2018), Let the wind blow through your heart, Galerie Andres Thalmann, Zurich, (2019), Natura Naturans, Luca Tommasi Arte Contemporanea, Milan, (2020), BVLGARI, Zurich (2021), Light Up My Sky, Purdy Hicks Gallery, London (2022) and Flickering Light, Mucciaccia Contemporary, Rome, (2023) Selected group exhibitions Galerie Fahnemann, Berlin (2001), At Sea, Tate Liverpool, Liverpool (& tour to Sainsbury Centre for Visual Art, Norwich (2002), Into The Light Of Things, Angel Row Gallery, Nottingham (2006), Sweethearts - Artist Couples, Pippy holdsworth Gallery, London, (2012), Nature Morte, Contemporary Artists Reinvigorate the Still Life, Ha gamle prestgard, Stavanger (2015), Transference, with Mathew Weir, MOCA London, London and Whispering Colour, Bo Lee Gallery, London, (2018), A Misura D'Uomo, Luca Tommasi Arte Contemporanea, Milan (2019) The Clearing, Celebrating 10 years, Bo- Lee Gallery, London (2019), Rebooting Nature, Purdy Hicks Gallery, London (2020) and Eye On Nature, Purdy Hicks Gallery, London (2022) You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Joanna Whittle Don't think I'm here, 2023 Ink and manganese dioxide on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Joanna Whittle is a member of the Contemporary British Painting Society, winning the prize in 2019 and selecting for it in 2021. She has undertaken numerous solo projects and has shown extensively in group exhibitions. In 2020 she was awarded Arts Council funding for her project Between Islands at the Portland Collection on the Welbeck Estate, Nottinghamshire, exploring the construction of narratives through artefact creation and display and has been awarded an Arts Council England Project Grant for her current research project with the National Fairground and Circus Archive at Sheffield University which will culminate in a solo exhibition in 2023. In 2022 she exhibited a new collection of work at Millennium Gallery, Sheffield as part of Festival of the Mind, through collaboration with archaeologist Dr Elizabeth Craig-Atkins, exploring themes of mourning in the landscape and material culture. She has worked on numerous solo projects, showing most recently at the Whitaker Museum in 2022. She is a founding member of the Heavy Water Collective who engage with archives and collections in the production of new archival material, most recently working with Cardiff University Special Collections, Sheffield General Cemetery and the Special Collections at Leeds University. The collective is currently showing work in PostNatures at Graves Gallery, Sheffield. Recent group exhibitions include Entwined, Huddersfield Art Gallery & 20-21 Artspace, 2022/23; Heavy Water, Site Gallery, 2021, Arcadia For All? Stanley & Audrey Burton Gallery, Leeds University (currently) and will be showing in X, Contemporary British Painting at Newcastle Contemporary Art in 2023. Education BA (hons) Fine Art (Painting) at Central St Martins & MA Fine Art (Painting) at Royal College of Art Select Exhibitions/Awards AWARDS Winner of Contemporary British Painting Prize in 2019, Winner of New Light Valeria Sykes Award in 2021 RECENT SOLO EXHIBITIONS On Shifting Ground, solo exhibition at the Whitaker Museum, Lancashire, 2022 Material Mourning, Millennium Gallery, Sheffield part of Festival of the mind, Sheffield. A body of work produced following a period of research with archaeologist Lizzy Craig-Atkins (University of Sheffield) and Dr Jane Wildgoose (founder of the Jane Wildgoose Memorial Museum) SELECTED GROUP SHOWS (current and recent only) 2023 CURRENT Arcadia for All? Rethinking Landscape Painting Now, Stanley and Audrey Burton Gallery, University of Leeds Charlie Smith London at Gramercy Park studios PostNatures, Heavy water Collective, Graves Art Gallery, Sheffield Entwined, Plants in Contemporary Painting, 2021 Visual Arts Centre, Scunthorpe 2022 The Tyranny of Ambition , Highlanes Public Gallery, Drogheda, Ireland Entwined, Plants in Painting, Huddersfield Art Gallery Paint Edgy, Contemporary British Painting, Barton upon Humber The Fool, Air Space Gallery, Stoke-on-Trent Volta Basel, Charlie Smith Gallery, Basel New Light Retrospective, Saul Hay Gallery, Manchester Paradoxes Contemporary British Painting Society, Quay Arts, Newport, Isle of Wight Aggregate, Freelands Foundation, London 2021 New Light Prize Exhibition, Tullie House Museum, Carlisle Silent Disco, Curated by Graham Crowley, Greystone Industries, Suffolk Heavy Water, Site Gallery (Freelands Artist Programme Residency), Sheffield New Light Prize Exhibition, The Biscuit Factory Gallery, Newcastle The Lockdown Interviews Exhibition, ArtTopTen, Cello Factory, London Statement about AOAP Submitted Artwork The two drawings are part of an ongoing series of drawings started in 2020 when working on a project on the Welbeck estate in Nottinghamshire. They are made with Indian ink and Manganese oxide. They speak of mythologies and magic hidden in the landscape and the structures we build in it. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Vinna Begin Untitled (2), 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born in West Java, Indonesia Lives and Works in Montreal, Canada. Education MFA, Academy of Arts University, San Francisco, USA Select Exhibitions/Awards 2023 Duo, Galerie C.O.A, Montreal Canada 2023 New Landscapes, Alzueta Gallery, Barcelona, Spain 2022 Curtains, My Pet Ram Gallery, New York NY 2022 PLATFORM David Zwirner, online presentation 2022 Anamorphosis, Fir Gallery, Beijing, China 2022 The Container Garden, Sears Peyton Gallery, New York NY 2022 Bioelectric Fields, Stellar Highway, Brooklyn NY 2022 Here Come the Suns, Bark Berlin Gallery, Berlin Germany 2021 FUN&FLORE, Le LIVart, Montreal Canada 2021 Artist Focus, solo online presentation by Wilder Gallery, London UK Statement about AOAP Submitted Artwork Vinna's work delicately balances shape, colour and light amid structures one encounters in nature. Portraits of lucid experience, rendered as soft, hazy marriages of organic form, mirror her interest in the universal, contemplative and transcendental. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sheila Clarkson Winter Light Abbots Pool, 2023 Pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Artist based in Bristol Uk and interested in capturing light in the landscape. Education North Staffs. Poly B.A.Hons. Fine Art specialising in Printmaking 2.1 Walsall College of Art Foundation Course Select Exhibitions/Awards 2021 Solo show Beaux Arts Bath June 5th 2019 Gallery artists Summer exhibition RHG Conway St London. 2018 Finalist in ING Discerning Eye Drawing Bursary Mall Gallery London. Affordable art fair Hampstead 'Art on Paper' New York 'Constellations' solo show at Rebecca Hossack Gallery, Charlotte Street, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Corrie Wingate The Gleaners, 2023 Ink on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About As an artist, my background in travel photography has significantly influenced my artistic vision as a painter. By drawing inspiration from different environments and cultures I continue to work with both the constraints and the freedoms of figuration whilst also exploring the necessary tension inherent in working with chance or the unknown. Observational drawings and photographic imagery often serve as a foundation for creating figurative works that are rich with ambiguity, layers, and expressive mark-making. I apply abstract techniques to develop these works further, seeking to create paintings that offer a deeper emotional and psychological resonance beyond mere literal representation. My painting style is heavily influenced by the German expressionists who demonstrated the emotional impact of color on a viewer. My works often start with a single colour that dictates the tone and mood of the painting, which I then build upon. I also draw inspiration from the creative expression of children's artwork and the colour and light of Kenya, where I founded an art centre and live part time. Recurring themes of place, diaspora, and migration are central to my work. I am fascinated by the complex relationships between people and their environments, and how these relationships are shaped by history, culture, and identity. Whether through the use of colour, texture, or symbolism, I aim to create artworks that not only capture the essence of a place or a culture but also convey the emotions and experiences of the people who inhabit them. Education 2022 Turps Banana art school - Off site 22/23 2021 The Essential school of Painting 2019 The Royal Drawing school summer term 1996 BA Hons Fine Art, Kent Institute of Art and Design Select Exhibitions/Awards SELECTED EXHIBITIONS 2023 'Station Open' Koppel X, London 'Tart Factory', Tart gallery London Turps off-site programme show, Thames-side studios gallery, London 'Visions of Healing' Brushes with greatness, Hallam centre, London 2022 'Arresting images' The Koppel Project Station, London 'Painting open' No Format gallery, London 'Accessible art' Black White gallery, London 'Delphian Open call winners show' Unit 1 gallery, London 'The Little Scarlet Door' curated by India Rose James Soho Revue gallery, London 'Art matters' Mile end pavilion, London AWARDS 2023 The Tagli finalist 01.23 Collection 2022 Delphian gallery Open call winner Statement about AOAP Submitted Artwork Lately, I've been exploring the stories of the Old Testament and their narrative style, which often involve larger-than-life characters and events that capture the imagination. To highlight the significant role of women in history and promote greater appreciation of their experiences, I painted a diorama that depicts the story of Ruth the gleaner. Through these artworks, I aimed to showcase women in central roles and emphasise their valuable contributions to society. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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