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Lot 836
A pair of Persian blue ground small mats, decorated with animals amongst trees and flowers, and three other mats with stylised floral decoration, largest 86 x 57cmCondition:- pair of mats worn through the pile in patches and tatty around the fringes, very slight difference in colouring across the top of one of the mats where it meets the fringe, 80 x 56cm and 78 x 58cm- russet ground mat again worn through the pile and worn at the fringe ends, 85 x 54cm- cream ground rug with blue and red motifs - light wear, more noticeable wear at the fringing ends, 56 x 84cm- cream ground red and brown motifs - worn at fringe ends, 81 x 58cm
Lot 862
A George III mahogany piecrust tilt top tea table, Diameter 66cm Condition: Mid reddish brown mahogany tone to a much dark near ebonised tone underneath, top very light weight mahogany, signs of splits running from through from one side, a little bowed and lacking one of the stretchers, underframe with wear commensurate with age.
Lot 888
Thomas and George Seddon. An early Victorian rosewood card table, with folding rectangular top, beaded turned stem, triangular platform and turned feet, W.92cm D.46cm H.76cmCondition: A little faded with the top now a light gingery tone, slightly more faded at one end than the other, some scratches, dents and scuffs to the top commensurate with age, top flap is very slightly bowed, old baize faded and tatty, some small losses of veneers around the frieze particularly at one end of both flaps, paper label for Seddon applied to underside, base scuffed commensurate with use.
Lot 91
A Chelsea red anchor period vine leaf moulded dish, c.1755 and a Chelsea gold anchor bird and flower painted octagonal plate, c.1765, 24cm and 22cm Condition: The oval vine leaf dish has wear to the enamel painting in the centre, typical fritting and glaze imperfections and a few small overglazed firing cracks to the edges, the gold anchor plate has some heavy crazing to the glaze all over and two cracks through the raised foot visible on top as well, some occasional light staining and wear to the gilding.
Lot 97
John Swatsley (American, B. 1937) "Golden Eagle" Signed lower right. Oil on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 20c Official Mail Envelope issued January 12, 1983. Nearly always, the proud eagle has been just the sort of symbol kings, emperors and nations favor and, for this reason, has often been used as their emblem. To this day, the national seal of Mexico bears the figure of an eagle devouring a serpent which symbolizes to the people of that nation the triumph of good over evil. Other nations, including Egypt and Persia, have lifted the eagle high as part of their battle standards. One of the few times when the eagle was portrayed in a less than favorable light was in the legend of Ganymede which exaggerated the bird's ability to carry off prey. In this story the eagle actually took to the sky with children in its talons! In reality, however, even the powerful Golden Eagle can lift no more than eight pounds. Still, with its fearsome gaze and soaring flight, it is little wonder that the eagle continues to be a favorite emblem of kings and nations to this very day. Image Size: 18.25 x 15.5 in. Overall Size: 23.75 x 20 in. Unframed. (B07815)
Lot 326
Steve Ferguson (B. 1946) "General Dynamics F16C Fighting Airplane" Signed lower left. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. Flag 29c stamp issued January 20, 1992. In 1975 General Dynamics began mass production of a new, light-weight air combat fighter for the U.S. Air Force. Designated the F-16, the "Fighting Falcon" performed superlatively during trials and demonstrated excellent interceptor and bomber capabilities as well. Also ordered by U.S. allies, the aircraft first saw combat in 1981, when eight Israeli F-16s destroyed an Iraqi nuclear installation. But the aircraft truly proved its mettle as a fighter bomber during the 1991 Persian Gulf War. Loaded with both cluster bomb units and Sidewinder missiles, F-16s from units such as the 421st Tactical Fighter Squadron from Hill AFB, Utah, wreaked havoc on entrenched Iraqi troops. With regular updates in avionics and electronics, this invaluable aircraft should serve well into the 21st C. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13444)
Lot 350
Kaytee Esser (20th C.) Titled "Follies". Signed lower right. Acrylic on Canvas. Artist's Statement: My work captures the rich character and personality of life. I can best describe my style as light, bright, and fun. I look for the individual personality that makes my paintings unique. I paint mainly with oil on canvas. Painting is my passion and my challenge, which I strive to communicate to the observer. About The Artist: Kaytee Esser is an award-winning painter whose studio works examines both the sensuality and richly varied texture of relationships. She connects with each of her subjects on a deeply personal level, capturing their essence and translating it to canvas. The interplay between line, light and color illuminates the spirit of her subjects as they relate to their surroundings and each other. Most recently, Kaytee is experimenting with abstract design with an overlay of figure and movement. Her style is contemporary and impressionistic. Ms. Esser's use of light and bright color is perfectly suited to the south's tropical climate. Sight Size: 20 x 16 in. Overall Size: 22 x 18 in. Framed behind glass.
Lot 130
German Army Southern Front M-40 Steel Combat Helmet, interesting example of a M-40 pattern steel combat helmet which retains the original German army single decal which can be seen under the camouflaged paint finish which is in a light colour, not quite tropical, but probably for Southern France or Southern Russia. Interior of the helmet retains its original leather liner, this has worn and has damage in places. Part of the leather chinstrap also remains to the helmet. Shell is stamped “ET64” and “4000”.
Lot 32
Oil Painting Painted at Dartmoor Prison 1918, showing a musician holding a violin. Signed to the bottom corner “G.M 1918”. Housed in a wooden frame, reverse has inked “Poul Wood plastic painting by Geoffrey Mastiner 1918 – IN A CELL AT DARTMOOR PRISON Painted by the light of a candle, During the first world war and hangining this ------ -------“. Frame measures 27 x 27cms.
Lot 70
British Royal Navy HMS Dunedin Cap Tally, Ship Sunk by U-Boat 24/11/1941, good early example with full stop after ship title. Originally tied with bow to the end. HMS Dunedin was a Danae-Class Light Cruiser, commissioned in 1919, she was involved in the supervision of the unloading of munitions at Danzig for the Polish government in October 1920, she also assisted with the relief effort after the Hawkes Bay earthquake in New Zealand in 1931. During WW2 she captured many German merchant ships in the Caribbean sea. She was also involved in capturing a number of the German enigma cipher machines from Merchant ships. In November 1941 she was making her way to the Atlantic Ocean, when she was attacked and sunk by the German U-Boat U-124. Only 4 officers and 63 men survived out of a crew of 486.
Lot 122
Oil painting on canvas. Michele Rapisardi (1822- Catania Florence, 1886). Eighteenth-century historical scene. 52X68."Painter of true romantic nature, he left Catania and went to Rome, Florence and Venezia. Full of classical culture, the painter loves the themes of historical and literary mastera, supplementing it with the study of the painters of the sixteenth century (he especially loved Raphael). His stay in Paris in 1860, and the contact with the French painter Auguste Gendron (1818 to 1881) is reflected in later works that will have an academic character emphatically, pompier taste. Sensual nudes of women and dreamlike images appear in his paintings giving a change in his painting from the thematic and chromatic point of view. So it comes to his artistic maturity, leaving behind the old romance, creating works of scenes, costume, eye-catching female sculptures. Its chromaticity thus becomes cooler, as evidenced by his exercises and his studies on light. It combines in its own way a historicism Morelliano (Naples, Naples 1823- 1901) completing its romantic array with a realistic coloring. Excellent remain paintings where his brushwork loose but elegant, is able to bring forth an erotic and sensual charge, albeit with a strong sentimental address." STUDIO ASOR
Lot 4
Oil painting on papier machè, allegedly by Sir Thomas Lawrence (Bristol 1769 - London 1830). Cupid with bow and arrow, 11x16. With 21x22 frame. Small fall color. Portraitist acclaimed and considered the most popular in Europe during his lifetime. He performed many works of great elegance, some of which are kept at Windsor Castle. With the British commercial expansion of the nineteenth century, the new enriched are captivated by the popular trend of having a portait painted and Sir Thomas Lawerence was a painter high in demand during the Giorgianana era. At just 20 years old he becomes a Royal Academy artist with the approval and protection of Joshua Reynolds. His paintings are a document of English society of the late eighteenth, early nineteenth century. A rare virtuosity of the technique and a warm palette are easly visible in his portraits, which emphasizes the character and, at the same time, do not enhance it with the tricks that often resulted in bad taste. In this particular painting, the bright light from above, sweet, moist eyes, curly and shiny hair, rich and warm palette, is the typical expression of a typical irrefutable pictorial skills of Sir Lawrence Thomans
Lot 85
A vintage Smiths 'Motor' watch, dashboard clock, circa 1960, with manual wind movement and crown at 6 o'clock, chrome finish case, circular magnet attachment on back, the circular black dial with large luminous Arabic numerals and light green minute track and five-minute dots, centre seconds, the luminous hands with red painted edges for easy visibility, the movement stamped 'Made in Great Britain', dial 40mm, case 50mm, 60mm across crown, 84.1g, together with a rectangular metal plate stamped '72 GG-15283 AA' and Ford Motor Co logo, 36 by 22mm. (2)Notes: in good working condition, winds and sets well, keeps time across 1hr test.In good working condition, winds and hands set well. Few light scratches to the case but the domed plastic cover has all over vertical cracking - reading ok from directly above but obscures visibility at oblique angles. The dial, hands and numerals look good except from some blooming, especially on the 2 and the second hand.
Lot 96
A Patek Philippe Calatrava 18k gold cased lady's wristwatch, reference 4906, circa 2006, the circular white dial with black Roman numerals and date aperture at 3 o'clock, black hands, quartz movement caliber E19C 115, serial 3158029, case back marked Patek Philippe Geneve Swiss, 4200153, 4906, 750, PPCo, on original black leather crocodile embossed strap with 18k gold buckle engraved to front ?Patek Philippe?, and to back with conforming hallmarks, the case lugs also with conforming hallmarks, in original presentation box and branded outer box, with soft brown suede carry case, replacement as new in bag brown leather crocodile embossed strap, further black suede case containing twelve small diamonds, each 0.02ct or less, a brown leather branded wallet with promotional and informational booklets, original Certificate of Origin, and original invoice dated 17-Apr-06 for £4200 from Berrys Fine Jewellers, Nottingham, dial 21mm, 15mm between lugs, 30mm across crown, caseback only 9.5g, 43.5g total. Notes: in very good working condition, hands and date set well, however battery now flat.There are scratches to the case from normal use, very light scratches to crystal visible under a loupe, dial and hands very good, strap condition also consistent with use, overall in good condition with very good boxes and paperwork.
Lot 99
A group of Oriental collectables, comprising a Chinese orange hardstone snuff bottle, with red stone cabochon to top, 6cm, a Chinese green glazed ceramic snuff bottle with moulded lions mask ring handles, quartz top and black painted four character signature to base, 7.5cm, a small light green glazed ceramic water pot, 6.5 by 4.5cm high, a 19th century Indonesian cast metal pinang scissor or betel nut scissor (kalakati), engraved and in the form of a horse, 16.5cm, and a Noa mask style cast resin plaque, 6cm. (5)
Lot 148
An original antique Italian Venetian hand carved Nubian figural Blackamoor floor standing centerpiece lamp. The figure in traditional attire, hand painted with details and patterns holding a moulded glass Odeon flame shade light fitting above head. Raised on ebonised pedestal base. Measures: 120cm tall.
Lot 190
A stunning pair of Napoleon III style French polished green marble and gilded bronze ormolu pedestals / bust stands / jardiniere planter torcheres. Stepped octagonal top with large bronze Corinthian column decoration with light tapered centre raised on footed pedestal base with octagonal plinth and bronze gilt discs/ Measures: 114cm tall. Top measures: 35cm x 35cm.
Lot 169
Rolex - a ladies 18ct gold Rolex Precision bracelet wristwatch, circa 1960'S, circular dial measuring approx. 1.5mm, with dot and dagger numerals, integral buckle style bracelet link strap, logo to clasp, unmarked assessed as 18ct gold, length approx. 19.5cm, total gross weight approx. 36gmsCondition: light mottling to dial, otherwise generally good overall, movement not tested
Lot 184
Rolex - a gentleman's bi-metal Rolex Oyster Perpetual Datejust wristwatch, circular textured gilt dial, approx. 30mm, baton hands and markers, date aperture at 3 o'clock, coronet monogram to the crown, Jubilee bracelet, No.16233, Ref No.R552151, no box or papersCondition: light wear, ticking,sold as seen, service advised
Lot 185
Omega - a gentleman's steel Omega Constellation Co-Axial Chronometer wristwatch, 4cm circular charcoal grey dial with baton numerals and Roman numerals to the bezel, dagger hands, date aperture at 3 o'clock, Omega monogram to the crown, integral steel brushed and polished link strap with deployment bracelet strap, No.80690697, fully boxed with paperwork and spare links Condition: very light wear only, ticking, sold as seen, service advised
Lot 189
Rolex - a ladies 18ct gold Rolex Oyster-Perpetual Superlative Chronometer wristwatch, circular white dial, approx. 30mm, Roman numerals, baton hands, coronet monogram to the crown, integral 18ct gold Oyster bracelet, un-boxed, no papers, total gross weight approx. 88gms Condition: light wear, ticking, sold as seen, service advised
Lot 1017
A 9ct gold Rolex, full hunter pocket watch, the face with Arabic numerals and subsidiary seconds dial at 6 o'clock and marked Rolex top wind and fully hallmarked 9ct gold Dennison watch, weight approx 92.2 grams, case diameter 5cm, ser no, 318794 - Rolex 15 jewel movement, No 6200755 - movement also marked - Timed 3 positions for all climates - very clean, light surface marks consistent with use
Lot 672
A good quality silver visiting card case featuring a stag and hinds with mountains in the background with repousse work front and back, hallmarked Birmingham 1901/1902 - maker Crisford and Norris Ltd, size 10cm x 7cm x 8mm - weight approx 2.14 troy oz - clean for age, monogram and dated 1902 - very light surface marks
Lot 1022
Two Victorian South Wales pottery pearlware soup plates, transfer printed with floral patterns, one marked Coombes & Holland, diameter 27cm, a small Swansea pearlware pattern side plate, transfer printed with a chinoiserie pattern and a Cambrain pottery Swansea shaped pearlware dish, transfer printed in blue with Long Bridge pattern (4).Condition report: The C&H plate has some chips with the largest pictured (see pictures). The Swansea plate has a faint, light star crack to the base approx 5cm in length.
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534338 item(s)/page