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Click here to subscribeW WILSON, EARLY 19TH CENTURY PORTRAIT OF GEORGE WHEATLEY OF CSTLE STREET LUDLOW SHROPSHIRE bust length in a black coat and white stock, signed with initials, signed again with initials and in full verso and inscribed London and ...Field, pastel, 26.5 x 22.5cm, unframed Provenance: The sitter, thence by descent to the present vendor.++In fine condition, laid down on the original backing and light wood stretchers
CHARLES WILDE (1856-1905) CATTLE WATERING IN THE SHALLOWS OF THE TRENT NEAR NOTTINGHAM signed and dated `83, 49.5 x 75cm++A particularly finely preserved and unusually good example of the artist`s landscape. In beautifully preserved original condition, unlined and undisturbed in the original heavy Victorian gilt frame. The varnish in need of a light clean, gilding on the frame rubbed
JOSEPH PAUL PETTITT (1812-1882) ATCHAM ON THE SEVERN NEAR SHREWSBURY signed, dated 1847 and inscribed verso with the title and artist`s address 45 Summer Hill, Birmingham, arched top, 90 x 130cm ++Some minor spots of flaking and small area of retouching lower left, some general bitumenisation of the paint in the lower left quarter, the central vertical member of the stretcher showing through from the front but entirely unrestored, the varnish requiring a light clean, in the original highly ornate Victorian giltwood and composition frame which has small losses and has in part been regilt
HARRIET REINAGLE (1789-1865) VIEW ON THE THAMES TOWARDS KINGSTON SURREY FROM A SKETCH OF PHILIP REINAGLE, RA; VIEW IN [ ] SURREY; VIEW IN NORTH WALES FROM A SKETCH OF MRS YEATS`; LANDSCAPE a set of four, all except the last with inscriptions and date 1841 on contemporary partial labels verso, 9.5 x 13cm, together framed The artist was the daughter of Philip Reinagle, RA (1749-1833) and brother of Ramsay Richard Reinagle, POWS (1775-1862).++All four panels in good condition with only a small retouched area extreme upper left of the view in North Wales, all requiring a light clean but not warped or split. The contemporary, probably original ornate Victorian frame with some damage
ALFRED DE BREANSKI (1852-1928) THE MANOR POOL EVENING signed and dated 1879, with inscription, possibly in the artist`s hand on a label on the stretcher ""The Manor Pool"" Evening Alfred de Breanski, Cookham, 52 x 92.5cm++Unlined and on the original stretchers, the varnish unevenly dirty and requiring a light clean. Free from tears, patches or repairs, in c1970s 18th c style gilt frame
JOHN RATHBONE (1750-1807) A SCENE IN THE LAKE DISTRICT signed with initials and dated 1796, panel, 30 x 40cm++The medium a little thin in places with some old retouching, the varnish in need of a light clean, minor horizontal crack extending to about 12cm in the lower right corner where the two parts of the oak panel have been joined at the time it was used by the artist, not otherwise split warped or repaired. On the back a very fragmentary old brown label of Clearson`s New Bond St, London
ATTRIBUTED TO ALFRED PRIEST (1810-1840) A COTTAGE BY A STREAM panel, 32.5 x 41cm Provenance: J R Cookson, Kendal, from whom bought by George P Henzell Esq (as by George Vincent) on 3 September 1940 for £30.0.0.; thence by descent to the present vendors.++A particularly attractive Norwich School landscape, there seems little doubt that although unsigned the picture is the work of Alfred Priest, an attribution proposed by Dr N Rajnai. In good condition, the panel not warped or split, on the reverse and old stencilled, presumably Christie`s number 556 GF, beneath glass in 18th c style gilt frame with some light shrinkage of the medium but apparently free from restoration
FOLLOWER OF JOHN PRESTON NEALE VIEW OF LAMBTON CASTLE FROM THE RIVER WEAR COUNTY DURHAM inscribed verso Lambton Hall Durham, bears signature, artist`s board, 23 x 30.5cm++Cleaned and revarnished in the early 20th c with light craqueleur, the varnish now a little discoloured with age, the signature reading J B C...., in c1930`s gilt frame with on the reverse the trade label of Aiken Dott & Son, Edinburgh
FREDERICK CALVERT (1785-1844) VIEW OF LIVERPOOL FROM THE RIVER MERSEY signed with initials (on the sail), 24.5 x 34.5cm Provenance: F R Meatyard, London from whom bought by George P Henzell Esq on 11 December 1939 for £5.1.0.; thence by descent to the present vendors.++Untouched since 1939, lined probably at that period due to an old 3-4 inch horizontal tear, now just visible under glancing light running across the upper part of the mast of the vessels and some small retouching in the darker clouds extreme upper right corner and left. The varnish now rather yellowed with time, in giltwood and composition cavetto frame
ISAAC HENZELL (1814-1876) A FISHERGIRL ON THE NORTHUMBRIAN COAST signed and dated 1875, signed again and inscribed with the artist`s address 4 Spring Terrace, Kingston, London verso, 60 x 50cm Provenance: A descendant of the artist by whom bequeathed to the present vendors. The model for the fishergirl is the artist`s daughter Elizabeth Gertrude Henzell (1848-1919). She married, in 1878, James Jobling.++Unlined and in good condition, cleaned some years ago and now possibly in need of a light clean, in 18th c style gilt frame
ISAAC HENZELL (1814-1876) A FISHERGIRL ON THE NORTHUMBRIAN COAST signed and dated `69, 47 x 60cm Provenance: A descendant of the artist, by whom bequeathed to the present vendors. See footnote to the preceding lot.++Lined and cleaned for the late owner some years ago. The varnish now in need of a light clean, in 18th c style gilt frame
HENRY FREDERICK LUCAS LUCAS (1848-1943) EQUESTRIAN PORTRAIT OF ADMIRAL EARL BEATTY ON ""STAR"" signed, dated and inscribed verso with the title and painted by H:f:Lucas Lucas Rugby April May 1932, 55 x 44.5cm++In fine unrestored original condition, not torn or damaged, requiring a light clean in c1970`s cheap gilt frame
ATTRIBUTED TO HEINRICH WILHELM SCHWEICKHARDT (1746-1797) WINTER LANDSCAPE WITH FIGURES panel, 16 x 21cm ++Some minor localised retouching not extensively over painted. The medium a little thin in places, the panel with some old hessian on the back where possibly repaired, but if so well done, lightly cleaned and revarnished perhaps 30 years ago. The varnish would now benefit from a light clean, in walnut veneered parcel gilt frame
JOHN MACNIVEN, RSW (1819-1895) THE CLYDE FROM KELVINHAUGH signed, signed again, dated 1894 and inscribed verso, 29 x 44cm ++In good condition, never lined, the varnish now slightly yellowed and in need of a light clean, in modern black and gilt frame, the label of T & R Annan & Sons Ltd Glasgow on the reverse
A PAIR OF ENGLISH PAINTED SILK AND WOOLWORK PICTURES of the Banquet of Esther and Moses before Pharaoh, 42 x 51cm, in the original rosewood frames, c1840++Both in the same good condition with the odd minor moth hole or pulled thread and light fading but much above average, minor variation in the size of the frames, the frames of typical crusty or dry appearance and not restored or repolished, small veneer losses
A GEORGE IV MAHOGANY DINING TABLE IN THE MANNER OF GILLOWS with drop leaf centre section, on fourteen reeded tapering legs, 76cm h; 137 x 313cm, c1830++Stable and in good condition, long in local private ownership and removed from a substantial Regency house in the vicinity. Of good colour with some light scuff marks mainly around the bottom of the legs
A WILLIAM IV ROSEWOOD TEAPOY of sarcophagus form on hollow fluted pillar, platform and carved paw feet, adapted as a work table, 77cm h; 35 x 43cm, c1830-40++Lacking all fittings and lined in quilted light blue silk, lacking small piece of beading from the back edge, slightly scuffed around the feet
A CHINESE ELM AND LIGHT WOOD CUPBOARD with slightly projecting rectangular top, the pair of central doors with moon shaped iron doorplate and ring handles above three drawers on shaped feet, 144cm h; 62 x 170cm, 19/20th c++Some old filled repairs and stripped, retaining traces of heavily scratched red stain on one end, structurally sound
A PAIR OF CAUGHLEY BLUE AND GILT DRESDEN FLOWERS PATTERN CHOCOLATE CUPS AND STANDS painted S, mark and gilder`s No 43 inside the footrim, stand 15.5cm diam, c1790 An identical example, also bearing the gilder`s mo 43, was exhibited The Ironbridge Gorge Museum Trust, Caughley Porcelain, c1772-1799, 1999, No 564.++Some very light wear but in excellent condition with no damage or repair, each clearly marked with the gilder`s number save on one cup where only the 4 is visible
DAUPHINS. A LALIQUE BLUE STAINED SEMI OPALESCENT GLASS VASE 14cm h, stencilled mark, 1930s++A most attractive well coloured example in fine condition. When held at an oblique handle to the light the most minute surface graze on the sharp edge of one of the waves of the waters. Inherited by the local private vendor many years ago
AN ENGRAVED LIGHT BALUSTER WINE GLASS the drawn trumpet bowl with solid base and engraved with vines, on teared shoulder knop and solid stem with central swollen knop, 18.4cm h, c1740 Provenance: Cecil Davis, from whom bought by G P Henzell on 26 September 1938 for £6.10.0.++Rim slightly polished
A DUTCH ENGRAVED ROYAL ARMORIAL LIGHT BALUSTER GOBLET the pointed round funnel bowl engraved with the royal arms of the stadtholder William IV, Prince of Orange-Nassau (1711-1751) and Anne, Princess Royal and Princess of Orange-Nassau (1709-1759) the reverse with a trophy of arrows and inscription, on `Newcastle` light baluster stem including teared knop 19.7cm h, c1750++Two tiny chips on foot
A TOKYO SCHOOL IVORY OKIMONO OF AN EGG TESTER holding an egg to the light, bears signature, 31cm h, Meiji ++A very good quality figure with only two or three very fine hairlines running vertically through the knees and inner legs, some build up of dust and dirt. Hairline on the top of the left shoulder and on the top of the head. One or two slightly wider hairlines on the rocky base but no major cracks and no restoration
A VICTORIAN BEADED OLD ENGLISH PATTERN TABLE SERVICE FOR TWELVE by Chawner & Co, London, principally 1866, crested, a set of twelve George V Beaded Old English pattern fish knives and forks by Martin, Hall & Co, Sheffield 1913 and 14, two sets of twelve Elizabeth II silver hafted table and cheese knives by another, Sheffield 1975 and three EPNS hafted carving implements, 158ozs 10dwts weighable (113) Purchased from Carringtons of Regent Street in 1975.++The Chawner service ranging in dates from 1859-1874, both pieces showing slight wear, the engraved crest now rather weak in appearance. One of the fish knives by W Hutton & Sons Ltd, London 1891, the fish eaters in good condition with light scratches, the Queen Elizabeth II table and cheese knives and the three carving implements as new, possibly never used
A VICTORIAN TEA AND COFFEE SERVICE by Edward Barnard & Sons, London 1885, can shaped and engraved with swags, the pots with integral hinge to the lid, coffee pot 22cm h, 56ozs 10dwts (4)++The lot in fine condition, no noticeable in the hinges, the marks good, light erasure of crest or initials from the central cartouche, no perceptible thinning resulting
AN IRISH WILLIAM IV TEA SERVICE by Richard Garde of Cork, Dublin 1834 and 5, boldly chased with eagles and flowers on a central matted band with rose knop and applied rims, crested, teapot 18.5cm h, 48ozs 10dwts (3) Provenance: The crest is that of Cusack.++Long in the present local private family ownership for several generations. A very good example of an Irish tea set in good condition with light wear and some polish residue, slight dents on the widest part of the body but no holes or splits evident and no repair
A WILLIAM III TREFID SPOON maker`s mark rubbed, the oval bowl with rat tail, engraved with the contemporary initials MW, London 1690,1oz 10dwts++The maker`s and London marks rubbed, the lion passant and date letter slightly rubbed but easily read, light overall wear, no evidence of repairs or erasure
A GEORGE III INKSTAND with pierced galleries and gadrooned rims, retaining the three silver mounted cut glass bottles (pounce pot, quill holder and inkwell), on three pierced feet, crested, by Andrew Fogelberg, 21.5cm w, London 1774, 16ozs weighable++Light wear consistent only with the age, the inkstand marked underneath, the crest and initials SL(?) contemporary, some polish residue, the mounts and covers apparently unmarked
A GEORGE III COFFEE POT of baluster shape with ogee lid and gadrooned rims, maker WT, probably William Tuite, 28cm h London 1776, 26ozs 10dwts gross++Marked on lid and underneath, in good condition and pleasing colour, light overall wear, the elaborate foliate engraved initials possibly contemporary or nearly so, slight play in hinge. The handle an old replacement
ONE GEORGE III AND TWO VICTORIAN GRAVY SPOONS Old English and Fiddle patterns, Exeter, by William Welch, 1810, John Osment, 1839 and Robert, James and Josiah Williams 1845, 10ozs 10dwts++All well preserved examples, each bowl retaining its point. A few light scratches, two engraved with contemporary initials
DUMFRIES. ONE OAR AND A SET OF FOUR FIDDLE TEASPOONS script initials MB or plain by, probably, Joseph Pearson [see Jackson p597], 1794-1817 and David Gray 1810-41 and a pair of engraved Fiddle teaspoons by R & R Keay, Perth, 1825-39, 4ozs (7)++All in collectable condition with light wear only, the marks generally very good
GREENOCK. A POINTED END TABLESPOON script initials DJM, by Thomas Davie, c1818-30, 3ozs++Light scratches but not noticeably worn, the bowl retaining its shape with good gauge at tip. Slight wear and polish residue in the marks but all clear except the ship which is partly indistinct but easily recognised
BANFF. AN OLD ENGLISH TABLESPOON by John Keith and a Fiddle table spoon by Charles Jamieson of Inverness, script initials JEF and M respectively, c1820 and c1800, 4ozs 10dwts (2)++Both in satisfactory condition with a few light scratches and light wear consistent with age, the marks fair to very good
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