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Lot 311

A THREE-BRANCH ART NOUVEAU BRASS CEILING LIGHT, with three frosted glass shades, 17.5" (45cm)h; together with another brass-mounted ceiling light, with acorn-shaped milk glass shade. (2)

Lot 313

A SEVENTEENTH CENTURY STYLE BRASS CANDELABRUM, with six pierced arms, and a centre light, on a tripod base, 18" (46cm)h; together with a heavy brass church gong, with cruciform finial, and shaped stepped base, 15.5" (40cm). (1)

Lot 321

A PERSIAN KERMAN LAVAR CARPET, with centre oval medallion, on a light green ground, with all over floral pattern and conforming spandrels, inside a burgundy ground wide border, with smaller bands, 10ft (305cm) x 8ft (244cm). (1)

Lot 380

A LARGE TURKISH RUG, with light blue and red medallion, within dark blue stepped spandrels, inside an ivory border with stylized flower heads, 9ft (287cm)l x 5ft10 (178cm)w. (1)

Lot 407

A TALL ART DECO CAST AND WROUGHT METAL CEILING LIGHT, the shades in the Renellic style, with four arms and a centre relief moulded bowl, with a circular ball-moulded corona, and slatted suspenders, and a two-band circular frame, applied with roses, approx 75" (190cm)h. (1)

Lot 421

A CHINESE LIGHT BLUE GROUND WOOL CARPET, the field with stylised flowers, and butterflies, inside a three band conforming border, 9ft (274cm)l x 6ft (183cm)w. (1)

Lot 423

A PAIR OF BRONZE AND GILT BRONZE CANDELABRA, three branch, four light, each with a flame centre finial, on a brass mounted reeded stem, with a leaf cast gilt collar, and vase shaped lower section, on triform base, with lion paw feet, with three lion masks, 26.5" (67cm). (2)

Lot 427

A BURGUNDY GROUND PERSIAN MASHAD CARPET, with centre floral blue medallion, on a burgundy ground with all-over pattern and light blue spandrels, inside a wide conforming blue border with multi bands, 12ft6 (381cm) x 9ft5 (287cm). (1)

Lot 530

AN ORIENTAL RUG, with large octagonal red centre medallion, and two light blue triangular medallions, on a burgundy ground, inside a triple band border, 6ft (283cm)l x 3ft7 (189cm)w. (1)

Lot 533

A GOOD HEAVY WOOL RUG, in the William Morris style, with rows of leaf sprays, in light green and ivory, inside a conforming leaf border, 10ft1" (307cm) x 8ft (244cm). (1)

Lot 541

A PAIR OF GILT BRASS AND WHITE MARBLE FIVE-BRANCH, SIX-LIGHT CANDELABRA, each with leaf cast scrolling arms, and urn-shaped sockets, the top surmounted with an urn filled with fruit, on a conforming brass stem, with grotesque masks, and a tri-form white fluted marble base, on rectangular feet, 26" (66cm)w. (2)

Lot 66

A HEXAGONAL BRASS LANTERN, in the late eighteenth century style, with five glazed panels and three-branch light fittings, 23" (59cm). (1)

Lot 10

WAGNER THE WEHR-WOLF by Reynolds. This copy is lacking title page/ publishing details, circa mid Victorian and follows the same format as the John Dicks, 1st book form edition of 1857, with pages running from 2-192, double columns, with illustrations by Henry Anelay. Bound in half leather, some rubbing and wear and mild marks to the boards but solid. There is a historic Circulating Library slip pasted to the front paste down, with xx Libris slip and name to the flap. The binding is tight and holding well with some minor separating in places. The contents are reasonably clean with some light toning, foxing, handing wear and creasing with some staining in places, Werefolf, Lycanthrophy, Gothic Horror, Victorian

Lot 26

TWENTY FIVE YEARS OF DETECTIVE LIFE by Jerome Caminada, 2 vols. 1895. Published John Heywood. Bound in green cloth, gilt armorial coat of arms to the front of each volume. The boards have solid with some rubbing and minor wear. Internal the bindings are lightly shaken but the contents clean with some light foxing and minimal toning

Lot 291

NORMAN JAQUES (1926 - 2014) TWO ARTIST SIGNED LIMITED EDITION COLOUR PRINTS 'The Blue Doorway' (2/10) 25" x 19" (63.5 x 48.3cm) 'Illusions of Light' (7/12) 26 1/2" x 18" (67.3 x 45.8cm) unframed (2)

Lot 44

THE EXPERIENCE ENGLISH HOUSE-KEEPER BY ELIZABETH RAFFALD, 1st EDITION 1769, SIGNED published Manchester, printed by J. Harrop for the author, sold by Messers. Fletcher and Anderson, St Paul's Church-Yard, London and by Eliz. Raffald, Confectioner, near the Exchange Manchester, 1769; 'The book to be signed by the Author's own Hand Writing, abd Entered at Stationers Hall'; the signature in ink is located in the correct place on either side of Chap 1; full leather binding not originalFull leather binding not original, plain full leather showing some wear scuffs, scratches generally clean, solid and holding well. The binding is firm and holding reassuring well, some very light separating just showing in the gutter area, in a couple of places, but nothing unusual for the age. There are various intermittent stains showing in places throughout, heavier on a few occasions, compared to the general visual appeal which is good for the most part. Previous owners inscription to the front fly leaf, one index page is missing almost entirely, otherwise a reasonably well preserved copy all things considered and presents in solid collectable condition.

Lot 204

A lady's steel and gold Jaeger LeCoultre wristwatch, model: Reverso, Ref: 260.5.08, quartz movement, silvered dial with Arabic numerals, with plain gold reverse, on Jaeger LeCoultre bi-metal bracelet and with box CONDITION REPORT: The watch is running. The dial is clean. The case and bracelet have some typical light surface scratches. The bracelet is approximately 12cm in length when closed. The box is present but no papers. See additional images.

Lot 63

A tray of boxed Ringtons tea light house, character jug, glass ware, Devon ware vase, Wedgwood dishes etc

Lot 135

A pair of embossed plated copper three-light candelabra, 32cm high and a pair of plated candlesticks with beaded borders, 32cm high.

Lot 193

A leaded light and brass fire screen, a boot stick stand, two oil lamps and other items.

Lot 304

An Israeli white metal (tests silver) five-light candelabrum, stamped "833", tapering column on circular pedestal base, with four scroll branches, 32 cm. high, wt. gross weight 452 gm. Overall good order except for a crease to top of base and slight distortion to foot rim.

Lot 43

An emerald and diamond cluster ring, the central oval cut emerald 7 x 5mm, in a surround of small brilliants, the shank fully hallmarked, finger size M/N, 2.8gms CONDITION: medium/light tone, moderate jardin, no obvious evidence of treatment, diamonds uniform, shank solid

Lot 500

A Gianfranco Ferre Black travel bag with leather accents and goldtone Ferre padlock complete with 3 keys. CONDITION: Good, shows signs of light use, mainly clean interior

Lot 506

A Vintage Gucci monogrammed Weekender travel bag with leather handles and separate compartment to base, Labelled inside Gucci Made in Italy. CONDITION: Good for age, some light marks to exterior.

Lot 507

A Vintage Gucci monogrammed messenger bag with striped strap. Labelled inside Gucci Italy #14.001.4732. CONDITION: Good, clean interior, light signs of wear.

Lot 510

A vintage Gucci monogrammed navy canvas and leather handbag with goldtone horsebit closure, probably 1970's. Beautifully lined in suede and labelled inside Gucci Italy. Comes with dustbag. CONDITION: Good, light signs of wear, clean interior.

Lot 78

A two-strand cultured pearl choker, composed of two length strands, the shorter 37cm long, each of graduated 3.8 - 8.6mm, to a diamond and yellow paste clasp, the old brilliants millgrain set in platinum, together with Asprey box and original Asprey receipt CONDITION: light scratches to paste, diamonds bright and lively, no losses, pearls with good lustre/surface, some minor surface blemishes

Lot 180

A 1920's glass light shade, Imari plates, carved spear

Lot 197

An inlaid rosewood bookshelf, together with paper rack and porch light

Lot 352

A decorative eight branch and crystal drop ceiling light

Lot 484

A decorative multi-branch crystal drop ceiling light

Lot 532

An old Georgian style doll's house with fitted interior, light fittings and small amount of furniture - 94cm wide

Lot 50

Boxes of glass and china, cherub light fitting, alabaster table lamp, crystal punch bowl, boxes of cutlery, etc

Lot 514

19th Century mahogany Chinese Chippendale style two door china cabinet and early 20th Century opaque glass ceiling light (2)

Lot 477

German bronze six-light centre light, approximate drop 60cm

Lot 370

A Light Oak Hall Robe, 77 cm Wide

Lot 1142

An unusual mid century large oak eclesiastical vestment - front chest coffer. Of light oak form with panelled design having a large hinged top above. Plaque to front with notation for St Leonards Church, 1969. This being a gift to a congregation member. Measures 86cm x 141cm x 63cm. 

Lot 1169

A good early 20th century Revo, circa  1940's Industrial enamel pendant long strip light in two tone green and white colourway. In a very good condition with the notation crisp and clean. Measures: 189cm long.

Lot 1313

A 20th century Continental five branch brass / ormolu and ceramic light / chandelier light fixture, each branch having a decorated bulbous decorated ceramic aperture with a gilt ormolu swag arm.  

Lot 532

A collection of vintage books dating from the 19th century to include Travels In Tartary, Thibet And China by M. Huc, Counting The People In Hellenistic Egypt Vol I and II, Guernsey Folk Lore by Sir Edward MacCullough 1903 1st edition, Mineralogy and Crystallography by Prof. Tennant and Rev, Walter Mitchell 1856, wayside Trees Of Malaya Vol I and II, The Isles Of Scilly Their stories Their Folk and Their Flowers by Jessie Mothersole and Sicilian Scenery illustrated by Peter De Wint and William Light.

Lot 110

Omega, a 1980's Omega steel Constellation Chronometer wristwatch, 3.2cm circular dial with yellow metal Roman numeral bezel, dot dial numerals, subsidiary day and date dials, boxed with certificate and 1988 receipt of purchase for £522.25Condition: Light wear only, movement not tested, sold as seen, service advised

Lot 111

A George III silver pair cased pocket watch, 1810, white enamelled 4.5cm circular dial, verge escapement, etched and reticulated foliate decoration to movement, (key)Condition: Case generally good with light wear, movement not tested

Lot 112

A 9ct gold full hunter pocket watch, 4.5cm white enamel dial with Roman numerals and subsidiary seconds dial, the casework Birmingham 1923, approximate weight all in 93g (box)Condition: Case generally good overall, light hairlines to dial, ticking at present, sold as seen, service advised

Lot 119

Omega, a circa 1960s gentleman's steel Omega Automatic Seamaster wristwatch, 3cm circular champagne dial with dagger and numeric numerals, dagger hands, on an integral Omega bracelet strapCondition: Case with light wear, ticking at present, sold as seen service advised

Lot 1270

'Portrait of the Short Horned Bull, Patriot', Georgian English hand-coloured mezzotint by William Ward ('Engraver Extraordinary to HRH the Prince of Wales') after Thomas Weaver, published in Shrewsbury, 14th February 1810. Complete with antique frame, mounted on canvas with original label to verso: 'Samuel Lewis, Ludlow'. Unglazed but with a light varnish that has created a warm toned appearance. British sporting art / farming / cattle / natural history interest. Approx. 70cm x 61cm (including frame).

Lot 1345

Sir Leslie Ward, 'Spy' (British, 1851-1922), Portrait of Mr F. Henry Royce, full length in a brown suit, signed Spy c.r., gouache, 54cm by 36cm, framedNote: Sir Frederick Henry Royce (1863-1933) was a distinguished engineer - his modesty caused him to label himself simply 'mechanic' - whose name is immortalised through his partnership with Rolls and the establishment of the eponymous automobile company. He was apprenticed to the Great Northern Railway Company in 1878 and later joined the Electric Light and Power Company in London before forming F H Royce in Manchester (registered as Royce Ltd in 1899), making electric fittings before graduating to dynamos and electric cranes. He patented the bayonet light fitting.He became increasingly interested in motor cars and, after purchases which failed to meet his own exacting standards, he decided to build his own. He produced three cars, which were called Royce and had two-cylinder engines. One of these was bought by Henry Edmunds, who introduced Royce to a friend, Charles Rolls; their historic meeting took place at the Midland Hotel in Manchester in 1904. Rolls had a showroom in London and agreed to take all the cars Royce could make, from two to six cylinders, and the marque Rolls-Royce was born. The relationship was formalised in 1906 as Rolls-Royce Ltd., with Royce as its chief engineer, but it was cut short when Rolls was killed flying his plane in 1910.Royce was beset by ill health, which forced his move to the South coast, but he oversaw the building of a new factory in Derby, to his own detailed plans, in 1908. In 1928 he began the design of the celebrated 'R' aero engine, which won the Schneider Trophy the following year. The success of this led to the development of another engine, the 'PV-12', which was to be of immense importance to the Royal Air Force, under the more familiar name of the 'Rolls-Royce Merlin'; it was to power the Spitfire, the Mosquito and the Wellington, among others, in the Second World War. He launched the engine in 1933 but died the same year, before its first test was completed.He was created a baronet in 1930 for his services to British Aviation. A statue stands outside the company headquarters in Moor Lane, Derby.Sir Leslie Ward (1851-1922), better known as 'Spy', was the most celebrated of the group of artists who worked for the magazine 'Vanity Fair', producing caricatures of the most notable figures of the day, royalty, statesmen, artists, athletes, actors, scientists and so on. Occasionally he painted more conventional portraits, of which this is a delightfully informal example, said to date from 1919.

Lot 363

A pair of late Victorian silver four- light candelabra in the Neo-Classical/Adam manner, the central stem cast as an urn with fluting and ribbon tied paterae above a fluted stem, on a stepped base with swags, beaded rim on gadroon borders, the detachable four light section with fluted scrolling arms, the urn sconces with detachable shaped square drip-pans, Hawksworth, Eyre & Co Ltd, Sheffield, 1893 , with two spare drip-pans - weighable silver 65.36 ozs (2.033 grams) (2)38 cm high

Lot 228

A modern ceiling light having opaque glass bulbous centre within netted brass design

Lot 238

A Victorian style opaque glass ceiling light/ lantern.

Lot 285

A pair of luminated light if pineapple

Lot 374

Three Art Deco style glass light shapes.

Lot 488

Two Vintage glass light shade with fittings

Lot 81

A 20th century tribal African carved light wood, female fertility figure, from the Fante People, Ghana; 27.5cm high.

Lot 178

A LATE 18TH OR EARLY 19TH CENTURY BRITISH LIGHT CAVALRY SABRE, MISSING ITS SCABBARD

Lot 367

LADY'S LIGHT BROWN PASTEL MINK 3/4 LENGTH COAT, with shawl collar, maker M. Fletcher, Southport (one cuff a.f.) and a BROWN MINK TAPERED SHAWL (2)

Lot 67

A LARGE RECTANGULAR WALL MIRROR, IN LIGHT WOOD FRAME AND A PINE SHOE RACK

Lot 72

A MODERN LIGHT BEECH DINING ROOM SUITE OF EIGHT PIECES, VIZ 6 GREY METAL FRAMED DINING CHAIRS AND AN OBLONG DINING TABLE AND SIDEBOARD, A MODERN LIGHT OAK DISPLAY SIDE CABINET WITH GLAZED DOORS ABOVE, DRAWERS AND CUPBOARDS BELOW, 4' WIDE, 6'6" HIGH (A.F.)

Lot 193

A pottery model of a fish; and a collection of glass light shades

Lot 397

A light oak two drawer writing desk

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