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Lot 422
Currency Commission, Irish Free State, specimen £1, 13 May 2006 (10 September 1928), serial number H/01 000000, Brennan and McElligott signatures, red specimen overprint, three cancellation holes, light handling and a little scuffing, overall about uncirculated to uncirculated, a very rare Waterlow specimen PMI LTN 2, Pick 2As £600-£800
Lot 770
Palestine Currency Board, £5, 1 January 1944, serial number E158267, vignette of the Crusaders Tower at Ramleh, signatures of P.H. Ezechiel, S. Caine, E.B. Boyd and R.N. Kershaw, a completely original example with visible embossing in areas, one light central fold thus extremely fine, a wonderful example of this much scarcer type! TBB B103d, Pick 8d £5,000-£7,000
Lot 429
Currency Commission, Irish Free State, specimen £50, 13 May 2006 (10 September 1928), serial number Y/01 000000, Brennan and McElligott signatures, red SPECIMEN overprint, three cancellation holes, 2mm tear in upper left margin, light handling, thus about uncirculated and an extremely rare Waterlow note, beautiful PMI LTN 6, Pick 6s £1,500-£2,000
Lot 636
Government of Iraq, 100 Dinars, ND (1942), serial number A055,266, Kennet and Amin signatures, some very light staining, some light thinning due to hard central fold, single pinhole at top right, nice paper quality, unusual without graffiti, a presentable fine, a rare and iconic note! TBB B123a, Pick 21a £10,000-£15,000
Lot 427
Currency Commission, Irish Free State, specimen £20, 13 May 2006 (10 August 1928), serial number X/01 000000, Brennan and McElligott signatures, black SPECIMEN overprint and three cancellation holes, 2mm tear in low left margin, light handling, thus about uncirculated and very rare, a lovely Waterlow printing PMI LTN 5, Pick 5As £1,200-£1,600
Lot 411
Currency Commission, Bank of Ireland, specimen £100, 5 September 1978 (fictitious date), serial number 00ZK 000000, Brennan and Gargan signatures, red SPECIMEN overprint, three cancellation holes, some light handling but about uncirculated to uncirculated and extremely rare, the only way to own this otherwise fully redeemed type PMI CBI 6, Pick 13s £5,000-£6,000
Lot 419
Currency Commission, Irish Free State, specimen 10 Shillings, 13 May 2006 (10 September 1928), serial number A/01 000000, Brennan and McElligott signatures, black specimen overprint and three cancellation holes, light handling, about uncirculated to uncirculated and a rare Waterlow specimen from this first Lady Lavery issue PMI LTN 1, Pick 1As £600-£800
Lot 539
Government of British Honduras, $2, 1 January 1972, serial number H/1 926459, also $1, 1 January 1973, serial number G/6 693782, Cain, Fonesca and Cattouse signatures, first original and fresh paper, two tiny stains in margin, one light paperclip mark, about uncirculated and a lovely example, second with soft central fold, good extremely fine (2 notes) TBB B127a, B128a, Pick 28c, 29c £150-£200
Lot 368
Currency Commission, Hibernian Bank, £1, 5 August 1939, serial number 24HA 000337, Brennan and Hodges signatures, one pair of staple holes, single light central fold, a wonderful original good extremely fine with strong printing and colour, and a low number for this prefix, rare in this grade PMI CHB 5, Pick 14b £400-£500
Lot 131
An Arts & Crafts brass ceiling light in the manner of W.A.S. Benson, circa 1900, with five scrolling arms centred by a ceiling rose of embossed leaf design55cm diameter, 57cm highCondition report: Bottom decorative drop leaf is structually loose. One arm and leaf slightly bentout of shape and minor discolourations and rubbing consistent with age and use. 57cm tall with un-associated chain, 46cm tall without chain
Lot 135
Robert ‘Mouseman’ Thompson, an oak 4' 6" bed, with adzed panelled head and footboards and iron rails117 x 138cmCondition report: In generally good condition, a few light scuffs and marks commensurate with age and use, some 'play' in the ends. Most likely mid-20th century. To fit a 4' 6" mattress
Lot 136
Robert ‘Mouseman’ Thompson, an oak 4' 6" double bed, with adzed panelled head and footboards and iron rails117 x 138cmCondition report: In generally good condition, a few light scuffs and marks commensurate with age and use, some 'play' in the ends. Most likely mid-20th century. To fit a 4' 6" mattress
Lot 137
Robert 'Mouseman' Thompson, an oak dining table and eight chairs, the table with adzed octagonal top to a central cruciform support, the chairs with studded tan leather seats and lattice backs, carved mouse signature to all pieces73 x 133 x 133cmCondition report: A few light surface marks only, both table and chairs are structurally sound and sturdy, some marks to the leather seats. In good overall condition.
Lot 148
A good Art Deco figured-walnut coffee table, circa 1930, the well figured quarter-veneered circular top raised on four flat-section uprights united by an undertier below57 x 57cmCondition report: Good original condition, structurally solid and with no apparent faults beyond light marks from use.
Lot 158
A mid-century teak and rosewood sideboard, with five graduated drawers and a pair of cupboard doors raised on tapering legs78.5 x 167 x 45.5cmCondition report: Structurally sound with only light surface marks and staining, top two drawers are lined and fitted for cutlery, a few small veneer chips and scuffs, general light wear commensurate with age and use. Only the front is rosewood veneered.
Lot 164
Gunni Omann for Omann Jun, a Danish rosewood secretaire bookcase, the book case top with fall front above a cupboard base191 x 110 x 40cmCondition report: In generally good overall condition, some light surface wear and scratching commensurate with age and use, a cup ring to the top surface of the fall front. The piece is in two sections. Interior of secretaire is 35cm high, there are fixed half depth shelves within, full depth is app. 28cm (back to hinge), from front of shelf to hinge is 14cm. Veneered.
Lot 167
A G-Plan 'Fresco' teak sideboard, circa 1970s, the rectangular top above four central short drawers flanked by a pair of cupboard doors to either side and raised on tapering legs79.5 x 213.5 x 46cmCondition report: In good overall condition, light surface wear and scratching commensurate with age and use only, a couple of water-marks to the top surface.
Lot 168
Attributed to Merrow Associates, a rosewood and chrome drinks trolley, with chromium plated flattened steel frame with leather trim handles to the top rails, raised to swivel castors67 x 76 x 46.5cmCondition report: In generally good condition overall, a few light water-marks only, leather slightly faded. Age commensurate wear.
Lot 169
Nils Jonsson for Hugo Troeds, a mid-century teak sideboard, the four central drawers flanked by sliding cupboard doors to either side raised on tapering cylindrical legs80 x 192 x 46cmCondition report: In good overall condition, a few light scuffs and marks commensurate with age and use, but no major condition issues.
Lot 172
A G-Plan 'Sierra' teak sideboard, circa 1970s, the rectangular top above a pair of cupboard doors, four short drawers and a fall-front cocktail cupboard raised on tapering legs78.5 x 205.5 x 46cmCondition report: In good overall condition, light surface wear and scratching commensurate with age and use.
Lot 175
In the manner of Charles Rennie Mackintosh, a modern oak dining table and four chairs, the high-back chairs with pierced back rails, the rectangular table with pierced apron, raised on square legsthe table 71 x 199 x 94.5cmCondition report: Some light surface marking to table top, a few light water marks, but generally in good order, joints are sound.
Lot 19
Robert Wallace Martin for the Martin Brothers, a stoneware character jug, 1903, modelled as a seated medieval man, the reverse of his chair forming a handle, glazed with dark brown slip and buff highlights, incised marks to underside27cm highProvenance: Acquired by the present owner from a private American collection Condition report: There are two hairline cracks running down the true left-hand side of the jug, one from his knee, through his hand and running up to his neck, the other shorter and running through his forearm. Otherwise in seemingly good condition, examined under UV light. Inscribed marks to underside painted or inked in.
Lot 20
Robert Wallace Martin for the Martin Brothers, a stoneware spoon warmer, glazed in shades of green, blue and ochre, the ovoid body modelled as a grotesque creature with a gaping downturned mouth and a long, curling beard, the loop handle emanating from the top of the head, incised marks to underside14cm highProvenance: Acquired by the present owner from a private American collection Condition report: Inspected under UV light, seemingly free from damage and repair.
Lot 207
§ Edward Le Bas RA (British 1904-1966) Seated Woman, previously identified as Nellie Edith Schwabeoil on canvas49 x 39cm Exhibited:London, The Royal Society of Portrait Artists, (details untraced)Footnote: Born in London to Anglo-French parents, Edward Le Bas received his early education at Harrow before reading Architecture at Cambridge and from 1924, studying under William Rothenstein at the Royal College of Art. Celebrated for his quiet yet eloquent works, Le Bas was also renowned for his extensive collection of twentieth-century French and English modern paintings. A significant exhibition of Le Bas’ collection, featuring works by Matisse, Sisley, Sickert and Yeats, was held in the Royal Academy of Arts in 1963. Both the present and following lot are believed to depict Nellie Edith Schwabe (1878-1968), cousin of the distinguished painter, etcher and draughtsman, Randolph Schwabe. Thought to have previously worked as housekeeper to Le Bas, possibly during the time that the paintings were executed, Schwabe was also known to have enjoyed a lifelong friendship with him. Indeed, family correspondence sent from Le Bas to Schwabe during his travels throughout Europe in the 1950s demonstrate the warmth of friendship and familiarity shared between the two.Condition report: Some light surface dirt and some negligible brown accretions behind the rear of the sitter's head, but overall clean. There are a handful of extremely fine surface cracks to the paint layer, mostly located to the pillow and the top left hand corner, though the paint layer appears stable and in good overall condition. The canvas is in plane and has good tension.
Lot 21
Robert Wallace Martin for the Martin Brothers, a stoneware spoon warmer, 1881, glazed in shades of cobalt and green and modelled as a grotesque aquatic creature with a gaping mouth and clasping a shield to its chest, incised marks to underside15cm highProvenance: Acquired by the present owner from a private American collectionCondition report: Examined under UV light, some extensive restoration to shield (which still shows firing? crack through) and plumes below as well as to underside.
Lot 22
Robert Wallace Martin for the Martin Brothers, a stoneware spoon warmer, 1881, glazed in shades of brown and green, modelled as a grotesque creature with squinting eyes and a large gaping mouth, the bridge of the nose rolling back to form a loop handle, painted marks to rear and incised marks to underside15.5cm highProvenance: Acquired by the present owner from a private American collection Condition report: Inspected under UV light, no apparent restoration, a firing crack to the base (see images), another to the inside of the handle, a couple of minor glaze blisters and bruises, a glaze miss to the nose.
Lot 224
§ George Chapman (British 1908-1993) Street in the Rainsigned and dated 'George Chapman 57' (lower right)oil on canvas111 x 78cmCondition report: Canvas tension is slightly slack, largely in plane, though there is some undulation at the corners and some minor deformations across the surface. There is a light layer of dust across the surface and some slight discolouration to the sky. There are some fine vertical cracks to the paint layer, mostly located to the top corners of the canvas and, at their longest, extending around 25cm from the top edge. There are some minor accretions scattered across the surface, these appear to be mostly fly spots. There is a very small area of raised paint on the left most building in the image.
Lot 225
§ Lucy Harwood (British 1893-1972) Still Life with Daisies and Grapessigned to the reverseoil on canvas59 x 49.5cm Provenance:The estate of Cedric MorrisWith Sally Hunter Fine Art Ltd., London Exhibited:Suffolk, Ipswich Museum, 1987London, Sally Hunter Gallery, Virginia Powell and Lucy Harwood, September 1992, cat. no.53Condition report: A light layer of dirt has accumulated on the surface of the paint, this is more prominent in the paler passages of paint. Overall the paint layers are in good order, but there are a few areas, particularly in areas where the paint has been more thickly applied, a small number of drying cracks are present (see images). The canvas is in plane and the tension is good. Does not appear to have been relined.
Lot 228
Allan Walton (British 1891-1948) Suffolk Barges at Anchoroil on canvas29.5 x 39.5cm Provenance:With Sally Hunter Fine Art Ltd., London Exhibited:London, Sally Hunter Gallery, Allan Walton, November 1984, cat. no.11Condition report: The canvas in plane and with good tension. Overall with a layer of surface dirt and some discolouration, would benefit from a light clean. Otherwise in good, presentable condition.
Lot 23
Robert Wallace Martin for the Martin Brothers, a stoneware ewer and stopper, modelled as a grotesque long-necked bird, the removable head with a frowning stare and oversized beak, glazed in shades of brown with blue and buff highlights, incised marks to underside15.5cm highProvenance: Acquired by the present owner from a private American collectionCondition report: Examined under UV light, the beak has been restored, otherwise seemingly ok, a firing crack to the front lower neck.
Lot 231
§ Lucy Harwood (British 1893-1972) Still Life with Pumpkins; the reverse painted with a garden sceneoil on canvas74 x 50cmProvenance:With Sally Hunter Fine Art Limited, London Exhibited:London, Sally Hunter Gallery, Virginia Powell and Lucy Harwood, September 1992, cat. no.47Condition report: The canvas is slightly loose in the frame, but in otherwise good order with good tension and the image in plane. There is a light layer of dirt, consistent with age, across the surface of the paint. There is some flaking of the paint layer, which is accompanied by a fine network of cracks, across the bottom edge of the canvas. Elsewhere, the paint layers appear in generally good, stable condition.The reverse of the canvas quite dirty, but the paint layer appears stable and in good order.
Lot 232
§ Lucy Harwood (British 1893-1972) Still Life with Paper Whitesoil on canvas64.5 x 44cm Provenance:Estate of Cedric MorrisWith Sally Hunter Fine Art Ltd., London Exhibited:London, Sally Hunter Gallery, Virginia Powell and Lucy Harwood, September 1992, cat. no.66 Condition report: The image is in plane and the canvas tension is good. There is a light layer of dirt across the surface, which is more prominent in the paler passages of paint. There is small and isolated area of flaked paint on the bottle and a negligible brown accretion on the right hand side of the bottle, but overall the paint layer is in good order.
Lot 233
§ Lucy Harwood (British 1893-1972) Portrait of a boy beside a windowoil on canvas75 x 39cm Provenance:With Sally Hunter Fine Art Ltd., London Exhibited:London, Sally Hunter Gallery, Virginia Powell and Lucy Harwood, September 1992, cat. no.46Condition report: Consistent with age, there is a light layer of dirt on the surface, this is more evident in the paler passages of paint and some slight yellowing of areas of white paint. There is a minute area of flaked paint behind the shoulder of the boy. There are two small accretions on the cheek of the sitter, and some very fine drying cracks. The picture is in plane and the canvas tension is good. In overall good condition.
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534297 item(s)/page