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Lot 158
A George III silver gravy spoon, Old English pattern, initialled B, by Solomon Hougham, London 1802 and two George II silver tablespoons, Hanoverian pattern, both London, one by James Wilks, 1746 and 1749, 6ozs 6dwts (3) The collection of C. W. Briggs (1906-1971) (lots 1-429) Good condition, light wear, marks on one of the tablespoons rubbed and only partly legible
Lot 159
Four George II and early George III silver tablespoons, Hanoverian pattern, with double drop or anthemion back, all London, by various makers, several marks indistinct, 7ozs The collection of C. W. Briggs (1906-1971) (lots 1-429) Consistent but light wear for age. One (that initialled G/IM) with split in bowl
Lot 336
Miscellaneous Victorian and early 20th c metalwork and objects, to include hearth furniture, bellows, kidney shaped brass framed mesh hanging spark guard, cast brass twin light wall sconce and several later items, including a Kashmiri helix lamp and fire axe The collection of C. W. Briggs (1906-1971) (lots 1-429) Mixed condition, many good
Lot 367
A rare pair of Regency alabaster sculptures of a bull and cow, by John Mawe, early 19th c, on Ashford black marble base, 23cm l Born in Derby, John Mawe (1766-1829) has a claim to be the most extraordinary mineralogist of the Regency. Trading from 6 'Museums' in Carsington, Derby, Matlock Bath, Cheltenham and London, he dealt in British and foreign mineral specimens, Derbyshire Spar (Blue John) and worked stone, such as the present highly accomplished models. He was also an excellent self-publicist, publishing geological texts, guides for the amateur collector, keen to furnish their minerals cabinet, and also travel writing. Such detailed models of domestic livestock attracted the discerning or learned purchaser, interested in the improvements in husbandry and breeding then being pursued in England. In this, Mawe's sculptures can be considered in the same light as the famous plaster casts of sculptures of livestock designed by his near contemporary George Garrard ARA (1760-1826) and sold from his 'Agricultural Museum' in Hanover Square, London. Another pair of Mawe's alabaster cattle models, one of which retains a fragment of Mawe's printed trade label, was recently with markjonesantiques.co.uk The collection of C. W. Briggs (1906-1971) (lots 1-429) Cow - front part of head broken off and restuck, lacking horns, forepart of right leg broken off and restuck.Bull - lacking horns, forepart of left leg broken off and restuck, lacking approx 1cm section of tail, both with old settled dust and grime
Lot 369
A Victorian painted wood ship diorama of the clipper "Middlesex", a gaff cutter and steam tug boat, bird's eye maple frame with gilt slip, 51 x 78cm The collection of C. W. Briggs (1906-1971) (lots 1-429) A genuine example in good preservation undisturbed and entirely original. Dusty with light stains, complete, rigging in unusually good state
Lot 55
A Rolex silver gentleman's wristwatch, Rolex Extra Prima, No 71720, with rounded rectangular dial with subsidiary seconds dial, in moulded case, 25 x 43mm, marked on case back 0348/971, import marked Glasgow 1929 The collection of C. W. Briggs (1906-1971) (lots 1-429) Movement apparently over wound and complete but not running, light wear to case, dusty / dirty. Stored since the mid 20th c
Lot 98
An Edward VII silver dressing table tray, die stamped with flowers and foliage and centred by a vacant cartouche, 19 x 27cm, by Nathan and Hayes, Chester 1902, 9ozs The collection of C. W. Briggs (1906-1971) (lots 1-429) Little sign of wear but two or three pin prick holes evident when held up to the light - these in our opinion perhaps a manufacturing flaw due to the high embossing
Lot 148
An Italian brass and aventurine glass ceiling light,1940s, attributed to Venini, the circular frame with twelve lights, mounted with aventurine and glass segmented shades, 91cm diameter58cm highCondition ReportSome rubbing to the brass and gold painted surfaces. Glass shades - some numbered to assembly.
Lot 182
An Art Deco figural table lamp,by Josef Lorenzl, modelled as a nude holding a mottled-jade-green globe, on an onyx plinth,52cm highCondition ReportRefinished. Glass good. Rewired. Yes working order, it does need a small bayonet bulb for the globe shde to fit - photo of the light on added to the website. There what appears to be a line on the ankle - not sure if this could be a repair. 10.1.23 PAT passed.
Lot 317
A Danish oak three-section floor lamp,with a tapering pleated shade, 143cm high,an eight-branch chrome coat rack,174cm high, a Herskind & Wessmann, Copenhagen, floor clock, 102cm high, anda white enamelled rise/fall light pendant (4)Condition ReportNeed rewiring. Clock dial bent - battery operated.10.1.23 PAT passed.
Lot 375
three retitled ("CURACOA", "MOSELLE" & "STARBOARD LIGHT"), four unmarked ("WHISKEY", "TENERIFFE", "GIN" & "MADEIRA"), an erased/worn example, by Joseph Ash, London 1812, a continental crescent-shaped label, and a canted rectangular "MARSALA", by Joseph Willmore, Birmingham 1812; the largest 2.5" (6.4cm) long; 2.9oz (10). ** All with general wear - conditions vary Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 417
A Danish black leather three-seater settee, raised on light birch supports, 201cm wide 84cm deep76cm high, seat 43cm highBuying this settee at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportSome creases to the cushions. Some scuffing to the piping edges.
Lot 429
A Longobard coloured glass ceiling light, of petal circular form, with steel and thick hammered glass panels, with a circular steel wall or ceiling mount, 65cm diameterCondition ReportThe light fits onto the white wall bracket and twists to fit. The nature of the glass is very fractured and rough cut - it is difficult to see if this is damaged.Further photos have been added to the website.
Lot 431
A Fibonacci hanging copper-finish pendant light,designed by by Sophus Frandsen for Fog & Mørup, 45cm diameter 23cm highCondition ReportFurther photos added to the website. A few nicks to the outer edge of the pendant. From the underside there is a slight bend in the outer ring. Wired, no plug and has passed PAT test.
Lot 450
A Norwegian enamelled silver box,early 20th century, by David Andersen, the sides and lid decorated in purple enamel over an engine-turned ground, internally gilt, struck underneath with maker's marks, 8.5cm wide6cm deep3.5cm high, 6.9ozt Condition ReportThe exterior with traces of gilding. The internal gilding faded. With some light scratches to the enamel.
Lot 509
A B&B Italia 'Arne' settee and matching ottoman,designed in 2005 by Antonio Citterio, the settee of curved form, upholstered throughout in grey fabric, raised on polished steel supports, with a curved squab seat cushion, to one side with an armrest, with three loose back cushions, labelled,254cm wide126cm deep68cm high, seat 38cm high,matching ottoman,117cm diameter38cm high (2)Buying this settee at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportWear commensurate with use. Some stains to the seat cushion. The supports with some scratches, scuffs and marks. Support is good. Would benefit from a light clean.
Lot 524
A 'Dora' rock lamp,designed by André Cazenave for Atelier A, France, 1969, polyester resin, fitted with a single light, labelled, 28cm wide 22cm highCondition ReportTwo pin plug - fitted with an adapter.Working condition. Further photos of the base and shade apart. Some scuffing to the base edge of the shade. 10.1.23 PAT passed.
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534325 item(s)/page