There are 534325 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAN ITALIAN CARVED AND GILTWOOD STANDARD LAMP, 20th century, modelled as a Baroque alter candle stand, the scroll carved baluster stem with inset niche figures of saints and headed by angel masks, raised on scrolled triangular base, 51 1/2" to top of light fitting (Est. plus 21% premium inc. VAT)Generally good bar minor paint and wood chips
A three-part black/red marble mantel clock set, executed in neo-styles, France, 2nd half of the 19th century. Consisting of: a mantel clock crowned with a vase ornament, the dial with Roman numerals, ornamentation in floral motifs, for resting on claw feet, two ditto five-light candlesticks (slightly damaged), h 43.5 cm, tot. 3x.
A CORAL, AMETHYST AND DIAMOND PENDANT-NECKLACE, CIRCA 1975Composed of a textured gold chain set with alternating coral and amethyst cabochons, suspending a similarly pendant with additional brilliant-cut diamond highlights, mounted in 18K gold, pendant length 10.5cm, pendant width 7.8cm, chain length 60cm, total gross weight approx. 230gPlease note that this lot contains coral and mother-of-pearl and is subject to CITES regulations when exporting outside of the EUCondition Report: Coral: light whitish-pink hue, overall in good condition, all well matched in colourAmethysts: medium tone, translucent - overall in good condition, all well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity SIStamped 18K for 18K goldMinor signs of oxidisationNormal signs of wear, overall in good conditionTotal gross weight approx. 230g
A LADY'S DIAMOND-SET COCKTAIL WATCH, BY OMEGA, CIRCA 1970The 17-jewel Cal-620 manual wind movement with a circular silver dial, black baton indicators, within a brilliant-cut diamond bezel, on fitted integral link strap of brushed finish, dial and movement signed, mov. no. 26773333, case 22mm, length 17.1cm Condition Report: Glass: a minor scratch visible under a bright light sourceDial: obvious moist stains near all baton indicatorsDiamonds: bright and livelyBracelet: normal signs of wearIn running condition at the time of inspectionTotal gross weight approx. 39.5gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
A FINE PAIR OF CULTURED PEARL AND DIAMOND PENDENT EARCLIPS, BY VERDURAEach surmount designed as stylised knots pavé-set with brilliant-cut diamonds, suspending a detachable cultured pearl drop of white or black tint, each caped with similarly-cut diamonds, mounted in 18K gold and platinum, diamonds approximately 7.50cts total, signed Verdura, with maker's mark for 'Amalphy', French assay marks, stamped 'Made in France', with maker's pouch, length 4.7cm and without pearl 2.3cmBorn in 1899 in Palermo, Italy, to an aristocratic family, Fulco Santostefano della Cerda’s, Duke of Verdura's, earliest beginnings were steeped in the beauty and sumptuousness inherent to both his homeland and social status. A vivacious and imaginative child, Fulco’s later designs would be deeply influenced by the family’s 18th century home, Villa Niscemi, as well as his love of nature and happy childhood days rambling around the vast estate. Inheriting the title of duke at the young age of, it became clear that the family’s financial situation did not reflect its noble status, and Verdura knew he would have to make a career for himself in order to upkeep the extravagant lifestyle to which he was accustomed. Having joined the army in 1916, Verdura would have to abandon a promising military career after sustaining a serious should injury which took months of recuperation to heal from. Luckily, the young duke had a wealth of family connections that placed him at the centre of Europe’s glittering interwar society.While on a visit to Venice in 1927 with his good friends, celebrated composer Cole Porter and his socialite wife Linda, Verdura was introduced to Coco Chanel. The two connected instantly, and shortly thereafter Verdura moved to Paris to work for Chanel as a textile designer. However, the young duke’s flair for jewellery design soon became evident and he began to help Chanel rework pieces from her own personal collection, some of which would be copied to be sold at the iconic 31 Rue Cambon location. Little of Verdura’s early work from this period survives, however by 1930 the design that would solidify his representation as one of the period’s foremost jewellery designers came into being. The Maltese Cross jewels consisted of two mismatched gold crosses set with an array of colourful gems, both Byzantian yet oddly contemporary in look. Verdura’s first Maltese Cross pieces were a pair of brooches which he gifted to the renowned fashion editor Diana Vreeland. Next came a pair of white enamel cuffs for Chanel herself, which she wore constantly. The lack of symmetry, yellow gold and brightly coloured stones were in stark contrast to the clean lines and white gold and platinum favoured by other jewellery designers of the time.In 1934, Verdura left Paris for the United States, where his charm, pedigree and good looks allowed him to easily insert himself into high society. Landing in New York before making his way to California, Verdura would meet Paul Flato, Hollywood’s most prominent jewellery designer, and soon became his Head of Design, his work appearing on the necks, arms, and fingers of era’s most standout starlets. By the late 1930s however, Verdura was ready to strike out on his own. His first solo store was opened at 712 Fifth Avenue on September 1st, 1939, the very day war was declared in Europe. The war denied American jewellery connoisseurs the ability to commission works from the master French and Italian ateliers, but Verdura filled the gap by introducing a uniquely European flair to the American market. He continued to produce commissions for actresses, notably Joan Fontaine, and New York society queens throughout the decade, but a collaboration with surrealist artist Salvador Dalí in 1940 allowed Verdura to explore his love of fine art through the lens of jewellery making. The collection consisted of five miniatures painted by Dalí, set by Verdura with gold and jewels. The pieces were exhibited at both the Julien Levy Gallery and the Museum of Modern Art in New York throughout 1941 and 1942, before being bought into private collections, although some re-merged for the Verdura company’s 75th anniversary exhibition The Power of Style: Verdura at 75 in 2014.Verdura’s success continued throughout the 40s, 50s and 60s. It seems he designed pieces for almost every style icon of the era, from royalty to socialites. Notable pieces include the Indian Feather Tiara created in 1957 for Betsey Cushing Whitney and the Double Crescent bracelet, which first appeared in 1940s and but was revived in popularity when it was worn by Princess Diana in 1997.After decades living in the world of glitter and gold, Verdura retired to London in 1973, passing on the company to his long-time business associate Joseph Alfano. The duke would spend the last few years of life indulging his other creative loves, publishing his childhood memoir The Happy Summer Days in 1976. He died in 1978 and was buried in his beloved hometown of Palermo.The Verdura company, meanwhile, continued to maintain its place in the world of fine jewellery. In 1983 the company was sold to Ward Landrigan, the former Head of Jewellery at Sotheby’s. The sale included the complete Verdura archives, consisting of over 10,000 original drawings and sketches, almost half of which were never realised. Landrigan aimed to re-introduce Verdura’s genius to a new generation and in 2004 was joined in the business by his son, Nico Landrigan, who became the company’s president in 2009. Today, Verdura’s classic collections are still available for purchase, including the Constellation Collection, the Caged Collection, the Byzantium Collection, and the Stardust Collection, each with their own unique backstory that offers insight into the mind of their brilliant creator.Verdura’s jewellery was never produced on a mass scale and his most famous pieces were often commissioned works. This has made the Verdura name all the more collectible for the discerning jewellery lover at auction.Condition Report: Cultured pearls:One black: Very good lustre, with green and pink overtones, minor natural blemishes visible under a bright light sourceOne White: Very good lustre, with green, pink and silver overtones, superficial natural blemishes visible under a bright light sourceDiamonds: approx. 7.50cts total, bright and livelySignature, French assay marks and maker's marks located on the clip fittingsEarclips for non pierced ears, includes rubber bands on the back fittingsEagle's head for French 18K gold and dog's head for French platinumMinor signs of wear, overall in good conditionTotal gross weight approx. 47.40g
A RUBY AND DIAMOND CLUSTER RINGThe central oval-shaped ruby weighing approximately 4.80cts within a multiple claw setting and brilliant-cut diamond surround, diamonds approximately 1.60ct total, ring size HAccompanied by a report from GCS laboratory in London, stating that the ruby weighing 4.80cts is of Burmese origin, with no indications of heating. Report number 5783-248, dated November 2nd 2022Condition Report: Ruby: Of purple-red hue, medium tone, good transparency, natural inclusions visible under 10x magnification and bright light source when tilting the stone in the form of intersecting rutile needles. Minor silk visible with naked eye under a bright light source located on one side, minor facet pits visible under 10x magnificationDiamonds: approx. 1.60ct total, estimated colour H/I, estimated clarity VSThe hoop is slightly off shapeNormal signs of wear, overall in good conditionTotal gross weight approx. 7.8g
A RUBY AND DIAMOND BRACELETComposed of a single row of oval-shaped rubies interspersed by baguette-cut diamonds, mounted in 18K gold, rubies approximately 21.50cts total, diamonds approximately 2.00cts total, Italian registry mark, length 18.2cmCondition Report: Rubies: of purplish-red hue, medium tone, natural inclusions visible under a bright light source, facets are smoothDiamonds: approx. 2.00cts total, bright and livelyStamped 750 for 18K goldMinor signs of wear, overall in good conditionTotal gross weight approx. 20g
A SAPPHIRE AND DIAMOND PENDANT NECKLACEComposed of a continuous line of graduated brilliant-cut diamonds within scalloped outer borders, suspending a detachable pendant set with an oval-shaped sapphire within a surround of similarly and marquise-shaped diamonds, mounted in gold, diamonds approximately 8.80cts total, mounted in gold, length approximately 43cm, pendant length 3cmCondition Report: Diamonds: approx. 8.80cts total, unable to assess colour due to yellow mount, estimated clarity: a majority of VS, some good SI1Sapphire: of cornflower blue, medium tone, good transparency, minor colour zoning visible under a bright light source, good transparencyNormal signs of wear, overall in good conditionTotal gross weight approx. 75.20g
AN EMERALD SINGLE-STONE DRESS RINGSet with an elongated rectangular-cut emerald within collet-setting, mounted in 18K gold, signed Bvlgari, ring size L½Condition Report: Emerald: weight approx. due to collet-setting: approx. 2.45cts - 13.30x5.52x4.50mm - of bluish-green hue, medium tone, good transparency, minor natural inclusions visible with naked eye under a bright light source. Minor nick located on the table visible under a bright light source with naked eyeSignature: Bvlgari located inside hoop, on top. No other marks.Normal signs of wear, overall in good conditionTotal gross weight approx. 15.5g
A CITRINE DRESS RING, BY REPOSSIThe faceted top cabochon cushion-shaped citrine between two faceted top cabochon heart-shaped citrine shoulders, within collet-setting with reeded detailing, mounted in 18K gold, signed Repossi, French assay mark, Italian registry mark, ring size M (with sizing band)Rich in heritage and craftsmanship, the fourth-generation, family-run House of Repossi is synonymous with elegance and style. The house is renowned for its exquisite, ornate and diamond-studded creations which incorporate exceptional stones into pieces that seamlessly blend contemporary designs with classical elements.The brand was first created in Turin, Italy by Constantino Repossi in 1920. Upon completing his studies in industrial design, the young Constantino took over his father’s jewellery business and atelier in post-war Italy. The first Repossi store was opened in 1949 in Turin during Italy’s modernist era. Art Deco and Avant-Garde styles prevailed in the first Repossi collections, which demonstrated Costantinos ability to combine both his technical and artistic backgrounds.Subsequently, Constantino’s son, Alberto, began designing pieces at the age of seventeen after learning the craftsmanship of the family’s atelier. In 1974, Alberto took charge of the house and brought the brand to international recognition. Under Alberto, the Repossi House saw the opening of a flagship store in Monte Carlo in 1977, followed by the Paris store in Place Vendôme in Paris in 1986.Repossi designs became famed for their elegance and were celebrated by many influential people. Repossi became the official purveyor to HRH The Prince Rainier III of Monaco in 1994 which gave the house worldwide recognition. Repossi also became the official supplier to the Saudi Royal family, and to the Royal families of Qatar and Dubai. The house continues to work with royalty in many countries, and its designs are enjoyed by socialites, jewellery connoisseurs and celebrities worldwide. Today, much of the work is still done in the same workshops that were used in the 1920s.Following tradition, Alberto’s daughter Gaia Repossi is now leading the family business which is nearing its 100th anniversary and is more successful today than ever before.Condition Report: Citrines: Well matched in colour - minor surface scratches visible under 10x magnification under a bright light sourceSignature and marks located on the outside hoopEagle's head for French 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g
AN AQUAMARINE AND DIAMOND COCKTAIL RING, CIRCA 1960The rectangular mixed-cut aquamarine weighing approximately 15.00cts, highlighted with single-cut diamonds to a bifurcated hoop, mounted in gold, diamonds approximately 1.00ct total, engraved '25. 9. 1940 -1965', ring size P½Condition Report: Aquamarine: of blue hue, light to medium tone, good transparency, facets are smoothDiamonds: bright and lively - approx. 1.00ct totalYellow metal unmarked - tested by the jewellery department to be: Shank 18K gold, Head 12K goldEngraved '25. 9. 1940 -1965'Normal signs of wear, overall in good conditionTotal gross weight approx. 14.5g
A SAPPHIRE AND DIAMOND PENDANT ON CHAINThe heart-shaped sapphire weighing 4.02cts within a three-claw setting and a brilliant-cut diamond frame, the bale set with a heart-shaped diamond within further brilliant-cut diamond frame, suspending from a fine cable-link chain, mounted in 18K gold, pendant length (including bale): 2cmAccompanied by a report from GCS laboratory in London, stating that the sapphire weighing 4.02cts is of Sri Lankan origin, with no indications of heating. Report number 3782-3301, dated October 4th 2022Please note that the chain worn on the model is different from the one sold with the lot - the correct chain is shown on image 2 (without model)Condition Report: Sapphire: of greyish-blue hue, medium tone, good transparency, natural inclusion in the form of a finger print visible under a bright light source when tilting the stone, facets are smoothDiamonds: Bright and lively -Superficial signs of wear, overall in good conditionTotal gross weight approx. 4.1g
AN AQUAMARINE AND DIAMOND PENDANT ON CHAINThe pear-shaped aquamarine within a three-claw setting, suspending from a rectangular and marquise-shaped aquamarine surmount, highlighted with a trillion and tapered baguette-cut diamond, to a fancy-link chain with four collet-set brilliant-cut diamond accents, mounted in 18K gold, pendant length 4.5cm, chain length 44.5cmCondition Report: Aquamarines: well matched in colour, light blue hue, good transparency, facets are smoothDiamonds: bright and well matchedSuperficial signs of wearOverall in good conditionTotal gross weight approx. 8.5g
AN AQUAMARINE AND DIAMOND DRESS RINGComposed of a central cushion-shaped aquamarine weighing approximately 10.00cts between brilliant and marquise-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.80ct total, with maker's mark, French assay mark, ring size LCondition Report: Aquamarine: approx. 10.00cts, of blue hue, light tone, good transparency, facets are smoothDiamonds: approx. 0.80ct total, estimated colour I/J, estimated clarity VSEagle's head for French 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 8.5g
A SAPPHIRE AND DIAMOND CLUSTER RINGThe central cushion-shaped sapphire weighing approximately 4.50cts within a four-claw setting and brilliant-cut diamond frame, mounted in gold, diamonds approximately 0.80ct total, ring size QCondition Report: Sapphire: of cornflower blue hue, light to medium tone, good transparency, some facet abrasions visible under 10x magnification, a nick located near girdle visible under a bright light sourceDiamonds: bright and lively, approx. 0.80ct total - estimated clarity VS with a couple of good SI1White metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.9g
AN EARLY 20TH CENTURY EMERALD AND DIAMOND RINGThe square-cut emerald set between two old European-cut diamonds, within millegrain setting and pierced gallery, mounted in platinum, diamonds approximately 0.70ct total, ring size MCondition Report: Emerald: of bluish-green hue, good transparency, surface reaching inclusion, minor chip visible under a bright light sourceDiamonds: estimated colour H/I, estimated clarity VSStamped Platine inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.10g
A TITANIUM AUTOMATIC 'H08' CALENDAR BRACELET WATCH, BY HERMÈS, 2022The 28-jewel Cal-H1837 automatic movement, circular black and grey dial with applied Arabic numerals with luminous inserts, inner minute markers, date aperture between 4 & 5 o'clock, polished baton hands with luminous inserts, polished centre seconds with orange tip, sunburst satin-brushed titanium bezel, crown with H logo, back secured by 6 screws with glazed aperture revealing movement, case no. SP1.741, fitted satin brushed and polished titanium bracelet with double folding clasp, dial, movement, case and bracelet clasp signed, with four extra links, serial no. 35666**, with maker's case and outer box, case 38mmAccompanied with its certificate of authenticity from Hermès in Paris, dated August 17th 2022Condition Report: Glass: no scratches observedCase: a minor scratch visible above the crown, under a bright light source when tilting the watchBracelet: superficial to no signs of wearExtra four links: superficial to no signs of wearMovement signed Hermes - movement clean - in running condition at the time of inspectionRetail price as per receipt provided by client: €5,600
Square ladies' wristwatch in gold Ladies' wristwatch in yellow 18-carat gold. Square case and curved glass. Dial with white background, gold baton hour markers, gold sword hands, side winding mechanism. Integrated bracelet in yellow 18-carat gold, mesh Milanese and lock clip. Marked: 750, MR Light dents on back of case L: 18 cm Weight: 27.1 g total gross weight
Two handbags Delvaux - Shoulder bag in smooth cognac leather with white stitching. Lined with natural suede. Three compartments including a central one with zip closure. Pockets for pen, compact and identity documents (snap closure). In its original cover. - Navy blue grained leather pouch with two compartments. Snap closure. Light beige suede lining. In its original cover. Very good condition. Nice patina. Scratches, slightly faded corners. H : 20 cm Pocket : 19.5 cm W : 27 cm Pocket : 27.5 cm Depth : 4 cm Pocket : 2 cm
Handbag "Vermeil"Delvaux In smooth natural leather, white stitching. Gilded trimmings. 2 gussets, inside lined in suede. 2 inside pockets. Flap closure, Delvaux-patented snap. In its original cover. Very good condition. Scratches mainly at the level of the opening. Light penmarks. H: 25 cm 40 cm with the hanse W: 27 cm Depth: 10 cm
Two handbags Delvaux - Brown grained leather crossbody bag, gold trim representing an open D". Flap with a TOHPO button closure. Natural suede lining. Small unlined inside pocket for ID documents. - Brown grained leather pouch, stylized leather logo. TOHPO button closure. Light beige suede lining. Small unlined inside pocket for ID documents. Wear marks. Scratches. H : 22 cm Pocket : 19.5 cm W : 23 cm Pocket : 28.5 cm Depth : 35 cm Pocket : 2.5 cm
Two identical pieces of luggage Delvaux In D" canvas Delvaux taupe and smooth leather taupe. Interior in light blue Delvaux "D" canvas. Delvaux canvas, sky blue. Two outside compartments. Interior: Two shoe compartments on either side of the bag and five other compartments surrounding it. A "D" canvas tote bag Delvaux light blue canvas. Two handles and an adjustable shoulder strap. A label holder on each piece of luggage. Each in their black "D" felt Delvaux. Superb condition. H: 26 cm W: 50 cm Depth: 25 cm
Set of ties HERMES 1) Set of ties in twill silk with geometrical designs. 1 - Yellow, brown bits". 2 - Orange background, grey "stitches". 3 - Hunting green background, off-white "bits". 4 - Navy blue background, yellow and water green geometrical designs. 5 - Wine lees background, gold "mesh". 6 - Raspberry background, grey "bit". 7 - Red background, brown and green Koala and tree patterns. 8 - Grey blue background, melon, coloquintes, leaves and lemon patterns. 9 - Grey blue background, turquoise "mesh". 10 - Navy blue background, light blue "passementerie". 2) A ruffled tie in dark red. Galloping horses design. Good condition overall. Stains.
Ceylon sapphire and diamond ring In white 18-carat gold, set with a large cushion-cut Ceylon blue sapphire without traces of heating measuring approximately: 13.64 x 12.12 x 8.33 mm, shouldered by six brilliant-cut diamonds, arranged in threes on either side totalling approximately 0.90 ct. Finger size: 55 (US: 7 1/4) Marked: none. Enclosed is the preliminary report from the Laboratoire Français de Gemmologie, #BD 32588/1 stating: "Characteristics compatible with those of deposits in Sri Lanka (formerly Ceylon) No thermal alteration observed Slight colour change: light violet-blue in daylight / purple in incandescent light Controlled stone set" trace of setting on the ring and presence of holding balls in the ring Weight : 8.1 g gross weight"
A PAIR OF ENGLISH SILVER CANDLESTICKS Broadway & Co, Birmingham 1962 The knopped and waisted stem with reeded borders, bases filled 30cm high Condition: Condition Report Some light wear to hallmarks, bases with occasional minor ding generally good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A FAMILLE ROSE TWIN HANDLED PORCELAIN VASE With foo dog handles and chilong to the neck, a shaped reserve with a bird perched on a rock with flowers and foliage, on a lilac ground decorated with scrolling flowers and foliage 45cm high Condition: Condition Report Some light wear and glaze skips / losses This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF ROYAL WORCESTER COFFEE CUPS AND SAUCERS Painted with a snipe; a woodcock; a pheasant and a golden plover, all titled to underside and signed A. Telford, with gilt interiors The saucers 10cm diameter, the cups 5cm high Condition: Condition Report Some light wear to gilding, generally in good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LATE VICTORIAN SILVER PLATED TEA, COFFEE SERVICE AND TRAY Comprising a coffee pot, teapot, milk jug, sugar bowl with repousse scrolling foliate decoration, together with a matching twin handled tray engraved with scrolls and floral motifs and a gadrooned rim, all stamped 'Made in Sheffield England' to the bases The coffee pot 24cm high Condition: The service is in very good condition commensurate with age and use, with some light scratching. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF CONTINENTAL SILVER FIVE LIGHT CANDELABRA Marked '835'. likely German, 20th Century With bead borders and engraved decoration, C scroll branches, and on square tapering support and stepped square base, bases filled 43cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A RUSSIAN SILVER MOUNTED CUT GLASS LIQUEUR DECANTER Slender with various cut decoration, 875 mark to collar 32.5cm high Condition: Condition Report Some very light wear to the stopper but overall good condition This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
THREE PAIRS OF DUNHILL SILVER CUFFLINKS Comprising: one pair inset with blue hardstone; one mother of peal set pair and a pair of oval black onyx examples, all signed and either marked 925 or UK hallmarks 53g Condition: Condition Report A hairline crack to the blue hardstone panel on one example; some general light signs of use This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A GROUP OF MALAYSIAN SILVER ITEMS Kelantan, 20th Century, comprsising: a horn and silver mounted three light candelabra, with chased and engraved foliate decoration, base weighted; a flower or posy ring, chased with trailing foliage; a two cheese knives with horn handles; and a pair of sugar tongs and with tray, marked 'KLN A&C' The candleabra 26cm high, the bowl 11cm diameter Condition: Condition Report The candelabra with a detachable sconce lacking from central holder, one branch slightly loose and some glue residue visible to other branch junction, marked to base; handle to one cheese knife very slightly loose This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Edwardian oak Sutherland table, rectangular top with two large drop leaves, barleytwist gate legs on casters, 84x112cm maximum, height 73cm.Condition report:The top is quite light and bleached copared to the undersection, some dents and marks but sound, one leg is loose otherwise works fine.
Royal Worcester fruit painted vase and cover, shape number 2363, pedestal form with twin loop handles, domed cover, painted by Brian Leaman, 21.5cm.Condition report:On very good condition, no chips, hairlines or restoration. No significant surface scratching, some light surface scratches to the gilding.
Tudric pewter hot water jug, designed by Archibald Knox for Liberty & Co, the body cast with stylised enamelled buds (enamel as found), rattan handle (also as found), shape 0958, stamped 'English Pewter, Made in England', height 14cm.Condition report:The enamel is badly damaged to one of the buds, the other enamel bud is a little cracked. The rattan is very damaged and mostly lost on the handle. The hinge on the lid is solid. Otherwise light rubbing to edge with no cracks or bad dings. The lid does not site perfectly flat. Please see the added photos online.
Loading...
