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![[Savile, George, Marquis of Halifax]. The Lady's New-Year's-Gift: or, Advice to a Daughter. Under these following Heads: viz.](https://cdn.globalauctionplatform.com/45651768-0840-4e6b-a25a-ab4401107d4e/31b3dfa5-92b1-4447-9a12-ab450107863e/468x382.jpg)
Lot 270
[Savile, George, Marquis of Halifax]. The Lady's New-Year's-Gift: or, Advice to a Daughter. Under these following Heads: viz. religion, husband, house, family and children, behaviour and conversation, friendships, censure, vanity and affectation, pride, diversions, 8th edition exactly corrected, printed for D. Midwinter, 1707, [4], 139, [1] pp., engraved frontispiece of a young lady seated at a table with a book, publisher's advertisement to verso of final leaf, contemporary ownership inscription in brown ink to verso of front blank 'Hannah Noel her book', and ‘Eliz Noel’ to head of title, marbled endpapers, contemporary gilt-decorated black morocco, rubbed and some marks and a little wear to joints and edges, 12mo, together with: Peters (Hugh) . A Dying Father's last Legacy to an Onely Child or Mr. Hugh Peter's Advice to his Daughter, written by his own hand, during his late imprisonment in the Tower of London... , London: printed for E. Calvert, [1665], etched portrait frontispiece (a little frayed and cropped to fore-edge (with a little loss of image and several words), A5, A-C12, B-E12, F11, some minor marks and light browning, one or two leaves closely cropped to outer margin, later half calf, rubbed and some wear with upper cover missing, 12mo, A Collection of Such of the Orders heretofore used in Chancery; with such alterations and additions thereunto, as the Right Honorable Edward Earle of Clarendon Lord Chancellor of England, by and with the advice and assistance of the Honorable Sir Harbottle Grimston Barronet, Master of the Rolls, have thought fit at present to ordaine and publish. For reforming of several abuses in the said court, preventing multiplicity of suits, motions, and unnecessary charge to the suiters, and for their more expeditious and certain course for relief, London: printed for Henry Chase... and by Humphery Tuckey, 1661, [4], 5-91 [final leaf mis-numbered 61], [5], the final leaf a blank, imprimatur leaf before title, contemporary sheep, rubbed and scuffed, some wear to foot of spine and outer corners, small 8vo (Qty: 3)NOTESSavile: ESTC T66527. Chancery: ESTC R30918; Wing C5198. Second edition of this work on chancery law, first published in 1660.
Lot 74
Hill (Thomas). A Profitable Instruction of the Perfite Ordering of Bees, with the Marvellous Nature, Propertie, and Government of them, and the Necessarie Uses both of their Honie and Waxe [i.e. part 2 only of The Profitable Art of Gardening], London: Henry Bynneman, 1574, comprising signatures 2A-2M4 ( part 1 comprising signatures A4 B2 C-T4), type-ornament border to title-page, woodcut initials, woodcut device to final leaf verso, text mainly in black letter, light browning and damp-staining, headlines frequently shaved, 18th-century calf gilt, rebacked, corners worn, 4to (17.4 x 13.2 cm) (Qty: 1)NOTESBritish Bee Books 7; ESTC S117236; Henrey 197; STC 13493. Third edition of Hill's treatise on bee-keeping, which is the earliest dedicated treatise listed in British Bee Books and first appeared with the third edition of his Profitable Arte of Gardening in 1568, followed by another edition in 1572.
Lot 54
Wheler (George). Voyage de Dalmatie, de Grèce, et du Levant ... traduit de l'anglois, 1st edition in French, Amsterdam: Jean Wolters, 1689, additional engraved title-page (counted in register), 8 double-page numismatic plates, 5 plates of inscriptions (of which 4 folding), folding map, 72 further plates, small hole from quire Y to end (quire 2D) and intervening plates, repaired closed tear to folding plate of inscriptions facing p. 483, plate at p. 491 chipped along fore edge, contemporary ownership inscription 'J. D. Boudrit' to front free endpaper, contemporary vellum, dust-soiled, 12mo (14.6 x 8.8 cm), together with: Clüver (Philipp), Introductionis in universam geographiam ... accessi P. Bertii Breviarum orbis terrarum, Utrecht: Willem Broedelet, 1701, signatures *6 A-S12 T4 (-T4), engraved title-page, 39 engraved folding maps (of 41), spotting to quires * and T, leaves of quire * slightly brittle and chipped, light spotting along blank margins of maps and occasionally to text-leaves, map of Italy at p. 131 partially separated along one fold, map of Africa at p. 269 with a few holes along fold, contemporary calf, rebacked and recornered, 12mo (13.2 x 7 cm), [Loredano, Giovanni Francesco], Historie de' re Lusignani, publicate da Henrico Giblet, Venice: Guerigli, 1679, additional engraved title (laid down with section of loss to margin), damp-staining, contemporary vellum, 12mo (15 x 7.8 cm), Vero (Giovanni Battista), Rerum Venetarum libri sex. Quarta impression, Padua: Typis seminarii, 1684, [14] 870 pp., front free endpaper excised, contemporary ownership inscription 'Ex libris Balthasaris Hippolito de Paradiso' to front pastedown, contemporary vellum, dust-soiled, 12mo (14.3 x 7 cm) (Qty: 4)NOTESBlackmer 1787 (Wheler); Cobham-Jeffery p. 23 (Loredano). Wheler's work was first published in 1682 as A Journey Into Greece and 'remained the standard book on Greece for many years' (Blackmer). Loredano's work first appeared in 1647; OCLC traces two copies for this edition world-wide. The first quire in Vero's work is irregularly signed but the 14 preliminary pages correspond to other copies we have located.
Lot 330
Rehberg (Frederick). Drawings faithfully copied from nature at Naples and with permission dedicated to the Right Honourable Sir William Hamilton. His Britannic Majesty's Envoy Extraordinary and Plenipotentiary at the Court of Naples, Rome: Niccola de Antonj, [1794], engraved title with vignette and 12 engraved plates by Thomas Piroli, sheet size 39 x 27.5 cm (15.25 x 10.75 ins), occasional light spotting, previous owner inscription at head of title, 1829?, small bookplate of Edward Cheney (1803-1884, art collector and watercolour artist), near contemporary half cloth over marbled boards, spine faded, folio, together with Drawings faithfully copied from nature at Naples... by Frederick Rehberg, MDCCXCIV [but a re-issue circa 1850], engraved frontispiece, title and 24 plates in two suites, frontispiece and front endpaper detached, some spotting, front hinge tender, bookplate of John Harrison, original blindstamped cloth, upper cover titled 'Lady Hamilton's Attitudes' in gilt, lacking spine, light edge wear, 4to (Qty: 2)
Lot 268
Freeth (John). The Political Songster or, a Touch on the Times, on various subjects, and adapted to common tunes, sixth edition, with additions, Birmingham: by Thomas Pearson, for the author, 1790, stipple-engraved portrait frontispiece, additional leaves 37?-40?, p.192 with 'Finis' at foot, followed by gatherings T & U? (pp.197-220) and U (six leaves of subscribers), some light spotting, mainly to first few leaves, top edge gilt, remainder untrimmed, 20th century half dark green morocco, extremities minimally rubbed, gilt lettered spine, 8vo, together with: Riccoboni (Luigi) , An Historical and Critical Account of the Theatres in Europe ..., 1st edition, London: T. Waller and R. Dodsley, 1741, front pastedown and free endpaper with armorial bookplate of Buchley Park Worcestershire, book ticket and embossed stamp of Pull Court Library, contemporary calf, rebacked with original spine relaid, corners showing, front joint with 3 wormholes at foot (affecting front hinge at foot), 8vo, Collins (John) , Scripscrapologia; or, Collins's Doggerel Dish of All Sorts, consisting of songs adapted to familiar tunes..., 1st edition, Birmingham: by the author himself, 1804, engraved portrait frontispiece, half-title (dust-soiled) with early ink signature at head, some light spotting, occasional dark stain to fore-edge, modern quarter brown morocco, gilt lettered spine, extremities minimally rubbed, 8vo, and others including The Works in Verse and Prose of William Shenstone, 2 volumes, 1st edition, London: for R. and J. Dodsley, 1764; New Ballads, to Old Familiar Tunes, by J. Freeth, Birmingham: for the author, 1805 (pp.24) (Qty: 11)NOTESPolitical Songster: ESTC lists several copies of this edition, with differing paginations. Our copy appears to tally most closely with T98385. Freeth was a Birmingham landlord who became famous for his humorous, political, and patriotic songs which he set to popular tunes. He would regularly sing them to crowds of customers, earning himself the nickname 'the Birmingham poet', and becoming famous throughout the nation as a political ballad writer. Scripscrapologia: contains 'The Desponding Negro, A Song' on pages 122-123.
Lot 450
Johnson (John). The Unbloody Sacrifice, and Altar, 2 volumes, mixed editions, 1725 & 1718, first volume 2nd edition, revised & corrected, half-title to volume 2, signature to each title, 24pp. manuscript index tables at rear of volume 2, endpapers renewed, contemporary calf, some leather loss mostly to upper board of volume 1, rebacked, contrasting morocco spine labels, 8vo, together with: Almon (J., Publisher) , A Collection of all the Treaties of Peace, Alliance, and Commerce, between Great-Britain and Other Powers, from the Revolution in 1688, to the Present Time [1727], 2 volumes, London: J. Almon, 1772, half-title to volume 1, folding table, bound with Supplement (published 1781) at rear of volume 2, ink stamps to front free endpapers, Leighton Park bookplate to upper pastedowns, contemporary calf, gilt decorated spines, contrasting spine labels, joints cracked and some splitting, 8vo, Cooke (John) , The Preacher's Assistant, (After the Manner of Mr. Letsome) containing a series of the texts of sermons and discourses published either singly, or in volumes, 2 volumes, Oxford: Printed for the Editor, at the Clarendon Press, 1783, letterpress note slip to volume 1, occasional light spotting, all edges gilt, 19th century gilt decorated morocco, 8vo, and other miscellaneous antiquarian including theology, Edinburgh Review & Oxford Magazine etc. (Qty: 3 shelves)
Lot 42
Pardoe (Julia). The Beauties of the Bosphorus, circa 1840, 2 additional engraved titles, two portraits, 3 engraved maps, 162 steel-engraved plates after W. H. Bartlett, some light spotting and marginal toning, bound in 8 divisions in original red blindstamped cloth gilt, a few spines with tears and losses, 4to, together with: Carne (John), Syria, the Holy Land, Asia Minor, Illustrated, 3 volumes in 2, [1836-38], 3 additional engraved titles, engraved map, 117 steel-engraved plates after W. H. Bartlett, William Purser and others, some light toning, spotting and soiling, contemporary half morocco and diced calf, first volume covers detached and defective spine, rubbed, 4to, and others, including duplicate volumes of The Beauties of the Bosphorus & Danube (Qty: 31)NOTESSold as a collection of plates not subject to return.
Lot 352
Ettlinger (L.D.). The Sistine Chapel before Michelangelo, Religious Imagery and Papal Primacy, 1st edition, Oxford University Press, 1965, monochrome plates, original black cloth gilt in dust wrapper, some marks, 4to, together with Hauser (Arnold), Mannerism, The Crisis of the Renaissance and the Origin of Modern Art, 2 volumes, 1st edition, Routledge, 1965, monochrome plates, bookplate of Michael Jaffé to front pastedown of each volume, original red cloth gilt in dust wrappers, a little rubbed and minor fraying, large 8vo, plus Berenson (Bernard). Italian Pictures of the Renaissance (Venetian School, 2 volumes, Florentine School, 2 volumes & Central Italian & North Italian Schools, 3 volumes), 1st editions, Phaidon, 1957, 1963 & 1968 respectively, monochrome plates, all original cloth in dust wrappers, some marks and light soiling, second title with slipcase, 4to, and others on Italian art and related, including Ars Naturam Adruvans, Festschrift fur Matthias Winner, 1996, S.J. Freedberg, Painting of the High Renaissance in Rome and Florence, 2 volumes, Harvard University Press, 1961, Studies in Renaissance & Baroque Art presented to Anthony Blunt on his 60th birthday, 1967, Studies in the History of Art dedicated to William E. Suida on his eightieth birthday, 1959, Giorgio Vasari, Le Vite de piu Eccellenti Pittori, edited by Bettarini and Barocchi, 7 volumes, Florence, Sansoni, 1966-76, etc., mostly original cloth, mainly 4to (Qty: 35)NOTESEx libris Michael Jaffé (1923–1997).
Lot 259
Chambers (Ephraim), Cyclopaedia: or, an Universal Dictionary of Arts and Sciences ... the Second Edition, corrected and amended; with some Additions, 2 volumes, London: D. Midwinter, A. Bettesworth [and others], 1738, 21 engraved plates including frontispiece (12 folding), folding type specimen, title-pages in red and black, variable generally light spotting and browning, closed tear in volume 2 signature 5Ccc1 and folding plate XIV (facing volume 2 signature 7P1), short closed handling tear to inner fold of type specimen, contemporary bookplates and ownership inscription ('George Jeffery') to title-pages, contemporary calf, joint cracked, rubbed and worn, folio (40 x 24 cm), together with: Johnson (Samuel). A Dictionary of the English Language [edition title at head: Harrison's Edition, with his Life of the Author], London: Harrison and Co., 1786, engraved portrait frontispiece, title-page in red and black, variable generally light spotting and browning, small tear in lower margins of quires 9F-9U, spill-burn in 10A2 affecting one word recto, inner hinges strengthened, 19th-century half calf, rubbed, corners worn, folio (42.8 x 26.2 cm) (Qty: 3)NOTESCourtney & Smith pp. 57-8 (Johnson); ESTC T136232 (Chambers), T116651 (Johnson: four copies in UK libraries); cf. PMM 171 (Chambers), 201 (Johnson).
Lot 262
Cruikshank (George, illustrator). Der Freischutz Travestie, by Septimus Globus, 1st edition, London: C. Baldwyn, 1824, 12 hand-coloured etched plates by Cruikshank after Alfred Crowquil, occasional pale spotting, all edges gilt, later red half morocco by Bayntun. Bath, edges slightly rubbed, 8vo, together with: [Apperley, Charles James]. Memoirs of the Life of the late John Mytton, Esq. of Halston, Shropshire, 2nd edition, reprinted with considerable additions from the New Sporting Magazine, London: Rudolph Ackermann, 1837, 18 hand-coloured aquatint plates, 8 pp. catalogue at end, some light spotting and offsetting, bookplates, all edges gilt, original cloth gilt, spine faded and a little rubbed at ends, 8vo (Qty: 2)
Lot 473
Tolkien (J. R. R.) . The Fellowship of the Ring, 2nd impression, 1954, some light spotting & marks throughout, blue ink drawing to margin of pp.258, cracked gutters, original red cloth, boards & spine rubbed & faded, 8vo, together with Williamson (Henry), Tarka The Otter..., 1927, minor marginal toning & spotting, top edge gilt, publishers original cloth, spine toned & rubbed with minor tear to foot, 8vo, limited edition of 1100 copies, Salar The Salmon, 1st edition, 1935, some minor toning, original cloth, boards & spine slightly rubbed, 8vo, and other modern fiction & 1st editions, including Ian McEwan, Tennessee Williams, Muriel Spark, Paul Theroux, Bertrand Russell, Nigel Williams, all original cloth, many in dust jackets, G/VG, 8vo/4to (Qty: 6 shelves)
![Mortimer (John Hamilton). [Fifteen Etchings dedicated to Sir Joshua Reynolds], published December 8th, by John Mortimer, Norf](https://cdn.globalauctionplatform.com/45651768-0840-4e6b-a25a-ab4401107d4e/a0efb031-705b-4918-b13f-ab450107e60e/468x382.jpg)
Lot 328
Mortimer (John Hamilton). [Fifteen Etchings dedicated to Sir Joshua Reynolds], published December 8th, by John Mortimer, Norfolk Street, Strand, London, etched frontispiece with dedication to Sir Joshua Reynolds, 14 etched plates on wove paper dated December 8, 1778 plus a further 2 etched plates 'Revengeful Monsters' and 'Sleeping Monsters' both dated January 25, 1780, contemporary boards with label 'Mortimer's Etchings of Figures, dedicated to Sir Joshua Reynolds' to front cover, rebacked, some light soiling and edge wear, 4to (35.5 x 26 cm) (Qty: 1)NOTESJohn Hamilton Mortimer (1740-1779) was much inspired by the work of artist Salvator Rosa and produced his series of fifteen Romantic etchings dedicated to Sir Joshua Reynolds, with his famous monster, banditti and allegorical subjects in 1778, following on from his Shakespeare Characters series (1775-1776). He was elected ARA in November 1778 and these etchings dedicated to Reynolds, then President of the Royal Academy were made to celebrate Mortimer's election to the Academy. His Romantic style much influenced William Blake and Henry Fuseli.
Lot 62
Professional Mountaineering Kit, as used in the Alps and Karakoram mountain range, this lot includes Karrimor rucksacks, ice axes for mountain face and walking, two thermarest inflatable mats, ice screw, crampons with canvas keep bag, seven gas canisters, altimeter wrist watch ( casio g/shock and ali-bar), Edelrid climbing rope (dry), waist to groin full harness, shackles, lightweight water holder, water pilook, Opticron binoculars, pair of Cébé face goggles, blizzard spectacles, Sunmuto compass cased, snow spats, set of fleece, trousers and jacket, mess tin set, cooker (mess-field type), combi kettle and dishes kit, knife fork and spoon set, water bottles (alloy and composite), candle lamp, fuel container and pump, set of light weight tent pegs, lightweight expedition tent, survival bivy, belt log pouch, waterproof kit bag.
Lot 142
Two vintage sepia photographs, depicting Prime Minister of Hyderabad Sir Asman Jah circa 1887 and a second of Maharajah of Benar circa 1876 together with two further photographs Lodge Light of Burma No. 5081 consecrated on the 23rd January 1929, approx 29 x 22 cms and Burmese commissariat (government department or organization commanded by a commissary, photographed by A. Fong, Hong Kong.
Lot 223
A late Victorian pineapple cut glass claret jug with plated mounts and a plated column oil lamp with grenade hobnail cut reservoir and bucket-shaped shade CONDITION REPORTS Accretions and tarnishing to the metal on the claret jug. Surface scratches and minor nibbles to the glass on the claret jug. Age related wear to the base. General wear and tear commensurate with age and use. See photos for more details.The lamp has light surface scratches and scuffs to the glass, mainly to the glass shade. Accretions and build up of dust. Tarnishing to the metal. Some minor nibbles to the glass. General wear and tear commensurate with age and use. See photos for more details.
Lot 403
WILLIAM ALBERT CLARK "Flossie" and "Jim", portrait studies of two terriers oil on canvas each signed and dated 1944 lower left and titled lower right CONDITION REPORTS The painting of Flossie has numerous scuffs around the edges and some accretions, five small holes just below the dog and to the bottom left. Further minor scuffs and some minor areas of loss to the paint. The painting of Jim has some light surface scratches and scuffs, wear to the edge of the painting, crazing throughout, a couple of small areas of loss to the left hand side of the painting. Under UV light paintings appear to have been cleaned. There also appear to be areas of over-painting - mainly to some areas of the lawn and under the dog's feet. General wear and tear commensurate with age and use. See photos for more details. Both paintings are approx 35.5 cm x 46 cm.
Lot 60
A Hardy "Field" 31/8" contracted trout fly reel, bearing rod in hand trademark CONDITION REPORTS Numerous light surface scratches, scuffs etc. Numerous accretions, some knocks to the plate, some tarnishing to the metal both on the pillars and the plates. General wear and tear commensurate with age and use. See photos for more details
Lot 441
19TH CENTURY ENGLISH SCHOOL "Pheasant Shooting Scene" with gentleman in red jacket, another climbing a gate in the background, two spaniels in foreground, pheasant alighting, oil on tin, unsigned CONDITION REPORTS The painting has some light scuffs and scratches, accretions. Could do with a clean. There is a blister to the paint below the pheasant resulting in an area of loss and also an area of loss to a part of one of the branches to the left of the pheasant. Some staining there also. Possibly some fading and discolouration in areas. The painting is loose in the frame. There are some areas of loss to the paint in the lower right corner. There are various scratches around the edge. General wear and tear commensurate with age and use. See photos for more details.
Lot 220
A late Victorian brass oil lamp in the Classical style with blue glass reservoir and cranberry glass shade, together with a pair of 20th Century Japanese satsuma relief-work vases CONDITION REPORTS Some light surface scratches to the glass, some scuffs also, accretions and tarnishing to the metal. The pair of vases have light surface scratches, crazing, accretions. Wear to numerous areas of the gilt, some small areas of loss mainly to the foliage on the trees and the nose of one of the characters. Both items have general wear and tear commensurate with age and use, see photos for more details.
Lot 366
A 19th Century black lacquered and gilt decorated Chinese Qing Dynasty polychrome painted fan decorated with multiple figures in court setting (faces superimposed on ivory, some flags and cloth elements of the picture superimposed on silk and clothing) CONDITION REPORTS Some light surface scratches to the sticks and guards. The leaf has wear and areas of loss to the paint at the creases. Wear to the edge of the fan and some small areas of loss to the banding at the edge. Some minor splits to the edge of the leaf as well. Some fraying and discoluration to the silk used for the clothes on the figures. General wear and tear commensurate with age and use. See photos for more details.
Lot 408
PEREGRINE FEENEY "Tantalon", coastal scene with choppy seas and ruins of a castle on a cliff, oil on canvas, inscribed with title and artist's name verso, framed, image size approx 73.5 cm x 150 cm CONDITION REPORTS Painting has some light surface scratches, crazing in areas, accretions and could probably do with a clean. There is substantial damage and loss to the lower left corner of the frame. Other smaller areas of loss to the gilt on the frame. Some cracks also. Painting has general wear and tear commensurate with age and use. See photos for more details.
Lot 194
A collection of T G Green & Co cornishware blue and white china to include milk jug, flour caster, sugar caster x 2, salt caster, rolling pin, various bowls, teapot, further milk jug, egg cups, cup and saucer, mustard pot etc (25 pieces total) CONDITION REPORTS All items basically sound with some light surface scratches and some crazing to a few of the objects. Wear to the handles of the rolling pin. A small chip to the underside of the lip on the milk jug and one of the sugar casters has some areas of white glaze missing on the lid but this is from the manufacturing process. One of the jugs has a small hairline crack at the base. All items have general wear and tear commensurate with age and use. See photos for more details.
Lot 307
An 18th Century triple cased pocket watch, the fusee movement by Edward Prior of London, No. 66683, with enamelled dial and Turkish numerals, inscribed "Edward Prior London", housed in a plain silver case with silver mid case with embossed banding, within a tortoiseshell and pique work decorated outer case CONDITION REPORTS Approx 6cm in diameter. The outer tortoiseshell case has areas of loss both to the tortoiseshell and to the piquet studded decoration. Possibly some fading and discolouration and light surface scratches and scuffs also. Fading and discolouration to the inner cloth. The inner silver case has some tarnishing, accretions, light surface scratches, etc. The silver case for the movement has light surface scratches, scuffs, a couple of minor dents and some tarnishing in areas. The face itself has three hairline cracks, accretions, some discolouration. Watch has general wear and tear commensurate with age and use. See photos for more details.
Lot 198
An Ashworths Ironstone Oriental design dinner service comprising thirty-nine large plates, six medium plates, twelve smaller plates, twelve soup bowls, two soup tureens, two vegetable tureens, two sauce tureens (one with lid missing), two sauce boats, eight oval serving platters (85 total) CONDITION REPORTS Light surface scratches and scuffs to some of the items. Some discolouration to some. Accretions. Some wear to the gilt mainly around the edges and also to some of the decoration. One of the gravy boats has a chip to the underside of the lip. There is also a chip and a crack to the foot. The other gravy boat has a large chip to the foot and an old repair. One of the large tureens has an old repair to the foot. One of the large platters or serving dishes has a crack all the way across and an old repair. There is a lid missing on one of the smaller tureens. All items have general wear and tear commensurate with age and use. See photos for more details.
Lot 72
δ Cerith Wyn Evans (b.1958)Light Trespass (100 Brightest Stars/100 Footnotes - "The Day at Florbelle" by D.A.F. Sade)The multiple, 2007, comprising a light bulb hand-inscribed in black ink, signed in ink on the accompanying certificate of authenticity and numbered from the edition of 100, the box also numbered in black ink from the edition of 100, published by Texte zur Kunst, Berlin, housed within the original card box with the accompanying silver envelope and address labels, overall 330 x 235mm (13 x 9 1/4in) (multiple) Each multiple in this edition features a five digit numerical code applied by hand. On the corresponding certificate of authenticity, the corresponding code of a star's name is deciphered and combined with a footnote from the English version of the text "Les journées de Florbelle" by the Marquis de Sade. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 471
The Rifles EIIR Cap Badges (2), (Silver-plated), two lugs, the Regiment formed in 2007 with the amalgamation of the Royal Green Jackets, Light Infantry, Devon and Dorset and the Royal Gloucestershire Regt, Berkshire and Wiltshire Regt's. With Gloucestershire device (White-metal), tab fitting. A scarce EIIR cap badge pair.
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534297 item(s)/page