* Belgian playing cards. Provincial variant of the Paris pattern, Belgium?, unknown maker, circa 1810, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts, kings and queens named, jack of clubs with letter 'B' centrally, king of diamonds with turban and crescent moons, most courts with fleur de lis, dusty and lightly browned, some light spotting, few pip cards more browned and spotted with some minor stains, one pip cards with corner crease, versos blue floral & foliate pattern, each card 89 x 57 mm, together with: Family of the Paris pattern, Brussels: Kessman-Servaes, circa 1830, a complete deck of 52 stencil coloured woodcut playing cards (French suits), double-ended courts, king of clubs with Brussel, queen of hearts with maker's name, jack of diamonds with J.P. on halberd, somewhat browned and dusty, few minor marks, versos red dots and dotted flowers, each card 88 x 57 mm, plus: Family of the Paris pattern, Liege: J.J. Dubois, circa 1820, 49 (of 52, without queen and 7 of hearts, and ace of clubs) stencil coloured woodcut playing cards, king of spades with maker's name, jack of clubs with A Liege, soiled and worn, 10 of hearts with small loss to one corner, ace of spades corner chipped, versos red stars and wavy dotted lines, each card 84 x 56 mm, 16 cards from each deck mounted with photo corners onto 3 display boards, encapsulated in clear plastic (not examined out of boards), the remainder contained in 3 plastic bags, the boards 54.5 x 40.5 cmQTY: (3)NOTE:Provenance: Collection of Dudley Ollis.First item: Mann, All Cards on the Table, #133, and World of Playing Cards for similar decks, but lacking the fleur de lis. The WoPC copy also lacks the turban and crescent moons on the king of diamonds (this card not illustrated or described in Mann). This pack is likely to be a type of Provincial Variant F-1.32, a rare example of an intermediate stage between PV1 & PV2.Second item: Cartorama 62 #18 (later example from an unknown maker); Cremers, Cartiers en Wallonie, #50.
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Greville (Fulke). The Life of the Renowned Sir Philip Sidney. With the true interest of England as it then stood in relation to all Forain Princes; and particularly for suppressing the power of Spain stated by him. His principall actions, counsels, designes, and death. Together with a short account of the maximes and policies used by Queen Elizabeth in her Government, 1st edition, London: printed for Henry Seile, 1652 [i.e. 1651], title within woodcut topographic border (repaired closed tear), woodcut headpiece and initial, a few minor marks, title with some marks and light soiling, early ownership signature of Francis Valentia in ink to foot of title, and further inscribed to head of title 'Anglesey. VI May 1678 VI00 and fitt to be read often', marbled edges and endpapers, 19th-century diced full black calf gilt, a little rubbed, 12moQTY: (1)NOTE:Provenance: Francis Annesley, 1st Viscount Valentia (1585-1660), English statesman and member of Parliament for both the English and Irish Houses.ESTC R208970; Thomason E1288; Wing B4899.Sir Fulke Greville, 1st Baron Brooke was an Elizabethan poet and statesman, best known for his biography of his close friend Sir Philip Sidney, who was granted Warwick Castle in 1604 for services to the state.
Officina Bodoni. The Kind of Poetry I Want, Edinburgh: K.D. Duval, 1961, top edge gilt, original vellum-backed patterned boards, folio, limited signed edition 19/300, together with Felice Feliciano Veronese. Alphabetum Romanum, Verona: Officina Bodoni, 1960, colour and monochrome illustrations, light toning to endpaper gutters, top edge gilt, original morocco-backed boards, 8vo, limited edition, 119/160, plus Publius Virginius Maro. The Georgics, translated by John Dryden, 1962, limited signed edition 891/1500 QTY: (3)
Blake (William). The Marriage of Heaven and Hell, facsimile edition, London: Trianon Press for the William Blake Trust, 1960, colour facsimile plates, top edge gilt, original morocco-backed boards, slipcase (light partial toning), folio, limited edition 471/526, together with America. A Prophecy, facsimile edition, London: Trianon Press, 1963, facsimile plates, a few light spots, top edge gilt, original morocco-backed boards, slipcase (edges a little rubbed), folio, limited edition 229/526, plus Jerusalem. The Emanation of the Giant Albion, facsimile edition, London: Trianon Press, 1974, facsimile plates, original morocco-backed boards, slipcase, folio, limited edition, copy 'N' of 26 copies reserved for the Trustees of the William Blake Trust and the Publishers, from a total edition of 558 QTY: (3)
Lee (Frederick George). More Glimpses of the World Unseen, 1st edition, London: Chatto & Windus, 1878, blind stamp to the front endpaper, front gutter split, some light marginal toning, origial decorated brown cloth, spine lightly rubbed to head & foot, 8vo, together with:Mr. Colston, Reports of Forensic Meetings, held during the year 1848, in connection with the system pursued at the academy, Swansea: Ivey and Pearse, 1849, period inscription to the front endpaper, small tear to the head of the title page, some light toning & minor marks, original embossed green cloth, boards & spines slightly marked & rubbed, 8vo, plusBaynes (Robert E.), Lessons on Thermodynamics [Clarendon Press Series], Oxford: Clarendon Press, 1878, later inscriptions to the front endpapers, extensive period marginal annotations throughout, some light toning, contemporary red half morocco, boards & spine lightly rubbed, 8vo, and other 19th & early 20th-century science & medical literature & reference, some leather bindings, many original cloth, some paperbacks, G/VG, 8vo/4toQTY: (5 shelves)
Murland (Major H.F.). Records of the IV Madras Pioneers, (now the 64th Pioneers), 1759-1903, Bangalore: Higginbotham LD, 1922, two folding maps contained in rear pocket, some light spotting, small presentation inscription, original cloth, spine faded and repaired, joints splitting, partial fading to upper cover, 4to, together with The Regimental Records of the First Battalion the Royal Dublin Fusiliers formerly the Madras Europeans, the Madras European Regiment, The First Madras Fusiliers, the 102nd Royal Madras Fusiliers 1644-1842, London: Hugh Rees, 1910, colour frontispiece, folding maps & illustrations, previous owner inscription, all edges gilt, original calf gilt, spine a little rubbed and faded, joints and edges rubbed, 8vo, plus Innes (Lieut.-Colonel P.R.). The History of the Bengal European Regiment now the Royal Munsters Fusiliers and how it helped to win India, London: Simpkin, Marshall & Co., 1885, colour frontispiece, double-page maps, some light spotting, original cloth, upper cover detached, spine faded, some edge wear, 8voQTY: (3)
Bortolazzi (Bartolomeo). Periodical Amusements for the Spanish Guitar, or Compleat Instructions, for the Spanish Guitar. Made perfectly simple and easy, 2 volumes, London: printed for the author, circa 1800, period author [?] inscription to the foot of pp1., engraved vignettes, gutters cracked, some light toning, offsetting & marks throughout, contemporary uniform full tree calf, boards & spines rubbed with some loss, large 4to, together with other music reference, biography and sheet music, some leather bindings, mostly original cloth, some foreign language, G/VG, 8vo/folioQTY: (6 shelves)
Johns (W.E). Biggles Flies West, 1st edition, London: Oxford University Press, 1937, colour frontispiece, 8 black and white illustrations, scattered spotting, original pictorial blue cloth, gilt medallion to upper cover, dust jacket, priced 3/6 to front flap, a few tears to panel extremities (some loss to front panel lower margin affecting image), wear to spine extremities (with some small loss affecting title), light marks to rear panel, 8voQTY: (1)
* Italian playing cards. Empire pattern variation, Trieste, Italy: G.A. Lordschneider, circa 1840, a complete deck of 52 stencil coloured wood-engraved playing cards (French suits), double-ended courts, jack of diamonds with maker's details, soiled and rubbed, some spots or marks, few pip cards with crease (possibly manufacturing flaws), versos blue crescents with tiny dots, each card 92 x 52 mm, together with: Non Standard pattern, Milan, Italy: Edoardo Dotti, circa 1865, 49 (of 52, without ace, 8 & 10 of diamonds) stencil coloured engraved playing cards (French suits), double-ended courts, king of spades with 'Deposita alla R. Biblioteca, ace of hearts with maker's and tax stamps, (generally light) soiling and spotting, some minor marks, 3 club pip cards with some surface abrasion, 2 pip cards with minor surface skinning, versos red squares pattern, each card 93 x 54 mm, plus: Genoese pattern, Trieste, Italy: S.D. Modiano, circa 1884, a complete deck of 52 colour lithographed playing cards (French suits), double-ended courts, maker's stamp on ace of hearts, scarce very faint spots, ace of spades with near contemporary ink manuscript inscription 'Trieste, 1880', versos blue and white 'pebbles', each card 87 x 58 mm, with: Romagna I pattern, Viterbo, Italy: Scipio Moscatelli, 1891, 37 (of 40, without ace & jack of swords, and 5 of coins), stencil coloured wood-engraved playing cards (Spanish suits), full length courts, ace of coins with 2 tax stamps and maker's details, dusty, few minor marks, 4 of cups with brown mark to left border, versos black and white geometrical design with Se Moscatelli Viterbo at foot, some loss to two turn-over edges, and 5 cards with turn-over edges repaired, each card 91 x 50 mm, and 13 other mid-late 20th century Italian packs (most with original box), including Carte propaganda elettorale, by Jacovitti, for S.A. Arti Grafiche Panetto & Petrelli, Spoleto, 1951, and 3 circa 1975 tarot decks by various makers: one Sicilian, one Piedmont, and one Bolognese, a quantity of cards from each pack mounted with photo corners onto 16 display boards (some with double boards), four boards encapsulated in clear plastic (none examined out of boards), the remainder contained in plastic bags, the boards 55 x 40.5 cm and smallerQTY: (17)NOTE:First pack: Milano, 'Non ti fidar di me se il cor ti manca' Due Secoli di Carte da Gioco a Trieste (catalogue of the exhibition), 1989, cat. 8.Fourth pack: Fournier, Italy 76. It is believed that Scipio Moscatelli retired and passed the business on to G. Murari in around 1880. However, this pack has a tax stamp dated 1891 in addition to the name of Scipio Moscatelli. It is possible that these cards were made by Moscatelli before retirement, but not stamped and sold until Murari owned the business. Alternatively, perhaps Murari took over the business at a later date than is generally accepted. the Moscatelli family was especially known for creating the Viterbo pattern, but this pack seems to conform more closely to the Romagna I pattern from which it was derived.
The Surrender of the Sons of Tippoo Sultaun, print by Anthony Cardon after Henry Singleton, published by Anthony Cardon and Luigi Schiavonetti 1802, mounted, glazed and framed, image 66.5 x 47cm. Provenance: Private Collection of J.P. Losty (1945-2021), formerly curator of Indian Visual Materials at the British LibraryThe sons of Tipu Sultan, descending the steps of a palace, presented by Major Allen, and surrendering on behalf of their father; one hands his sword to Major General Baird, who stands on the left; with Indian officers on the right gathered around their guns, laying down their flag, British officers on the left and soldiers leaning over the walls in the background; after Singleton; published state. 1802Stipple with etchingCardon after Singleton, proof of aquatint - £1000-1500Provenance: Private Collection of J.P. Losty (1945-2021), formerly curator of Indian Visual Materials at the British LibraryCondition Report: Light staining in areas
Maharana Jagat Singh and his family and his courtiers entertained by nautch girls, Udaipur, Rajasthan, circa 1750, opaque pigments on paper heightened with gold, the ruler shown seated on the floor with his three sons within the central one of three lobed archways, to his left his courtiers are depicted seated and standing, to his right a dancer performs while more dancers await their turn, musicians play behind them, patterned textiles are rolled up above each arch giving a view into this intimate scene, within gold and outer red border, within white silk mount, painting 24.5 x 30 cm.Provenance: Private collection Germany acquired in the late 1960sCondition Report: Overall good, light paint losses
A Company School painting of a monkey, India, mid-19th century, after a Mughal painting of the same subject attributed to the Stipple Master (active circa 1692 -1715), opaque pigments on paper, backed with additional later paper, folio 26.2 x 22cm.The original painting dated to 1705-10AD is held by the Art Institute of Chicago (2011.248). The inscription on the reverse written in Devanagari states that the monkey is named Husaini and comes from Nawab Davad (or Daud) Khan. This name most likely refers to Daud Khan Panni, a powerful nobleman and a faujdar (a military commander and territorial administrator) who served the Mughal emperors from Aurangzeb (r. 16581707) through Farrukhsiyar (r. 171319), in various parts of India.Later artists such as the one who painted this version in the 19th century would no double have been aware of such a large and unusual portrait. Given the popularity of paintings of flora and fauna in the late 18th and early 19th century it is not surprising that the artist wished to pay tribute to the original. Gone are details such as the grass and rope from the monkey's neck, replaced with a simplicity characteristic of the period.Condition Report: Good overall with light staining and wear to lower border
A double-sided album page from the Imperial Mughal Library during the reign of the Emperor Aurangzeb, Herat, 16th century, with Deccani and Mughal additions of the second half of the 17th century, opaque pigments heightened with gold on paper, recto with scene of a prince enthroned, with a inscription identifying the ruler as Genghis Khan, being entertained by musicians, perhaps excised from a manuscript of Jami's Nafahat al-Uns, laid down on an album page with an inner border of fine gilt floral interlace and small birds delicately painted in polychrome, and outer silver-sprinkled light blue border, the page with nasta'liq inscription within gold cloudbands in upper border, Devanagari inscription in gold to lower border, seal impression of Mughal Imperial Librarian at lower right corner; verso, a calligraphic panel signed Qasim 'Ali, with four ll. of diagonal black nasta'liq text outlined in gold, on a green ground, within a border of small panels with 2ll. of black nasta'liq within cloudbands on gold and polychrome, numbered ?? in Arabic at lower left corner, painting verso 21 x 30.5cm. and calligraphy recto 22.7 x 16cm.; album page 41.6 x 29.5cm. (VAT charged on hammer price)Provenance: The Imperial Mughal Library, apparently during the reign of the Emperor Aurangzeb (reg. 1658-1707); Private UK collection, early 1970s-80s.The seal impression in the lower right corner (recto) is that of a Mughal official, and reads: sohrab khan khaneh zad-e 'alamgir padshah, 'Sohrab Khan, born in the household of 'Alamgir Padshah'. The date is not clear, possibly (10)69AH/ 1658-59AD, but it is clearly from the reign of Aurangzeb/'Alamgir I (1658-1707), and the terminology indicates the early years of his reign.Two folios from the same album have appeared at auction, both bearing the seal impression of Sohrab Khan. Bonhams sold most recently a folio from a Private American collection, 25th October 2021 Lot 4 and another appeared at Sotheby's, The Khosrovani-Diba Collection, 19th October 2016, lot 15. This album page featured a calligraphy by Javaher Raqam to the recto. The name Sohrab Khan is found on other album pages including one in the Philadelphia Museum, and on a portrait of the Mughal nobleman Farrukh Fal, dated 1650-75, with Francesca Galloway (Indian Miniatures, London 2005, pp. 16-17, no. 6). This also has the same kind of Devanagari inscription indicating a Rajput collection, perhaps Amber. The calligrapher's name Javaher Raqam was the title given by Alamgir to Sayyid Ali Tabrizi who had lived in Isfahan and moved to India with his father during Shah Jahan's reign. He is said to have taught Prince Aurangzeb. He held posts in the Royal court, including the Royal Librarian and his seal impression is found in numerous manuscripts. All his recorded works are calligraphic pages dating between 1062AH (1651-2) and 1086AH (1675-1676AD). The absence of text makes it impossible to say if the paintings recto were excised from a manuscript of Jami's Nafahat al-Uns, or another text on Sufis, or were simply depictions of the life of Shaykh Majd al-Din, made in an album for a specific patron.Jami's Nafahat al-Uns told the lives of six hundred and eleven Sufi saints. Shaykh Majd al-Din Baghdadi was a pupil of Najm al-Din Kubra. Khwarazm Shah asked the Caliph of Baghdad to send him a physician and Majd al-Din was sent. The Khwarazm Shah threw him in dajlah (referring, it seems, to a river as large as the Tigris - a scene perhaps depicted at lower left). Examples of the complete text have appeared at auction a few times: the only illustrated instance was a single leaf, dated to Herat, circa 1500 (see Christie's South Kensington, Indian and Islamic Works of Art and Textiles, 11th April 2008, lot 102. For complete examples of the text, see: Christie's, Islamic, Indian and Armenian Art and Manuscripts, 12th October 1999, lot 80 (dated AH 910/AD 1504); Bonhams, Islamic and Indian Art, 5th December 2002, lot 496 (Afghanistan or North India, 17th Century); Christie's, Art of the Islamic and Indian Worlds, 31st March 2009, lot 138A (a Turkish translation, dated 1520).The verses are unrecorded, the signature reads Qasim Ali, who could be identified with the calligrapher from Shiraz active at the beginning of the 16t century scribe of a manuscript now in the Smithsonian Museum, Washington, inv.no. S1986.194.1-2.Footnotes: Provenance: Property from an Important Private CollectionCondition Report: Condition report: In good condition, minor smudges and losses to the paint, a later Indian inscription on the lower border, minor holes and flaking, some stains and rubbing
SEX PISTOLS POSTER - A Rare survivor from the Roadie who was at the Gig and a friend of Martin who was the band member of the support act on the night, Albert Dock.This Sex Pistols Poster is an original 1976 Handbill / Poster and an extremely rare piece of original early Sex Pistols Promotional Material. It was for the show at Eric’s in Liverpool, England on October 15, 1976.The poster is in good condition for its age. It has a small piece missing on the top right of the poster and a small side tear and a little light creasing. Its quite a deep yellow paper with crisp black print.The two figures standing on the rock are John Campbell and Henry Priestman, both member’s of Yachts, and later, It’s Immaterial, and Henry Priestman from The Christians. Martin a member of Albert Dock took the photograph on an art college trip to the Lake District and passed the negative on for the poster production. `The item measures just short of A4 at 295mm x 208mm and it served as both poster and handbill for the gig promotion, the Sex Pistols’ first outing to Liverpool. At that time at Erics, the main act performed upstairs early on in the evening and the support act played downstairs in what would later become the main club area.`This performance came at a pivotal time for the Pistols. Less than a month before, they’d signed a five year management contract with Malcolm McLaren’s Glitterbest Ltd. Three weeks prior to this show, Nick Mobbs of EMI saw the band for the first time, and on October 8, just a week before the Eric’s show, the group officially signed to the label.On October 10 the band recorded an early version of “Anarchy in the UK” with their sound man, Dave Goodman, and beginning on the 12th, they played shows in Dundee, Wolverhampton, and Birkenhead before the Liverpool show on October 15. The Liverpool Echo noted “This gig certainly didn’t have the same impact as the Pistol’s Free Trade Hall gigs in Manchester – in fact it almost went unnoticed as there were only about 50 people there…Eric’s had only just opened on 1 October, and among the first bands to play were the Runaways and the Stranglers. But on 15 October, the infamous Sex Pistols pogo’ed their way into town…Holly Johnston, Paul Rutherford [both later of Frankie Goes to Hollywood], and Pete Burns [Dead or Alive] were all in attendance that night.”Just two days after the Eric’s show, the Pistols recorded the version of “Anarchy in the UK” that EMI released. Five days later, on October 22, Stiff records released The Damned’s “New Rose”, the first-ever UK punk record, beating the Pistols debut single by about a month.Provenance from Richard, a college friend of Martin Watson, Guitarist and Vocals for Albert Dock and later Yachts and who was the roadie for the night. As he states to ensure admission to the gig I was the roadie for Albert Dock ! The other poster is a rare Albert Dock - Return of the Magnificent 7 Poster in fair condition. It has a little staining has been folded once and has pin holes in the corner. It measures 44 cm by 33 cm.
Lot of 30 x Original late 1960s Original Russ Gibb Postcards. ( Handbills / Flyers ) All orignal in fair condition - Most of these cards have either some staining small tears or light creasing. ( Please see photos ) 5 of each Card, Grand Ballroom Show, approx sizes 22cm x 13 cm. 5 x Frost 19.5 x 11.5 cm 5 x MC5 18.5 x 10.5cm Big Brother Holding Company 18.5 x 10.5 cm, Wayne Cochran 19 x 11 cm and Spirit 11 x 18 cm.Postcards some printed on the reverse .Grande Ballroom, 8952 Grand River Ave, Detroit, Michigan, 48204. Telephone ( 313 ) 834-9348. Please see photos. Russel James Gibb (June 15, 1931[1] – April 30, 2019) was an American rock concert promoter, school teacher and disc jockey from Dearborn, Michigan, best known for his role in the "Paul is dead" phenomenon, a story he broke on radio station WKNR-FM in Dearborn,[2] and as the owner of the Grande Ballroom, a major rock music venue in Detroit
The Complete Reprint of John Willie's Bizarre 2 volume box set from Taschen, 1995, edited by Eric Kroll. Complete run of the illustrated fetish magazine which ran from 1948 to 1959, complete with slipcase. Light scuffing to covers and corners of slipcase. Part of a large private collection of specialist/fetish adult material.
Boxing Roy Jones Jnr signed Lonsdale red boxing glove. Roy Levesta Jones Jr. (born January 16, 1969) is an American professional boxer who holds dual American and Russian citizenship. He has held multiple world championships in four weight classes, including titles at middleweight, super middleweight, light heavyweight, and heavyweight, and is the only boxer in history to start his professional career at light middleweight and go on to win a heavyweight title. As an amateur boxer he represented the United States at the 1988 Summer Olympics, winning a light middleweight silver medal after one of the most controversial decisions in boxing history. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Cricket. Brian Statham CBE Signed Autograph Card with Black and White Photo attached to Light Blue Card. Measures 8 x 6 inches approx. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Boxing George Carpentier 1921 vintage postcard with PRINTED AUTOGRAPH Light Heavyweight Champion and Boxing Hall of Famer, Issued By: A, Noyer Studios of Paris, France. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
A Hornby gauge OO R.2435 The Northumbrian train pack, boxed with instructions and certificate, all items wrapped in tissue (box has corner scuffs and light creases).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Elizabeth II silver and turned wood millennium wine coaster, the sides pierced with a continuous band of '2000', Birmingham 2000, diameter 12.5cm, a German .835 silver wine coaster with woven wirework sides, weight 125.5g, diameter 11cm, a Gorham sterling three-light twin-scroll branch candelabrum and a matching candlestick, together with a group of plated items, including an epergne with four detachable trumpet vases, height 39cm, and a ruby glass novelty preserve jar and cover in the form of a drum.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Seventy-one Matchbox Superfast 1-75 vehicles, including No. 8 Mustang, No. 30 eight wheel crane, No. 13 Dodge wreck truck, No. 41 Ford GT, green base, No. 67 Volkswagen 1600TL and No. 59 fire chief car, all boxed (some boxes with applied retailer's price stickers and light scuffs), together with six Matchbox 1-75 vehicles, including No. 16 Case tractor, No. 65 combine harvester and No. 61 Alvis Stalwart, all boxed (boxes lightly scuffed and with applied retailer's price stickers).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Seven Lawrence Scale Models gauge goods wagons, comprising meat van S1203, insulated van S0073, fruit van N42106, guards van S4925, each with applied plaque signed by J. Mills and dated, also signed by D. Lawrence and L. Goddard, brake van S5472, brake van S5891, both signed by J. Mills, and brake van S6073, all in Southern Region livery (some light scratch marks).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of 19th century plated wine coolers, each of urn form with wavy naturalistic outswept rim above a lobed body flanked by fruiting vine and stem handles, on a circular foot, height 29cm, and a plated six-light five-scroll branch candelabrum, each sconce with petal rim, on a tapering reeded and foliate stem and three-scroll legs terminating in paw feet, height 66cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A LARGE TRUMPET VASE, maker possibly Neale Ltd., Birmingham 1924, the everted rim with scroll border, single knopped body on a domed foot, 11 3/4" high, 11ozs 14dwts (Est. plus 24% premium inc. VAT)Light gauge, no engraving, doesn't appear to have been loaded/weighted. Small section of rim pushed up/dented
AN ART DECO GOLDSCHEIDER EARTHENWARE FIGURE modelled as a young fashionable lady wearing a wide brimmed green hat and flower painted dress, holding her gloved right hand up to her hat, her left hand resting on her hip, standing on an oval black base, original label, 15 1/4" high, fixed onto a black painted oblong wood platform with chrome "lamp post" light fitting (Est. plus 24% premium inc. VAT)No chips, cracks or restoration. Unable to take off plinth to see marks, have partly taken felt off base and the figure appears to be glued to base not screwed
A PAIR OF FRENCH GILT METAL THREE LIGHT FIGURAL CANDELABRA inset with onyx panels, early 20th century, each modelled as a putto holding aloft a scrolled support issuing turned nozzles hanging chains, raised on oval base with scrolled feet, 14 1/2" high (Est. plus 24% premium inc. VAT)Generally very good condition, some rubbing to the gilding, flame finial to top nozzle only, others possibly missing same (??)
A group of fishing tackle, comprising a Qualtek Tipster 13 three piece split cane fishing rod, a Cyril Newman Leger 9ft two piece split cane fishing rod, a brown three piece split cane fishing rod, an Abu Legerlite 112 two piece split cane fishing rod, Qualtek Wicken two piece split can fishing rod, yellow painted two piece split cane fishing rod, Qualtek Wicken two piece split cane fishing rod, Magic carbon two piece fly fishing rod, Milbro Enterprise rod, a Taylor & Johnson two piece split cane rod, Milbro Light Mace three piece split cane fishing rod, three piece yellow fibreglass fishing rod, and various poles. (a quantity)
A William IV night light, being a circular silver plated chamber stick with converted shade and marked WR under a crown to the base, 13cm diameter. Provenance sighted in a Christie's Insurance valuation as 'By repute by descent to the present owners mothers great grandfather John Helse, Master of the Bed Chamber to William IV'
GUCCI BAMBOO HOBO RAFFIA SHOULDER BAGCondition grade B-.40cm long, 35cm high. Adjustable shoulder strap drop. Raffia with tan leather trims and light gold toned hardware. Beige fabric lined interior, one inner slip pocket, one inner zippered pocket, tassel detailing. Includes original dust bag.
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534297 item(s)/page