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Lot 291
A Victorian light oak Davenport, with a fitted stationery top, hinged lid opening to reveal a burr maple interior, with four drawers, over two cupboard doors, opening to reveal four drawers and four dummy drawer front, raised on a shaped base, and bun feet on castors, 86cm H, 56cm W, 57cm D.
Lot 467
A G-Plan 1950's light oak and cream painted double wardrobe, with a mirrored central section, flanked by two doors, raised on ebonised feet, brass capped, 171.5cm H, 121.5cm W, 55cm D, together with a chest of seven drawers, raised on ebonised turned legs, on brass caps, 128cm H, 60.5cm W, 40cm D. (2)
Lot 301
Gunther Rall - Luftwaffe 1st Model Officers Dress Dagger by Paul Weyersberg & Co Solingen, fine early pattern example with flat type circular top pommel with gilt mobile swastikas to the centre. Blue leather covered grip retaining the wire binding. Cross guard with mobile swastikas to the centre. Complete with its original bullion dagger portepee. Leather covered scabbard with nickel silver mounts. Early pattern scabbard with staple covers. Original linked hanging chains to the scabbard with clip mount. Double edged plain blade with makers trade mark. Very good overall condition showing just light wear to the exterior fittings. The dagger is accompanied by a post war signed photograph of Gunther Rall and a signed declaration, gifting the dagger to Herbert Schreiber.
Lot 412
A Chinese famille verte light brown ground cup and saucer and a pair of saucers, Kangxi -- H 5 cm - Dia.: 8 cm (the cup)Ê Dia.: 13,4 - 12,8 cm (the saucers) -- -- -- Please request condition reports by e-mail on info@coronariauctions.com. They will be uploaded to the description on our website, where you can find additional HD images.
Lot 1030
A John Marsh typed letter signed pertaining to Margaret Mitchell and Gone With the WindTyped Document Signed ('John R. Marsh'), 3 pp recto and verso, 4to, Atlanta, July 30, 1936, to Mr. and Mrs. Edwin Granberry and Mr. Herschel Brickell, on plain stationery. Marsh humorously describes himself as 'husband to the newest literary sensation' in this missive which thanks the recipients, friends of Margaret Mitchell, whom Marsh refers to as Peggy throughout, for giving her a safe haven in the midst of the success of Gone With the Wind, which was published in May 1936. Addressing Mitchell's sincere disbelief at the success of the book, he writes: 'Your diagnosis of the book's appeal threw at least some light on what continues to be the greatest mystery of her life–the book's enormous sale.' He also announces that Mitchell has gone to New York to 'take the Selznick scalp' and has signed a contract with him on that very day to produce a film version of Gone With the Wind (1939). Accompanied by a mimeographed letter, 2 pp, to Marsh from his brother Henry, who relishes the instant success of his sister-in-law's novel and requests Mitchell's autograph on several copies.Provenance: the collection of Tom Heyes. 8.5 x 11 in.
Lot 1046
A Gone With the Wind shooting script belonging to casting director Fred SchuesslerMGM, 1939. Mimeographed manuscript, 251 pp, dated February 27, 1939 (with dates up to May 18 notated in pencil) and marked 'Shooting Script' to cover, with 'Schuessler' ownership signature to cover, with light annotations and pink, yellow, blue, and green revision pages inserted (a 'rainbow' script), housed in two black 3-ring binders which are the originals used by Schuessler during production; together with a carbon copy of Schuessler's agreement with Selznick International Pictures engaging him as the casting director of the film. Fred Schuessler, an experienced casting executive, was previously the casting director at RKO and, prior to joining David O. Selznick, was the casting director at Paramount. At the end of production, to protect the secrecy of the film, Selznick ordered all the shooting scripts collected and destroyed; this is one of the few that survived and is a rare example of a complete working shooting script by Sidney Howard. Provenance: the collection of Tom Heyes. Each binder: 10.75 x 11.5 x 2.5 in.
Lot 1082
Tiny TroublesMGM, 1939. U.S. one sheet poster, rolled, with red hand-painted promotional information on the poster. During the same year that he appeared as a Munchkin in The Wizard of Oz (1939), Jerry Maren (née Marenghi) was featured in this 'Our Gang' film in which he played a thief named Light Fingered Lester. The hand-painted information on this poster from the Madison Theater in Massachusetts pays tribute to its native son, calling him 'Little Jerry Marenghi from Roxbury.' Affixed to the back corner of the poster is a scrapbook page of 4 newspaper references to the film, one of which is from the Madison Theater, again highlighting Maren's appearance in the film. 27 x 41 in.
Lot 1104
A Paul Henreid jacket from CasablancaWarner Bros., 1942. Light tweed suit coat with a chest pocket and two side pockets, bearing an interior green-lettered 'Warner Bros. Pictures' label inscribed, '3-25-42,' with a line on the label crossed out with black marker, with 'W-B' handwritten in black marker above the label, and modern 'TBS Wardrobe' stamp to inside sleeve. Paul Henreid did not want the role of Victor Laszlo, as he had just come off a wave of successful leading roles, particularly in Now Voyager (1942) with Bette Davis. He felt the less-important role of Victor was a step down. The Viennese actor finally agreed to appear in the picture provided he was given more screen time and co-star billing with Ingrid Bergman and Humphrey Bogart. The jacket is worn by Henreid at the end of the film at Rick's Cafe and then at the airport as he and Bergman say goodbye to Bogart and board the plane to freedom. Accompanied by a photo of Henreid wearing the coat.
Lot 1125
A Bob Hope vest from The Princess and the PirateRKO, 1944. Designed by Mary Grant. Light brown thigh-length vest with 16 buttons down the length of the front and two large pockets on either side, bearing an interior 'Western Costume Co.' label inscribed, 'Bob Hope' and a partially hidden 'Western Costume Co. / 77' interior stamp. Hope, as a blundering actor rescuing the beautiful damsel, Virginia Mayo, wears this vest throughout much of the film. It was also later worn by actor Herbert Marshall in Anne of the Indies (1951). Accompanied by a DVD of The Princess and the Pirate.
Lot 1298
A Mitzi Gaynor chiffon gown attributed to DiorLight charcoal gray chiffon tapered-length strapless gown with draping throughout, with a small bustle-type drape attached to the side of the bodice, worn by Mitzi on April 5, 1959 to an Academy Awards® rehearsal and later to Ingrid Bergman's 'Welcome Back' party (Bergman had been self-exiled in Europe for a decade). Ultraglamorous Mitzi accessorized this gown with pearls and elbow-length gloves and was photographed at the Hollywood party in conversation with Bergman and actress Anita Louise, who had thrown the party with her husband, producer Buddy Adler. Accompanied by a vintage 8 x 10 in. contact sheet from photographer Carl Perutz with 12 images of Mitzi wearing the gown.
Lot 1314
A Mitzi Gaynor pair of stage-worn gowns designed by Bob MackieComprising a full-length sleeveless pink gown with a plunging V neckline trimmed in large ruffles, with a skirt of large tiered ruffles and two layers of thick pink crinoline underneath, with a Velcro breakaway bodice and a light pink long silk belt formed into a bow at the waist; together with a similarly designed mustard-colored gown with a pleated tiered skirt. Both gowns were worn in Mitzi's 1967 and 1968 stage acts and the pink version worn in publicity photos to promote her first TV special, Mitzi, in 1968. Accompanied by 2 photos of Mitzi wearing the gowns.
Lot 104
James (M.R.) Ghost Stories of an Antiquary, first edition, frontispiece and 3 plates by James McBride, advertisements, occasional spotting, hinges starting but holding firm, original buckram, ruled in red and lettered in black yapp edges, spine slightly darkened, light rubbing and minor bumping to spine ends and corners, [Lovecraft, Supernatural Horror in Literature, 1973, pp.100-105; Tymn 3-125], 8vo, 1904.
Lot 116
Malamud (Bernard) The Fixer, 1966 § Barth (John) Chimera, 1972 § Puig (Manuel) Kiss of the Spider Woman, 1979 § Furst (Alan) Shadow Trade, jacket price-clipped, 1983, first editions, original boards, dust-jackets, some light rubbing to spine ends, but near-fine generally; and 2 others, American literature, 8vo (6)
![Milne (A. A.) [The Christopher Robin Books], 4 vol., comprising When We Were Very Young, ninth edition, light browning to end](https://cdn.globalauctionplatform.com/4c83b072-5f96-461c-9905-ab1800aebb79/db320191-8147-4112-a346-ab1800b08bf5/468x382.jpg)
Lot 120
Milne (A. A.) [The Christopher Robin Books], 4 vol., comprising When We Were Very Young, ninth edition, light browning to endpapers, spine ends and corners a little bumped and frayed, 1924; Winnie the Pooh, first edition, bookplate to endpaper, original deluxe blue limp calf, gilt, spine faded, spine ends chipped, 1926; Now We Are Six, first edition, light fading to spine, minor bumping to spine ends and corners, 1927; The House at Pooh Corner, first edition, ink name to half-title, browning to endpapers, light fading to spine, facsimile dust-jacket, 1928, illustrations by E.H. Shepard, map and pictorial endpapers, all but the second original pictorial cloth, gilt, 8vo, 1925-28.
Lot 132
Rohmer (Sax) The Sins of Séverac Babylon, popular edition, ink inscription to endpaper, jacket with some creasing and tears to head and foot, 1925; Tales of Chinatown, popular edition, third impression, spotting to endpapers, 1926; The Emperor of America, popular edition, jacket spine ends and corners chipped, tears to head of panels, 1931; The Trial of Fu Manchu, second edition, jacket with light fading to spine, spine ends and corners a little chipped, 1936; Tales of Secret Egypt, tenth edition, jacket a little creased, minor chipping to spine ends and corners, 1933, original cloth, dust-jackets, generally excellent examples, 8vo (5)
Lot 136
Spence (Lewis) The Archer in the Arras, first edition, occasional spotting or foxing, small ink stamp to front free endpaper, original cloth, dust-jacket, price-clipped, discolouration to spine very minor chipping to spine ends and corners, light creasing to head and foot, but an excellent example overall, 8vo, 1932.⁂ An excellent copy of a rare collection of occult and supernatural tales.
Lot 137
Stoker (Bram) Dracula, ninth edition, 2pp. advertisements, lacking final advertisement f. and rear endpaper, neat ink inscription to endpaper, original cloth, spine darkened, some light soiling to cover, spine ends and corners a little bumped, still a sharp and excellent copy overall, 8vo, 1912.
![[Street (John)], "John Rhode". Dead of the Night, first American edition, ink stamp to title, jacket spine slightly browned,](https://cdn.globalauctionplatform.com/4c83b072-5f96-461c-9905-ab1800aebb79/ca737a85-2618-4546-9364-ab1800b08673/468x382.jpg)
Lot 138
[Street (John)], "John Rhode". Dead of the Night, first American edition, ink stamp to title, jacket spine slightly browned, spine ends and corners a little chipped, extremities rubbed, New York, 1942 § Upfield (Arthur W.) Death of a Swagman, first English edition, jacket spine slightly faded, light rubbing to head and foot, 1946 § Atkey (Bertram) Arsenic and Gold, first edition, spotting to endpapers, jacket chipped at head and foot with loss, creasing and tears, 1939, original cloth, dust-jackets; and 7 others, crime and thrillers, 8vo (10)
Lot 141
Verne (Jules) From the Earth to the Moon...and a Trip Round it, first English edition, 77 wood-engraved plates only (of 80), light foxing, contemporary ink inscription to head of title, original blue pictorial cloth, gilt, g.e., rubbed, slight damp-staining to corner of lower cover, spine faded and worn at ends, 8vo, Sampson Low [&c.], 1873.
Lot 142
Vine Press.- Neuberg (Victor B.) Songs of the Groves, printed prospectus note loosely inserted, original cloth-backed pictorial boards, 1921; Larkspur: A Lyric Garland, original cloth-backed pictorial boards, light soiling to covers, 1922 § White (Rold) Day of Life, signed presentation inscription from the author to endpaper, original wrappers, 1929, limited editions, woodcut illustrations, Steyning, Vine Press, 8vo (3)
Lot 194
Kipling (Rudyard) The Works ..., 25 vol. only (of 31), Bombay Edition limited to 1050 copies, vol. 1 signed by Kipling, half-titles, faint browning and spotting to first and last few leaves, original spine labels bound at end, original cloth-backed boards, rubbed, browned spines, 4 vol. with broken joints, 1913-19 § Durand (Ralph) A Handbook to the Poetry of Rudyard Kipling, first edition, light spotting to first and last few leaves, original cloth-backed boards, rubbed, browned spine, slight chipping to spine head, 1914; 8vo (26)⁂ This edition was originally published as 20 volumes, before eventually being extended to 31 volumes.
Lot 204
Americas.- Brazil.- Dickinson (Capt. Thomas) A Narrative of the Operations for the Recovery of the Public Stores and Treasure sunk in H.M.S. Thetis, at Cape Frio, on the Coast of Brazil..., first edition, lithographed frontispiece, 4 maps & plates, one folding, list of subscribers, some spotting, light water-staining at beginning and end, ex-library copy with one or two stamps, contemporary cloth, a little worn, upper joint split, [Sabin 20076], 8vo, 1836.
Lot 209
Italy.- Gell (Sir William) and John P.Gandy. Pompeiana. The Topography, Edifices, and Ornaments of Pompeii, third edition, engraved frontispiece, plates and plans, 5 double-page, 2 hand-coloured, light spotting to frontispiece, contemporary tree calf prize binding, rubbed, rebacked in cloth preserving original spine, 8vo, 1852.
Lot 217
Britain.- Camden (William) Britannia, sive florentiss. Regnorum Angliae, Scotiae, Hiberniae..., title with woodcut device, 19 folding engraved maps, some light browning, contemporary ink inscription to front free endpaper and notes to rear, small ink stain to a few leaves of D gathering (mostly to inner margin), contemporary vellum, rubbed and soiled, upper cover slightly nibbled at lower corner, 12mo, Amsterdam, Willem Blaeu, 1639.
Lot 230
Cramp (Stanley, chief editor) Handbook of the Birds of Europe, the Middle East and North Africa. The Birds of the Western Palearctic, 9 vol., plates and illustrations, original boards, dust-jackets, light fading to spines, near-fine otherwise, 1977-94 § Thorburn (Archibald) British Birds, 4 vol., plates, original cloth, spines faded, 1925-26, 4to & 8vo (13)
Lot 55
Beardsley (Aubrey).- Dostoevsky (Fyodor Mikhailovich) Poor Folk. A Novel, limited edition, title design by Aubrey Beardsley, ink ownership inscription of Ralph Partridge and 'Free Russia Library' ink stamp to endpaper, light marginal browning, upper joint cracked but holding firm, original pictorial cloth after a design by Beardsley, spine browned, spine ends and corners a little bumped, light rubbing and surface soiling, 8vo, 1894.
Lot 58
Hume (David) The History of England under the House of Tudor, 2 vol., vol.1 half-title only, contemporary mottled calf, spines rubbed and scuffed, A. Millar, 1759 § Chesterfield (Philip Dormer Stanhope, Earl of) Letters Written... to His Son, 2 vol., engraved frontispiece, occasional damp-staining to vol.1, J. Dodsley, 1774; Miscellaneous Works..., 2 vol., plates, occasional light damp-staining, Edward and Charles Dilly, 1777, last 2 in uniform contemporary calf, gilt, sympathetically rebacked, 4to (6)
Lot 67
Amis (Kingsley) That Uncertain Feeling, 1955; One Fat Englishman, ink ownership inscription to endpaper, 1963; Russian Hide & Seek, 1980, first editions, signed presentation inscriptions from the author, original boards, dust-jackets, some light creasing to head and foot, near-fine otherwise, 8vo (3)
Lot 74
Burroughs (William S.) The Naked Lunch, first edition, second issue with "New Price NF 18" to lower cover, ink name to endpaper, original printed wrappers, light creasing to spine, light rubbing to tips of spine and corners, dust-jacket, priced at "Francs 1500", chipping to spine ends, light creasing to head and foot, Paris, 1959; and 10 others, by the same and similar, modern literature, v.s. (11)
Lot 76
NO RESERVE Carr (John Dickson) The Men Who Explained Miracles, jacket with minor light rubbing and minor chipping to spine ends and corners, 1964 § Latimer (Rupert) Murder After Christmas, jacket spine slightly faded, spine ends and corners a little chipped, [1944], first or first English editions, original cloth, dust-jackets; and 37 others, detective fiction and thrillers from the 1950s and later, 8vo (39)
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534325 item(s)/page