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Click here to subscribeSet of four adorable and realistic chameleons in frosted colored crystal including turquoise, light green, yellow, and amber. Largest piece measures 3.25"L x 1"W x 2.5"H. Signed Lalique, France. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
Set of four adorable and realistic animals in frosted colored crystal including blue deer, amber owl, brilliant blue chameleon, and light green rooster. Largest piece measures 2.5"L x 1"W x 3"H. Signed Lalique, France and the light green figure also reads Vert Clair on bottom. Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Good.
An incredible collection of thirty-nine cast glass beads designed by Rene Lalique in clear, light blue, and cobalt blue colors. Includes ten signed Renaissance bracelet beads, four signed Coq beads, three signed Cerisier beads, three signed Palmettes beads, two signed Fougeres beads, and seventeen Poussins beads (three signed). Signature R. Lalique engraved to sides or ends. Beads measurements range between 1"L to 1.5"L. Rene Lalique was a master glass maker and jeweler who influenced the art deco and art nouveau movements in the early 20th century. His pieces are renowned and coveted for their unique flora, fauna, and figurative themed designs. Includes floating display box measuring 11.5"L x 3.5"W x 1.5"H. Artist: Rene LaliqueIssued: ca. 1928Country of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Age related wear and minor chips.
Includes glass beads from Rene Lalique's Renaissance bracelet (5), Plaquettes Perlees necklace (4), and an unknown necklace or bracelet piece (13). Renaissance beads are light blue with cylinder shape and tapered ends (1.25"L); Plaquettes Perlees beads have rectangular shapes with pegged textures and white enamel (1.25"L); Unknown beads have long rectangular bodies, round peg textures, and ridged round ends (1.75"L). Only the five Renaissance beads reflect R. Lalique signatures etched to sides. Rene Lalique was a master glass maker and jeweler who influenced the art deco and art nouveau movements in the early 20th century. His pieces are renowned and coveted for their unique flora, fauna, and figurative themed designs. Includes floating display box measuring 10"L x 3"W x 1.5"H. Artist: Rene LaliqueCountry of Origin: FranceManufacturer: LaliqueProvenance: Collection of Marie-Claude Lalique Condition: Age related wear and minor chips.
Artist Unknown (19th/20th Century), oil on board, The Haddon Hall steamer boat at sea, signed indistinctly 'J.Bruy...' to the lower left, framed, measuring 30cm x 45cm, & 46cm x 60cm overallUnder UV examination there doesn't appear to be anything worth noting that can't be seen in natural light. Much like lot 638, this painting is also slightly dirty but has possibly been cleaned at some stage. It appears to be in a later frame.
J.Thompson (19th Century), oil on canvas, Two countryside landscapes, one depicting figures beside a footbridge, signed indistinctly to the lower right, displayed within a moulded gilt frame, 24cm x 44cm, & 48cm x 70cm overallUnder UV light, there doesn't appear to be anything worth noting that cannot be seen in normal light. Generally both paintings are quite dirty and dull. The canvases are rigid and the paint is cracking in areas. The canvas of second painting, depicting hills to the backdrop, is split significantly in two main areas to the upper section.
William Thornley (fl.1858-1898), oil on canvas, A steamer boat at sea, signed to the lower left, framed, 38cm x 48cm, & 56cm x 64cm overallUnder UV examination, there doesn't appear to be anything worth noting that cannot be seen in normal light. It looks to have been relined and also reframed. It may be that at some point the painting has been cleaned too. There are some patches where the paint appears to be thinner, including above the bow. Generally, the canvas does look quite dirty, with spots above the mast and within the sea.
Ca. 100-300 AD.A carnelian necklace with tubular and bi-conical beads, featuring a mix of dark and light hues. Carnelian was valued in ancient Rome for its red-orange colour and believed protective properties. Size: L:235/470mm / W:4mm ; 6.84g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Late Period, Ca. 664-332 BC.A papyrus column amulet, known as Wadj sceptre, made of light blue glazed faience with a suspension hole. This amulet represents a rolled papyrus scroll and was used for protection, granting the deceased eternal youth in the afterlife. For similar see: Cf. Andrews, C., 1994. Amulets of Ancient Egypt. Pl. 81-83. Petrie, W.M. Flinders. 1914. Amulets. Pl. 12-13. Size: L:39.4mm / W:10.6mm ; 3g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Late Period, Ca. 664-332 BC.A light blue faience amulet depicting Shu, the air god, in a kneeling pose with one knee touching the ground and the other raised. His arms curve gracefully with the sun resting between them. There's a hole for suspension. In ancient Egypt Shu was believed to be the one who rasied the sun to the sky, separating it from the earth. For similar see: C. Andrews, Amulets of Ancient Egypt, 1994, p. 22. Size: L:21.3mm / W:11.9mm ; 1.46g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Ca. 664-332 BC.A light blue glazed faience amulet representing the Harpocrates, also known as Horus the child. The god strides upon a rectangular plinth. A back pillar, which tapers slightly at the top, reached up to the middle of the head and is pierced for suspension at chest level. Horus holds his right hand to his mouth. He wears a tight cap with sidelock; he is otherwise nude. For similar see: The Brooklyn Museum, accession number: 37.1095E. Size: L:32.1mm / W:9.9mm ; 2.11g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Imperial period, Ca. 200-300 AD.A light-yellow glass vessel. The glass has an small lip and an everted rim leading to a long cylindrical neck which joins with a bi-conical mid section of the body, extending downwards to a flat disk base. Size: L:285mm / W:60mm ; 45g Provenance: Property of a London Ancient Art gallery, formerly NYC collection. Ex. F. A., acquired before 2000 on the US art market.
Ca. 100-200 AD.A light blue-green blown glass bottle with a teardrop shaped body. It also has a long cylindrical neck and flared rim. Strong interior surface patina. Intact. Size: L:160mm / W:90mm ; 165g Provenance: Property of a London Ancient Art gallery, formerly ex. Ye Olde Curiosity Shoppe, NJ., Dr. Arnold Saslow, acquired in Munich, late 1970s.
Ca. 300 AD.A light green glass chalice with a generous cup, short stem, and circular disk base. The lip flares slightly outwards. Roman glass chalices were emblematic of the conviviality and communal rites of the Late Roman empire and became increasingly elaborate in the 4th century through the introduction of the "cage cup" type. Size: L:90mm / W:73mm ; 39g Provenance: Property of a London Ancient Art gallery, formerly NYC collection. Ex. F. A., acquired before 2000 on the US art market.
Ca. 2000 BC.A carved alabaster bowl with a flat rim and a low disc foot. Triangular corners are decorated with a double incised inner rim border and a drilled dot and circular pattern. Some light scattered surface encrustation and deposits. Size: L:50mm / W:160mm ; 850g Provenance: Private NYC collection, acquired 1970s -1980s. Ex. Sotheby's New York, lot 284.
A BACCARAT CRYSTAL TWO LIGHT CANDELABRA With spirally fluted base, two faceted branches, the conforming sconces and drop pans with faceted drops, maker's label to base 32cm high Condition: Fine condition with no visible damage or repairs. This piece has been in storage for a number of years, was stored disassembled, and has only now been assembled in our saleroom. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE POLISHED FLOURITE SPECIMEN With Nan Yang Institute, Report dated 2023, stating that the natural flourite weighs 3.02kg, of free-form shape, light green to green colour with purple patches 181.17 x114.38 x90.60 mm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
LEE MAN FONG - THE COLLECTION OF PRESIDENT SUKARNO Paintings and Statues from the Collection of President Sukarno of the Republic of Indonesia, Compiled by Lee Man Fong, Toppan Printing Co, Tokyo, 1964, 5 vols, with tipped in colour plates, dust jackets and cardboard slips, all plates are present. Condition: Some tears to dust jackets on spines, occasional marks and small stains to pages, some general scuffing and light wear in places This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
BREITLING Hercules Chronograph, Ref A39362. Herrenuhr. Edelstahl. Automatik-Uhrwerk. Blaues Ziffernblatt. Sehr guter Zustand. Leichte Tragespuren an Armband und Gehäuse. Box und Papiere anbei. Erstkauf 03/2004. Gehäuse Durchmesser ca. 45 mm (ohne Krone). Armband passend bis ca. 21 cm Handgelenkumfang. | BREITLING Hercules Chronograph, Ref A39362. Men's watch. Stainless steel. Automatic movement. Blue dial. Very good condition. Light wear marks on bracelet and case. Box and papers enclosed. First purchase 03/2004. case diameter approx. 45 mm (without crown). Fits up to 21 cm wrist size.
A. LANGE & SÖHNE Lange 1, Ref. 101.033. Armbanduhr. Rosé Gold 18K, Handaufzugs-Uhrwerk. Kaliber L901.0. Graues Ziffernblatt. Originales, braunes Lederband mit Stiftschließe in Gold. Sehr guter Zustand. Leichte Tragespuren. Box, Bedienungsanleitung und Garantiebuch anbei. Erstkauf 2010. Gehäuse Durchmesser ca. 38,5 mm (ohne Krone). Passend bis zu ca. 19 cm Handgelenkumfanf.| A. LANGE & SÖHNE Lange 1, ref. 101.033. wrist watch. Rose gold 18K, manual winding movement. Caliber L901.0. gray dial. Original brown leather strap with pin buckle in gold. Very good condition. Light wear marks. Box, users manual and guarantee booklet enclosed. Case diameter approx. 38.5 mm (without crown). Fits up to approx 19cm wristsize.
Antike Lepine Taschenuhr mit Viertelrepetition. 18K Gelbgold, inkl. Staubdeckel. Vergoldetes Handaufzugwerk mit Viertelrepetition, voll funktionsfähig. Weißes Emailles-Zifferblatt mit arabischen Ziffern, goldfarbene Breguet-Zeiger. Guter Zustand, leichte Dellen am Gehäuserand und Staubdeckel. Durchmesser ca. 51mm ohne Krone.| Antique open face pocket watch with quarter repeater. 18K Yellow gold, incl. dust lid. Gilded manual wound movement with quarter repeater, fully working. White enamel dial with arabic numerals, goldene colored Breguet hands. Good condition, light dents on the case rim an dust lid. Diameter approx. 51mm without crown.
Anhänger mit Tahitiperltropfen und Brillant von ca. 0,34 ct (punziert), ca. FW-WEISS (G-H)/VVS, Hellgraue Zuchtperle 17x12,5 mm, mit grünlichem Lüster, GG 18K, 6,2 g, L: 2,5 cm, Ende 20. Jh., guter Erhalt. (6c) | Pendant with Tahiti cultured pearl drop 17x12.5 mm, light grey with slight green lustre, crowned by brilliant-cut diamond ca. 0.34 ct (marked), ca. RW-WHITE (G-H)/VVS, 18K yellow gold, 6.2 g, L: 2.5 cm, late 20th century, good condition.
Konvolut Bernsteinschmuck, schönes Material, opak bis transluzent in hellem gelb bis caramel tlw. mit sehr schöner Zeichnung, 177 g, davon 1 lange Kette mit kleineren Kugeln 10-13 mm und 7 größeren Elementen bis max. 30 mm, L: 90 cm, endlos gefädelt, dann 1 Kette, Olivenform im Größenverlauf 10-18 mm, L: 55 cm, Schließe Metall und 12 Armbandelemente, die neu gefädelt werden müssen, 2. H. 20. Jh., tlw. leichte Tragespuren. (10.3)| Bundle of amber jewellery, opak to translucent, light yellow to caramel with nice drawings, 177 g, consisting of 1 long necklace made of beads 10-13 mm and 7 bigger parts until 30 mm, L: 90 cm, endless sewed, further 1 necklace made of olives graduating from 10 to 18 mm, L: 55 cm, clasp made of metal and 12 elements of an bracelet, should be threaded new, 2nd half of 20th century, partly minor signs of wear.
A Victorian mahogany cheval mirror, mid 19th century, the tall rectangular bevelled plate in a frame with fretwork surmount and set on two twist column supports and set on a sledge base, 190cm high, 72cm wide Condition report The cheval glass is in generally good condition, the very top of the finial has been broken and repaired. The plateau base has a split in the surface veneer on the top. It’s sound and will support the mirror, and does not really detract. There is a small missing section of veneer to the back of the base 2cm or so. Plate looks fine, slight discolouration of the ‘silvering’ to its back, but the glass will be fine with a clean. It has been in a fairly disorganised house for some years and needs a good clean. Base might be improved with replacing small veneer losses and light restoration.
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