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Lot 283

Gaetano Pesce (b. 1939), an 'Airport' lamp c.1986 the flexible urethane polychrome screen, with a series of lights, on metal rod supports to rectangular lead feet approx. 115cm high Provenance: Sotheby's, London, 4th November 2015, lot 33(VAT charged on the hammer)Overall general surface wear, with hole to the urethane screen, with small piece of paper stuck to other side of hole (see photo), the bases with light scratches and marks from use, this light has a European plug and is un-tested(It is the buyer's responsibility to ensure that electrical items are professionally rewired for use),

Lot 330

Ligne Roset, a large L-shaped corner sofa c.2015, applied manufacturer's labels to underside In three sections, upholstered in light brown tweed fabric, with nine loose cushions 64cm high, 316cm long, 302cm long,101cm deepPlease refer to department for condition report

Lot 35

Tiffany Studios, a Gilt-Bronze ‘Zodiac’ pattern Desk set Early 20th Century, three stamped Tiffany Studios New York and numbered Comprising: a letter rack (no. 1008), a pen tray, an inkwell with clear glass liner (no.842), a blotter (no. 990) and a matchbox holder, each piece decorated with zodiac symbols and gilt textured finish Letter rack 15.5 cm high, 24 cm wide (5)One screw missing from underneath the letter rack. Light natural wear. Overall good condition.

Lot 39

Raoul Larche (1860-1912), an Art Nouveau gilt-bronze figural table lamp of Loie Fuller c.1900, signed Raoul Larche, L243, Siot Decauville Fondeur Paris Modelled and cast as the celebrated dancer, her swirling skirts billowing above her and concealing the light bulb, electrical elements 32 cm high Provenance: Purchased Macklowe Gallery, New York, August 14th 1998 Note: Loie Fuller (1862-1928) was an American actress who moved to Europe in 1892 and made her home in Paris. Her 'Serpentine Dance' was created using her long voluminous silk skirts and coloured stage lighting and she choreographed her movements to great effect. Her Art, the dance, was almost a physical embodiment to the Art Nouveau Movement with its emphasis on sinuous and organic forms.Indentation and abrasion on her forearm. A few old marks and light natural wear. Some scratches on the inside where the fitments and light bulb fits in. Felt/card covering bottom.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed

Lot 43

Loetz, a 'Papillon' iridescent glass vase c.1905 The pale green glass body with slender neck and everted rim decorated with cobalt iridescent splashes 22.5 cm highA few tiny abrasions on the top pf the neck. A few tiny bubbles from the making. Dirt and marks to inside. Light natural wear to base.

Lot 49

Daum, a cameo glass bottle with flower form stopper c.1902, engraved Daum Nancy with Cross of Lorraine The bottle of rounded triangular form on a short circular foot, internally striped, acid-etched in relief with vitrified flowers, buds and leaves, the stopper of flower form and acid-etched with stamen 18.5 cm highA couple of pin-prick abrasions to the end of the shank of the stopper and some wear to the outside of the shank in keeping with being moved in the neck. There are some acid marks on the rim of the neck and on the foot but this is how it was made. Some tiny open bubbles, again from the making process. Light natural wear to underside of foot.

Lot 58

A Set of Six enamelled Bohemian hock glasses c.1905 Each bowl painted in colours with trailing vine, leaves and berries, raised on a horizontally ribbed stem that flares at the base 18.8 cm high (6)No damages detected. Light natural wear.

Lot 6

A Set of six Japanese silver-coloured metal drinking straw-spoons 20th Century, stamped 'Sterling 950', label on base of box 'Made in Japan' Each with elongated 'bamboo' form handles and flower form bowls, terminating with identifying charms, in fitted box 22.6 cm long (6)Slight curving to some of the handles, but generally in good order. Light wear and some tarnishing.Box with some scrapes to the corners and underside worn and stained.

Lot 62

Keith Murray ( 1892-1981), an Art Deco silver plated Cocktail Shaker made by Mappin & Webb c.1935, stamped maker's mark, W28721, Rd.772183 Tapered body with ribbing below the shoulder and on the flared foot, having a removeable top and strainer inside 24.5 cm high Literature: Simon Khachadourian, 'The Cocktail Shaker', London 2000, p.93, a similar model illustrated with a tray and a martini gobletsThere are some indentations on the edge of the cap, the rim of the shaker, some on the foot and a few on the sides. There are some scratches and scuffs on the side and natural wear to the sides of the cap. The strainer has light wear and there is wear to the base and foot.

Lot 63

'Les Animaux Modernes' a set of twelve silvered-bronze knife rests Second quarter 20th Century, Stamped C.O.P 18gr, box marked 'Les Animaux Modernes', Porte Couteaux Bronze veritable Ciselé & Argenté, Modeles Deposé Cast in pairs as elongated dachshunds, terriers, pheasants, foxes, hares and ducks, on a shaped base, in fitted caseFox 11.2 cm long (12)There are some abrasions and old marks to the tops and sides of the animals in keeping with natural use. Some light tarnishing. The casting is good quality. Box: a few stains to interior silk/fabric. Some occasional scuffs to exterior.

Lot 69

George Cartlidge (1868-1961), a large earthenware ‘Morris Ware’ vase made by Sampson Hancock & Sons c.1915, Geo Cartlidge facsimile signature, printed under glaze maker’s marks, model no. C28-2 Floral decoration of harebells in raised slip outline, coloured and glazed 36 cm highA few tiny abrasions and light natural wear. Crazing to the glaze seen on the base with light natural wear.

Lot 73

Richard Joyce (1873-1931), a Pilkington Lancastrian Lustre vase c.1915, faint impression of maker's impressed mark, RJ painted monogram Inverted baluster shape, having a raised scrolling pattern at the broadest part, covered with a lustre glaze changing from green, red and blue 19 cm highThe lustre glaze changes around the vase, streaked and variegated in places. Some light wear and abrasions.Notes: Has a Bill Coles Collection label on the bottom.

Lot 77

René Lalique (1860-1945), a pair of 'Cluny' patinated bronze and polished glass HandlesUnsigned, designed 1925Each handle having a moulded light-smoky-glass classical mask held in a bronze mount, the stylised ribbed hair terminating with five serpents heads19.5 cm high (2)Note: The handles were made to be part of the 'Cluny' vase designed in 1925 by René Lalique (Marcilhac no. 961). The masks would have sat on the sides of the globular vase and the serpents open mouths would have grasped the rim of the everted rim.NO VASE - only the handles.Glass:- One mask has a small chip to the top of one eye lid, a few scratches on her cheek and chin - on the back of this mask there has been some grinding.Bronze: - there are some old marks and scratches and some rubbing to high points.

Lot 79

René Lalique (1860-1945), a Lalique clear and frosted glass vase 'Saint-Tropez', Marcilhac No.10-915, designed 1937, stencilled signature 'R. Lalique France' Moulded with stylised foliage, having a broad plain rim18 cm highHeavy wear to underside of foot, some light wear to rim.

Lot 88

René Lalique (1860-1945), 'Houppes' an opalescent circular glass Box and cover No.29, Designed 1921, moulded R Lalique, base engraved France The slightly domed cover moulded on the inside with powder-puffs, with plain opalescent glass base 14 cm diameter Félix Marcilhac, 'R. Lalique 1860-1945 Maitre Verrier, Catalogue Raisonné De L'Oeuvre de Verre', 2011, p. 228, (after a design of Suzanne Lalique)Small blemish to exterior of the cover - looks like a polished bubble - not damage as it appears to have been made like that. A few marks and scratches.Base with some light natural wear.

Lot 76

A vase light and two figures

Lot 722

THREE TRAYS PLUS A BOX OF LIGHT-UP DECORATIVE LETTERING

Lot 823

A MODERN LIGHT GREY FOUR DRAWER SIDEBOARD H 76 cm, W 149 cm, D 48 cm

Lot 835

A PAIR OF MODERN LIGHT OAK BEDSIDE CHESTS WITH MIS-MATCHED KNOBS (2)

Lot 875

A MODERN LIGHT CHEQUERED ARMCHAIR

Lot 884

A VICTORIAN RISE / FALL LIGHT FITTING

Lot 928

A LIGHT OAK ERCOL STYLE SIDEBOARD A/F, W 121 CM

Lot 943

A MODERN LIGHT WOOD SINGLE PEDESTAL DESK WITH A MODERN CHAIR, H 77 cm, W 120 cm, D 56 cm

Lot 30

A cherub water feature fitted with a light and two tone glass shade

Lot 604

A metal beaded fire screen with eleven light holders

Lot 672

A set of tall painted shelves fitted with reading light

Lot 126

Two octagonal Chinese export ware plates, probably 19th Century, with famille verte overglaze enamel decoration of a settlement in the light of the moon, with calligraphic symbols to upper left, the largest with a diameter of 23cm, the smaller example 20cm x 20cm (2)

Lot 20

A Japanese Meiji period (1868-1912) or early Taisho (1912 - 1926) ivory netsuke in the form of a cockerel, with intricately carved feathers, plume and chickens' feet, with light colouring to coxcomb and black beaded eyes, 2.5cm x 5cm

Lot 304

A Jacob & Co early 20th Century biscuit tin for 'extra light cream crackers', 26cm x 17cm, together with a quantity of photographic slides, a Seiko pocket timepiece, and various other assorted collectables (quantity)

Lot 368

Michael J Praed (British b.1941), an oil on canvas 'Strange Light over Newlyn' dated 2001, dimensions 66cm x 61cm

Lot 532

A Crossbanded Light Oak Three Drawer Dresser with Pot Shelf on Turned Supports and Having Raised Three Shelf Plate Rack with Small Drawers and Cupboards Either Side, 180cm wide

Lot 54

A Vintage Metal Oil Lamp Inscribed Light of London, Handle Rusted and Pierced, 25cm high with Burner

Lot 548

Two Minolta cameras, with instruction books, and a cased Weston Master light meter

Lot 110

A Modern Three Setting Table Lamp in the Form of a Light Bulb, 27cm high

Lot 286

A Tray of Sundries to Include Etched Glass Light Shades, Clockwork Tinplate Toys, Coffee Grinder, Mantle Clock, Figure, Ballet Dancer Ornament etc

Lot 467

Three brass framed lantern light fittings, frosted glass panels, 53cm drop.

Lot 534

Brass hanging light fitting, cherub designed frame, ruby tinted glass shade, 45cm drop.

Lot 704

ERCOL LIGHT ELM RECTANGULAR TRESTLE DINING TABLE WITH FOUR STICK BACK CHAIRS INCLUDING ONE CARVER (CUSHIONS FOR ILLUSTRATION ONLY)

Lot 707

GLASS PENDANT ELECTRIC CEILING LIGHT FITTING (REQUIRES PROFESSIONAL INSTALLATION)

Lot 100

Two toilet jugs and bowls, gilt metal and glass ceiling light, glassware, shell case, etc.

Lot 87

Collection of metal wares, glass, costume jewellery, wood wares, cased cutlery etc, including coal scuttle, teapots, light shade, magazine box, hand painted vases, decanters, etc.

Lot 208

BRASS FIVE BRANCHED CEILING LIGHT WITH CLOTH SHADES (REQUIRES PROFESSIONAL INSTALLATION)

Lot 289

A WOODEN FOLDING PATIO CHAIR PAINTED IN LIGHT GREY AND HOSE ON REEL

Lot 362

LIGHT WOOD DOUBLE BED FRAME AND KOZE MATTRESS

Lot 477

CEILING LIGHT FITTING WITH GLASS SHADE AND TURNED WOODEN MOUNT WITH A ROPE COVERED CORD (REQUIRES PROFESSIONAL INSTALLATION)

Lot 561

THREE BEADED LIGHT SHADES, BOXED SALT AND PEPPER GRINDER, TOURIST DOLL, A KNITTING STITCH COUNTER AND CERAMIC TOILET JUG

Lot 634

LIFT AND RISE ELECTRIC RECLINING ARMCHAIR IN LIGHT BROWN UPHOLSTERY

Lot 657

PENDANT LIGHT SHADES, BRASS CANDLE STICKS, METAL WARE, ANEROID BAROMETER AND CLOCKS

Lot 668

PAIR OF GLASS TABLE LAMPS (BOTH NEED PLUGS), CEILING LIGHT FITTING (REQUIRES PROFESSIONAL INSTALLATION), GLASS VASES AND BOWL ON STAND

Lot 684

SHERBORNE LIFT AND RISE ELECTRIC RECLINING ARMCHAIR IN LIGHT BROWN UPHOLSTERY

Lot 304

A LIGHT OAK GARRARD WALL BAROMETER/CLOCK

Lot 312

A TIFFANY STYLE LEADED POCKET WALL LIGHT 

Lot 319

A PAIR OF ART DECO GLASS AND CHROME EFFECT SHELL SHAPED WALL LIGHT FITTINGS

Lot 15

20th century three-branch ceiling light, wooden, with white translucent shades, 52cm approx 

Lot 252

Cream silk full-length nightgown with drawn thread V-neck detail to the collar and to the sleeves, light embroidery and four Edwardian silk petticoats, two with lace and ribbon detail (5) 

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