MICHAUX, François Andre (1770-1855). Travels to the Westward of the Allegany [sic] Mountains. London: Richard Phillips, 1805.8vo (210 x 226 mm). Folding frontispiece map (outer margin of map creased.) 20th-century green leather-backed blue cloth, spine gilt-lettered (spine sunned, light wear to joints). Later edition, abridging the second English edition, a new translation from the French which differs from the 1805 Mawman and Crosby issues. Howes M-579; Sabin 48706. Property from the Estate of Mary Patricia Reynolds, Bowling Green, KentuckyFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
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WASHINGTON, George (1732-1799). Address panel with autograph free frank signed ("G:o Washington"), as Commander in Chief of the Continental Army, 5 August 1777. 1 page, oblong 8vo, 3 x 6 1/2 in., dated along left edge, matted and framed with edges visible, unexamined out of frame. An address panel to Colonel George Baylor. Provenance: Charles Hamilton authenticity label and wax seal on back of frame. A FINE WASHINGTON FRANKING SIGNATURE on an address panel addressed in a different hand, intended for Colonel George Baylor "of a Regt. of Horses near Fredericksburg Virginia." Baylor served as Washington's first aide-de-camp during the Revolutionary War. He was later appointed to lead the 3rd Regiment of Continental Light Dragoons, which often served as escort for Martha Washington. SIGNED BY WASHINGTON AS DELEGATES BEGAN SIGNING THE DECLARATION OF INDEPENDENCE.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CAESAR, Caius Julius (100-44 B.C.). [The Commentaries]. Commentarii. Milan: Philippus Lavagna, 1478. Folio (311 x 224 mm). Collation: a–p?qr?. 132 leaves with fol 132, blank (of 152, lacking 20 leaf index, comprising A-B8 C4). 42 lines, headlines in manuscript throughout. Type: 112R. Capital spaces with guide letters. 19th century calf gilt (joints starting, some light wear). Provenance: early manuscript headlines, foliation and marginal annotations (marginal annotations occasionally trimmed); John Shepard Eells, Jr. (armorial bookplate). Reprinted from Zarotus' 1476 edition, omitting P. J. Philelphus' dedication. RARE: according to online records, only one copy of this edition has sold at auction in the last 40 years (sold Lawrence, 17 January 2006, lot 228). BMC VI, 706; BSB-Ink C-26; Goff C-20; GW 5867; Hain 4216; ISTC ic00020000 (citing only 24 institutional holdings).Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CHAGALL, Marc (1887-1985). -- ELUARD, Paul (1895-1952). Le Dur Desir de Durer. Stephen Spender and Frances Cornford, translators. Philadelphia and London: The Grey Falcon Press, The Trianon Press, 1950. 4to. Color frontispiece printed by Daniel Jacomet under Chagall's supervision, 25 illustrations. Original printed wrappers with illustration by Chagall on upper cover, original glassine (light toning, slight chipping to spine). FIRST EDITION, LIMITED ISSUE, number 732 of 750 copies printed for the Trianon Press, of a total edition of 1,500. Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[CAVENDISH, George (1500?-1562)]. The Negotiations of Thomas Woolsey, the Great Cardinall of England... London: for William Sheeres, 1641. Small 4to (185 x 142 mm). Engraved portrait frontispiece, woodcut ornament on title-page; with final blank. (Some spotting or soiling.) Contemporary mottled calf, later red morocco lettering-piece gilt (cover slightly bowed, some light wear). Provenance: Bent Juel-Jensen (1922-2006), physician and book collector (bookplate). FIRST EDITION, previously attributed to George Cavendish's older brother, Sir William Cavendish. George Cavendish entered into service for Cardinal Wolsey in 1522, and remained a close member of the household until Wolsey's death in 1530. ESTC R19386; STC C1619A (a variant with "Sheeres" instead of "Sheares" in the imprint; the text setting is the same).Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
FOLON, Jean-Michel (1934-2005). Affiches de Folon. Geneva: Alice Editions, 1978. Folio. Original color etching in aquatint SIGNED AND NUMBERED BY FOLON in pencil lower margin 156/200. 25 reproductions of posters by Folon, loose as issued in original portfolio. Original printed cardboard wrappers with cloth ties (some light fraying to ties). LIMITED EDITION, number 156 of 200 copies. Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
ARIOSTO, Ludovico (1474-1533). Orlando Furioso. Venice: Zatta, 1772-1773. 4 volumes, 4to (277 x 203 mm). Engraved frontispiece, engraved portrait, 56 engraved plates, 4 engraved title-pages, engraved vignette head-pieces, engraved initials. (A few minor mostly marginal stains, otherwise fine.) Contemporary half calf, marbled boards, smooth spine gilt, olive morocco lettering-pieces gilt, edges stained blue (some light wear primarily to edges). Provenance: Giuseppe Maganzi da Lorenzo Lapi (18th century letterpress bookplate). THE FINE ZATTA ILLUSTRATED EDITION, with allegorical frontispiece designed and engraved by Pietro Antonio Novelli, four engraved title-pages with elaborate ornamental borders of weapons, shields and armor engraved by Giuliano Zuliani after Novelli, an oval portrait of Ariosto engraved by G. Daniotto, and numerous plates after Passega and Carri engraved by Baratti, Daniotto, Leonardis and others. Morazzoni 213.Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
LEGER, FERNAND (1881-1955). -- RIMBAUD, Arthur (1854-1891). Les Illuminations. Lausanne: Grosclaude Editions des Gaules, [1949].Folio. 15 lithographs (13 with pochoir). (Minor offsetting of plates to text.)Loose as issued in original printed wrappers (tear with small loss to spine end); original publisher's board portfolio (minor soiling, some light wear to joints with minor losses).LIMITED EDITION, number 232 of 275 copies SIGNED BY LEGER and the editor Louis Grosclaude on Papier Velin Teinte of a total edition of 395. Saphire 24-38.Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CERVANTES SAAVEDRA, Miguel de (1547-1616). [Don Quixote]. The History and Adventures of the Renowned Don Quixote. Tobias Smollett, translator. London: for A. Millar and others, 1755. 2 volumes, 4to (285 x 221 mm). 28 engraved plates. (Some minor browning or spotting.) Contemporary sprinkled calf, contemporary brown morocco lettering-pieces gilt, later tan morocco lettering-pieces gilt (some light wear, joints starting). Provenance: Arthur Mullin (bookplate). Illustrated edition with engraved plates after Hayman. "Hayman was the most proficient English illustrator of his time, and this is his best book" (Gordon N. Ray, The Illustrator and the Book in England, p.5). Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
MOURLOT, Fernand (1895-1988). Souvenirs et portraits d'artistes. Paris: [Alain A. C. Mazo], 1972.Folio. 25 original lithographs (19 in color) by Braque, Buffet, Chagall, Giacometti, Matisse, Miro, Picasso, and others. (Light offsetting from a few plates.) Loose as issued in printed paper wrappers portfolio (slight toning to wrapper); linen folding case. LIMITED EDITION, number 616 of 800 copies. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
PICASSO, Pablo (1881-1973). -- MOURLOT, Fernand (1895-1988). Picasso Lithographe. Monte Carlo: Andre Sauret, Editions du Livre, 1949, 1950, 1956, 1964. 4 volumes, folio. 4 original lithograph frontispieces by Picasso, numerous reproductions. Original lithographed paper wrappers by Picasso (a few hinges starting, slight wear to spine ends); original glassines (light wear to extremities, some tearing with losses to vol.II and III). FIRST EDITIONS. Vol.I, LIMITED ISSUE, number 1,154 of 2,500 copies. Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CHAUCER, Geoffrey (1340?-1400). [The Woorkes of Geffrey Chaucer, Newly Printed, with divers addicions...] London: Jhon Kyngston for Jhon Wight, 1561.Folio (314 x 213 mm). Black letter, text double column. Woodcut illustration for The Knight's Tale (leaf B1, first used in the 1550 edition), woodcut initials. (Lacking [fleuron]1-4, A1 and A6, A2-5 and 3U gatherings soiled and frayed with repairs, tiny wormholes to several leaves affecting letters, a few leaves with marginal repairs occasionally affecting letters, 2G1 with small hole just affecting letters.) Modern half brown calf stamp-signed by J. P. Gray & Son (some light wear or staining). Provenance: Anthony Standen (ca 1548 - ?), English intelligencer (early signatures on final leaf); Willi Drewe (ex-dono inscription). THE EDITION OF CHAUCER LIKELY USED BY SHAKESPEARE AS A SOURCE FOR TROILUS AND CRESSIDAFifth edition of the Collected Works, one of two recorded issues with this date: as here, with the preliminaries collating A6, and another with preliminary woodcuts and with preliminaries collating A4. Traditionally, it has been believed that the illustrated issue was printed first, with the cuts omitted in the second issue. More recent scholarship suggests that the printer came into possession of the woodcuts belatedly, and that the unillustrated issue was first (see David R. Carlson, "The Woodcut Illustrations in Early Printed Editions of Chaucer's Canterbury Tales", in Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures, British Library, 2003). The text, edited by John Stowe, is based on William Thynne's translation, which was the first serious attempt at a critical edition; the majority of the works added to here to the Chaucer canon for the first time are spurious. ESTC S107207; Grolier Langland to Prior 42; Pforzheimer 176; STC 5076.Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
STEICHEN, Edward (1879-1973). -- SANDBURG, Carl (1878-1967). Steichen The Photographer. New York: Harcourt, Brace and Company, 1929. 4to. Full-page reproductions of photographs by Steichen. Original publisher's black cloth gilt (a few scuffs, light wear to spine ends). FIRST EDITION, LIMITED ISSUE, number 27 of 925 copies SIGNED BY SANDBURG AND STEICHEN.Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). The Vinegar Works: Three Volumes of Moral Instruction. New York: Simon and Schuster, 1963. 3 volumes, square 8vo. Illustrated. Original pictorial boards (some light wear to joints, spines darkened); housed together in original pictorial slipcase (some rubbing). FIRST EDITION, SIGNED BY GOREY in each volume on the title-page. The three works comprising The Ghastlycrumb Tinies, The Insect God, and The West Wing. Toledano A13. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). The Vinegar Works: Three Volumes of Moral Instruction. New York: Simon and Schuster, 1963. 3 volumes, square 8vo. Illustrated. Original pictorial boards (some light wear to joints, spines darkened); housed together in original pictorial slipcase (some rubbing).FIRST EDITION. Toledano A13. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). Wuggly Ump. Philadelphia & New York: J. B. Lippincott Company, 1963.Oblong 12mo. Illustrated. Original pictorial boards (some light staining); original pictorial dust jacket (spine panel darkened, some minor soiling, minor losses to spine ends). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A15a.Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1995-2000). Three Books from the Fantod Press, Set I: The Evil Garden; The Inanimate Tragedy; The Pious Infant. N.p.: The Fantod Press, 1966. 3 volumes, oblong 12mo. Illustrated. Original pictorial wrappers; original yellow envelope (some light wear and a few pale stains). LIMITED EDITIONS, each one of 500 unnumbered copies, EACH SIGNED BY GOREY on the title-pages as either "Mrs. Regera Dowdy" or "Edward Gorey." Toledano A24. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). The Utter Zoo. New York: Meredith Press, 1967.Square 8vo. Illustrated. Original pictorial boards (slight bump to foot of spine); original pictorial dust-jacket (some very light soiling).FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A26a. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). The Sopping Thursday. New York: Gotham Book Mart, 1970. Oblong 8vo. Illustrated. Original light gray printed wrappers. LIMITED EDITION, number 194 of 300 copies SIGNED BY GOREY of a total edition of 326. Toledano A35b. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[CHINESE ART]. JONES, Owen (1809-1874). Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections. London: S. & T. Gilbert, 1867. 4to (334 x 225 mm). Chromolithographed title, title printed in red and black, 98 chromolithographed plates (of 99, lacking plate V). (Occasional light spotting to text pages, a few marginal flaws to a few plates.)Original red gilt and blind-stamped cloth, edges gilt (rebacked preserving original spine, light soiling). Provenance: Blumenthal (bookplate). FIRST EDITION of Jones 's study of Chinese design and motifs found on ceramics, textiles and enamels. Many of the pattern motifs were sourced from South Kensington Museum 's early holdings (the museum was later renamed the Victoria and Albert Museum), or from a circle of collectors including Alfred Morrison, Louis Huth, Matthew Digby Wyatt, and Thomas Chappell.Property from a Prominent Chicago CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[CHINESE ART & OPERA]. STOWITTS, Hubert Julian (1892-1953). The Work of Stowitts for the Fox-God. Lyric Ballet in 3 Acts. Hollywood, CA: George Palmer Putnam, Inc., 1939. Folio. 59 mounted color plates after paintings by Hubert Stowitts, in-text illustrations and ornamentation printed in red, gold, and brown throughout. Original red-stamped buckram, edges uncut (light soiling). FIRST AMERICAN EDITION, LIMITED ISSUE, number 49 of 400 copies SIGNED BY STOCKTON featuring his illustrations for designs, costumes, and decor for the classic Chinese Opera Fay-Yen-Fah along with a poem by Templeton Crocker and music by Joseph Redding.Property from a Prominent Chicago CollectionFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1925-2000). Gorey Posters. New York: Harry N. Abrams, 1979. Folio. Illustrated. Original pictorial wrappers (short tear at head of spine, some light rubbing to extremities). FIRST EDITION, SIGNED BY GOREY on the title-page. Toledano A74. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CICERO, Marcus Tullius (106-43 B.C.). Tusculanae disputationes, with anonymous commentary. Venice: Joannes Tacuinus, de Tridino, 3 February 1494/5. Chancery folio (306 x 205 mm). Collation: a-i6 k4 (a1r title, a1v blank, a2r text and with commentary surround, k4r colophon, quire register, k4v blank). 58 leaves. 44 lines and headline. Type: 1:80R, 3:108R. Woodcut white-on-black and outline historiated initials. (Some minor spotting, light mostly marginal dampstain to several leaves.) Later vellum. Provenance: a few marginal annotations in an early hand; Marchese Maurizio Burlamacchi (1930-2016), Italian bibliophile (bookplate). Fourth edition with this commentary. RARE: according to online records, only one copy of this work has appeared on the market at auction since the 1940s (the Foyle copy, Christie's New York, 11 July 2000, lot 151, that copy sold again Sotheby's, 3 October 2002, lot 71). Not in BMC; Goff C-639; GW 6898; ISTC ic00639000 (recording only three copies in the United States). Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
CLEMENS, Samuel ("Mark Twain"). Adventures of Huckleberry Finn (Tom Sawyer's Comrade). New York: Charles L. Webster and Company, 1885. Square 8vo. Lithographic frontispiece by E.W. Kemble, photographic portrait frontispiece of the bust of Mark Twain by Karl Gerhardt (BAL state 1), illustrations in text. Original pictorial blue cloth stamped in gold and black (tearing to head of spine with minor losses, wear with minor losses to foot of spine, spine darkened, joints starting, some light staining). FIRST AMERICAN EDITION, EARLY STATE, with early issue points: second state of p. 57 with "saw" in the eleventh line from the bottom; first state of the list of illustrations with "Him and Another Man" plate listed as being on p. 88; third state of pagination on folio 155); the title leaf is a cancel with 1884 copyright date; third state of p. 283 (a cancel); the portrait frontispiece is in first state. BAL 3415; Grolier American 87; Johnson, pp. 43-50.Property from the Estate of Peter Bergh, Edwards, ColoradoFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[CLUB BINDERY] -- [GROLIER CLUB]. Effigies of the Most Famous English Writers from Chaucer to Johnson. New York: The De Vinne Press for the Grolier Club, 1891.8vo (228 x 150 mm). Engraved portrait frontispiece, title printed in red and black. EXTRA-ILLUSTRATED by the addition of 80 engraved portraits. (Some minor offsetting of plates to text.) Contemporary red crushed levant gilt, spine in 6 compartments with 5 raised bands, gilt-lettered in three, the rest gilt-decorated, turn-ins gilt, top edge gilt, others uncut, STAMP-SIGNED BY THE CLUB BINDERY (tiny bump and scuff to top edge, some light rubbing to corners). Provenance: Edwin B. Holden (1861-1906), President of the Grolier Club (bookplate, sold his sale, American Art Association, 28 April 1920, lot 741). LIMITED EDITION, one of 200 copies of the LARGE-PAPER EDITION of the Grolier catalogue for their exhibit of effigies of English writers, EXTRA ILLUSTRATED by the addition of engraved portraits of English writers and BOUND BY THE CLUB BINDERY. Edwin B. Holden, an early member of the Grolier club, served as President of the organization in 1906. A FINE ASSOCATION. Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
GOREY, Edward (1995-2000). A group of 18 trade and reprint editions, comprising: The Willowdale Handcar or the Return of the Black Doll. 1979. Reprint. Toledano A10d. -- The Sinking Spell. 1964. Toledano A17a. -- The Utter Zoo. N.d. Reprint, fourth issue. Toledano A26b. -- The Blue Aspic. [1968 or later]. Original shrinkwrap (edition unknown). See Toledano A27. -- The Glorious Nosebleed. 1975. FIRST TRADE EDITION. Toledano A59c. -- The Broken Spoke. 1976. FIRST TRADE EDITION. A63c. -- Dancing Cats and Neglected Murderesses. 1980. FIRST TRADE EDITION. Toledano A77c. -- The Water Flowers. 1982. FIRST EDITION. Toledano A84a. -- The Helpless Doorknob. 1989. FIRST EDITION, second printing. Toledano A95b. -- The Dancing Rock. -- The Floating Elephant. 1993. FIRST TRADE EDITION. Toledano A108b. -- The Pointless Book: or, Nature & Art. N.p., 1993. FIRST TRADE EDITION. Toledano A109b. -- Edward Gorey's Haunted Looking Glass. 1984. Later reprint. Toledano B9d. -- MOSS, Howard. Instant Lives & More. 1974. FIRST TRADE EDITION. Toledano B58b. -- Another copy. First paperback edition. Toledano B58c. -- Gorey X 3. 1976. FIRST EDITION. Toledano B62. -- LAMPORT, Felicia. Light Metres. 1982. Later edition. Toledano B69d. -- ELIOT, T. S. Old Possum's Book of Practical Cats. 1982 or later. See Toledano B70. -- McDERMOTT, Kevin. Elephant House or, The Home of Edward Gorey. [2003 or later]. Original shrinkwrap (edition unknown). -- Together, 18 works in 18 volumes, all in original publisher's bindings as issued, condition generally fine. Property from the Collection of Thomas J. BarrettFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DANIEL, Samuel (1562-1619). The Civile Wares betweene the Howses of Lancaster and Yorke. London: Simon Waterson, 1609. Small 4to (180 x 134 mm). Engraved title-page, woodcut head-pieces. (Lacking A4, blank, title soiled and with marginal repairs). 19th-century calf gilt, red lettering-piece gilt, edges stained red (some light wear to extremities). Provenance: Corbyn Barrow (signature, 1854). Second edition, with cancel E4 reading "shire that" (ESTC's Variant 1). Revising the text of the first edition, published in 1595, Daniel includes for the first time the seventh and eighth books, bringing the narrative to the marriage of Edward IV and Elizabeth Woodville. Coleridge, who praised Daniel's purity of style, compared him to Wordsworth. STC S109257; STC 6245. Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). Master Humphrey 's Clock. London: Chapman and Hall, 1840-1841.3 volumes, 8vo (252 x 170 mm). Engraved frontispieces and numerous in-text illustrations by George Cattermole and Hablot K. Browne ['Phiz']. Original dark grayish-brown cloth stamped in gilt and blind, marbled edges (spines faded, a few separations along joints, tear crossing spine panel vol.II, chipping with minor losses to spine ends, some light rubbing). FIRST EDITION IN BOOK FORM, first appearing as a weekly serial from 4 April 1840 to 4 December 1841, including short stories and two novels, The Old Curiosity Shop and Barnaby Rudge. Gimbel A51; Smith I:6.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). Pictures From Italy. London: Bradbury & Evans for the Author, 1846.8vo (172 x 110 mm). 2-page publisher's advertisements at beginning and end; half-title. Wood-engraved vignette title and three wood-engravings in text by Samuel Palmer. (Some pale browning or spotting.) Original publisher's blue blind-stamped cloth, spine gilt (minor wear to spine ends, spine slightly darkened, corners slightly bumped, a few very light stains). Provenance: Lucy Hampey (signature). FIRST EDITION. Dickens's account was first published in The Daily News entitled "Traveling Sketches - Written on the Road"; he reproduced the work in book form as Pictures from Italy, retaining only two of the original twelve chapter titles, and incorporating a number of textual changes, as outlined in Smith. Eckel, p. 126; Gimbel A98; Smith II:7.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). Dombey and Son. London: Bradbury and Evans, 1848.8vo (210 x 135 mm). Engraved frontispiece, engraved title, 36 (of 38) engraved plates after Hablot K. Browne ["Phiz"]. (Lacking plates facing p.113 and p.117. (Plates with browning and spotting as usual, damp-stain lower margin, some light spotting.) Later half dark green morocco gilt, spine gilt, edges marbled (upper hinge reinforced, lower hinge separated, some rubbing). Provenance: Thomas William Oliver (signature); Ed Woakes (signature); The University of Chicago Library (bookplate, deaccession stamp). FIRST EDITION IN BOOK FORM, including the first example of a so-called "dark plate," facing p. 547. Eckel pp.82-85; Gimbel A103; Sadleir 691; Smith I:8Property from the University of Chicago, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). [The Christmas Numbers from Household Words and All the Year Round]. Household Words. London: Bradbury & Evans, 1850-1858. -- All the Year Round. London: C. Whiting & Chapman and Hall, 1859-1867.18 parts, 8vo (242 x 160mm), comprising 9 issues from Household Words and 9 issues from All the Year Round. (Minor damp stain to issue no.II, some light soiling to a few issues.) The Household Words issues without wrappers, as issued, 4 issues of All the Year Round (1859-1862) without wrappers, as issued, and 5 issues (1863-1867) in original blue printed wrappers (some slight soiling or minor staining, occasional creases or minor tears to wrappers); red cloth chemise; red cloth pull-off case and chemise. FIRST EDITIONS of the Christmas numbers from Household Words and All the Year Round including the stories 'A Christmas Tree, ' 'What Christmas Is, As We Grow Older, ' 'The Holly-Tree Inn, ' 'Somebody 's Luggage, ' 'A Message from the Sea, ' 'Mrs. Lirriper 's Lodgings, ' and several others. Gimbel E9-E20, E113-E118. Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). A Child 's History of England. London: Bradbury & Evans, 1852-1854. 3 volumes, 8vo (151 x 118 mm). Wood-engraved frontispiece to each volume after Francis W. Topham, first state of advertisements at end of each volume. Original publisher 's reddish-brown blind-stamped cloth, upper covers with gilt vignette after Topham, marbled edges (slight wear to spines, light chipping to head of spines with a few minor losses, a few minor stains, a few hinges tightened).FIRST EDITION IN BOOK FORM, first serialized in Household Words between 25 January 1851 and 10 December 1853. Each of the three volumes in the book edition was published separately around Christmas (in 1851, 1852 and 1853) but postdated the following year. The Child's History expresses an anti-aristocratic and anti-monarchical view of English history and society. Eckel 128-130; Gimbel A128; Smith II, 10.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
DICKENS, Charles (1812-1870). Hard Times. For These Times. London: Bradbury & Evans, 1854.8vo (188 x 124 mm). Original publisher 's green moire horizontally ribbed blind-stamped cloth, spine lettered in gilt (spine sunned, a few splits to lower joint, light chipping to spine ends with minor losses, corneres bumped). Provenance: W. H. Luke (bookseller 's label). FIRST EDITION IN BOOK FORM, IN THE FIRST BINDING. Hard Times, Dickens's tenth novel, was first serialized in Household Words in 1854. One of two novels by Dickens without illustrations, the other being Great Expectations. Gimbel A136; Sadleir 689; Smith I:11.Property from a Private Collection, Chicago, IllinoisFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
FIELDING, Henry (1707-1754). Amelia. London: Printed for A. Millar, 1752.4 volumes, 12mo (186 x 99 mm). (Some very light spotting or staining.) Contemporary calf-backed boards (overall wear, joints broken, old repairs, lacking lettering-pieces); modern cloth slipcase. FIRST EDITION of Fielding's last novel. Though two impressions of the first edition were printed a month apart, there are no recorded distinguishing characteristics between them. Samuel Johnson remarked on the publication of Fielding's last novel that it was "perhaps the only book, which being printed off betimes one morning, a new edition was called for before night." Cross III, p. 321; ESTC T89846; Rothschild 853. Property from the Collection of Edward A. QuattrocchiFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[ARCHITECTURE & DESIGN]. DUFRENE, Maurice. Ensembles Mobiliers. Exposition Internationale 1925. Paris: Editions Charles Moreau, 1926. 3 volumes comprising Series I-III, folio. 96 photographic plates. (Very occasional soiling to plate margins, not affecting images.) Loose as issued in original cloth-backed printed boards, cloth ties (soiling, light wear to extremities). FIRST EDITION of this set of plates documenting Art Deco interiors and furnishings on display at the 1925 International Exhibition of Modern Decorative and Industrial Arts.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
[ARCHITECTURE & DESIGN]. RAPIN, Henri (1873-1939). La Sculpture Decorative Moderne, Series I-III. Paris: Editions Charles Moreau, [1925]-1929. 3 volumes, folio. 96 heliogravure plates. Loose as issued in original cloth-backed printed boards, cloth ties (light rubbing and toning to boards; upper joint of vol.III separating, one tie detached from vol.II but present). Provenance: G. Broes Van Dort Co., Chicago, IL (bookseller 's label to vol.I). FIRST EDITION of this 3-part series featuring Art Deco design and decorative sculpture by French artists including Binquet, Bouchard, Bourdelle, Lalique, Jallot, Follot and Sue et Mare.For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com
1930's light oak longcase clock, domed case supporting circular silver dial with Arabic numerals, the trunk of case with bevelled clear glass, door covering three brass cylinder weights and large bob pendulum.An oak cased floor standing clock, 1930's, the movement driven by three brass sleeve weights.height 200cm (79in), width 64cm (25"), depth 35cm (14")Condition report: Oak case sun-bleached particularly to front and legs, overall case in good order, silver dial slightly tarnished.
French amber-tinted pressed glass ceiling light bowl, marked Jegne, decorated with six rose heads, four brass suspension chains, also a press frosted glass circular ceiling light bowl, three rope suspension cords, and brass ceiling rose.French ciling light bowl diameter 41cm (16"), frosted ceiling light bowl diameter 36cm (14")Condition report: Both in good order, however, no ceiling light rose available for amber light fitting.
Four ash and elm Ercol single dining chairs, date stamp 1960, each with comb back solid seat, turned legs, accompanied by matching drop-leaf dining table.114cm (45") x 124cm (49"), height 71cm (28")Condition report: Both chairs and table in used condition, light watermarks to tabletop, chairs also showing signs of regular use, although not damaged.
1962, signed in ink verso, numbered 89/95 in pencil in the margin, with deckle edge on left side, on Arches wove paper, printed and published by Mourlot, Paris, with full margins, lithograph in colours.sheet size 47.5cm x 66cm (18.75in x 26in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. The paper has browned slightly across the sheet. There are some minor spots of foxing and other small marks and light creases in the margins and around the edges of the sheet. The print is framed and glazed.
1964, signed and dated in pencil, numbered 61/75 (there were also 15 artist's proofs), published by Editions Alecto, London, 1965, with their blindstamp, the full sheet, with deckle edges on all four sides, on Japon nacré paper, (S.A.C. 38; Tokyo 38), lithograph in colours.sheet size 51.5cm x 66.5cm (20.25in x 26.25in)Footnote: * When Hockney moved to Los Angeles in 1964, he was fascinated by the use of water for irrigation and recreation in the semi-arid environment. He delighted in experimenting with various methods of depicting drops and sprays of water. This lithograph was made at the instigation of the Atelier Matthieu in Zurich and relates to a 1965 painting, Different Kinds of Water Pouring into a Swimming Pool, Santa Monica (private collection). The depiction of water in these pictures is highly stylised. Hockney later said that water 'offered an opportunity for abstraction - almost as much a recurring desire as painting a portrait' (Stangos, p.100). Hockney's 1964 lithographs marked a return to the technique after a gap of ten years.Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. There are some small spots of foxing across the paper and some light creases running in from and around the edges of the sheet. There is a light scuff to the paper in the lower right-hand corner near the blindstamp. Approximately halfway down on each edge of the paper there is what appears to be a pinhole which has been covered with a spot of white paint as can be seen in the images. The paper is mounted in each corner of the sheet. The print is framed and glazed.
1971, signed and numbered 7/60 in pencil in the margin, from an edition of 90 (there were also 30 artist's proofs), published by Marlborough Fine Art, London, printed by Curwen Studio, with their blindstamp, the full sheet, on wove paper, lithograph in colours.sheet size 81cm x 58.5cm (31.75in x 23in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours. The paper has browned universally across the sheet and there is some light time staining around the edges of the paper. The paper is mounted by tape in each corner of the sheet and in the top two corners, the tape location is highlighted by time staining. The print is framed and glazed.
1979, signed, titled and numbered 31/150 in pencil in the margin, published by Christie's Contemporary Art and printed by J.C. Editions on Arches paper, with both blindstamps, with full margins, etching and aquatint.sheet size 57.5cm x 76.5cm (22.5in x 30in)Footnote: Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report: The print is in good, original condition with strong colours and no obvious faults to report. The print has been laid down. There is some very light time staining and browning around the edges of the sheet. The print is framed and glazed.
Chanel black leather riding style boots from Autumn 2007 Paris Monte Carlo collection with white metal spur type cuffs to heel featuring typical Chanel motifs including Lions heads, stars and camellias and lined with burgundy leather size 38.5.With boot bags ConditionOverall good condition. Light wear to sole. Loss of one of 12 small motifs to each boot on inside ankle area Two camellias missing central pearl, others have wear to pearls
A 19th century silk Shawl edged with Paisley borders in rust, yellow, blue, green, orange and brown 252cm x 70cm, a Victorian cream silk embroidered fringed shawl 88cm x 90cm plus fringe and three 19th century beige fine wool Shawls with ribbon borders 128cm x 130cm , 110 x 106 and 148cm square (5) Shawl multiple areas of pin holing, small tear to edge approx 4.5cm, lightly mottled with 6.5cm x 5.5cm L shaped repair, Shawl multiple light stains3 Shawls all with moth damage
A Minaudiere Compact in gilt metal, with comb lipstick holder, mirror and cigarette case, marked Evans and chain strap, Stratton gilt metal compact and Art Deco shagreen compact marked Gala with mirror, cigarette holder, comb, powder and rouge in felt case, and tortoiseshell comb and button hook with faux tortoiseshell handle (5) Large compact strap clasp has come undone, powder compact needs re gluing, lipstick unused but mechanism needs attention Shagreen compact edges slightly worn and slight chipping lipstick holder missing, powder compact empty, light scratching , rouge present
5 Radley Signature handbags - Lido shoulder bag , (strap, purse and dust bag included, dog damaging chair, purse and dustbag, canvas top handle bag,(light signs of use) black shoulder bag (light marks)with dust bag, Canvas messenger bag (faded in places) and Radley style bag by Lakeland featuring cats. 4 of bags with original tags.
4 dresses from 1990s and Jaeger ensemble including Caroline Charles, Lorcan Mullany, Frank Usher in silk chiffon, silk satin, jersey and mesh in black red navy blue and grey (6) Group lotSizes Jaeger 12, red dress 16, Caroline Charles 12, Navy blue no label, and Frank Usher size 12Light wear inducing some light stains to Jaeger, navy dress good, Caroline Charles light wear and red dress - grubby marks to hem
Burberrys of London check umbrella with wood effect handle and an Alfred Dunhill black leather attach case with combination lock, 36cm x 25cm with dust cover and original box Condition request for umbrella onlyUmbrella good clean condition, and appears to be in working orderTassel good. Small amount of tarnishing to brass label. Light wear to steel tip on ferrule. Tiny snags on fabric midway between ferrule and snap fastener near tips

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