A PAIR OF CHINESE QINGBAI SMALL FOLIATE DISHES NORTHERN SONG DYNASTY 960-1127 Each potted as a flower, the six petals divided by crisp ridges in light relief extending towards the centre, the glaze with a clear blue tint, the flat bases unglazed, 11cm. (2) Provenance: from a British private collection, purchased from Priestley & Ferraro Chinese Art, 11th June 2003. A copy of the invoice is available. Illustrated: S Marsh, Brushpots: A Collector's View, p.170, where they are identified as from the Hutian kiln site in Jingdezhen, which later became the home of the Imperial porcelain factories.北宋 青白釉花口碟 一對來源:英國私人收藏,2003年6月11日Priestley & Ferraro(附發票複印件)。
We found 534297 price guide item(s) matching your search
There are 534297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534297 item(s)/page
Ken Howard R.A. (British, born 1932)Afternoon Light, Oia, Santorini signed 'Ken Howard.' (lower right); titled and dated '29.06.10/Afternoon Light OIA/SANTORINI' (on Artist's label verso)oil on canvasboard24 x 30cm (9 7/16 x 11 13/16in).(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Formerly from the Collection of Her Royal Highness The Princess Margaret, Countess of Snowdon: An aquamarine and diamond brooch by Cartier, 1932, the oval hoop set with circular-cut aquamarines, each shoulder with hexagonal-cut aquamarine highlight set between twin scrolls of brilliant-cut diamonds, mounted in platinum, engraved with the ownership mark ‘M’ beneath The Princess Margaret’s coronet, numbered ‘9865’ and ‘6656’, width 51mm. £40,000-£50,000 --- Accompanied by the Certificate of Provenance from Kensington Palace, dated 13 June 2006, in original embossed leather folder. Provenance: Christie’s, Lot 12, Property from the Collection of her Royal Highness The Princess Margaret, Countess of Snowdon, sale 13 June 2006, London. The brooch was purchased by Her Majesty Queen Elizabeth the Queen Mother from Cartier on 23 January 1947 for £175. The brooch is unsigned however Cartier Geneva confirmed this brooch was made by Cartier London in 1932. This brooch was purchased a week before the Royal family set sail to South Africa on 1st February 1947. The major tour was both the first trip abroad for Princess Margaret and also the first time a reigning monarch had undertaken a tour with his whole family. The three month-long visit was not only an important display of imperial solidarity but an opportunity for the young Princesses to witness first hand the statecraft, duty and hard work required in order to fulfil their royal roles in public life. The tour was remembered for being the first occasion that Princess Margaret spent significant time with Captain Peter Townsend, equerry to King George VI. The Princess later confided how the time they spent together “in that wonderful country, in marvellous weather” was when “I really fell in love with him.” Later that year Townsend was to become the official charge on Princess Margaret’s first solo visits. Prior to the South African tour, it was agreed that the engagement between Princess Elizabeth and Lt. Philip Mountbatten would be formally announced upon the family’s return to England. The purchasing of the aquamarine brooch before departure perhaps foretold of the busy months ahead, with the engagement announced in July and the wedding planned for November. It was therefore decided that Princess Margaret would take on a greater role in public life. In August 1947 the Princess turned seventeen and it was widely reported at the time that this birthday would mark her official “coming out” and signal a turning point in her own independence. To celebrate the occasion, King George VI appointed the Princess to Colonel-in-Chief of the Highland Light Infantry and on her first official duty for the Regiment, in March 1948, Princess Margaret wore this aquamarine and diamond brooch to the reception at Glasgow City Chambers. It is likely that the brooch had been given to Princess Margaret the previous year on the occasion of her seventeenth birthday. In a letter to Queen Mary written in April 1944, Queen Elizabeth discusses the jewellery being given to Princess Elizabeth for her eighteenth birthday from her father, King George VI, and states: “It is almost impossible to buy anything good, but he may find something second hand.” This aquamarine and diamond brooch purchased from Cartier by Queen Elizabeth in 1947, yet manufactured in 1932, certainly reflects a similar perspective in regards to buying jewellery. Princess Margaret’s love of brooches was apparent throughout her lifetime and was highlighted by the jewellery auction in June 2006 at Christie’s which included over sixty brooches from her collection. This particular aquamarine and diamond brooch was one of the few Art Deco examples included in the sale and, more importantly, one of only a handful of jewels with Royal provenance extending back to previous generations. A large number of the brooches offered in the auction had been acquired directly by the Princess from the 1960s onwards. Unlike her sister, Queen Elizabeth II, who favours wearing brooches on the traditional left, Princess Margaret followed her grandmother’s style in regularly wearing them to the centre front of her neckline. One such photograph, taken in a garden during the official visit to The Caribbean in 1958, shows the Princess wearing this brooch at the centre of a floral dress. An earlier photograph, taken in 1950 at a dance at the Dorchester Hotel, shows the young Princess wearing the brooch on a strapless ballgown in ice blue brocade. Known for her sense of fashion and style, the Princess always coordinated her jewels to match her outfits. In 1959, when opening an exhibition, The Bulletin newspaper reported that Princess Margaret had pinned ‘a delicate ornament in aquamarines and diamonds’ to the side of her pale blue chiffon hat. The Princess was photographed wearing this brooch throughout her lifetime, seemingly always when dressed in blue. One such photograph shows Princess Margaret and Lord Snowdon introducing baby David Linley to his grandmother, The Queen Mother, in 1961. A more recent example from 1989 shows the Princess wearing the brooch on a striking blue suit at the Trooping the Colour ceremony. The photographs depict the whole Royal family with Princess Margaret standing beside Princess Diana and her two young sons, Princes William and Harry, on the balcony of Buckingham Palace. During the 1930s and following on from the Art Deco, Cartier displayed a progressive attitude towards design, materials and palette choices. The rigidity of geometry was gradually lost to a flexibility of form that, as seen with this brooch, featured curves, volutes and loops, combined with unusual six-pointed cuts that livened up the usual sequence of stones. The introduction of semi-precious materials saw a preference for colour overtake the monochromatic palette of the previous decade. Black and white jewels set with diamonds, rock crystal, onyx or enamel gradually evolved to feature aquamarines, topaz and amethysts. This brooch made in 1932 is an early example of the evolution seen in design over the course of the coming decade and showcases the originality and foresight of Cartier at the time.
A Victorian gold and emerald set serpent necklace, circa 1860, the snake-link chain terminating in a serpent head clasp, with embossed foliate decoration, inset with three emeralds in collet mounts, with cabochon garnet eyes, suspending an emerald set heart-shaped pendant of conforming design, glazed locket compartment verso, contained in shaped fitted case, length 41cm. £2,800-£3,500 --- Serpent Jewellery The Ancient Egyptian culture was probably the first to heavily adopt the use of snakes in jewellery, seen as symbolising deity, status and loyalty. In Greek and Roman mythology, the snake continued to be a recurring theme, regarded by many as guardians of the underworld and later said to represent protection and healing. By Renaissance times, snakes was seen in a less positive light, the biblical story of Adam and Eve and the serpent in the Garden of Eden leading to more negative associations of evil or imminent danger. During the Victorian era, serpent inspired jewellery enjoyed a huge revival after Prince Albert in 1840 had designed an engagement ring for his bride, Queen Victoria, modelled as two serpents in an eternal circle and inset with an emerald (her birthstone). (At this time, it was popular to include birthstones in engagement rings, rather than diamonds). During the mid 19th century, when nature and symbolism had a powerful influence on jewellery design, serpents became synonymous with eternal love and became a popular motif, fashioned into necklaces, pendants, bracelets and rings.
A mid 19th century gold necklace and bracelet suite, circa 1840, composed of ornate repoussé work, the broad collar with central detachable brooch suspending three pear-shaped detachable drops ‘en girandole’ below, with bracelet en suite, necklace length 43.0cm, bracelet length 18.0cm, brooch width 6.0cm (lacking pin fitting to reverse), contained in fitted case. £4,000-£6,000 --- Jewellery design between 1820-40 closely followed the evolution of fashion and technical innovation. The generous décolletages of ball and evening gowns of the 1830s, with low sweeping necklaces and bare shoulders, plus large oversized puffed sleeves, favoured the wearing of substantial necklaces, brooches and long pendent earrings. Towards 1840, parures of elaborate scrollwork, stamped out of sheet gold, began to be the choice of the fashionable elite. Although manufactured out of thin gauge gold, these suites had the appearance of great substance. “This impression is however, somewhat deceptive, as the pieces are usually very light, cleverly achieving an opulent effect with the minimum amount of gold”. (Clare Phillips) See: Jewels & Jewellery by Clare Phillips, Thames & Hudson, V & A, pub. 2019, page 84.
A LARGE CAMEO AGATE ‘EAGLE AND BEAR’ SNUFFBOTTLE China, Qing Dynasty, 19th century Carved out of a semi-translucent light brown stone, the skin of the stone partially preserved to the front part and both carved and engraved to resemble an eagle and a bear. Very well hollowed. H: 6 cm Weight: 92,4 grams Notes: 1. The bear (xiong 熊) is not often depicted on Chinese charms and amulets but it is a powerful animal that the Chinese believe can invoke fear in evil spirits just as well as humans. It is sometimes shown, like on our snuffbottle, with an eagle because eagle or hawk (ying 鹰) and bear (xiong 熊) together sound just like the word "hero" (yingxiong 英雄). 2. See a related snuffbottle preserved at the Metropolitan Museum of New York (The Met), The United States of America, under accession number 14.40.448a, b, bequest of Benjamin Altman, 1913.“鹰与熊”玛瑙鼻烟壶中国,清代,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- natural veins and inclusions in the stone;- the below might have been polished down.
A SLIP DECORATED TERRACOTTA MODEL OF A HORSEChina, Tang DynastyThe horse naturalistically depicted standing four squares, on its back a removable saddle.H: 43,2 cmProvenance (according to seller): Dragon Culture Curio, Hollywood Road, Hong Kong, 2001.Note: The successful bidder will be provided with an Oxford Thermoluminescence analysis report with a result consistent with the suggested period of manufacture, dated 2002/01/21, smaple no. C102a7.陶俑 - 马中国,唐代[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- the left foreleg broken and re-glued;- desirable patina and colours;- the saddle removable;- three drilled holes for the Oxford test matching the description on the certificate (inner saddle, one below the neck, one below the back);- UV / black light checked.
*A SANCAI GLAZED TERRACOTTA / POTTERY GROOMChina, Tang Dynasty (618-907 AD)The standing groom with folded arms might have been originally pulling the reins of a horse. Its body all covered in three glazed, i.e. yellow, green and cream. Both its face and its boots left unglazed and rather slip decorated. Offered at auction together with a modern plexiglass stand. Provenance (according to the seller): Bought in January 2006 from Lam & Co Ltd.H (the sole sculpture): 22 cmNote: The successful bidder will be provided with an Oxford TL test, sample no. C205h55 dated 2005/11/11.三彩釉面赤陶俑中国,唐代(618-907)*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a long crack to its right side;- a broken and then glued part of the arm to the left arm;- two holes for TL test, one to the back of the head, one other under the back of the skirt (matching the Oxford certificate description);- UV / black light checked.
*A LONGQUAN CELADON ‘TWIN FISH’ DISHAttributed to Southern Song Dynasty, 13th centuryThe dish is potted with deep fluted sides carved with upright lotus petals on the exterior, rising to a flat everted rim. The interior is decorated with a pair of sprig-moulded fish. The dish is covered overall with an even glaze of bluish-green tone, with the exception of the foot ring which is burnt orange in the firing.H: 3,7 cm – D: 13,2 cmNotes:1. For related dishes see Sen Shu Tey, The Collection of Chinese Art, Tokyo, 2006, p. 59, no. 70, Nezu Museum, Heavenly Blue: Southern Song Celadons, Tokyo, 2010, p. 71, fig. 44 as well as Christie's, The Classical Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, Hong Kong, 2012, pp. 166-167, no. 68. Also see a related dish preserved at the Metropolitan Museum of Art of New York (The MET), The United States of America, under accession number 65.82.4.2. Please also see a related dish at Christie’s Hong Kong, China, 2015/12/02, lot 2806 sold for HKD2.260.000 BP incl.龙泉青瓷双鱼盘南宋,13世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - hairlines in the glaze;- minor chips to the footrim;- UV / black light checked;- wears.
*A BLANC DE CHINE / DEHUA MOLDED STANDING FIGURE OF THE SACRED HEART OF JESUSChina, Fujian, Dehua, Qing Dynasty, 18th to 19th centuryH: 35,7 cmProvenance (according to the seller): Bought in 1995/09/16 from Wan Feng, an antique shop located in Cat Street, Hollywood Road, Hong Kong, China.Notes: 1. The devotion to the Sacred Heart (also known as Sacratissimum Cor Iesu in Latin) is one of the most widely practised and well-known Catholic devotions, wherein the heart of Jesus is viewed as a symbol of "God's boundless and passionate love for mankind". This devotion is predominantly used in the Catholic Church.2. Compare with a related Dehua figure of Jesus preserved at The Victoria and Albert Museum (V&A), London, United Kingdom, under accession number C. 105-1963.德化白瓷圣心耶稣像中国,福建,德化,清代,18-19世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a few firing cracks (notably on the top of the right arm, on the below of the left arm, on the robe, to the below inner part);- a few original imperfections in the glaze;- one old chip to the back of the stand;- maybe a filled crack to the lower part of the robe to the back?
*A NEAR PAIR OF BLUE AND WHITE ‘FOUR GENTLEMEN’ PORCELAIN OVOID JARS China, Transitional period, 17th century Painted to their bodies with scattered sprays of lotus, orchid, bamboo, prunus, peony, chrysanthemum and insects. H (the biggest): 26,8 cm Notes: 1. The orchid, bamboo, plum and chrysanthemum are know as “The Four Gentlemen” (四君子, sìjūnzǐ). Each of them represents one of the seasons. All together, they represent a year. The plum and bamboo together signify friendship. A vase (瓶, píng) with flowers from all four seasons ( 四季, sìjì ) conveys the hidden meaning of peace for all the year (四 季平 安, sìjì píng'ān). 2. Compare with a single related vase at Christie’s London, United Kingdom, 2017/11/30 to 2017/12/07, lot 11, sold for USD4.375.近一对“四君子”瓷罐中国,过渡时期,17世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - the first one (the biggest), with one chip and a crack to the rim, as well as numerous firing cracks to the bottom going up to the lowest part of the vase;- the second (the smallest), with short firing cracks to the below, two minor chips to the below, one with a glued part, a crack and a chip to the rim;- UV / black light check;- a few short firing cracks in the glaze.
A SMALL INCISED WHITE-GLAZED `DEER' VASE, HUChina, 17th to 18th centuryThe small vase has twin stag-head handles and is incised with a spotted deer resting by lingzhi, and the reverse with a pine tree growing beside a rocky outcrop.H: 7,1 cmNote: Compare with an identical vase offered at Christie’s London, United Kingdom, 2018/12/05-13, lot 44, sold for GBP6.250 BP incl.白釉“鹿”花瓶、壶中国,17-18世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- broken then restorations;- also restorations in the stag horns and hears;- two minor chips to foot rim;- UV / black light checked.
A NEAR PAIR OF 'ICE CRACKING' PATTERN BLUE AND WHITE PORCELAIN JARSChina, Qing Dynasty, Kangxi periodBoth offered at auction with later wooden stands and lids, the lids not being identical.H (the biggest one, excl. stand and lid): 22 cm近一对冰裂蓝白瓷罐中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- one with a hairline starting from the rim visible both sides (inner and outer);- the other one with a tiny minor chip to the rim and with a few dark points (imperfections from the time of firing) within the glaze to the outer;- both lids with minor chips and cracks;- wooden lids are later replacements of original porcelain ones.
A GROUP OF TWO (2) BLUE AND WHITE PORCELAIN LIDDED TEAPOTSChina, Qing Dynasty, Kangxi periodBoth facetted, a bigger one and a smaller one, the biggest adorned with a floral spray while the smallest is adorned with ladies, their lids with lotus bud finials.H (the biggest one): 11,3 cm一组(2)个带盖青花茶壶中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:UV / Black light checked THE BIG TEAPOT:- tiny chip to spout;- 2 firing cracks to spout;- few chips to the lid (mostly inner part);- one chip to rim of the lid with a crack going both to the inner and the outer part;- minor lacks of glaze;- the inner part of the lid partly repainted (restoration? but does not pop up under black light)THS SMALL TEAPOT:- tiny chips to inner lid and inner rim of teapot;- a minor chip to the end of the spout as well as to its side.
A ‘THREE FRIENDS OF WINTER’ BLUE AND WHITE PORCELAIN BOWLChina, Qing Dynasty, Kangxi periodResting on a ring foot, with an everted rim, adorned with plum, bamboo and pine, also referred to as “The Three Friends of Winter”. A flower to the inner part. A square blue mark to the below, possibly that of a shop.H: 9 cm - D: 18,1 cmNote: Because they all can flourish during the winter, the pine, plum tree and bamboo are known as the Three Friends in Winter.“岁寒三友”青花瓷碗中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- imperfections in the glaze below;- tiny minor chips to rim;- UV / black light checked.
A GILT AND POWDER BLUE ‘HORSE RIDERS’ PHOENIX TAIL PORCELAIN VASE, FENGWEIZUN China, Qing Dynasty, Kangxi period Bears two antique dealers labels to the below. Offered at auction together with a matching wooden stand. H: 45 cm Provenance: - Pietro Accorsi Antichita, Torino, Italy;- La Chimera Antiquario, Italy.鎏金粉蓝“骑马者”凤尾尊中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- traces and remains of tape / adhesive next to the rim;- faded gilt design, vanished to some points;- see provenance labels to below;- a tiny minor "chip" / "point" to the rim;- maybe a restoration to the inner part of the rim (visible under eyes but not popping up with black light?).
A LARGE PALACE SIZED IRON RED DECORATED POWDER BLUE LIDDED VASEChina, Qing Dynasty, Presumably Kangxi periodOf baluster shape, topped by a lid with lotus bud shaped finial, covered all over with a powder blue glaze but for reserved medallions painted with iron red auspicious vases as well as various flowers. The below bears a cobalt blue hare mark within a double circle. Bears an old collector's label to the below reading "54".H: 60 cm粉蓝带盖大花瓶中国,清代,推测为康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light cheked;- some imperfections and bubbles in the glaze.
A PAIR OF FAMILLE VERTE ‘MAGPIE AND WILLOW TREE’ PORCELAIN PLATESChina, Qing Dynasty, Kangxi periodAdorned in famille verte enamels with a magpie perched on a willow tree and surrounded by flowers, including prunus. On the wing, four reserved medallions with fish. The reverse of the wing with a geometrical pattern as well as with flower sprig. Each with a cobalt blue double circle to the below.D: 23,5 cmNote: One can say “There is a happy magpie on the tip of the plum branch”, lit. “Xi Shang Mei Shao” (喜上梅稍) which sound exactly like “Xi Shang Mei Shao” (喜上眉稍), lit. happiness up to one's eyebrows". 一对“喜上眉梢”瓷盘中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- both with minor chips to the footrim;- one with a hairline to the rim, visible both sides.
*A PAIR OF CHINESE FAMILLE VERTE GARLIC-NECK BOTTLE VASESChina, Qing Dynasty, Kangxi periodEach brightly enamelled with tear-shaped floral panels alternating with pairs of floral sprays below bands of lappets and scrolls, and green cracked-ice-pattern on the garlic necks. One bears three labels to the below reading as follow: “S. Marchant & Son”, “K’ang His 1662-1722” and “SF86”.H: 21,3 cmProvenance (according to the owner and the labels):- Wing Tai Curios Center, Macao, 1986/06/06;- S. Marchant & Son, London, United Kingdom.Notes:1. It is said that those vases may have been down for the Islamic market.2. For a related pair of vases at public auction, please refers to Christie’s London South Kensington, 2013/07/02, lot 336, sold for GBD5.000 incl. BP.一对彩绘蒜颈瓶中国,清康熙年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV black light checked;- the first one with 2 original imperfections in the glaze to the rim (firing time) and minor firing cracks to below as well as MARCHANT label;- the second one with a light star hairline to the below and a few faded enamel points.
A DOUCAI ‘WANG XIZHI’ PORCELAIN CUP China, Qing Dynasty, Kangxi period Delicately potted with deep rounded sides resting on a countersunk base, the exterior brilliantly enamelled with a continuous scene depicting Wang Xizhi dressed in a red robe and seated on a willow tree trunk, gazing at a wild geese frolicking on a pond. The below inscribed with an apocryphal six-character Chenghua mark in underglaze blue within a double circle. H: 3,5c m- D: 6,6 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.Notes:1. Cups painted with this elegant design include one from the collection of Peter Boode, sold twice at Sotheby’s London, United Kingdom, 1974/12/2-3, lot 191, and 1977/07/05, lot 259, and another one sold at Sotheby’s New York, 2012/09/11, lot 42, for USD68.500 BP incl.2. For the prototype of this motif, see a pair of Chenghua mark and period cups, in the Palace Museum, Beijing, illustrated in Sekai toji zenshu/ Ceramic Art of the World, vol. 14, Tokyo, 1976, pl. 56.3. Wang Xizhi (王羲之, 303–361) was a Chinese calligrapher, politician, general and writer during the Jin dynasty, best known for his mastery of Chinese calligraphy and particularly remembered for one of his hobbies, that of rearing geese. Legend has it that he learned that the key to how to turn his wrist whilst writing was to observe how geese moved their necks.*斗彩“王羲之”瓷杯中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a tiny hairline to the inner rim of the cup.Provenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
*A COPPER RED ‘MYTHICAL BEASTS’ BOTTLE VASE China, Qing Dynasty, Kangxi period With a flat unglazed foot, a globular body and an elongated tubular neck. Painted around the pear-shaped body with a lion, a pixiu and a bixie, the eyes picked out in underglaze blue. Label to the below: “Martindale Chinese Art 2018, #17”. H: 15,4 cm Provenance: Martindale Chinese Art 2018, #17 Note: Compare with a related vase sold at Christie’s New York, ‘Chinese Art from The Art Institute of Chicago’, 2019/09/10-17, lot 2, sold for USD32.500.*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- the tubular neck might have been restored (but this is not popping up under UV light?);- look at the eyes of the beasts which have been picked up with cobalt blue;- provenance label to the below.
A DELICATELY AND FINELY PAINTED ‘MAGPIES AND MAGNOLIA’ PORCELAIN WINE CUP China, Qing Dynasty, Probably 17th to 18th century Resting on a short ring foot, with an verted rim, the outer delicately painted in light blue with a couple of flying magpies as well as with flowers, the inner part also with flowers, the below inscribed with an underglaze blue four-character kaishu mark within a double square starting by ‘奂若XX’ (Huàn rue XX).H: 3,6 cm - D: 6,4 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- faded cobalt blue double ring to the inner part;- a tiny dot in the glaze to the outer of the cup.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A SMALL APPLE-GREEN- CRACKLED-GLAZED MEIPING VASEChina, Qing Dynasty, Presumably Kangxi periodThe miniature vase resting on a short unglazed ring foot, the piece all covered with an apple-green-crackled-glaze.H: 10,6 cmNote: Compare with a related meiping vase at Freeman’s Philadelphia, 2017/09/09, lot 276, sold for USD3.900 BP incl.*开片苹果绿小梅瓶中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked.
A GREEN GLAZED PEACH SHAPED ‘CADOGAN’ BISCUIT TEAPOTChina, Qing Dynasty, Kangxi periodNaturalistically shaped as a peach of longevity, resting on a short ring foot, the lower part of the front side with molded leaves. H: 10,5 cm*绿釉桃形茶壶中国,清康熙年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- tiny chips to the point of the spout;- tiny chips to the rim of the conical piece up to the handle;- a tiny chip to the ring foot as well as maybe a tiny chip re-glued to the foot ring;- black "stains" around the conical piece and the top of the handle (does not pop up under UV light so maybe original).
A SMALL FAMILLE ROSE PALETTE ‘LOTUS POND’ PORCELAIN VASEChina, Qing Dynasty, Yongzheng periodResting on a spread foot, with an elongated globular body and a trumpet neck. Adorned in famille rose enamels with a lotus pond.H: 18.6 cm”莲池“瓷花瓶中国,清雍正时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- two lines going around the body;- an old chip to the exterior of the foot;- one old chip to the body;- a few losses of enamels;- UV / black light checked;- imperfections in the glaze, notably inner neck.
A ‘LOTUS POND’ FAMILLE ROSE PORCELAIN BRUSHPOT, BITONGChina, Qing Dynasty, Yongzheng periodAdorned in vivid green, blue, yellow and pink enamels with lotus flowers and nenuphars in a pond.H: 12,4 cm - D: 10 cm粉彩“莲池”笔洗,笔筒中国,清雍正年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a few losses of enamels.
A FAMILLE ROSE PALETTE ‘EIGHTEEN LUOHANS’ PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, Qing Dynasty, 18th centuryResting on a ring foot, with an elongated rouleau shaped body and a trumpet neck. Adorned in Famille Rose enamels with eighteen luohans in various positions and with various symbols, one handling a globular vase from which emanates clouds amidst which is a flying dragon. On the neck, a budai with plating boys. A double underglaze cobalt blue circle to the below.H: 50,3 cm"十八罗汉"花瓶中国,清代,18世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- broken and very well restored;- see pictures of the inner part with visible cracks as well as the few visible cracks from the outer to assess restoration.
A FAMILLE ROSE PALETTE ‘LADIES AND BOYS’ PORCELAIN VASEThe porcelain: China, Qing Dynasty, 18th century, Qianlong periodThe mount: of gilt copper, France, 19th centuryThe vase resting on a ring foot, with a globular body, a garlic neck. Adorned with Famille Rose enamels with ladies and boys on the body, with birds and flowers on the neck. With a European gilt copper mount.H (the sole vase, approx.): 24 cm粉彩“女子和童子”瓷瓶瓷器部分:中国,清乾隆年间,18世纪镶嵌部分:铜制,法国,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- three probably stains and not restorations (?) popping up under UV light (see pictures);- possibly drilled, but we have not been able to remove the mount;- stains around the body;- faded enamels to some points.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN BALUSTER TWO-HANLDED VASEChina, Qing Dynasty, Qianlong incised mark and possibly of the periodOf urn form and raised on a spreading foot, with a bow-string border below the shoulder and a pair of trailing scroll handles flanking the neck, the exterior covered with a glaze of crushed red color streaked in purple and milky blue and thinning to mushroom on the handles.H: 23 cmNotes:1. Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.2. Compare a closely related flambé-glazed vase, also with an incised six character Qianlong mark and of the period, at Sotheby’s New York, The United States of America, in Important Chinese Art on 2018/03/21, lot 538, sold for USD162.500 BP incl., and another, also described as Imperial, at Christie’s New York in The Marie Theresa L. Virata Collection of Asian Art: A Family Legacy on 2017/03/16, lot 614, sold for USD223.500 BP incl.双柄瓷花瓶中国,清朝,乾隆款识Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- chips to the footrim and to the glaze near the footrim.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN PEAR-SHAPED VASE, YUHUCHUPINGChina, Qing Dynasty, 18th to 19th centuryAll covered, but the foot rim, with a dark purple glaze with lavender splashes.H: 23,5 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.玉壶瓷瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- nothing noticed but look near the foot and the footrim for imperfections in the glaze.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN BOTTLE VASEChina, Qing Dynasty, 18th to 19th centuryResting on a high ring foot, with a globular body and a tubular neck. All covered, but the foot rim, with a red glaze with lavender splashes.H: 22,4 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.釉面瓷花瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- chips to the unglazed foot;- missing enamel parts to the outer part of the foot;- UV / black light checked.
A MONOCHROME FLAMBE / TRANSMUTATION GLAZED PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, Qing Dynasty, 18th to 19th centuryAll covered, but the foot rim, with a red glaze with lavender splashes.H: 20,8 cmNote: Flambé glazes derive from the Jun wares of the Song Dynasty (960-1279), a glaze that was first revived during the Yongzheng period and remained popular throughout the Qing Dynasty.釉面瓷花瓶中国,清代,18-19世纪Provenance: PROPERTIES FROM AN IRISH COLLECTORA COLLECTION OF FLAMBE / TRANSMUTATION WARE PORCELAIN VASES[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- chips to the unglazed foot;- missing enamel parts to the outer part of the foot;- cracks in the thick cover near the foot.
A PEACHBLOOM GLAZED ‘WILLOW-LEAF’ VASE, LIUYE ZUNChina, Qing Dynasty, 19th centuryThe slender vase has tall rounded shoulders rising to a trumpet neck, all under a peachbloom glaze. The below inscribed in cobalt blue with an apocryphal six-character mark of Kangxi in kaishu. Offered at auction with a matching wooden stand.H: 13,7 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- misfired dark points in the glaze;- UV / black light checked.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A SMALL PEACHBLOOM GLAZED BOTTLE VASEChina, Qing Dynasty, 19th centuryWith a globular body rising to a tubular neck, all under a peachbloom glaze. The below inscribed in cobalt blue with an apocryphal six-character mark of Kangxi in kaishu.H: 12,5 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A CONICAL SHAPED TRANSMUTATION GLAZED BRUSHWASHERChina, 18th to 19th centuryOf conical shape, resting on a double ringed foot, the body all under a flambe glazed with lavender accents. Offered at auction together with a wooden stand.H: 4 cmProvenance (according to the seller): Bought in Canada by the seller (Canadian based) from a renown Estate: Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.Condition Report: Condition report:- UV / black light checked.Provenance (according to the seller):- Bought in Canada by the seller (Canadian based) from a renown Estate:Lt. Colonel Alec Reid M.D. DSO, OBE, (1880-1960), ex chief medical officer for the British army in the early 1900’s to the late1940’s. His father started the collection in the 1800’s and he continued acquiring until the late 1940’s.
A ROBIN’S EGG GLAZED PORCELAIN MEIPING VASEChina, Qing Dynasty, 18th to 19th centuryHeavy potted, all covered with a tick robin’s egg glaze of lavender tone with purple accents, the footrim left unglazed. The below bears two old collector’s labels.H: 39 cm青釉梅瓶中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- small firing cracks to footrim;- a few parts not covered by the thick glaze around the foot;- UV / black light checked.
A ROBIN'S EGG GLAZED YIXING VASE BEARING THE SEAL OF GE MINGXIANG 葛明祥China, 19th century or earlierOf globular ribbed shape, shaped as a water melon, all covered with a thick and vibrant robin's egg glaze, the below stamped with the mark Ge Mingxiang (葛明祥) within a double square.H: 18 cmNotes:1. For a related vase at auction, see Sotheby's Paris, 2018/12/11, lot 250.2. A related vase is housed in the collection of the Victoria & Albert Museum under the accession number 295-1905.3. For an academic article on this topic, see Kerr, Rose "Yixing Wares in the V&A" in Orientations, Vol.14, no. 10, October 1983.青色釉面花瓶带有“葛明祥”款识中国,19世纪或早期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- bubbles in the glaze (imperfections from the time of firing);- one point to the shoulder near the rim with a bubble ending in a minor loss of enamel.
A ROBIN'S EGG GLAZED YIXING VASE BEARING THE SEAL OF GE MINGXIANG 葛明祥China, 19th century or earlierAll covered with a thick and vibrant robin's egg glaze, the below stamped with the mark Ge Mingxiang 葛明祥 within a double square.H: 35 cmNotes:1. For a related vase at auction, see Sotheby's Paris, 2018/12/11, lot 250.2. A related vase is housed in the collection of the Victoria & Albert Museum under the accession number 295-1905.3. For an academic article on this topic, see Kerr, Rose "Yixing Wares in the V&A" in Orientations, Vol.14, no. 10, October 1983.青色釉面花瓶带有“葛明祥”款识中国,19世纪或早期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- maybe a few chips to the thick glaze near the foot;- a misfired point next to the foot;- two unease to the rim, though not chips, but imperfections from the time of firing.
A SMALL GUAN TYPE SHALLOW CIRCULAR WINE CUPChina, Qing Dynasty, Presumably 18th centuryThe small circular cup resting on a short unglazed ring foot, the piece all with a thick celadon glazed with a double network of crackles, the so-called ‘iron thread’ and ‘gold thread’.H: 3,2 cm – D:7,5 cm官窑小浅圆酒杯中国,清代,可能为18世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a short little crack on the rim.
A FRAGMENT OF AN IMPERIAL YELLOW, AUBERGINE AND GREEN ENAMELLED RELIEF DECORATED PORCELAIN VASEChina, Qing Dynasty, Daogang mark and of the periodThis anciently kintsugi-restored fragment of a vase of lantern shape is adorned with relief moulded vases with garlick necks. It is all covered with a beige yellow glaze but for the moulded vases which are enamelled in aubergine and green tones. One side of the vase is engraved with the wish “吉祥如意”, lit “Good Luck and Happiness”. The below is engraved with a six-character seal / zhuanshu mark of Emperor Daoguang. Around that mark, another wish is engraved, “吉庆平安”, lit. “Happiness and Safety”.H: 21 cm黄,紫及绿色珐琅浮雕装饰花瓶残片中国,清代,道光年制标记及时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- missing its neck;- broken and missing parts;- old Japanese gold restoration (kintsugi);- also restoration to the neck;- minor wears and scratches to the surface;- a conical shaped within the vase, possibly it has been a revolving vase;- UV / black light checked.
A FAMILLE ROSE PALETTE ‘SHOU AND KUI DRAGONS’ FOLIATE RIM PORCELAIN BOWLChina, Qing Dynasty, 19th century, Possibly Daoguang periodAdorned in famille rose enamels with coiled kui dragons, bats, ruyi and lotus petal. The below inscribed in iron red with a four-character mark of Emperor Daoguang within a square and possibly of the period.H: 9 cm – D: 19,8 cm粉彩叶缘瓷碗中国,清代,19世纪,可能为道光年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - one long crack / hairline going both sides starting from the rim;- UV / black light checked;- wears and minor losses of enamels;- a blister (boursouflure in French);- UV / black light checked.
A MIRROR PAIR OF FAMILLE ROSE ‘WU SHUANGPU’ PORCELAIN VASESChina, Qing Dynasty, Daoguang periodBoth of baluster hexagonal shape with hydra dragon applied handles to the neck, identically enamelled with historical figures from the “Table of Peerless Heroes” as well as with long-lasting calligraphies.H: 24,5 cmNotes:1. The historical figures depicted on those vases are Liu Chen (劉諶, 220-265), Prince of Beidi, the fifth son of Liu Shan, the second ruler of Shu Han during the Three Kingdoms period, and Yang Hu (221-278), a general of the Jin Dynasty, known for his humility and foresight.2. The “Wu Shuang Pu” (無雙普), i.e. the “Table of Peerless Heroes”, is a book of woodcut prints, first printed in 1694. This book contains the biographies and imagined portraits of 40 notable heroes and heroines from the Han Dynasty to the Song Dynasty, all accompanied by a brief introduction and guided by a related poem in yuefu style. The illustrations from the book were widely distributed and re-used, often as motifs on Chinese porcelain.一对“吴双普”瓷瓶中国,清道光时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- one with a chip;- one with a restored applied handle;- one with a firing crack to the inner part;- few faded enamels notably a few inscriptions;- few losses of enamels, minor ones;- second one vase may also have a single handle restored, not sure though, not visible under black light.
A COBALT BLUE DECORATED CELADON GROUND ‘MAGU AND RAFT’ PORCELAIN BOTTLE VASE, TIANQIUPINGChina, Qing Dynasty, Presumably Daoguang periodOf bottle shape with a globular body and a tubular neck, this vase is all covered with a celadon glazed ground against which a decor is depicted in cobalt blue. This décor show the goddess Magu (麻姑), one of the Eight Daoist Immortals, on her raft together with attendants and a deer.H: 43,7 cmNotes:1. Magu is associated with the elixir of life and is a symbolic protector of women in Chinese mythology. Stories in Chinese literaturedescribe Magu as a beautiful young woman with long birdlike fingernails, while early myths associate her with caves. Má gū xiàn shòu (麻姑獻壽), i.e. “Magu gives her birthday greetings” is a popular motif in Chinese art.2. Compare with a related vase at Christie’s South Kensington London, United Kingdom, 2013/05/15, lot 622 sold for GBP3.500 BP incl.“麻姑献寿”天球瓶中国,清代,推测为道光年间[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- some tiny dark dots in the glaze;- wears and scratches;- a tiny minor chip to the rim;- drilled to the bottom.
A LARGE FAMILLE VERTE ‘LAN CAIHE’ PORCELAIN BALUSTER VASEChina, Qing Dynasty, 19th centuryResting on a spread foot, with an elongated ovate body and a trumpet neck applied with two root shaped handles. Adorned in polychromed enamels notably with a large basket of flowers, i.e. that of the Daoist immortal Lan Caihe (藍采和).H: 44,5 cm粉彩“蓝采和”大花瓶中国,清代,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: UV / black light checked.
*A PAIR OF ‘DRAGON’ LIME GREEN PORCELAIN PLATESChina, Qing Dynasty, Guangxu mark and of the periodBoth identically adorned to the center with an incised decor of two five-claw dragons flying amidst clouds in pursuance of the flaming pearl below a desirable lime green glaze, the reverse of the wing also with an incised decoration, that one depicting flying cranes amidst clouds, the belows inscribed in cobalt blue and in kaishu with a six-character mark of Emperor Guangxu. Also included is a third identical plate. D (the biggest): 14,5 cmNote: Compare with a very close dish, Tongzhi mark and period, offered at Christie’s London South Kensington, United Kingdom, 2010/05/14, lot 442, sold for GBP6.250 BP incl. Also compare with a related pair of lime green bowls sold at Sotheby’s New York, The United States of America, 2017/03/18, lot 1014, for USD18.750 BP incl.一对龙纹柠绿瓷盘中国,清光绪年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- the first one with a short hairline starting from the rim;- the second one with a minor chip to the rim and a few imperfections to the footrim;- the third and last one, the joined one, with a more important chip and missing part to the rim;- UV / black light checked.
*A MASSIVE PALACE SIZED ‘TWIN DRAGONS’ PORCELAIN FISHBOWLChina, Late Qing Dynasty, Guanxu periodAdorned in vivid enamels with two five-claw dragons flying amidst clouds in pursuance of the flaming pearl, a blue one and a pink one, both against a light turquoise glazed ground.H: 47 cm - D: 53 cm宫廷大“双龙”瓷鱼缸中国,晚清光绪年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a chip to the rim, restored both to the inner part and to the outer part with a few addition of enamels;- a few losses of enamels, mostly around the foot;- scratches.
A PAIR OF PALACE SIZED DAYAZHAI STYLE ‘DRAGON’ PORCELAIN FISH BOWLS TOGETHER WITH OLD HARDWOOD AND BURR WALNUT STANDS China, Qing Dynasty, 19th centuryAdorned in famille rose enamels, the outer parts with five-claw dragons flying amidst clouds in pursuance of the flaming pearl against a turquoise blue ground enhanced with a flower spray, the inner parts also with a dragon and with Mandarin ducks frolicking on a lotus pond. Offered at auction together with old and refined mixed-wood stands. Dimensions: - the fishbowls: H: 48 cm - D: 55,5 cm - the stands: H: 37,5 cm - D: 36 cmNote: The use of the turquoise ground and the global palette of colours reminds may be linked with the ‘dayazhai’ wares (大雅齋), a production associated with the Dowager Empress Cixi.一对带硬木及胡桃木支架的大龙纹鱼缸中国,清代,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- maybe a few re-painted points (see UV pictures);- dark stains in the glaze to several parts;- on the first one, a "crack" in the glaze near the foot and 2 chips to below;- on the second one, a few firing cracks and maybe minor chips to below;- both stands WITH PROVENANCE;- both stands partially glued, one with the top with cracks.
A QIANJIANG CAI ‘SANXING GODS’ PORCELAIN SQUARE VASE IN THE MANNER OF CHENG MEN (1833-1908), CONGChina, Republic / Minguo periodOf archaistic square shape (cong), resting on a circular foot, with a square body applied with two moulded elephant handles with rings, and a circular neck, adorned in famille rose enamels, two opposite sides with the triad of Star Gods and boys attendants, the two other opposite sides with calligraphies. H: 27 cm – Side: 12 cm浅绛彩“福禄寿三星”方瓶、琮中国,现代/民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- faded enamels to some parts;- the bottom drilled to be mounted as a lamp;- UV / black light checked.
A PAIR OF MIRROR FAMILLE ROSE PALETTE ‘LADY QIU XIANG’ OR ‘TONG BOHU THREE SMILES MARRIAGE’ ROULEAU VASESChina, 20th century, Possibly Republic / Minguo periodOf rouleau shape, resting on a spread foot, with an everted rim. One adorned with a beautiful lady holding a fan, i.e. the renowned prostitute Lady Qiu Xiang, the other one adorned with a young man also holding a fan, i.e. Tong Bohu also known at Tang Yin. Both inscribed with a long-lasting calligraphy describing the subject. Both bearing two identical seals, one reading “三希堂製”, lit. and “Made of the Sanxi Hall”, the other one reading “石渠宫精鉴玺”, the Shiqu palace imperial seal. Both inscribed with in cobalt blue with an apocryphal four-character Qianlong mark within a double square to the below.H: 19,6 cmNotes: The “Tang Bohu Dian Qiuxiang” (唐伯虎點秋香), lit. “Tang Bohu / Tang Yin orders (or buys) Qiuxiang” (三笑姻緣), also known as the “San Xiao Yinyuan”, lit. “The Three Smiles Marriage” is a folk legend whose main characters are Qiu Xiang (秋香), a renowned prostitute from Nanjing whom lived during the Ming Dynasty and was born in Chenghua, and Tang Bohu also known as Tang Yin (1470-1523), a famous painter from Suzhou. It is said that Tang Yin orders Qiuxiang whom he married. This story is currently a well-known subject of the Cantonese operas.一对粉彩"唐伯虎点秋香"花瓶中国,20世纪,可能为现代/民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- faded enamels to several parts;- a light hairline to one;- a light hairline to the other (visible from the inner part).
A FINELY PAINTED FAMILLE ROSE PALETTE ‘MEIREN AND CRANE’ PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, 20th centuryResting on a ring foot, of elongated ovate shape, with a tubular neck and an everted rim. Very finely painted in Famille Rose enamels with Meiren in loose robes on a bamboo raft amidst crashing waves holding a vase with chrysanthemums, another vase with chrysanthemums on her right, a crane grasping a peach sprig on her left. The below inscribed in cobalt blue with an apocryphal six-character Guangxu mark in kaishu.H: 34 cm粉彩“美人与鹤”花瓶中国,20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few losses of enamels (see the crane);- UV / black light checked.
A MASSIVE COBALT BLUE DECORATED YELLOW GROUND ‘LOTUS AND EIGHT TREASURES OF BUDDHISM’ PORCELAIN VASEChina, 20th centuryOf archaistic hu vessel shape, resting on a tall spread foot, with a globular body flanked by two beast face shaped handles and with a trumpet neck. Adorned in gilt-enhanced underglaze cobalt blue with bands of lotus as well as with “The Eight Treasures of Buddhism” against a yellow ground, with stylised lotus petal to the base of the vase and crashing waves to the foot and to the rim. The below is all covered in light blue and centred by an apocryphal cobalt blue six character seal / zhuanshu mark of Emperor Qianlong. The inner part is also covered in light blue.H: 50 cmProvenance: A private collection, Nice, French Riviera, France.大“莲花八宝”瓷供瓶中国,20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- some chips, notably one to the rim and some to the moulded handles;- a small point repaired in enamels around the neck.
A FAMILLE VERTE ENAMEL BISCUIT PORCELAIN MODEL OF A PARROTChina, Qing Dynasty, 18th to 19th centuryNaturalistically molded as a quail standing on a non-enamelled biscuit porcelain base with holes, possibly to hold joysticks. The bird is enamelled in famille verte enamels.H: 19 cm粉彩“鹦鹉”模型中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a few firing cracks to the base;- may a few tiny chips in the bird paws;- a restoration to the beak.
*A CHINESE EXPORT PORCELAIN TURQUOISE AND BLACK CAT NIGHT LIGHTChina, Qing Dynasty, 19th centuryThe recumbent is covered all over with a turquoise glazed ground against which is a black zebra pattern. The inner part of the cat would have been set with a candle which light would have come through the eyes, the ears and the back of the feline.H: 10,4 cm – L: 20 cm – w: 14,3 cmProvenance (according to the seller): Bought in 2003 from the closing sale of Charlotte Horstmann & Gerald Godfrey Ltd., Hong Kong, China.Note: Cat nightlights were made as early as the late Ming period. Two blue and white examples were found in the first Hatcher cargo (sold Christie's, Amsterdam, 14 March 1984, lots 279 and 280.) The French Jesuit Père d'Entrecolles was famously struck by the form on his Kangxi period visit to Jingdezhen.中国出口绿松石黑猫瓷夜灯中国,清代,19世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: UV / black light checked.
A PAIR OF FAMILLE ROSE ‘PARROT ON A PERCH’ LIDDED VASESTHE DESIGN ATTRIBUTED TO CORNELIS PRONK (1691-1759) Possibly China, 19th or 20th century A pair of baluster porcelain vases, probably part of a five-piece garniture, adorned in the famille rose palette with a parrot on a perch suspended from a melon-form ornament, the bird chained to the stoop and with colourful plumage, the right talon grasping a cherry sprig, with a blue border at the flared mouth and foot. H: 35 cm Notes: 1. This design is often attributed to Cornelis Pronk but the direct evidence is still lacking. However, the 'parrot' pattern can also be found on Makkum earthenware as well as Meissen porcelain from the 18th century. The present examples were probably part of a five-piece garniture, such as the set illustrated in William R. Sargent, Treasures of Chinese Export Ceramics from the Peabody Essex Museum, Massachusetts, 2012, p. 248, no. 123. Also compare with a related pair of beaker vases offered at Bonham's London, United Kingdom, 2018/11/06, lot 622, priced at GBP3.000-5.000.2. In the Shan Hai Jing (山海经) or Classic of the Mountains and Seas from the period of the western Han (202 BC-220 AD), the yingmu (parrot) is described thus: ‘The parrot is a happy bird... Inside a cage, happy on its own, A secluded branch becomes its throne.’一对粉彩“栖息鹦鹉”带盖花瓶由荷兰瓷器设计师科内利斯· 普朗克设计中国,清代,19-20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: UV / black light checked.
A CLOISONNE ENAMEL ‘LOTUS’ ARCHAISTIC JAR, HUChina, Ming Dynasty, 16th or 17th century he pear-shaped vase is finely enamelled around the globular body, shoulder and neck with registers of large lotus blooms borne on leafy meandering scrolls, all supported on a tall, splayed foot similarly decorated. The shoulders are applied with a pair of enamelled Taotie mask handles suspending flattened, loose rings that bear enamelled decorations as well. H: 36,2 cmWeight: Note: For a related cloisonné jar at public auction, please refers to Zacke Vienna, 2021/03/05, lot 1, sold for €13,904 incl. BP. Also see Sotheby’s Hong Kong, 2015/04/07, lot 3727, sold for HKD250.000 incl. BP.景泰蓝 “莲花”仿古罐中国,明代,16-17世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a rare vase in that condition together with original handles;- foot and rim lightly distorted;- a few losses of enamels;- a few small restorations (around the rim and the foot notably).
*A CLOISONNE TOAD SHAPED JOYSTICK HOLDERChina, Qing Dynasty, Possibly Jiaqing periodShaped as a kneeling four-legged frog, its mouth open meant at being a joystick holder, its below with a sapeque / coin.H: 7,7 cmWeight: 166 gramsNote: This joystick holder is either shaped as a frog or as a toad. The frog (蛙, wā) is a symbol of fertility because it has the same pronunciation as the word for baby (娃, wá). The Chinese for "toad" is pronounced chánchú (蟾蜍), sometimes shortened to just chán (蟾). In some Chinese dialects the pronunciation of "toad" (chán) is very similar to that for "coin" (钱, qián).景泰蓝蟾蜍型手柄中国,清代,可能为嘉庆年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- faded gilt to several points;- minor scratches;- a few tiny minor lacks of enamels;- UV / black light checked.
A PAIR OF ‘FLOWER SPRAY’ CLOISONNE WINE CUPS AND A WARMERS Qing Dynasty, Likely Jiaqing period The footrim of the cup fitting snugly into the mouth of the associated bulbous warmer, the cup with flaring sides rising to a gilt rim, the exteriors of both decorated with a similar flower spray. The below of one cup bears a label. H: 10,1 cm Notes: 1. One similar cup and warmer set was sold at Sotheby’s New York, The United States of America, 2013/03/19, lot 328 for USD10.000. 2. Another similar cup and warmer set was sold at Christie's London, United Kingdom, 1983/03/30, lot 68.一对景泰蓝“散花”酒杯及温酒器清代,可能为嘉庆时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- bubbles in the cloisonné;- maybe a few minor losses of enamels (we have not seen any with our eyes but it can happen);- lightly distorted rim;- faded gilt to several parts as well as minor scratches and wears.
A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers and birds against a red ground. The below bears the mark De Sheng / 德成 as well as a an old label both inscribed in Chinese Mandarin and French describing the work of the studio.H: 36,2 cmweight: 2000 grams Note: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few losses of enamels;- UV / black light checked;- a restored part.
A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers against a black ground. The below bears the mark De Sheng / 德成.H: 24,3 cmNote: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- little “chips” to the rim notably;- faded gilt to several points including the below;- scratches to the below.
A HEAVY CASTED DARK PATINA BRONZE INCENSE BURNER AND STAND, LUChina, Qing Dynasty, 18th to 19th centuryResting on three short feet, with a compressed belly and two handles, all covered with a crusty dark brown patina, the below with a cast with an apocryphal mark of Emperor Xuande on this columns within a square. Resting on an open-worked ‘plum blossoms’ stand.H (on stand): 8,7 cm – D: 14 cmWeight: 1465 grams重铸古铜香炉及支架中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- crusty patina;- wears and scratches, nothing major;- stand lightly distorted.

-
534297 item(s)/page