A limited edition bronze "Yoda Fountain" maquette based on the full-size statue sitting atop the Yoda fountain at Lucasfilm Headquarters. This Lucasfilm Company Store exclusive was designed by Lawrence Noble of Noble Studio and was cast at the same foundry as the Lucasfilm Headquarters statue. The figure itself is cast in bronze with a green finish representing the patina of the full-size bronze statue. It is affixed to a black marble stand with four felt feet. The stand is numbered "165". Included are four cards from Noble Studio providing information on this figure as well as showcasing some of the studio's other works. Also included is a Certificate of Authenticity, numbered 165 of 250, and signed by Lawrence Noble. The maquette is packed in a light wooden box, the top of the box featuring the "LUCASFILM Ltd" logo. Dimensions: 21.75 cm x 14.75 cm x 12.75 cm (81/2" x 53/4" x 5")£1000-1500 Ω
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An F-14 fighter jet model miniature replica from Tony Scott's action drama Top Gun. Pete "Maverick" Mitchell (Tom Cruise) flew a Grunman F-14 Tomcat numbered "114" at the Naval Air Station Miramar. This replica was constructed from an original mold of the jet designedfor the film's special photographic effects work, supervised by Gary Gutierrez, for effects inserts of the plane in action. This model miniature is made of fiberglass painted light and dark grey with red, blue, and white VF-1 eagle stickers affixed to the tailfin, Maverick's plane number "114" stenciled on the body, a urethane cockpit canopy window, and "Lt. Pete Mitchell "Maverick"" and "Lt. Arthur Dent "Hazumi"" stenciled on the left underside. Inside the cockpit are two hand-painted miniature models of Maverick and Hazumi, both with labeled helmets, stationed in urethane seats with attachment mounts on the bottom. The model exhibits signs of age and wear, including fading paint and discoloration to the cockpit canopy, as well as minor chips throughout the fiberglass. Dimensions: 188 cm x 164 cm x 48.5 cm (74" x 64 1/2" x 19")£8000-10000 US
A remote control UV bomb from Guillermo del Toro's vampire action-thriller sequel Blade II. UV bombs were invented by Blade's (Wesley Snipes) weaponsmith Scud (Norman Reedus). Blade detonated them in the sewers to destroy the swarming Reapers. Made of metal and resin painted with a metallic finish, the bomb would have been activated on set using the accompanying remote control. The four circular pieces around the sides protrude when activated. Visual effects provided the UV light and the bomb is attached to a small battery pack via a wire. A cable and plug for charging the remote control are also included in the lot. The lot exhibits minor scuffing and scratches from production use. Dimensions (UV bomb with wire): 57 cm x 7 cm x 8 cm (22 1/2" x 2 3/4" x 1 3/4"); (remote control) 9.5 cm x 19 cm x 22.5 cm (3 3/4" x 7 1/2" x 9")£1500-2500 M *Contains electronics; see electronics notice in the Buyer's Guide
A silver Cylon Centurion light-up costume from Glen A. Larson's sci-fi television show Battlestar Galactica. The tyrannical Cylons were the main antagonists of the series, their campaign against the Twelve Colonies carried out by the robotic Cylon Centurions. This version of the costume was used for close-up shots. It comprises a helmet (labelled "RS"); a collar piece; a pair of spaulders; a backpack unit; a chest plate; a pair of bracers; a thick leather belt with seven square €ËÅ“battery packs' on the front; a heavy, dark grey chainmail skirt hooked onto the back of the belt; a pair of greaves; and an under-layer, consisting of a black Spandex two-piece jumpsuit and a pair of replica thick heeled boots with faux-silver-painted teardrop detailing like the originals. The armour components are made from vacuformed plastic and feature a faux-silver chromed finish. Orange, black and white rectangular decals have been applied to the backpack and gauntlets, giving them a futuristic appearance. The under-suit features vinyl plastic panels on the thighs and upper arms, and raised ribbed detailing is present around the waist and arms. Multiple zips are present on the front and back of the jumpsuit. Located on the right side of the belt is an elasticated loop holding a faux-silver stunt sword made of plastic. Internal electronics with several exposed wires are present on the inside of the helmet. A thick grey cable is located at the front of the helmet and runs down to a set of two 110-volt American transformers, with a plug in each; the thin cyclopean eye on the helmet displays a red strobing effect when switched on. Signs of production use are present on the lot, including scratches and scuffs on several pieces of armour, minor wear to the chrome finish and marks on the vinyl panels, while some adhesive has worn away, creating a looser fit for some of the pieces.£15000-25000 M *Contains electronics; see electronics notice in the Buyer's Guide
A hand-drawn concept design of the Atlantean Sword from John Milius' fantasy epic Conan the Barbarian (1982). The Atlantean Sword was discovered by Conan (Arnold Schwarzenegger) in an ancient tomb and became the signature weapon of the Cimmerian warrior. Drawn by production designer Ron Cobb on thin white paper, this full-scale illustration of the Atlantean Sword is rendered in pencils and inks, with brown inks applied to give colour to the grip and bronze guard. Intricately detailed, the drawing ۠numbered "19C" at one corner ۠shows the engraved text along the blade, as well as the ornate detailing of the guard and pommel. The artwork displays light creasing and pinholes at the corners from use. Dimensions: 31 cm x 105 cm (12 1/4" x 41 1/2")£3000-5000 †Δ*Sold without copyright; see copyright notice in the Buyer's Guide
Four Christopher Lee-autographed press books and a photograph, from the promotion of his various productions. These items come from the personal collection of legendary actor Sir Christopher Lee.The lot consists of four autographed press kits, from The Face of Fu Manchu (1965), The Brides of Fu Manchu (1966), Circus of Fear (1966) and Arabian Adventure (1979), and a unique photograph taken of Lee at a book signing in Nottingham that was gifted to him by the photographer stated in a handwritten note. The press books and photograph show minor wear, edge wear and light creases. Dimensions (press kit): 38 cm x 28 cm x 1 cm (15" x 11" x 1/4"); (photo): 31 cm x 31 cm (12 1/4" x 12 1/4")£400-600 M
John Hammond's (Richard Attenborough) costume from Steven Spielberg's Academy Award-winning action adventure Jurassic Park. Hammond, the visionary founder of Jurassic Park, wore his iconic all-white costume throughout the entire film, from his first appearance inviting Doctors Alan Grant (Sam Neill) and Ellie Satler (Laura Dern) to visit his remarkable theme park, to the moment he boarded the helicopter to escape the park during the film's finale. This costume includes a white cotton guayabera, a pair of matching white trousers, a white sleeveless undershirt, white suspenders, a pair of light-cream-coloured socks, a pair of greenish-white suede loafers, and a wide-brimmed straw hat with a white hat band. The hat is marked "PHOTO DBL" on the inside. Also included is a wardrobe tag for the costume that reads ""HAMMOND SC 15: HAT OFF (ON HIS LAP) 1 BTN OPEN AT NECK." Thecostume exhibits some signs of wear, including scuffing to the shoes and a notable amount of dirt staining along the front of the shirt.£15000-25000 Ω
A gold Cylon Command Centurion light-up costume from Glen A. Larson's sci-fi television show Battlestar Galactica. The tyrannical Cylons were the main antagonists of the series and campaigned against humanity's Twelve Colonies. The costume comprises a helmet; a collar piece; a pair of spaulders; a backpack unit; a breastplate; a pair of bracers; a pair of black sporting gloves; a thick plastic belt with seven square €ËÅ“battery packs; on the front; a heavy faux-gold chainmail skirt; a pair of greaves; and an under-layer, which consists of a black spandex two-piece jumpsuit and a pair of black boots with thick gold-coloured heels. The helmet, backpack unit and gloves are all original production pieces, but the other components are replicas created for a Battlestar Galactica theme-park ride. The armour components are made from vacuformed plastic and feature a polished faux-gold finish. Orange, black and white rectangular decals have been applied to the backpack and bracers, producing a futuristic appearance. The under-suit features vinyl plastic panels on the thighs and upper arms, and raised ribbed detailing is present around the waist and arms. Multiple zips are present on the front and back of the jumpsuit. A control box is present on the back of the belt;it features internal electronics which remain untested. Internal electronics with several exposed wires are present on the inside of the helmet. Powered by a 9-volt battery and an internal switch, the thin cyclopean eye on the helmet illuminates red with a strobing effect. The costume exhibits scratches and scuffs on several pieces of armour and minor wear to the metallic finish. Burn damage is present on the left side of the control box.£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide
The Joker's (Heath Ledger) Glock pistol from Christopher Nolan's Academy Award-winning action thriller The Dark Knight. The psychopathic Joker used his pistol throughout the film as he inflicted chaos upon Gotham City, from his elaborately planned bank robbery to his attempted capture of Harvey Dent (Aaron Eckhart), and his final meeting with the scarred Dent in his Gotham General hospital room. The pistol is a Glock 17, converted to replicate the Glock 18's fully automatic operation. Exhibiting a two-tone finish, the Glock 17 pistol consists of a black polymer frame and is fitted with a stainless-steel slide. Marked with the serial number "FRC106", the pistol features a rough textured grip, a 33-round removable magazine and a screw fitting within the barrel to accommodate the accompanying silencer. The firearm has been sympathetically deactivated, with the slide, safeties, magazine release and trigger still functional, and is accompanied by a deactivation certificate. Signs of production use are present on the weapon, including surface scratches on the slide, light wear on the silencer and minor damage to the polymer frame on the left side. Dimensions (silencer attached): 40 cm x 3 cm x 25 cm (15 3/4" x 1 1/4" x 10")£10000-15000 M *Firearm deactivated; see firearm deactivation notice in the Buyer's Guide
A light-up remote control R2-X2 droid from Ron Howard's Solo: A Star Wars Story. R2-X2 was present in the control room of the spice mine on Kessel, and after L3-37 (Phoebe Waller-Bridge) freed the enslaved droids and a rebellion ensued, the R2-X2 unit appeared in the middle of the battle next to the Millennium Falcon. After L3-37 was wounded, Lando (Donald Glover) vaulted the droid on his way to save her. This same droid body was seen in Rian Johnson's Star Wars: The Last Jedi with an R4-X2 dome (see lot 784) during rebel hangar sequences, and utilized in production as Y5-X2 (see lot 785); the R2-X2 dome was used exclusively in Solo: A Star Wars Story. The droid was built by Brad Oakley, who also produced droids for Rogue One: A Star Wars Story. It was made as a copy of an R2-unit seen in the rebel briefing room of Star Wars: A New Hope, and is comprised of aluminium skins over a fiberglass frame, with a fiberglass dome and a fixed center leg. Of note is the unique track-drive system installed in the droid's feet, that made it off-road capable and one of the few droids capable of operating in sand for the film. The unit features three aluminium "holographic projectors" that move and flash when the droid is connected to power. The droid is equipped with a number of features, internal servos, movements and commands, but during production the control system was removed to make the unit lighter, limiting the actions to the basic R/C driving functionality, with the dome able to turn as well as including projectors' movements and flashes. It is controlled with a Spektrum„¢ DX6i remote control that accompanies the lot, along with its instruction manual and a carrying case. The controller features a sticker with "Green R2 (Brads)" handwritten in black pen. The X2-droid body (with the R4 and Y5 domes) was featured in Star Wars: The Last Jedi: Visual Dictionary, as well as other pieces of merchandise. The droid has been intentionally distressed to look worn and well-used. It is covered in dust and dirt from the spice mines of Kessel set and features scuffs and scratches. The rebel alliance symbol on the dome was covered with green tape during filming The legs can be easily disconnected and removed for storage and transportation. Dimensions: 75 cm x 70 cm x 110 cm (29 1/2" x 27 1/2" x 43 1/2")£60000-80000 M *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide
Two hand-drawn storyboards from the production of Richard Lester's superhero sequel Superman II. Both are labelled as part of the "Metropolis" battle sequence, with one page depicting Superman (Christopher Reeve) standing on a building ledge, and the other showing Superman charging towards Non (Jack O'Halloran). Dated "21.7.79", the storyboards are rendered in pencil. Each drawing features arrows directing the action as it would appear in shot. The pages feature printed fields, including production title, sequence number and script number, with brief scene descriptions situated below the drawings. The storyboards display light wear and minor pencil smudging, and a small rip is present on the top edge of one page. Dimensions (per page): 21 cm x 29.5 cm (8 1/4" x 11 1/2")£400-600 M *Sold without copyright; see copyright notice in the Buyer's Guide
John McClane's (Bruce Willis) watch from Renny Harlin's action sequel Die Hard 2. McClane wore his watch on his right wrist throughout the film as he attempted to avert a terrorist attack on Dulles International Airport. A reproduction watch was chosen for the production due to the high level of stunts performed. Made of stainless steel, the imitation Breitling watch features a black dial with three chronograph sub dials. Markings up to 11 adorn the case's outer ring and the watch is attached to its original strap. (A leather strap was fitted for filming to decrease noise level but was ruined by water damage.) Signs of rust are present on the bezel due to ageing, and the watch exhibits wear from production use. The strap displays light scratches and the lot is accompanied by a letter of authenticity. Dimensions: 10 cm x 4.5 cm x 2 cm (4" x 1 3/4" x 3/4")£2000-3000 M
Fat Bastard's (Mike Myers) light-up tracker and remote control from Jay Roach's spy-comedy sequel Austin Powers: The Spy Who Shagged Me. Felicity Shagwell (Heather Graham) lured the large Scotsman into bed and planted the tracker in him. Austin and Felicity later used the remote to locate Fat Bastard at a toilet within Paddington Station. The metal bullet-shaped tracking device has a machined finish, features a red plastic tip and houses internal electronics, which remain untested. The black plastic remote features a telescopic aerial and a circular screen showing Paddington station. A red LED on the screen flickers when the two flick switches at the bottom of the remote are switched on. The lot exhibits light scratches and evidence of glue on the back of the remote. Dimensions (tracker): 11cm x 3 cm x 3 cm (4 1/4" x 1 1/4" x 1 1/4"); (remote): 19.5 cm x 7 cm x 2.5 cm (7 3/4" x 2 3/4" x 1")£2500-3500 M *Contains electronics; see electronics notice in the Buyer's Guide
Blade's (Wesley Snipes) hero Ingram MAC-10 machine pistol from Guillermo del Toro's vampire action-thriller sequel Blade II. Blade wielded his MAC-10 when he hunted several vampires in his search for his abducted mentor Whistler (Kris Kristofferson). Heavily modified for the production, the weapon comprises a standard MAC-10 body with a large fabricated suppressor an additional faux magazine and a wooden grip which has been painted black. The weapon, which was live fire during filming, has been sympathetically deactivated to render it inoperable. The trigger still moves, and original serial numbers are still visible. A notched cocking mechanism adorns the top of the body and the weapon comes with a removable magazine. The gun displays light scratches and paint wear, notably on the grip and right side of the main body. Accompanied by deactivation certificate. Dimensions: 36.5 cm x 5.5 cm x 20 cm (14 1/2" x 2 1/4" x 8")£6000-8000 M *Firearm deactivated; see firearm deactivation notice in the Buyer's Guide
A Star Wars cross-country event T-shirt and audio cassette from the promotion of Irvin Kershner's Star Wars: The Empire Strikes Back. This shirt was made for participants at the Everdon Cross-Country Team Event held on 15 October 1978 for cast and crew of Empire. The audio cassette was recorded to play during the racing event. This blue cotton shirt is stencilled "Star Wars" in green paint and "Cross-Country Team Event 15 Oct." in white paint with gold glitter stars applied throughout. A tag in the collar is marked "3". The grey C-60 Philips compact cassette tape is labeled "Star Wars by Meco" and "12-10-78", and comes in a clear plastic case marked "Recorded for the 1978 -15/10 Cross Country Team Event Everdon Hall, Daventry". The shirt exhibits minor wear and light fading from age, and the cassette case is fractured at top. Dimensions (cassette): 7.75 cm x 11.5 cm x 2 cm (3" x 4 1/2" x 3/4")£1200-1800 Ω *Contains electronics; see electronics notice in the Buyer's Guide*Contains mechanics; see mechanics notice in the Buyer's Guide
A set of photos and deleted scene storyboards from Richard Donner's adventure film The Goonies. The lot consists of 33 colour photographs, seven Polaroids featuring Sloth (John Matuszak), and five storyboards. The majority of the photographs feature key cast members on set during filming, and 10 photos show behind-the-scenes images of the construction of the pirate ship Inferno. Printed on white A4 paper, the storyboards depict two gorillas stealing Troy's (Steve Antin) Ford Mustang GT from a gas station, a scene that was deleted from the final cut of the film. The photographs display signs of wear, including light scratches, marks and pinholes, while some of the Polaroids have pieces of tape adhered to them. Light wear and minor marks are present on the storyboard pages. Dimensions (storyboard): 21.5 cm x 28 cm (8 1/2" x 11"); (largest photo):18 cm x 12.5 cm (7" x 5")£400-600 M *Sold without copyright; see copyright notice in the Buyer's Guide
ILM general manager Thomas G. Smith's personal script from the production of Steven Spielberg's action-adventure film Raiders of the Lost Ark. This 102-page script, the revised fourth draft dated "February 1980", is labelled with Industrial Light & Magic production supervisor Smith's name on the first page. The pages are ink-stamped with Smith's security code, "ROLA 102041", secured with brass brads to a paper Lucasfilm Ltd. binder, and feature annotations in pencil throughout, regarding the need for specific special effects. The script exhibits various signs of wear, including staining and creasing to the paper. Dimensions: 24.25 cm x 30.5 cm x 2.5 cm (9 1/2" x 12" x 1")£1000-1500 Ω Δ
John Rambo's (Sylvester Stallone) headband from Peter MacDonald's action sequel Rambo III. After ripping a piece of Co's (Julia Nickson) red dress and wearing it as a headband in Rambo: First Blood Part II, Rambo once more donned his signature headband during his brawl with the Stick Fighter (Harold Diamond) at the beginning of Rambo III. This headband is made of red cloth distressed and stained by production to appear sweaty from use. It is tied in a knot and features three pieces of tape for securing it to the actor's head. The lot exhibits light fraying from age. Dimensions: 63.5 cm x 5 cm x 5 cm (25" x 2" x 2")£4000-6000 Ω Δ
A Black Pearl model stern from Gore Verbinski's action-adventure film Pirates of the Caribbean: The Curse of The Black Pearl. Built by the ILM model shop, the stern was once part of a full-ship model used for wide shots in the first Pirates of the Caribbean film. A new Black Pearl model was built for the second Pirates film, Dead Man's Chest, which incorporated some of the detail elements from this original first-film model, and the original first-film model was subsequently cut in half for use in upside-down water-tank effects work for the third Pirates film, At World's End. This highly detailed large-scale model stern is made of wood and resin. The ship features much of its original detailing, including the tiles, the centre lantern, and the port-side detail. The model was restored after production by some of the original model makers. The Poseidon and whale figures are cast from the original moulds, the side lanterns are recreated from original production components, and the deck, skylight, and starboard shelf are reproductions made from the original blueprints. The model was repainted during the restoration, and the lanterns and clear-plastic windows (on the stern and sides, and the skylight) all light up. This substantial piece rests on a wheeled black stand with an attached power box. The model exhibits some wear, including minor paint scuffing. Dimensions: 152.5 cm x 139.75 cm x 170.25 cm (60" x 55" x 67")£6000-8000 US *Contains electronics; see electronics notice in the Buyer's Guide
Hand-painted concept artwork for Leonard Nimoy's sci-fi sequel Star Trek IV: The Voyage Home. Concept art is one of the first stages of the design process, helping filmmakers visualise key elements of their movies. The final version of this particular shot consisted of miniature sets, live-action photography and models.Painted as a matte shot study by Industrial Light & Magic artist Chris Evans, this piece depicts the Klingon Bird of Prey before it departed from the planet Vulcan at the beginning of the film. The artwork was created with acrylic paints on illustration board and shows some signs of wear and minor discolouration from age. Dimensions: 46 cm x 20 cm x 1 cm (18" x 8" x 1/4")ADDITIONAL INFORMATIONEvans has an extensive history of credits as a matte artist, working on films such as E.T. the Extra-Terrestrial, Indiana Jones and the Temple of Doom, The Goonies, Jurassic Park and Titanic.£2000-3000 †Δ
A pair of medium altitude Death Star dual-surface panels from George Lucas' Star Wars: A New Hope. These pieces were created as part of a miniature set of the Death Star's massive surface and were used for medium altitude shots, when fighters flew over the Imperial station during the Rebel assault. The design and construction of the Death Star miniatures was a huge undertaking for Industrial Light & Magic's model miniature department, as the sequence called for a vast battlefield comprising numerous, differing surface panels. Made of dense biscuit foam, the two surfaces each consist of two connected squares decorated with cast greeblies to create an industrial patchwork of parts. One of the surfaces is painted industrial grey, while the other is unpainted. The set shows wear due to production use and age, with some chipping to the biscuit foam, but the miniatures remain in very good condition. Dimensions (largest): 15.5 cm x 7.5 cm x 4 cm (6" x 3" x 1 1/2")£2000-3000 †Δ
A painting by production designer Elliott Scott, from the production of Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. This item comes from the personal collection of legendary producer Robert Watts. Scott joined producer Robert Watts in scouting filming locations around northern India for several weeks. But due to concerns expressed by the local government of Rajasthan, many of the sets were constructed within Elstree soundstages, including the interior of Pankot Palace. This painting depicts the elaborate setting within the palace, including ornate pillars, a stage where a dancer and band are performing, and the corner of the infamous banqueting area. It is rendered in watercolour paints and pencil on paper, with acrylic paints used to highlight detailing such as the clothes worn by the figures. The artwork is presented in a light brown wooden frame. The frame exhibits minor scuffs and the artwork displays minimal wear. Dimensions (framed): 37 cm x 66 cm x 2 cm (14 1/2" x 26" x 3/4")£2000-3000 M *Sold without copyright; see copyright notice in the Buyer's Guide
A light-up medical tricorder from science-fiction TV series Star Trek: The Next Generation. Medical tricorders were used by the Enterprise medical crew, including Dr. Beverly Crusher (Gates McFadden), as a way of scanning patients for illnesses and assessing their condition. This light-up tricorder is made of resin and features scrolling light displays and a detachable aluminium "scanning device", located in the top of the tricorder. This device was used in the show to perform additional scans of a person, or to send information to a source other than the tricorder. The tricorder opens out, which automatically activates its light displays, with an array of sequencing patterns creating the illusion that the device is scanning and recording. The item has been refinished or clear coated after production, giving it a high-gloss finish, and the scanner has been polished. It also shows minor wear from production use and age. The display "screen" in the middle of the tricorder has peeled away slightly. Dimensions: (open) 20.5 cm x 8.5 cm x 4 cm (8" x 3 1/4" x 1 1/2")£2000-3000 M *Contains electronics; see electronics notice in the Buyer's Guide
Klytus' (Peter Wyngarde) sand timer from Mike Hodges sci-fi adventure Flash Gordon. Klytus used his sand timer when the imprisoned Flash (Sam J. Jones) was visited by Dale (Melody Anderson). The timer's sands defied gravity, and it was immovable when Dale attempted to flip it to give herself more time with Flash. The sand timer measures time for half an hour. It comprises a large glass ampoule filled with white sand and is housed in a black wooden three-legged stand. The sand timer shows light staining on the wood, some areas show paint wear, and the ampoule has large patches of sand stuck on the inside of the glass. Dimensions: 25 cm x 25 cm x 52 cm (9 ?" x 9 ?" x 20 1/2")£5000-7000 M
A Dino Costume crew jacket from Colin Trevorrow's action-adventure sequel Jurassic World. Jackets were gifted to members of the costume department who worked on the production. Made from maroon polyester, the waterproof Sport-Tek jacket features a hood, elasticated cuffs, a zip fastening and black toggles. A grey embroidered Jurassic World logo adorns the left breast, with the text "Dino Costume Crew" situated underneath. Lined with a combination of grey jersey and mesh-like fabric, the jacket is labelled as a size medium, and displays some loose threads and light plucking on the embroidered text.£200-300 †Δ
The Grail Knight's (Robert Eddison) tunic from Steven Spielberg's action-adventure sequel Indiana Jones and the Last Crusade. The Knight wore his tunic when Indiana Jones (Harrison Ford) arrived in the chamber at the Temple of the Sun, where he had to pass the final test and choose the true Holy Grail. The short-sleeved tunic is made from a padded cream-coloured woven fabric. The front is decorated with a red cross emblem (the symbol of the Brotherhood of the Cruciform Sword), outlined in metallic silver embroidery thread. Several tied bows run down the back, and each shoulder features a metal rivet. Adhered to the lining is a Bermans & Nathans label reading "Robert Eddison, 9774, Indiana Jones III, Eddy". The garment shows minor wear, including light plucks in the metallic thread and discolouration to the fabric, while some of the ties on the back display frayed ends.£2000-3000 â€
An ILM Chewbacca statue crew gift from the production of George Lucas' Star Wars: Revenge of the Sith. Industrial Light and Magic crew members working on the film were gifted commemorative statues for their efforts. The statue is made of resin painted to appear bronze and attached to a black marble stand engraved with the film's title. "I.L.M." and "R. MILLER" are engraved on the back of the statue for ILM model maker Richard Miller, who sculpted the figure from which the statue was moulded. On the bottom of the stand are four green felt feet. The statue comes in a white cardboard box, filled with green tissue paper and wrapped with a red ribbon attached to a Lucasfilm sticker. Dimensions: 23 cm x 16 cm x 12.25 cm (9" x 6 1/4" x 4 3?4")£200-300 Ω
Cousin Itt's (John Franklin) stand-in hair suit and hat from Barry Sonnenfeld's gothic comedy Addams Family Values. Cousin Itt visited the Addams family on several occasions, such as when he officiated the wedding of Uncle Fester (Christopher Lloyd) and Debbie Jellinsky (Joan Cusack). This suit consists of a piece of woven burlap which is entirely covered with light brown hair. It features four openings: a large one at the bottom, two by the arms and one by the face. Also included in this lot is a black felt bowler hat with a nylon ribbon, and a black-painted wood-and-metal stand with a styrofoam head for mounting. There is some wear on the suit and stand, and a pair of clothes pegs are attached to the facial opening.£2000-3000 Ω
A golden bag, oxygen canisters and a fire extinguisher from Ridley Scott's sci-fi prequel Prometheus. These come from the personal collection of the film's set decorator Sonja Klaus. The crew of the Prometheus carried equipment in golden bags, with Dr. Elizabeth Shaw (Noomi Rapace) filling one with oxygen canisters during the climax, and to carry David's (Michael Fassbender) dismembered head. The bag is painted faux gold with assorted pockets and contains six canisters ۠three rubber and three resin. The resin canisters light up when powered by a 9V battery and a hidden button inside is activated. The "Weyland Corp" fire extinguisher is made of metal and resin. There is some wear from production use, most notably on the bag and the rubber canisters, which have some scuffing and paint wear. Dimensions (bag): 44 cm x 17 cm x 30 cm (17 1/4" x 6 3/4" x 12")£600-800 M *Contains electronics; see electronics notice in the Buyer's Guide
A light-up carbon reader from Ridley Scott's sci-fi prequel Prometheus. This comes from the personal collection of the film's set decorator Sonja Klaus. Dr. Elizabeth Shaw (Noomi Rapace) used a carbon reader to date the remains of an Engineer found within the submerged alien vessel. The reader features a cylindrical handle and a small square screen. A sliding switch on the side reveals and hides the metal probe. When activated, strips of blue lights illuminate. There is some scratching and scuffing, most notably on the metal next to the screen.Dimensions: 20 cm x 5.5 cm x 3.5 cm (8" x 2 1/4" x 1 1/2")£1000-1500 M *Contains electronics; see electronics notice in the Buyer's Guide
A premiere invitation card and script from Quentin Tarantino's black comedy war film Inglourious Basterds. Aldo Raine (Brad Pitt) found invitations in the purse of Bridget von Hammersmark (Diane Kruger) when he interrogated her and hatched a plan to infiltrate the Le Gamaar cinema. Printed on cream card, the invitation features an embossed Nazi Reichsadler emblem, a faux-gold foiled border, information about the premiere in German, and Dr. Joseph Goebbels' (Sylvester Groth) signature. Handwritten in black on the back is the seat number "0008" and row "H", details which attribute to one of the invites used by Aldo Raine. Bound by a plastic file clip, the "Last Draft" script displays a white card cover with a printed handwritten-style font in red and black. The document is credited to Quentin Tarantino and comprises 167 unannotated pages, printed on white A4 paper. The script displays signs of production use, including folded corners, creasing and minor marks, notably on the cover. Dirt marks and light wear are present on the invitation. Dimensions (invite): 9.5 cm x 15.5 cm (3 3/4" x 6 1/4"); (script): 30 cm x 21 cm x 2.5 cm (11 3/4" x 8 1/4" x 1")£300-500 M
Ellen Ripley's (Sigourney Weaver) sleeping garments from David Fincher's sci-fi action-horror sequel Alien3. Ripley wore her sleeping garments while in hypersleep aboard an escape pod from the Colonial Marine spaceship Sulaco, before the pod crashed into the Fiorina "Fury" 161 penal colony. The costume includes a light grey rib-knit cotton tank top and grey briefs with a white elastic waistband. Both pieces exhibit subtle discolouration and some minor fabric pilling in the briefs.£3000-5000 Ω
A TIE Fighter lower hatch master pattern model miniature from the production of George Lucas' Star Wars: A New Hope. TIE Fighters were the standard combat ships of the Galactic Republic. This hand-made pattern from a TIE's lower hatch was used by Industrial Light & Magic as a master; a mould was created from it, which was used to cast pieces for the final filming models. The model is made of moulded resin painted black and white, with textured ridges on top and a smooth, concave reverse. It exhibits minor signs of use, including stains and scrapes to the paint on the reverse and chips to the resin throughout. Dimensions: 9 cm x 9 cm x 2.75 cm (3 1/2" x 3 1/2" x 1")£1000-1500 Ω
Cole Trickle's (Tom Cruise) racing suit from Tony Scott's racetrack drama Days of Thunder. Cole wore his racing suit during the climactic race at the Daytona 500, which he won. The racing suit is predominantly black and made of Nomex, a flame-resistant material used to keep the wearer safe in case of an accident. The suit has "Cole Trickle" stitched in neon yellow on the right breast, the "Nascar" logo on the left, and adverts for the various companies sponsoring Cole, most prominently the drink brand Mello Yello. The suit features neon yellow piping down both sides and the label in the neck has "New #1-A" and "Cole" handwritten in red ink. The suit has some minor wear from age and production use, including light staining on the left leg.£4000-6000 M
A "Save The Town Clock" flyer from Robert Zemeckis' time-travel adventure Back to the Future. Flyers were handed out by the Hill Valley Preservation Society in the town square, where two were given to Marty (Michael J. Fox) and Jennifer (Claudia Wells). Jennifer wrote a love note and phone number on one for Marty. The flyer is printed on light blue paper and features a photocopy of the local Hill Valley Telegraph newspaper's article headlined "Clock Tower Struck By Lightning", written in the wake of the events Marty witnesses in 1955. Filler text is used for the body of the article, and a plea for donations from the preservation society is at the bottom. Dimensions: 28 cm x 21.5 cm (11" x 8 1/2")£1000-1500 M
A $500,000 poker chip from Martin Campbell's Bond movie Casino Royale. Bond (Daniel Craig), Le Chiffre (Mads Mikkelsen) and their fellow poker players used betting chips during the high-stakes game at the Casino Royale in Montenegro. The chip is made from red pearlescent plastic with a translucent green centre. "Casino Royale $500,000 Montenegro" is printed on both sides in a gold-and-black font. The chip displays light scratches, but remains in very good condition and comes presented on a custom display stand.Dimensions (casino chip): 11.5 cm x 8 cm x 1 cm (4 1/2" x 3 1/4" x 1/4"); (displayed): 16 cm x 16 cm x 9 cm (6 1/3" x 16 1/3" x 3 1/2")£800-1200 †Δ
A light-up remote control R2-BHD droid from Gareth Edwards' Rogue One: A Star Wars Story. R2-BHD served as an astromech droid at the Alliance base hangar in the Great Temple on Yavin 4, and was assigned to Gold Leader (Angus MacInnes). Cassian Andor (Diego Luna) led Jyn Erso (Felicity Jones) through the hangar before commencing their search for the plans to the Death Star. The same droid body was also utilized in Rogue One as a second unit, R3-S1, with a clear dome and orange detailing (R3-S1 dome not included with this lot.) The droid, affectionately referred to as "Tooby", was hand-built by Brad Oakley, who also produced droids for Star Wars: The Last Jedi and Solo: A Star Wars Story. It is made predominantly from aluminium, including an all-aluminium external shell, as well as steel feet for durability. The droid is capable of a "2-3-2" conversion, meaning the center leg can be extended when rolling or retracted when standing static. It features three aluminium "holographic projectors", a strip of LEDs on the main body and a small area of LEDs which form patterns and spell out words, depending on the command program selected. The droid includes many interactive features, including numerous electronically-controlled movable elements and panels. It is programmed with over 200 different noise and movement sequences, controlled through a modified PlayStation controller. R2-BHD was additionally seen in several promotional and behind-the-scenes featurettes for Rogue One, and appears on pages 39 and 59 of Star Wars: Rogue One ۠The Ultimate Visual Guide with a small section about its backstory and personality. The droid also featured in a Gillette advert released during the promotion of Rogue One. The advert, entitled "Every Story Has a Face", featured a Rebel soldier's day in reverse, from facing off against Imperial stormtroopers on Scarif, all the way back to his shave that morning. At one point during the commercial the soldiers ran past this R2-BHD droid. The astromech droid is tarnished from usage and age, like much of the Rebellion's equipment, and in keeping with George Lucas' initial "used future" visual concept. The legs can be removed for storage and transportation. The lot is accompanied by a copy of Star Wars: Rogue One ۠The Ultimate Visual Guide, which features this droid, as well as other merchandise that specifically incorporates R2-BHD, including a lifesize cardboard cutout, a "Droid Factory" action figure pack, a Lego figure, a model and a perpetual calendar. It also comes with a power supply, remote control and list of pre-programmed commands. Dimensions: 75 cm x 70 cm x 110 cm (29 1/2" x 27 1/2" x 43 1/2") Literature Star Wars: Rogue One ۠The Ultimate Visual Guide by Pablo Hidalgo, published by DK.£60000-80000 M *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide
Forrest Gump's (Tom Hanks) screen-matched bus stop shoes and socks with a continuity photo from Robert Zemeckis' Academy Award-winning drama Forrest Gump. Forrest wore his shoes and socks while waiting at the bus stop and telling his life story to various people.This pair of white Nike trainers with blue and red trim come with a pair of light brown socks with black and red stripes. They are screen-matched to the wide shots of Forrest on the bench, and include an original continuity photo of the scene. There is significant production-applied dirt and wear, with some detachment from the soles of the shoes and markings on the socks.£8000-10000 Ω
An Elven warrior cloak, helmet and shield from Peter Jackson's adaptation of J.R.R. Tolkien's fantasy epic The Lord of the Rings. The Elven army carried shields during the film's prologue, in which the Last Alliance of Elves and Men fought against the Dark Lord Sauron (Sala Baker) and his forces at the foot of Mount Doom. The Elves of Lorien wore helmets and cloaks at Helm's Deep, the climactic battle at the end of The Two Towers. The talented team at Weta Workshop created the costumes and armoury for the trilogy, winning Academy Awards for their work on The Return of the King. The shield is made of dense urethane and resembles a large leaf, detailed with spiral patterns and painted in a dark brown colour with gold-coloured highlights, giving it a mystical, earthy feel. The back includes a vertical metal grip painted brown to resemble wood. The helmet is made from flexible vinyl, decorated in metallic brown hues, with raised swirling patterns across the surface. A tall crest tapers down to the nose, and Velcro and elastic straps ensure a snug fit for the wearer. The grey-blue hooded cloak ties at the front below the chin. Traces of stage blood residue are present around the neck, and small slits have been made in the sides, most likely for stunts involving harnesses. There are light scuffs to the helmet and shield, and slight flaking to the paint above the cheeks on the helmet, but all of the components remain in very good condition . Dimensions (shield): 13 cm x 55 cm x 135 cm (5" x 21 1/2" x 53")£10000-15000 â€
A StarSpeeder 3000 light-up model miniature from Disney's Star Wars: Star Tours. Riders of the motion-simulating theme-park attraction boarded the StarSpeeder 3000, a tourist spacecraft that was caught in the middle of the Galactic Civil War. This button-operated, light-up model of the ship was created by Industrial Light & Magic for use in the first-person-perspective ride film shown on the front viewscreen during the attraction's simulated adventure. Several StarSpeeder 3000s were seen during the opening and closing scenes, which took place in a busy spaceport. The model is made of resin painted grey, black, and blue with silver detail, and features two glass light bulbs at front connected via wires to a black plastic button and an empty AAA battery pack. The model exhibits various signs of use, including a snapped-off piece at the top and chips to the paint throughout. Dimensions: 30.5 cm x 8.5 cm x 2.5 cm (12" x 3 1/4" x 1")£2000-3000 Ω *Contains electronics; see electronics notice in the Buyer's Guide
Spock's (Leonard Nimoy) science officer costume from Gene Roddenberry's sci-fi television series Star Trek: The Original Series. This costume was worn exclusively by Spock in the second season, and screen matches the tunic worn in episodes "The Ultimate Computer" and "The Omega Glory", based on the placement and stitching of the Science Division patch. The costume comprises a blue velour tunic and a pair of black fabric trousers. The tunic features a pair of faux-gold rank braids on both sleeves, indicating the rank of First Officer, and has a Starfleet science patch made of reflective faux-gold material with black embroidery affixed to the left breast. The collar is made of a loose-weave black fabric and would have featured hook closures, which were removed some time during or after use on the production. The collar has lost most of its elasticity due to age, which is common in such costumes. The zipper fitted along the left side €“ used by actors to get into the tunics and commonly known to fail through use €“ has been removed, and the seam for the zipper stitched closed. The trousers feature Velcro strips on the side, rear and on the right-hand pocket for attaching communicators and phasers during wear, a trait seen only in the costumes of principal characters. Both garments were uniquely tailored for Nimoy in the role of Spock, with side-stitching used to reduce the size of the tunic's chest; some of this side-stitching has come away over time. The bottom cuffs of the trousers were modified for use in Rodenberry's unproduced sequel series Star Trek: Phase II, and the tunic displays some light fading. The name "Nimoy" is handwritten on the interior of the trousers' left pocket. Acquired directly from Paramount Studios during the early 1990s, and offered with original Paramount Archives wardrobe tags, the costume remains in very good overall condition.£50000-70000 M
Freddy Kruger's (Robert Englund) glove from Ronny Yu's action-horror film Freddy Vs. Jason. Freddy wore his glove throughout the film, from the moment he rebuilt it during the opening montage to the final fight with Jason (Ken Kirzinger). The glove was originally designed and created by Jim Doyle, the mechanical special effects designer of Wes Craven's A Nightmare on Elm Street. When he asked Craven for guidance on the design, the director said, "It's kind of like real long fingernails. I want the glove to look like something that someone could make who has the skills of a boilermaker, because this guy worked in a boiler room." The design has stood the test of time, and remains one of horror cinema's most iconic weapons. This glove is made of tan-coloured leather with soot and light stage-blood markings. The tips and palm of the glove have been cut off, and a blade assembly has been fitted, comprising tarnished copper finger caps with a single pivot point, riveted to a back plate that is fixed to the glove's rear. Made for use in the film's fight scenes, the claws are made of resin, painted to resemble steel, and secured to the tips of the fingers with glue and wire, which provides a strong hold, but allows for simple replacement in the event of breakages. The glove shows production-applied distress, including scratches on the metal fingers and back plate, to give it a battle-worn appearance. Small dots have been drilled in the glove to create the illusion of weld splatter from its creation during the opening montage. It shows some unintentional wear, however, including repairs to the ring-finger claw, a replaced rivet in the little finger's claw mount and fraying to the stitching throughout. The glove comes on a custom-built display stand and is accompanied by a certificate of authenticity from New Line Cinema. Dimensions (glove): 36 cm x 18 cm x 5 cm (14" x 7" x 2"); (displayed) 30 cm x 18 cm x 47 cm (12" x 7" x 18 1/2")£20000-30000 M
Visual effects reference 35mm transparencies from the production of George Lucas' Star Wars: A New Hope. These 27 Eastman and Easymount transparencies feature images from various stages of the visual effects work, including the construction of the Star Destroyer, other models, and various activities at Industrial Light and Magic during pre-production and production. Many of these images are believed to be unpublished. Each transparency comes in a protective plastic case, many of which are labelled with numbered tape. They exhibit visible signs of age, including fading which has discoloured the film. Dimensions (each): 10 cm x 9 cm (4" x 3 1/2")£600-800 Ω Δ
Guardian's (Arnold Schwarzenegger) teddy bear with head damage from Alan Taylor's sci-fi action sequel Terminator Genisys. Guardian hid a gun inside a teddy bear, using it when he needed to protect Sarah Connor (Emilia Clarke) from a cyborg version of her son John (Jason Clarke).This large, light brown teddy bear is made of polyester and cotton, and filled with cotton. The bear's head has a hole blown through it by production, and a cardboard tube inserted to keep it upright. It exhibits minor signs of wear to the fur. Dimensions:114.5 cm x 81.5 cm x 51 cm (45" x 32" x 20")£200-300 Ω Δ
William Adama's (Edward James Olmos) dog tags from sci-fi television series Battlestar Galactica. Adama wore his dog tags underneath his uniform in multiple episodes throughout the series as he commanded the crew aboard the Galactica. He notably moved his dog tags out of the way when examining a scar on his chest in the Season 2 episode "Resurrection Ship Part II". The two hexagonal tags are made of plastic and feature an engraved ship emblem, with "W.Adama" and a serial number situated below. The tags have been affixed together and are suspended on a long brass ball chain. Signs of production use are present on the lot, including light scratches, discolouration and minor wear. Dimensions: 33 cm x 3.5 cm x 0.5 cm (13" x 1 1/2" x 1/4")£1000-1500 M
A Staff of Ra headpiece from Steven Spielberg's Raiders of the Lost Ark. This piece comes from the personal collection of legendary producer Robert Watts. Thought to be a simple medallion by its owner, Marion Ravenwood (Karen Allen), it became a major plot device when she and Indiana Jones (Harrison Ford) attempted to thwart the Nazis' attempts to locate the legendary Ark of the Covenant. Indy used it in the Map Room at Tanis to reveal the location of the Well of Souls, the resting place of the Ark. This headpiece was cast from the original moulds during production to create a special gift for Watts. The headpiece is made of cast metal, finished in faux-gold paint, and features plastic crystal €ËÅ“eyes'. It is mounted on a custom-made wooden display. This piece shows few signs of wear, with just some light tarnishing to the metal. Dimensions (displayed): 6.5 cm x 6.5 cm x 18 cm (2 1/2" x 2 1/2" x 7 1/4")£4000-6000 M
A light-up plasma rifle from Nic Mathieu's sci-fi action film Spectral. Members of the US military used their plasma rifles when they attacked the power plant, which Clyne (James Badge Dale) believed to be the source of the spectral beings that were killing people without mercy. Produced by Weta Workshop, this plasma rifle is made of rubber, which is fitted around a metal armature to provide rigidity. It has been painted black and faux silver to give it a metallic, futuristic look, and features two clear acrylic panels on the rifle's sight. These light up when a power pack on the back of the gun is activated. The weapon can be carried with the attached sling. The lot comes with a "battery magazine" which is made of hard rubber and features solid button detailing. It has some wear from production use, including areas where the rubber has cracked and come away. Dimensions: 76 cm x 16 cm x 44 cm (30" x 6 1/4" x 17 1/4")£1500-2500 †Δ*Contains electronics; see electronics notice in the Buyer's Guide
Marty McFly's (Michael J. Fox) self-lacing light-up 2015 Nike MAGs from Robert Zemeckis' sci-fi adventure sequel Back to the Future Part II. Doc Brown (Christopher Lloyd) brought Marty to the future year of 2015 and gave him a futuristic ensemble to help him blend in, including a pair of 2015 Nike MAGs.These high-top trainers are made with a flexible synthetic grey fabric over a blue-flecked foam and clear rubber sole. They feature white leatherette padding along the opening and a matching strap holding a white foam heel pad on the back of each shoe. On the sides of the shoes are white Nike logos; the right shoe also features practical lighting elements behind the Nike logo on the top strap, in the colored sections at the side of the heel, and in the clear element on the side of the sole itself. There is also a grey power cord running out of this shoe to a newly added black power pack which, with the flip of a switch, powers the lights on and off.The right trainer has been created by the special effects department so the flat shoe laces run out of the bottom of the shoe. These were used to create the self-lacing effect, with a crew member lying beneath a raised platform, on which the shoes stood, and pulling the straps tight from underneath. The Nike MAGs exhibit age and wear, and the foam components have undergone restoration to reconstruct cracked, crumbling and some missing elements. The electroluminescent lightstrips in the top strap and sole of the right shoe, as well as the coloured LED lights in its heel, have also undergone restoration to allow them to light up again. The soles, backstraps and other foam elements of the shoes are especially delicate.£15000-25000 Ω *Contains electronics; see electronics notice in the Buyer's Guide
A TIE Fighter cockpit hatch model miniature casting from the production of George Lucas' Star Wars: A New Hope. TIE Fighters were the standard combat ships of the Galactic Empire. This piece is an unused and unfinished special effects model casting from a TIE Fighter's cockpit hatch, designed by Industrial Light & Magic during pre-production. It is made of urethane, painted with a grey primer coat, and features four slats at the centre. It exhibits minor signs of use and is unpainted on the reverse. Dimensions: 9 cm x 9 cm x 2.75 cm (3 1/2" x 3 1/2" x 1")£1500-2500 Ω
A Naboo Royal Starship cockpit chair from George Lucas' Star Wars: The Phantom Menace. Chairs formed part of the cockpit aboard Queen Amidala's (Natalie Portman) Naboo Royal Starship, which featured throughout the film. Custom-made by Zoeftig and Company for the production, the chair comprises a cast aluminum frame with black leather padded sections added to the seat, back and headrest. The chair displays three black rubber harness straps which connect to a circular metal buckle. Strips of Velcro, which no longer stick, are adhered to the back of the buckle and the straps' metal clips. Curved armrests adorn each side and the piece is fitted to a horizontal shaft with two chrome triangular feet attached underneath. The lot displays signs of production use, including light wear, remnants of dirt, and minor holes on the right strap. Dimensions: 64 cm x 55 cm x 98 cm (25 1/4" x 21 1/2" x 38 1/2")£4000-6000 †Δ*Special shipping required; see special shipping notice in the Buyer's Guide
A Matthew Yuricich matte painting for a building exterior in 2019 Los Angeles from Ridley Scott's sci-fi classic Blade Runner. Matte artist Yuricich created this painting of the exterior of several skyscrapers, looming high above the crowded city streets of the dystopian future Los Angeles. This matte painting is rendered in mixed media on a large Masonite board, and is labelled "3-11-81", "FX92B", and "H=5o, V=5o" in the top-left corner. A piece of white gaffer tape is labelled "BLADE RUNNER", and another piece of tape reads "BR". At the centre of the matte is a large white-and-brown space with light pencil sketching and a blue oval, which was used for a composite effects shot. The limited colour palette employed here is due to the high-contrast film stock that was used to shoot matte paintings, which enhanced the colour latitude of the image. The matte painting exhibits signs of wear and aging, including damage to the corners of the board and some small scuffs and scratches. Dimensions: 203.25 cm x 96.75 cm x 1.5 cm (80" x 38" x 1/2")£8000-10000 US *Sold without copyright; see copyright notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide
Joker's (Jack Nicholson) purple suede gloves from Tim Burton's superhero film Batman. Insane criminal mastermind the Joker wore his gloves in various scenes throughout the film, including his meeting with the mobsters after killing Carl Grissom (Jack Palance), and as he lured Vicki Vale (Kim Basinger) to the Gotham Museum of Art. Made from a pale purple suede, the gloves feature three decorative lines on their backs, and on the wrists they feature vents with a black button and loop fastening. Displayed on a black custom-made stand, the gloves show light wear to the suede from production use, and red make-up marks are present, notably on one of the thumbs. Dimensions (displayed): 12 cm x 22 cm x 35 cm (4 3/4" x 8 3/4" x 13 3/4")£2000-3000 †Δ
A production budget and cost binder set from the productions of George Lucas' Star Wars: A New Hope and Irvin Kershner's Star Wars: The Empire Strikes Back. The set contains extensive, specific details of the budget and final costs of A New Hope, and the budget of The Empire Strikes Back. The black vinyl binder with a yellow-and-black dollar-sign sticker contains 145 pages of the working budget paperwork for The Empire Strikes Back, as well as an additional 129 pages of budget and cost reports from A New Hope. These consist of four key components: a handwritten preliminary, detailed UK budget of £4,401,576 for The Empire Strikes Back, dated "4/25/78"; a handwritten and typed preliminary US budget of $6,725,523 for The Empire Strikes Back dated "4/27/78", likely from associate producer Jim Bloom; a typewritten production budget of $7,751,917 for "The Star Wars" dated "11/5/75" from production supervisor Robert Watts and Jim Nelson; and an undated Industrial Light and Magic production cost report for A New Hope showing a cost of $3,137,742, with specific cost information for all models, including such details as the X-Wing Fighters' total cost of $38,021. The teal canvas three-ring binder contains a 107-page original, undated typewritten production budget of $9,245,18 for The Empire Strikes Back. The budget appears to be a working version pertaining only to the US costs of production, with incomplete details regarding key crew and department costs, as well as a set of typewritten "Final Picture Cost Recap" documents for A New Hope dated "12/17/77" identifying the total spend to date and a document regarding the designers and copyright owners of various alien characters. The blue paper folder contains an 80-page original, typewritten total production budget of $8,228,228 for A New Hope, which was compiled 15 March 1976 with additional pages dated 1 February 1976. Based on a 20th Century Fox template, this budget features cost information for key cast and crew, a cost breakdown for all locations and studio sets, ILM's "miniatures" budget, a set decoration budget, a props budget (noting 20 laser swords coated with "3M reflective material[21]", among other things), a wardrobe budget, and more. Dimensions (each): 30 cm x 28 cm x 12.75 cm (11 3/4" x 11" x 5")£1500-2500 Ω
A Willy Wonka Golden Ticket announcement poster from Tim Burton's adaptation of Roald Dahl's children's novel Charlie and The Chocolate Factory. Posters were put up when celebrated chocolatier Willy Wonka (Johnny Depp) announced a global contest in which five lucky children would win a Golden Ticket to a tour of his mysterious factory. Printed on thin white paper, the poster features text in black and red ink. The bold headline at the top reads "Dear People Of The World:" and the poster declares the rules of the contest. Wonka's signature is printed in the bottom-right corner. Signs of production use include light creasing, two small rips along the top edge and minor wear. Dimensions: 46 cm x 30.5 cm (18" x 12")£300-500 †Δ
Hand-drawn artwork depicting two sets from Val Guest, Ken Hughes, John Huston, Joseph McGrath and Robert Parrish's Bond spoof Casino Royale. Titled "Int Q Dept: Harrod's Basement", one illustration depicts Evelyn Tremble's (Peter Sellers) visit to Q's (Geoffrey Bayldon) cellar, which was full of ineffective inventions. The second design, titled "The Goldfinger Room", shows a hidden room within the Casino Royale, where several women were painted gold. Rendered by Oscar-nominated production designer Michael Stringer, both designs consist of pen-and-coloured ink drawings showing various details within the rooms. The "Harrod's Basement" drawing is signed by Stringer in the bottom-right corner and has been adhered to thick grey card. The "Goldfinger Room" design features several annotations and is displayed within a matted frame. Both artworks displays light wear from production use, including minor marks, and the paper on the annotated design has become discoloured over time. Dimensions ("Harrod's Basement" artwork): 55 cm x 67 cm (21 3/4" x 26 1/2"); ("Goldfinger Room" artwork): 50 cm x 61 cm (19 3/4" x 24")£600-800 M *Sold without copyright; see copyright notice in the Buyer's Guide
Blade's (Wesley Snipes) aluminium stake from Stephen Norrington's vampire action-thriller Blade. The half-vampire "Daywalker" wore metal stakes in a bandolier around his left thigh throughout the movie, notably pinning Quinn (Donal Logue) to a wall with two before setting him alight. The stake is made of cast aluminium and displays a chromed faux-silver finish. An indented line adorns the top and the opposite end is pointed. Signs of production use are present on the lot, including light scratching and marks. Dimensions: 24.5 cm x 3 cm x 3 cm (9 3/4" x 1 1/4" x 1 1/4")£400-600 M
A pair of hand-drawn Dave Carson Millennium Falcon storyboards from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. After original storyboards like these were approved, copies were made and distributed to various department heads for use throughout production.These two storyboards depicting the Falcon, the Star Destroyer, and three TIE Fighters were rendered in pencil, pen, and marker on US letter-sized paper by Industrial Light & Magic artist Carson. Both are labelled "CE 14", while one is also labeled "Added 11.7.79", "omit" (indicating the shot was later omitted or revised) and marked with "DC", Carson's initials. There is a small stain on the initialed illustration and both pieces exhibit minor creasing. Dimensions (each): 21.75 cm x 28 cm (8 1/2" x 11")£1000-1500 Ω *Sold without copyright; see copyright notice in the Buyer's Guide
A baby stegosaurus maquette from Steven Spielberg's sci-fi action sequel The Lost World: Jurassic Park. A baby stegosaurus was photographed by Dr. Sarah Harding (Julianne Moore), but it was frightened by the noise of her camera and caused an adult stegosaurus to charge at her. Maquettes were created by Stan Winston Studio for use as a master reference for colour matching, and cyber scanned to create CGI models, allowing the team to computer-mill foam pieces to build the full-size animatronic dinosaurs. The small models also gave the creative team the opportunity to design the look for the dinosaurs in terms of their size, shape and colour. This baby stegosaurus maquette is made of resin and realistically hand-painted. It is mounted on a black wooden board with a white label marked "BABY STEGOSAURUS". There are light paint chips and cracks along the back plates and tail spikes, as well as light paint wear throughout. The wooden board shows the most signs of age and use, including scratches on the underside. Dimensions: 50 cm x 28 cm x 32 cm (19 3/4" x 11" x 12 1/2")£4000-6000 †Δ
A Thern dagger and sword from Andrew Stanton's sci-fi adventure John Carter. Therns were a secretive race of shape-shifting Martians who could summon a blue energy called the "Ninth Ray" and turn it into solid weaponry, such as swords and daggers. A Thern assassin tried to use a dagger to kill Edgar Rice Burroughs (Daryl Sabara) near the end of the film, but was foiled by John Carter (Taylor Kitsch), while Sab Than (Dominic West), used a Thern sword to fight against Carter. The dagger and sword are made of metal and features latticework blades with an inner metal core. The handles are solid, with black painted sections to give the impression that the latticework continues further down. They have been painted a light blue colour to mimic the Ninth Ray energy. They have some wear from production use, including some scuffing and scratches. Dimensions: (dagger) 47.5 cm x 6.5 cm x 2 cm (18 3/4" x 2 1/2" x 3/4"); (sword) 75 cm x 7.5 cm x 2 cm (29 1/2" x 3" x 3/4")£1500-2500 â€
A production-used shooting script belonging to Academy Award-winning special effects artist George Gibbs, from Robert Zemeckis' detective comedy Who Framed Roger Rabbit. This script is 147 pages long and features assorted colour revisions. Bound in a red imitation leather cover, it is dated "October 15, 1986". The title page details it as the fourth draft and uses the working title "Who Shot Roger Rabbit?". Page 17 has a sticker showing it belonged to Gibbs, and he has annotated the script throughout, using highlighting and tape to categorise sections. This script shows signs of use and age, with discolouration on the paper, marks on the cover and various light soiling throughout. Dimensions: 32 cm x 24 cm x 3 cm (12 1/2" x 9 3/4" x 1 1/4")£400-600 M
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