Sign in
Register
notifications_none notifications Alerts

We found 534297 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 534297 item(s)
    /page

Burstow & Hewett
Lot 1108

A Victorian 15ct gold three stone opal and ruby ring, maker JP, Birmingham 1874, rub-over set with oval cabochon opal and cushion-cut rubies, setting height 10.5mm, size O, 1.6g . Condition Report:No damage, all stones present, opal has a faint play of colour with mostly greens and reds along with general surface abrasions, rubies are a well matched vivid pinkish red, light wear to high points of settings and 1 small join mark on back of shank, full UK hallmarks clear, stamped 625

More details

Burstow & Hewett
Lot 1113

An 18ct gold emerald and diamond cluster ring, claw set with central 0.5ct octagonal step-cut diamond, colour approx G/H, clarity approx VVS1/VVS2, surrounded by round-cut emeralds, diamond weight calculated from measurements: 5.83 x 3.49 x 2.58mm, size P, 5.6g . Condition Report:No damage or repair, all stones present, diamond is relatively bright and lively with no obvious internal inclusions visible through a loupe, emeralds have typical inclusions, settings have light surface abrasions, full UK hallmarks clear, stamped 750

More details

Dominic Winter Auctions
Lot 464

* Bedcover. An Arts & Crafts embroidered patchwork bedcover designed by John Aldam Heaton (1830-1897) and worked by his sister Fanny Heaton (1828-1893), English, 2nd half 19th century, large patchwork coverlet, expertly embroidered in a variety of stitches, including stem, chain, satin, and bullion stitch, comprising: 9 red squares in centre, each embroidered in white thread with a different botanical spray, including dog roses, fuchsias, foxgloves, tiger lilies, blackberries, and acorns; smaller blue squares, embroidered in white with a circular motif, at intersections (connected by stitched wavy lines in red on a cream ground) and corners (connected by a dainty scrolling floral border in pink and red on a cream ground); a cream border of red-stitched floral or foliate sprigs, including primroses, morning glory, carnations, and vine leaves, left-hand side with 7 x 4 cm pale brown stain; and an outer scrolling border of red berries and leaves on a cream ground, with blue circular cornerpieces repeated, occasional light spotted marks but overall in very good condition, backed with white cotton (one side with some spotting and stains), edges bound in blue, 253 x 258.5 cm (99.5 x 102 ins)QTY: (1)NOTE:Provenance: John Aldam Heaton and his sister Fanny Heaton; their great niece Evelyn Spence Addison (1891-1962); her daughter Jean Cecil Edwards née Addison (1923-2013); her son, the present owner.The owner donated a similar embroidered bedcover to the V&A, also designed by John Aldam Heaton and worked by his sister Fanny (accession number T.213-1989).John Aldam Heaton was an artist, designer and businessman, who started off as a wool and textile manufacturer in Bradford, before moving to the ancient farm of 'Woodbank' in Yorkshire in 1860. Influenced by the Pre-Raphaelite movement, he designed furniture, stained glass, wallpaper and textiles, and counted Dante Gabriel Rossetti, William Burne-Jones, and William Morris amongst his friends. Indeed, in 1861 Heaton invited Rossetti to paint a portrait of his wife, Ellen, and the artist stayed a month at 'Woodbank' in order to carry out the commission. The painting, Regina Cordium [Queen of Hearts] - Portrait of Mrs Ellen Heaton, subsequently formed the basis for a stained glass window for the house, a commission which was one of the first undertaken by Morris & Co.Heaton was a member of the Neo-Classical Arts and Crafts Movement, and published several books about art and design, including Furniture and Decoration in England during the Eighteenth Century (1889-1892), Beauty and Art (1897), and a trade catalogue in 1895 showcasing 'Chimney-pieces, Ornamental Lattice, Wall-papers, Frieze Painting, Blinds, Carpets, Furniture, Designs for Needlework, Embroidery, Curtains, Church Work, Stained Glass, Painting'. He set up workshops in Bloomsbury in order to undertake larger and more prestigious commissions, collaborating with many important artists as well as the architect Richard Norman Shaw. Working with Shaw, Heaton’s company produced lavish interior designs and furnishings for the White Star Line ships. After Heaton's death the Aldam Heaton Company was incorporated into White Star and designed the interiors for the RMS Olympic, Titanic and Britannic. The V&A has several wallpaper designs by Heaton in its collection.Fanny Heaton married the eminent physician Dr John Deakin Heaton (no relation). She was a strong advocate for the education of women, and an early campaigner for women's suffrage. 

More details

Dominic Winter Auctions
Lot 501

* Household Linen. A pair of sheets, 1806 and 1811, two hand-stitched sheets, each with central join, each dated to one edge with cross-stitch in gold-coloured thread, and with one edge later hemmed by machine, occasional light toning and marks, but overall in very good condition, 227 x 230.5 cm (89.5 x 90.75 ins) and 221.5 x 186.5 cm (87.25 x 73.5 ins), together with a white bedcover, woven with an embossed pattern of flowers and other motifs, circa 1880s, 213 x 131 cm (84 x 51.5 ins), plus a small quantity of lace, including a substantial length of 13.5 cm (5.25 ins) wide net lace with scrolling foliate pattern, and a long length of 19th or early 20th century moiré effect floral ribbon QTY: (a carton)

More details

Dominic Winter Auctions
Lot 432

* Clothing. Three Quaker coal-scuttle bonnets, circa 1840s, 3 hand-stitched bonnets, the first covered in grey silk, neck frill gathered with twisted cord bow at the back, cream lining and silk ties with a few minor marks, lining with some small holes at edges, 24 x 19 cm (9.5 x 7.5 ins), the second covered in black grosgrain silk, with neck frill gather as before, cream lining faintly foxed, some light staining to cream silk ribbon ties, 24 x 20 cm (9.5 x 8 ins), and the third covered in brown silk, with neck frill gather as before, corners showing, cream lining damp-stained, cream silk ribbon ties with some discolouration, 24 x 21 cm (9.5 x 8.25 ins), together with:A calash or 'ugly', circa 1850, a folding blue silk calash, some spotting overall, and a few small holes, with later black elastic tie (perishing), manuscript label attached 'An "Ugly" ... Worn over a Quaker bonnet brim as a protection to the complexion. Found at Henwick 1942. EM Binyon', 25.5 x 28 cm (10 x 11 ins)QTY: (4)NOTE:Provenance: Collection of Quaker antiquary Martha Spriggs (1777-1866), Worcester, by family descent.Notwithstanding the condition points mentioned, these three bonnets are in remarkable condition, and show little sign of being worn. They may have been left-over stock from the family draper's shop, Spriggs and Co., 16 Broad Street, Worcester. For similar coal-scuttle bonnets see the V&A, accession numbers 461-1906 and T.39-1933.Francis Powell Frith's famous painting 'Ramsgate Sands (Life at the Seaside)', painted 1851-54, shows many of the women and children wearing uglies. A similar calash can be seen in the V&A (accession number T.321-1996). Martha Spriggs' daughter, Martha Anna, married tea and coffee merchant Thomas Binyon, and they lived at Henwick Grove in Oldbury Road, Worcester.

More details

Dominic Winter Auctions
Lot 495

* Equestrian. A large horse blanket made for Horace St Paul, Austria, circa 1759, large shaped blanket designed for the back of a horse, with a pair of buckles and leather straps to fasten around neck (part of one strap missing), and leather straps to fasten to a crupper at the back, elaborately embroidered and appliquéd on a thick crimson wool ground, with circular coat-of-arms of Horace St Paul in centre, surmounted by a count's coronet, against a military trophy, count's coronet repeated on sides atop a decorative monogram, a number of small holes (largest 3.5 x 3.5 cm), one crudely partially repaired, some light marks, edged all round with a double row of velvet braid (worn and threadbare, 20 cm section missing), backed with hessian, approximately 169 x 167.5 cm (66.5 x 66 ins)QTY: (1)NOTE:A most unusual and impressive large textile, and an apparently rare survival; we have not been able to trace another similar. Unlike a shabraque, this blanket, with it's large central armorial, appears not to have been intended for use with a saddle. It may have had a ceremonial use, at a parade or funeral for example, or may simply have been both a practical item and status symbol, its function to keep the horse warm whilst declaring the opulence of the owner's stables. Horace St Paul (1729-1812) would almost certainly never have been granted this coat of arms had he not been forced to flee England after killing a man in a duel. In 1751, whilst a law student of 22, he fell out with an older gentleman named Mr Dalton over the favour of a lady. The two men fought a duel at Dalton’s home, whereupon a servant, hearing the sounds of fencing, found his master dead in the parlour. On being ordered to stand trial for wilful murder Horace fled the country, first to France, then to Brussels, where he became acquainted with Prince Charles of Lorraine, Governor-General of the Austrian Netherlands and brother-in-law of Maria Theresa, the Empress Queen. On the outbreak of the Seven Years War in 1756, Prince Charles returned to Austria as one of the principle military commanders, with Horace as his aide-de-camp. St Paul obviously displayed some of the fearlessness he had shown in his youth: on 20th July 1759, he was created a Count of the Holy Roman Empire for 'having devoted himself to arms, and having followed the Royal-Imperial Standards in the last two Campaigns at his own expense, and having therein displayed pre-eminent fortitude and proved beyond doubt his soldierly valour and his exalted zeal in the arts of war…'. A Royal Pardon was granted to Horace in 1765, and he returned to England, purchasing the (now derelict) estate of Ewart Park from his brother in 1775, and completely redesigning the house and grounds. Horace was appointed Secretary of Embassy to the Court of France (1772-1776), and then Envoy to Sweden (1776-1777), before retiring from diplomatic life. (See Neil Cogswell, Lobositz to Leuthen, Horace St Paul and the Campaigns of the Austrian Army in the Seven Years War 1756-57, Helion, 2017)

More details

Dominic Winter Auctions
Lot 532

* Rugs. An Afghan kilim rug, brown and cream geometric decoration on a light brown ground, 214 x 130 cm (84 x 51 ins), together with a kilim weave multi-coloured rug with 15 lines in red, green, burgundy and blue, each with geometric decoration, 208 x 142 cm (82 x 56 ins), plus a kilim weave runner, geometric design on a red ground, 263 x 52 cm (103.4 x 20.5 ins)QTY: (3)

More details

Dominic Winter Auctions
Lot 486

* Embroidered Panel. A large 17th century style metalwork silk panel, early 20th century, worked in metallised gold and silver thread, using padded satin stitch, basketweave, and chain stitch, with all-over repeating pattern of stylised flowers (irises, tulips, lilies, etc.) on foliated scrolling stems, incorporating exotic birds, with outlines and details worked in yellow thread in chain stitch, 1 or 2 small areas of wear to threadwork, 30 x 10 cm light stain to lower left edge, on a peach silk ground (perishing and frayed in places, especially at edges), sometime backed with orange cotton (some staining and wear), 333 x 126 cm (131 x 49.5 ins)QTY: (1)NOTE:A superb piece of needlework by an expert embroiderer evidently imitating, or inspired by, an earlier piece or design; probably made as a commission for a large house, perhaps to match an existing early piece.

More details

Dominic Winter Auctions
Lot 441

* Lace. A length of lace, probably Flemish, 18th century, fine ivory linen bobbin lace, some light foxing, 2 neat joins and 1 repair, 4.5 x 148 cm (1.75 x 58.25 ins), together with 12 other items, including 4 short lengths of handmade lace, 3 matching, and 4 shawls, 1 labelled 'Martha Spriggs' Shawls née Knight', including a finely spun and knitted cream lace shawl, dimensions excluding tassel trim approximately 170 x 195.5 cm (67 x 77 ins)QTY: (13)NOTE:Provenance: Collection of Quaker antiquary Martha Spriggs (1777-1866), Worcester, by family descent.

More details

Dominic Winter Auctions
Lot 439

* Household Linen. A large damask linen tablecloth, Dutch, circa 1700, large white damask cloth, woven with horizontal bands of prancing stags, archers, ladies and gentlemen amongst stylised trees, houses, and dogs chasing hares, selvedges to sides, hemmed by hand to top and bottom edges, marked and threadbare in places, with some small holes and period darns, initialled in one corner in blue cross-stitch 'WM' with 'K' above (presumably William and Martha Knight), with old manuscript label attached 'Old Dutch tablecloth bough[t] by our Great Gandmother (Martha Knight) supposed to be nearly 200 year old', another corner inked '2 yds' and 'S6', 208 x 189 cm (82 x 74.5 ins), together with:A large damask linen tablecloth, circa 1700, woven with a pattern of exotic songbirds amongst floral boughs, border (relating to Juno?) of horsemen with spears and hounds hunting prancing stags and a figure fending off a large peacock with a pitchfork, with a goat atop a crag in each corner, selvedges to sides, hemmed by hand to top and bottom, initialled in blue as before, marked, but cloth robust, 215 x 218.5 cm (84.75 x 86 ins), plus: A small damask linen tablecloth, circa 1700, woven with a depiction of Jonah and the whale, ships and buildings, and lettering 'Nineve', with ownership initials as before, neatly hemmed all round by hand, marked, 132 x 127 cm (52 x 50 ins), together with another small damask linen tablecloth, woven with lattice and chevron patterns, 97 x 143.5 cm (38.25 x 56.5 ins), accompanied by 4 matching napkins, approximately 72 x 99 cm (28.25 x 39 ins), some light marks and small holes, tablecloth and 2 napkins initialled 'MT' in brown cross-stitch, the set with various old manuscript labels attached indicating that it was spun by Martha Tessyman and woven into cloth by her husband John Tessyman circa 1740, plus 7 other 18th and 19th century woven damask linen napkins, with various markings and old manuscript labels attached pertaining to family provenance, and 2 large early bed sheets belonging to William and Martha Knight, with their initials in blue cross-stitch, various sizesQTY: (17)NOTE:Provenance: Collection of Quaker antiquary Martha Spriggs (1777-1866), Worcester, by family descent.William Knight (1738-1801) and Martha Knight née Tessyman (1741-1816) were the parents of Martha Spriggs. John Tessyman (1692-1769) and Martha Tessyman née Box (1701-1781) were Martha Tessyman's parents, and therefore the grandparents of Martha Spriggs.In the early sixteenth century, damask table linen, with its elaborate reversible patterns, had been reserved for the church and the upper echelons of society, namely royalty, the nobility and the very rich. As the century progressed, however, the textile industry grew, with linen weaving centres flourishing in Flanders in the Southern Netherlands and Haarlem in Holland. As a result, the use of table linen by merchants, tradesmen, and others of the middle and upper classes grew, so that by 1600 most of these households had at least one complete set of table linen, comprising one or more tablecloths, and a number of napkins. Household inventories of the time - often listing more napkins and tablecloths than sheets and pillowcases - show the importance of table linen in households; such items were accumulated by families over many years and passed down the generations.

More details

Dominic Winter Auctions
Lot 537

* Shawl. A large embroidered shawl, Kashmir, India, circa 1860, cream wool stole, finely hand-embroidered with polychrome border and large boteh cornerpieces, maker's mark(?) embroidered in red near one corner, fringed at short ends, some scattered small holes, 6 x 3 cm light brown stain, some splits in border at short ends (crudely re-stitched in places), and one end with slight colour run, 132 x 264 cm (52 x 104 ins)QTY: (1)

More details

Dominic Winter Auctions
Lot 516

* Mezzaro. A large panel, Italian, circa 1850s, cotton panel, lavishly block-printed in shades of red, blue, and brown, on a cream ground, depicting a 'Tree of Life' design with flowers and foliage incorporating birds, butterflies, and a squirrel, with hunting scene border, custom export stamp 'registered' to upper right corner, and stamped 'No. 1008' to lower edge, some light toning and a few fox spots, but overall in good condition, 264 x 174 cm (104 x 68.5 ins)QTY: (1)NOTE:Provenance: From the estate of Francis Wright Fabyan, Commonwealth Avenue, Boston, Massachusetts, USA, a fabric merchant and the life-long partner of an uncle of the vendor, by descent.

More details

Dominic Winter Auctions
Lot 496

* Fabric. A collection of early needlework, lace, and woven fabrics, 18th century, comprising: 3 matching pieces of silk brocade, possibly Spitalfields, woven with polychrome scrolling flower stems on a cream ground with figured scalloped ribbon design, some tiny holes and light marks, 66 x 52 cm (26 x 20.5 ins) and slightly smaller, plus another similar, 52 x 49 cm (20.5 x 19.25 ins); the front or back panel of a silk chasuble, brocaded with a pattern of blue cornflowers in coloured and silver metallised threads, and embroidered with scarlet pimpernel flowers within a border of gold metallised threads, on a pale pink ground, faded and dusty, 128 x 88 cm (50.5 x 34.5 ins); a pelmet shaped portion of floral silkwork and metalwork embroidery on cream silk, worn with loss, attached to a wide length of silver metallised lace, latter 12 x 166 cm (4.75 x 65.5 ins), overall dimensions of fabric at largest points 35.5 x 134 cm (14 x 52.75 ins); 2 matching triangular portions of pieced raspberry and cream silk lampas, one with 1 x 1 cm hole, each approximately 94 x 64 cm (37 x 25.25 ins) at largest points; and a needlepoint pelmet worked in coloured silk threads in tent stitch, some small threadbare areas, made from 3 joined pieces and with a later (crudely-stitched) backing of dark red satin, 15.5 x 137 cm (6 x 54 ins)QTY: (9)

More details

Hansons Auctioneers and Valuers
Lot 444

Vintage railway kerosene light with lens.

More details

Hansons Auctioneers and Valuers
Lot 401

 A Double Bubble Table Lamp - Studio Eero Aarnio 2003. small size 40cm x 37cm Crafted in plastic for durability and uniform colour of light. First presented in 2003at an exhibition celebrating Eero Aarnio's career of 50 years.

More details

Hansons Auctioneers and Valuers
Lot 182

Vintage 925 Sterling Silver Synthetic Colour-Change Sapphire ring.  The ring contains a 12mm x 10mm Emerald Cut Synthetic Colour-Change Sapphire and four round cabochon Synthetic Colour-Change Sapphires that each measure approx. 3mm.  The colour changes from bluish purple in flourescent light to a pink colour in incandescent light.  The ring is hallmarked with the makers mark what looks like " C.M.B", the Lion Passant for Sterling Silver, the Leopard assay mark for London and the date letter "O" for 1969.  The ring weighs approx.  7.24 grams.  Condition: The ring is in good condition commensurate with the age of the ring. 

More details

Hansons Auctioneers and Valuers
Lot 477

A 1930's German DRGM Tell II DRP air pistol by Venus Waffenfabrik, the light wooden grip with cross hatching

More details

Hansons Auctioneers and Valuers
Lot 487

Three pairs of Arts and Crafts wall lights and a two branch celling pendant light.

More details

Nigel Ward & Company
Lot 531

Christmas light decorations and horseshoe sculpture.

More details

Nigel Ward & Company
Lot 172

A quantity of shoe lasts, spark guard, a cast iron light fitting, funnel, etc.

More details

Nigel Ward & Company
Lot 491

A Clarke Strong Arm aluminium trolley jack, 1.25 tonne, very light.

More details

Nigel Ward & Company
Lot 961

A light brown leather buttonback armchair.

More details

Nigel Ward & Company
Lot 737

A quantity of light bulbs, a box of mixed toys, a toy guitar, a clock, etc.,

More details

Nigel Ward & Company
Lot 114

Three boxes of light fittings, etc. and a consumer unit.

More details

Nigel Ward & Company
Lot 721

A desk light, Air France map, rope, a mini air compressor, a foot pump, etc.,

More details

Nigel Ward & Company
Lot 843

A light oak chest of four drawers 34" wide x 19" depth x 32" high.

More details

Nigel Ward & Company
Lot 697

A quantity of metal ceiling light shades.

More details

Nigel Ward & Company
Lot 327

An aluminium car trailer with drop gate tailboard 56" x 42" running on mini light wheels.

More details

Nigel Ward & Company
Lot 627

Greenhouse heater, outside light, Vax, torch, etc.,

More details

Nigel Ward & Company
Lot 561

A box of electrical light fittings.

More details

Nigel Ward & Company
Lot 83

A table top saw plus cantilever tool box and contents to include: nuts, bolts and a quantity of light shades.

More details

Nigel Ward & Company
Lot 738

Old phones, cameras and a light.

More details

Lion and Unicorn
Lot 242

The Ice Cube Votive candle holder enhances the unique refractive qualities of crystal by shaping it into a massive cube, creating an enchanting play of light. This item has its original box which measures 4"L x 4"W x 3.5"H. UPC: 7319675218621. Orrefors etched backstamp. Artist: Goran WarffDimensions: 3"L x 3"W x 2.5"HManufacturer: OrreforsCountry of Origin: SwedenCondition: Age related wear.

More details

Lion and Unicorn
Lot 223

Clear crystal with ice and architectural design and one hand painted gilt rim on tea light holders. Kosta Boda mark. Issued: 20th centuryDimensions: 2.25"H x 5.5" dia. Manufacturer: Kosta BodaCountry of Origin: SwedenCondition: Age related wear.

More details

Lion and Unicorn
Lot 313

Lot includes Belleek bud vase with lattice and shamrock design 5.5"H, Irish Parian coffee cup with lattice and clover design 3.75"H, and pair of Belleek tea light holder 3.25"H. Belleek and Irish Parian backstamp. Largest piece: 4.75"L x 3.5"W x 3.75"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.

More details

Lion and Unicorn
Lot 195

Beautiful cuts in this crystal allows the light to pass through and create brilliant light reflections. Blue velvet pouch included. Swarovski backstamp. 9445960001. Artist: Martin ZendronIssued: 1996Dimensions: 2.25"L x 2.5"W x 0.50"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

More details

Lion and Unicorn
Lot 96

Disney Candy Cane Christmas 2000 glass ornament featuring Snow White, Cinderella and Belle in blue coloration, 3.75"H x 3.25" dia; in original box 3.75"L x 3.75"W x 5.5"H. Beswick porcelain seated dog figure 454 in light blue with Niagara Falls Canada emblem on the chest, Beswick backstamp; 3.5"L x 2.75"W x 4.25"H. Dimensions: See DescriptionCondition: Age related wear.

More details

Lion and Unicorn
Lot 200

Three colorful whimsical resin tree ornaments with sparkle by Department 56 and Patience Brewster. Eleven Ladies Dancing in light blue 3.25"L x 3.25"W x 8.5"H. Twelve Lords Leaping modelled as frogs in tailcoats, 4.5"L x 1"W x 6.25"H. Includes original box 5"L x 2.5"W x 6"H. Three French Hens in turquoise, light green and light yellow, 3"L x 2.25"W x 7.75"H. Includes original box 4.5"L x 3.5"W x 7.25"H. Dimensions: See DescriptionManufacturer: Department 56Country of Origin: ChinaCondition: Age related wear. Small repair on leg of hen.

More details

Lion and Unicorn
Lot 146

Based on the artwork of Patience Brewster. A whimsical holiday palace with feet and hands in green, red and white colors. Use 2 C+ batteries to light up inside. Department 56 backstamp. Includes the original box, dimensions: 10.75'' x 11.5''W x 17.5''H. Artist: Patience BrewsterIssued: 20th centuryDimensions: 15.25''H x 7.5''dia. Manufacturer: Department 56Condition: Age related wear. Tested, functionality not guaranteed.

More details

Lion and Unicorn
Lot 56

The beloved character Snoopy celebrating the year 2000, wearing a festive hat, including a light and sound trumpet. Peanuts x Macy's tag. Issued: 2000Dimensions: 8''L x 10''W x 24.5''HManufacturer: PeanutsCountry of Origin: United StatesCondition: Age related wear. Functionality not guaranteed.

More details

Lion and Unicorn
Lot 294

A striking pair of light blue art glass pieces, a standing bowl and a platter with folded sides, both adorned with wavy rims and intricate fine details. Dimensions of the largest item: 10"L x 6.5"W x 3"H. Country of Origin: United StatesCondition: Age related wear. Minor chips to the feet of the platter.

More details

David Duggleby Auctioneers & Valuers
Lot 4008

Thomas Miles Richardson Jnr. (British 1813-1890): 'A Castle Ruin', watercolour signed with initials 24cm x 35cmCondition Report:Good condition, some very light foxing - ready to hang.

More details

David Duggleby Auctioneers & Valuers
Lot 4073

Bernardo Hay (British 1864-1931): Capri Seascape at Sunset, oil on board signed 20cm x 34cm Condition Report:Overall good condition. Some light age related scuffs and marks, would benefit from a clean. No damage of note to panel. Well framed ready to hang.

More details

David Duggleby Auctioneers & Valuers
Lot 4094

Rosemary Abrahams (Yorkshire c1945-): 'Late Night Light', acrylic on canvas signed and titled verso 80cm x 120cm

More details

Burstow & Hewett
Lot 19

CHRISTIAN DIOR - An Aquamarine and Enamel 'Diorette' Ring,set with an oval mixed-cut aquamarine within a multi-coloured enamel mount composed of a ladybug, butterfly and en-tremblant flowerheads, accented with pink tourmaline, yellow sapphire, amethyst, peridot and diamond, mounted in 18ct white gold, signed Dior and numbered G7667, size L (UK) / 51 (EU), French Assay and maker's mark, 36.8g . Condition Report: Aquamarine estimated to weigh approx 13.00ct, is of pale light blue colour with only two miniscule facet edge abrasions. Other gemstones are of strong colour saturation. Diamond is bright and lively. Enamel is in good condition overall with only minor surface abrasions mainly on green enamel around shank. Metal shows signs of general use with slight wear on the back of the shank. Overall very good condition.

More details

Burstow & Hewett
Lot 68

An Antique Victorian Pearl Crescent Brooch,circa 1890, set with two rows of graduated split pearls, unmarked mount tests as 18ct yellow gold, 28.3mm, 6.5g . Condition Report: The pearls are well-matched and even. The mount has very light surface abrasions. Overall in very good condition.

More details

Burstow & Hewett
Lot 23

VAN CLEEF & ARPELS - An Amethyst and Diamond Ring,Of geometric design set with an oval double cabochon amethyst, each four corner claws set with a modern round brilliant cut diamond, the mount side panels signed with large VCA logo, mounted in 18ct yellow gold, signed Van Cleef & Arpels and numbered BL28635, size M (UK) / 52 (EU), 25.4g . Condition Report: The amethyst is estimated to weigh 25.00ct and is a vivid purple colour with strong saturation and a few very light surface abrasions. The diamonds are bright and lively. The mount has light surface abrasions from general use. Overall the ring is in very good condition.

More details

Burstow & Hewett
Lot 37

CARTIER - An Akoya Pearl and Diamond Lariat Necklace,circa 2001, the drop set with an 8.8mm cultured white Akoya pearl, suspended from a hoop link chain with a modern round brilliant cut diamond clasp, the diamond weighing approximately 0.10 carats, signed Cartier, numbered N91586, mounted in 18ct white gold, overall 45cm (adjustable length), 16.9g, boxed . Condition Report: The pearl is an even round shape with a white body colour, pinkish overtone and no obvious blemishes. The diamond is bright and lively. The mount has extremely light wear. Overall in very good condition.

More details

Burstow & Hewett
Lot 8

A Ruby and Diamond Snake Head Pendant,modelled as a snake head with open mouth showing fangs and tongue, the head pave set with modern round brilliant cut diamonds, having marquise cut ruby eyes and round cut ruby neck, unmarked mount tests as 21ct yellow gold, 38.1mm, 7.3g . Condition Report: The rubies are a deep purplish-red. The diamonds are relatively bright and lively. The mount has very light wear and is still heavy gauge. Overall in very good condition.

More details

Burstow & Hewett
Lot 50

An Antique Victorian Blue Enamel Locket Pendant,of oval form with blue enamel, engraved lattice decoration and memorial backing beneath glass panel, unmarked mount tests as 14ct yellow gold, 22.8mm, 3.2g . Condition Report: The enamel has a few tiny edge chips but no major losses. The mount has light wear to high points. Overall in good condition.

More details

Burstow & Hewett
Lot 63

An Antique Victorian Pearl and Diamond Locket Pendant,circa 1880, comprising an oval pendant having central eight-ray star set with split pearls and one old cut diamond, within relief surround, cannetille bale and glass locket backing, unmarked mount tests as 21ct yellow gold, 55mm, 15g . Condition Report: The pearls are even and well-matched. The diamond is relatively bright and lively. The mount has light wear and a small section of the wirework around the outer edge is slightly bent but hardly noticeable. Overall in very good condition.

More details

Burstow & Hewett
Lot 38

A Diamond Cluster Ring,the flowerhead set with modern round brilliant cut diamonds, the diamonds totalling approximately 1.00 carat, mounted in 18ct white gold, size I, 4.4g . Condition Report: The principal diamond is very bright and lively, colour approx F/G, clarity approx VS1/VS2. Surrounding diamonds are similarly bright and lively, colour approx G-J, clarity approx SI1-SI3. The mount has light surface abrasions. Overall very good condition.

More details

Burstow & Hewett
Lot 45

A Jadeite Jade Necklace,comprising one row of even sized jade beads measuring 13mm, interspaced with gold links and carved jade frog clasp, unmarked mount tests as 22ct yellow gold, 18cm, 89.2g . Condition Report: The jade beads are of mostly even spherical shape with a slight variation in saturation of colour, along with a few internal fractures but all beads are very stable. The mount has light surface abrasions. Overall very good condition.

More details

Burstow & Hewett
Lot 42

A 2.20 Carat Single Stone Diamond Ring,set with a modern round brilliant cut natural diamond of approximately 2.20 carats, mounted in 18ct white gold four-claw setting, size K, 4g . Condition Report: The diamond is bright and lively with a slight yellow tint and several internal feather and black spot inclusions, some of which are just about visible without a loupe, colour approx L/M, clarity approx SI2/SI3. The mount only has very light surface abrasions. Overall very good condition.

More details

Burstow & Hewett
Lot 25

RITZ FINE JEWELLERY - A Pink and Green Sapphire and Diamond Ring,designed as a belt buckle set with round cut sapphires and diamonds, the diamonds totalling approximately 0.25 carats, signed Ritz London, numbered, mounted in 18ct white gold, French Assay marks, full UK hallmarks London 2002, size M/N, 12.6g . Condition Report: The pink sapphires are a vivid reddish-pink. The green sapphires are a pale green. The diamonds are very bright and lively. The mount has light surface wear, mainly on the back of the shank, but is still heavy gauge. Overall in very good condition.

More details

Burstow & Hewett
Lot 64

An Antique Victorian Pearl Hinged Bangle,circa 1900, the openwork flowerhead motif set with split pearls, on openwork band, unmarked mount tests as 15ct yellow gold, internal circumference 16cm, 16g . Condition Report: The pearls are well-matched and free from any damage. The mount only has very light surface abrasions. Overall in very good condition.

More details

Burstow & Hewett
Lot 61

An Antique Edwardian Peridot and Pearl Festoon Necklace,circa 1905, set with pear cut peridot floral drops mounted by whole and split pearls, with pearl spacer link chains and main octagonal step cut peridot line, mounted in 15ct yellow gold, 40cm, 14.9g . Condition Report: The peridots are a well-matched and even medium green with a few very minor facet edge abrasions. The pearls are also well-matched. The mount has extremely light surface abrasions. Overall in very good condition.

More details

Burstow & Hewett
Lot 30

An Antique Swiss Enamel and Diamond 'Pansy' Fob Watch,comprising a lapel brooch decorated with enamel pansy floral spray having rose cut diamond centres, suspending a 14k gold open face fob watch, the white enamel dial with Roman numeral hour markers and caseback decorated with a single enamel and diamond pansy, case width 26mm, 8cm, 19.7g gross . Condition Report: The fob watch is not currently working and is lacking the crown, the dust cover is base metal. The enamel has several light surface chips and general abrasions. Overall good condition.

More details

Burstow & Hewett
Lot 47

NOURBEL - A Ruby Heart Ring,set with a central heart cut ruby surrounded by two rows of round cut rubies, mounted in 18ct white gold, signed Nourbel, size K, 16.7g . Condition Report: The rubies are of vivid pinkish-red colour with a few internal wispy veil inclusions. The mount has a flat join mark on the back of the shank but otherwise only light surface abrasions and still heavy gauge. Overall in very good condition.

More details

Burstow & Hewett
Lot 62

A Pair of Diamond Half Hoop Stud Earrings,each set with a modern round brilliant cut diamond suspending four graduated baguette cut diamonds in a curved hook setting, the diamonds totalling approximately 0.4 carats, unmarked mount tests as 18ct white gold, 10.5mm, 2.7g . Condition Report: The diamonds are bright and lively with one round-cut having a tiny internal feather inclusion which is only visible though a loupe. The mounts have light surface abrasions from light use. Overall very good condition.

More details
Loading...Loading...
  • 534297 item(s)
    /page

Recently Viewed Lots