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Lot 245

Morecambe & Wise - Legendary English Comedy Double-Act - an original 'Auntie's All Time Greats' award trophy for 'Eric Morecambe & Ernie Wise - Favourite Light Entertainment Performers', presented to Ernie Wise in 1996 as part of the BBC Television 60th Anniversary 1936-1996. The appearance at the awards marked Wise's final TV appearance. The trophy featuring a bronze effect figure, with a ring of fire. An engraved plaque features to the front. As owned by Ernie Wise. Generally in excellent original condition. Measures 34cm tall. 

Lot 246

Only Fools & Horses (BBC Sitcom 1981-2003) - Series 1 - a scarce original retro vintage 'American Truck' framed poster / picture. Identical to that seen adorning the wall of the Trotter flat in the very first episode and throughout the early series. Autographed by Sir David Jason in black ink to a light area. Within it's original retro frame. Measures 56cm x 80cm total size. Supplied with a certificate of authenticity from the Only Fools and Horses Appreciation Society. The only one Sir David has ever signed, and an extremely difficult piece to come by. 

Lot 249

The Good Life (BBC Sitcom 1975-1978) - two autographed 8x12" colour photographs from the series. The first signed by Penelope Keith (Marjorie) and the other by Felicity Kendal (Barbara). Both signed in black ink to light areas, undedicated. 

Lot 255

Only Fools & Horses (BBC Sitcom 1981-2003) - Strangers On The Shore (2002 Christmas Special) - a original production used prop 'Thames Water - Final Demand' letter, as used in the episode. White and pink paper, with typed text. Signed by Sir David Jason (Del) in black ink. This original prop originally carried a forged David Jason autograph, but Sir David has recently signed it and has made light of the incorrect signature by adding 'Not Kosher!' next to it and 'Kosher!!' next to his correct autograph. Professionally framed and glazed. 40cm x 50cm. Supplied with a certificate of authenticity from the Only Fools and Horses Appreciation Society.

Lot 64

From The Estate Of Bill Owen (1914-1999) - Katharine Hepburn (1907-2003 American Actress) - personal autographed 8x10" black and white photograph of Hepburn c1950s, signed 'Bill - with affection and good luck, Kath' in fountain pen ink to a light area. Hepburn starred with Owen in a 1950 American production of Shakespeare's 'As You Like It.' A unique and personal item from Owen's estate - the shortening of Katharine's name to 'Kath' is seldom seen, and highlights the personal connection. 

Lot 86

The Little Green Planet Show (1991-1993 BBC TV Children's Show) - The Rocket - the original screen used production stop-motion Rocket prop, as used in the opening title sequence for each episode. Resin construction, still fitted with various inner components which originally generated smoke / light for the 'take off' sequence. Hand painted. Survives in generally excellent production used condition. Mounted on a later display base which can be unscrewed. Measures approx: 63cm tall Provenance: as made by our client for production, and retained after filming.  This rocket can be seen in the opening titles here: www.youtube.com/watch?v=JfJmf9duaLw

Lot 88

Only Fools & Horses (BBC Sitcom 1981-2003) - Sir David Jason - autographed A3 'Trotter Chandelier Cleaning'  poster signed by Sir David in black ink to a light area of the image. Supplied with a certificate of authenticity from the Only Fools and Horses Appreciation Society.

Lot 93

Only Fools & Horses (BBC Sitcom 1981-2003) - Sir David Jason - autographed large format 16x12" colour photograph from the third series. Signed by Jason in black ink to a light area. Supplied with a certificate of authenticity from the Only Fools and Horses Appreciation Society.

Lot 95

Peter Brough and Archie Andrews In 'Educating Archie' (BBC Radio Programme 1950-1960) - an original production script once belonging to writer Ronald Wolfe. and featuring Ronald Shiner, Harry Secombe, Beryl Reid, Hattie Jacques, Ronald Chesney and Peter Madden, with script by Eric Sykes and Ronald Wolfe. Dated 20th December 1953, for Episode 94 - No. 12 of the 4th Series. 27pp, plus cover.  Contains many alterations in pencil throughout, with crossed out lines and added notes etc. Early piece of British Comedy memorabilia. Educating Archie was a BBC Light Programme comedy show which was broadcast for nearly ten years between June 1950 and February 1960. The programme featured ventriloquist Peter Brough and his doll Archie Andrews. The show was very popular, despite its unlikely central premise of a ventriloquist act on radio. Educating Archie averaged 15 million listeners, and a fan club boasted 250,000 members. It was so successful that in 1950, after only four months on the air, it won the Daily Mail's Variety Award. The programme introduced comedians who later became well known, including Tony Hancock as Archie's tutor, Benny Hill, Harry Secombe, Dick Emery, Bernard Bresslaw, Hattie Jacques, and Bruce Forsyth – together with a young Julie Andrews as Archie's girlfriend. Later, Beryl Reid took this role, playing the St Trinian's School-esque Monica. Ronald Wolfe (1922 – 2011) was a British television comedy scriptwriter, best known for his 1960s and 1970s sitcoms The Rag Trade, Meet the Wife, On the Buses and Romany Jones alongside his writing partner Ronald Chesney.

Lot 236

Ronald Ossory Dunlop (British 1894-1973): 'Youth and Age' - Cafe Scene, oil on canvas board signed, indistinctly titled verso 24cm x 16cmCondition Report:Good original condition, no signs of overpainting visible under UV light. Would benefit from a clean.

Lot 73

Paul Paul (Staithes Group 1865-1937): French Farmstead, oil on canvas signed 34cm x 45cm Provenance: from the collection of the artist's great granddaughterCondition Report: Very good condition, minor surface paint chip top left side, shows no sign of over-paint under UV light

Lot 224

English School (19th century): Portrait of a Lady, oil on canvas unsigned 101cm x 86cmCondition Report: Good condition, well presented (minor blemishes to original frame), ready to hangRe-lined, shows very minimal signs of over-painting under UV light

Lot 21

Creswick Boydell (British fl.1889-1916): 'Luddington on the Avon' Warwickshire, oil on canvas signed, titled on the stretcher 44cm x 85cmCondition Report:Overall good condition, ready to hang. Six small areas of over-paint show under UV light with three corresponding patches verso

Lot 37

William Mellor (British 1851-1931): 'View near Rydal Westmorland', oil on canvas signed, titled verso 30cm x 45cmCondition Report:Excellent condition, shows no sign of over-paint under UV light. Well presented, ready to hang

Lot 195

John Harvey Oswald (Scottish 1843-1895): 'A Sketch off the Bass', oil on panel, signed titled and dated 1865 verso 22cm x 30cm Provenance: private collection, purchased John Swan Limited 28th November 2013 Lot 45Condition Report: Good condition, behind glass. Some overpainting in the sky visible under UV light. Well presented in quality 19th century swept gilt frame - ready to hang.

Lot 264

John Anthony Park (Cornish 1880-1962): Boats in St Ives Harbour, oil on board signed and dated '10, 15cm x 20cmCondition Report:Very good original condition, no signs of overpainting visible under UV light. Well presented in quality swept frame - ready to hang.

Lot 237

Kevin Sinnott (Welsh 1947-): The Kiss, oil on board signed with initials 20cm x 26cmCondition Report:Very good condition - ready to hang. No signs of overpainting visible under UV light.

Lot 219

George Romney (British 1734-1802): 'Mr Plant' - Half Length Portrait, oil on canvas unsigned 74cm x 62cm Provenance: private local collection, purchased Tennants 27th April 2001 Lot 655Condition Report: Overall good condition, well presented, ready to hang. Reinforced area verso around the chin area, some areas of over-paint visible under UV light.

Lot 54

Ernest Higgins Rigg (Staithes Group 1868-1947): Staithes and Runswick Bay, pair oils on canvas board signed 30cm x 40cm (2)Condition Report:Some overpainting in the skies visible under UV light but otherwise very good original condition - ready to hang.

Lot 229

Forrest Hewit (British 1870-1956): Lady in a Blue Dress - half length portrait, oil on board signed and dated 1923, 39cm x 28cmProvenance: Hewit was born in Manchester and studied under Walter Sickert and T.C. Dugdale. He was a director of the Calico Printers Association, a member of the Manchester Academy of Fine Arts and lived in WilmslowCondition Report: Thin but stable paintwork with some craquelure, no signs of over-paint under UV light

Lot 201

Frederick (Fred) Dade (British 1874-1908): 'Off the Tyne', watercolour signed and titled 22cm x 62cmCondition Report:Reasonable overall condition, some creases and tears to the paper, light mat burn, colours probably original.

Lot 270

Elizabeth Campbell Fisher Clay (American/British 1871-1959): 'Old Bridge - Madrid', oil on panel signed, titled verso 11cm x 17cm Provenance: West Yorkshire dec'd estate; with Christie's London 21st July 1988 Lot 116 Notes: signed 'EC Fisher', painted before her marriage to Howard Clay on 20th April 1909.Condition Report: Very good original condition, no signs of overpainting visible under UV light. Well presented in quality swept frame - ready to hang.

Lot 227

C D Langley (British mid 19th century): Portrait of Mother and Child, oil on canvas signed and dated 1841, 34cm x 28cmCondition Report:Excellent condition, tight canvas and stable paint, shows no signs of over-paint under UV light. Well presented, ready to hang

Lot 205

William Langley (British 1852-1922): Coastal Landscape with Seagulls, oil on canvas signed 39cm x 59cmCondition Report:Good overall condition. Overall craquelure but stable paint with no losses, no signs of overpainting visible under UV light.

Lot 96

James William Booth (Staithes Group 1867-1953): Harvest Time - Working by the Woodside, oil on board signed 34cm x 24cmCondition Report:Very good condition, shows no sign of over-paint under UV light. Well presented ready to hang

Lot 63

Rowland Henry Hill (Staithes Group 1873-1952): 'Cornstacks at Ellerby', oil on board signed and dated 1927, 22cm x 27cm Provenance: private collection, exh. Phillips & Sons, The Dower House, Cookham, June 1976 and September 1987, label versoCondition Report: Very good condition, well presented - ready to hang. No signs of overpainting visible under UV light.

Lot 98

James William Booth (Staithes Group 1867-1953): Shorthorn Cattle and Hens in Stable setting, oil on canvas signed 60cm x 90cmProvenance: same family ownership for over 25 yearsCondition Report: Excellent condition, tight canvas, stable paint, no sign of over-paint under UV light. Well presented in quality frame, ready to hang

Lot 196

William Dalglish (Scottish 1860-1909): Campbeltown Boats at Rest, oil on canvas signed 39cm x 60cm Provenance: private collection, purchased James Alder Fine Art, Hexham; with McTear's Glasgow 15th May 2014 Lot 1645Condition Report: Very good original condition, very minor overpainting visible under UV light. Well presented - ready to hang.

Lot 311

Hurst Balmford (British 1871-1950): 'Horning Ferry - Broads' Norfolk, oil on canvas board signed, titled on label verso 45cm x 55cm Provenance: West Yorkshire dec'd estate; with Morphets of Harrogate 8th September 2011 Lot 523Condition Report: Good condition; very slight bow to the board, slight bevel to the edge of the board from an old frame, may benefit from a very light clean.

Lot 296

Henry Schouten (Belgian 1864-1927): Working Horses outside their Stable, oil on canvas signed 28cm x 38cmCondition Report:Good overall untouched condition, some light craquelure and vertical stretcher line on left side. Stable paint with no losses, shows no signs of over-paint under UV light

Lot 301

Paul Huguenin Virchaux (Swiss 1870-1919): Fishergirls on the Shore, pair oils on canvas signed 34cm x 64cm (2)Condition Report:Good condition, well presented - ready to hang. Probably cleaned c.2015, some overpainting visible under UV light.

Lot 197

Thomas Eyre Macklin (British 1867-1943): Mussel Gathers with Ponies on Cullercoats Beach, oil on canvas signed 39cm x 66cmCondition Report:Re-lined, old craquelure, shows some signs of over-painting but no restoration under UV light. would probably benefit from a clean

Lot 304

Attrib. Heinrich Hartung (German 1851-1919): Mediterranean Landscapes, pair watercolours signed with monogram HH 18cm x 47.5cm (2)Condition Report:Good condition and colour, light browning to the paper and mat burn along the top edges.

Lot 241

George Graham (British 1881-1941): Nude Figures in the Woods, oil on canvas signed 30cm x 40cm Notes: better known for his landscape paintings of West Yorkshire and Sussex , and for his friendship with Fred Lawson, later in life Graham produced some more surreal works, such as the present picture and a series of 'Creation' paintings held by Hastings Art Gallery.Condition Report: Good condition - ready to hang. No signs of overpainting visible under UV light.

Lot 215

John William Gilroy (Newcastle 1868-1944): 'Granny Toast', oil on panel signed, original title label verso 40cm x 32cmCondition Report:Good condition, well presented - ready to hang. Minor overpainting along the right-hand edge visible under UV light, no splits or warps to the panel.

Lot 27

Stephen Frank Wasley (British 1848-1934): Herding Cattle, watercolour heightened in white signed 74cm x 52cmCondition Report:Good condition, a few light spots of foxing in the sky. Some damage to the frame.

Lot 2

Myles Birket Foster RWS (British 1825-1899): The Flock at Sunset, watercolour signed with monogram 11cm x 16cm Provenance: private collection, purchased James Alder Fine Art, HexhamCondition Report: Good condition and strong original colour, well presented - ready to hang. Some light mat burn.

Lot 212

Viktor Schivert (Romanian 1863-1929): Tavern Interior, oil on board signed 45cm x 37cmCondition Report:Good untouched condition, shows no sign of over-paint under UV light, losses to frame

Lot 206

Edwin John Ellis (British 1841-1895): Unloading the Catch by the Quayside, oil on canvas signed 49cm x 74cmCondition Report:Overall good condition, well presented, ready to hang. Shows some signs of over-painting, mostly around the edges under UV light. Small re-enforcement patches verso

Lot 139

William Kay Blacklock (British 1872-1944): 'A Corner of the Market Place Richmond Yorkshire', oil on canvas signed, titled signed and dated 1895 verso 40cm x 29cmCondition Report:Overall good condition, tight canvas, stable paint, shows minimal signs of over-painting under UV light. May benefit a clean otherwise ready to hang

Lot 22

Edmund John Niemann (British 1813-1876): 'Thornbury Castle' near Bristol, oil on canvas signed, titled on the stretcher 29cm x 49cmCondition Report:Good gallery condition. Cleaned, minor overpainting visible under UV light. Well presented - ready to hang.

Lot 209

Charles Albert Walhain (French 1877-1936) Study for 'La Petite Hollandaise' - The Little Dutch Girl, oil on canvas unsigned 34cm x 29cm Provenance: in the same private ownership for over 40 years. Sold together with a postcard reproducing the finished painting.Condition Report: Good original condition. Possible patched repair along the right-hand edge, no signs of overpainting visible under UV light. Unexamined out of the frame.

Lot 239

Attrib. Dorothea Sharp (British 1874-1955): Three Children on the Rocks, oil on canvas laid on to board 23cm x 18cmCondition Report:Good original condition, no signs of overpainting visible under UV light.

Lot 193

William Anslow Thornley (British fl.1858-1898): Shipping off Whitby, oil on canvas unsigned 39cm x 59cmCondition Report:Very good original condition, well presented - ready to hang. No signs of overpainting visible under UV light.

Lot 29

Circle of Julius Caesar Ibbetson (British 1759-1817): Lakeland Waterfall, oil on canvas unsigned 34cm x 42cmCondition Report:Re-lined, shows some areas of over-paint along lower edge under UV light. Ready to hang

Lot 81

Harold Edward Conway (Staithes Group 1872-1949): Still Life of Summer Flowers, oil on canvas signed and dated 1935, 32cm x 25.5cm (unframed)Condition Report:Good original condition, no signs of overpainting visible under UV light. Ready to frame.

Lot 26

Sam Bough RSA RSW (Scottish 1822-1878): 'Windsor Castle', oil on board signed, titled on plaque 18cm x 23cm in superb carved giltwood frameCondition Report:Good original condition, behind glass. Some overpainting visible under UV light, may benefit from a light clean. Frame dirty but with no losses.

Lot 208

John Robertson Reid (Scottish 1851-1926): Fisherwomen at Porthleven Harbour, oil on panel unsigned 24cm x 33cm Provenance: West Yorkshire dec'd estate; with Capes Dunn 5th October 2011 Lot 274Condition Report: Good original condition, no warps or splits to the panel. Horizontal line along the top edge from an old frame, minor overpainting visible under UV light. May benefit from a very light clean.

Lot 112

Albert George Stevens (Staithes Group 1863-1925): A Country Lane, oil on board signed 20cm x 28cmCondition Report:Good original condition, no signs of overpainting visible under UV light. Slight horizontal line along the top edge from an old frame.

Lot 23

Edmund John Niemann (British 1813-1876): Country Church, oil on canvas signed, indistinctly titled on the stretcher 29cm x 49cmCondition Report:Good gallery condition. Cleaned, minor overpainting visible under UV light. Well presented - ready to hang.

Lot 74

Paul Paul (Staithes Group 1865-1937): Horse Drawn Cart by the Duck Pond, oil on canvas signed 35.5cm x 46cm (unframed) Provenance: from the collection of the artist's great granddaughterCondition Report: Good original condition - ready to frame. No signs of overpainting visible under UV light.

Lot 302

Eugene Delacroix (French 1798-1863): 'In an Algerian Mosque', watercolour signed with the artist's studio stamp 'E.D' lower left (L.838a), titled on the mount 17cm x 25cmProvenance: Artist's studio mark (L.838a); his sale, Paris, Hôtel Drouot, 1860's Condition Report: Reasonable overall condition and original colour, some light foxing

Lot 314

William Bradley Lamond (Scottish 1857-1924): Poultry, oil on board signed 16cm x 22cmProvenance: with McEwan Fine Art, Aberdeen, label versoCondition Report: Good condition, shows no signs of over-paint under UV light, ready to hang

Lot 130

Kershaw Schofield (British 1872-1941): Figure on a Sunlit Hillside, oil on board signed 33cm x 40cmCondition Report:Very good original condition, no signs of overpainting visible under UV light - ready to hang.

Lot 217

William Gunning King (British 1859-1940): 'June Roses', oil on canvas signed 105cm x 65cmProvenance: private local collection, purchased Christie's 8th June 1989, Lot 58 (titled 'Lovers' Tryst'); exh. Royal Academy 1893 No.240 Condition Report: Very good condition, well presented in quality frame, ready to hang. Re-lined, shows no signs of over-paint under UV light

Lot 192

Henry Redmore (British 1820-1887): Shipping off Whitby, oil on canvas unsigned 24cm x 34cm Provenance: with John Simpson, Ryland Fine Art, Haisthorpe Hall, Driffield, label versoCondition Report: Good gallery condition. Some light craquelure in the sky, one fleck of paint loss top right. Relined, some overpainting visible under UV light, principally in the sky.

Lot 33

Patrick Nasmyth (Scottish 1787-1831): 'Braemar Castle', oil on canvas laid on to panel signed with initials, titled and inscribed verso 14cm x 19cmCondition Report:Good overall condition. Light craquelure but no paint loss or signs of overpainting visible under UV light. Would benefit from a light clean.

Lot 294

John Emms (British 1843-1912): Chickens in the Farmyard, oil on canvas signed 25cm x 31cmCondition Report:Very good condition, probably cleaned c.10 years ago - ready to hang. No signs of overpainting visible under UV light.

Lot 149

Mary Dawson Elwell (British 1874-1952): 'From Acquafredda' Italy, oil on panel signed and indistinctly dated 1923?, original title label verso 34cm x 26cmCondition Report:Good original condition, minor overpainting along the bottom edge visible under UV light. May benefit from a light clean.

Lot 220

English School (19th century): Portrait of a Young Woman, oil on canvas unsigned 75cm x 62cmCondition Report:Overall good condition, well presented, ready to hang. Re-lined, probable restored tear to left of head, some areas of over-painting including parts of the hands visible only under UV light

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