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Lot 66
A 9CT BI COLOUR GOLD TASSEL CHAIN NECKLACE, yellow and white gold rope twist chain with two tassel droppers, fitted with a lobster clasp, hallmarked 9ct Sheffield import, length 460mm, full length including tassels 600mm, approximate gross weight 23.7 grams (condition report: general light wear, clasp in working order, would benefit from a gentle clean and polish)
Lot 35
A 9CT GOLD SIGNET RING, yellow gold, rectangular signet with very worn engraved initials, textured shoulders leading onto a polished band, hallmarked 9ct Chester 1945, ring size S, approximate gross weight 4.7 grams (condition report: slightly misshapen shank, would benefit from a gentle clean and polish, general light wear, worn engraving)
Lot 372
A COLLECTION OF TUDOR MINT MYTH AND MAGIC PEWTER FIGURES, some boxed as stated, comprising boxed The Fairy Glade, boxed The Fairies' Swing, boxed The Fairy Messenger, boxed The Unicorn Pool, Fairy Tales, The Guardian of Light, The Unicorn of Justice, boxed The Wizards Alcove, boxed Sleepy Heads (torch loose from hand), boxed Crystal Secrets, The Sentinel, The Nursery (crystal loose), The Dragon Knight, boxed The Fairy Rider, boxed Pegasus' Foal, boxed Sincere Friends, boxed The Torch Bearer, Romancing the Unicorns (glue residue to crystal), boxed The Enchanted Bridge, The Sleepy Dragon (end of tail and crystal missing), and Return of Excalibur (21 + 12 boxes) (Condition Report: generally ok, obvious specific damage as stated, boxes a little dirty with scuffs etc)
Lot 17
TWO CAMEO RINGS, the first of an oval form, high relief shell cameo depicting a lady in profile, collet set within a fine rope twist surround, bifurcated shoulders leading onto a polished band, stamped 9ct, ring size L, the second of an oval form, carved shell depicting a lady in profile, collet set within a fine rope twist surround, bifurcated shoulders leading onto a polished band, unmarked, ring size K 1/2, approximate gross weight 9.1 grams (condition report: general light wear, would benefit from a gentle clean and polish, shells secure, overall condition good)
Lot 1309
HANS J WEGNER FOR GETAMA, A MID CENTURY DANISH GE236/4 LIGHT OAK FOUR SEATER SOFA, with slatted back and oatmeal upholstery, length 240cm x depth 80cm x height 88cm (condition - upholstery slightly faded, frame is strong, three cushions with rubbing and tears, underside ideal for a clean, see images)
Lot 383
THREE PIECES OF LE CREUSET AND SIMILAR COOKWARES, comprising a black cast iron Le Creuset 22cm casserole dish, a Le Creuset green and cream stoneware vegetable dish, and an unmarked blue enamelled cast iron oval casserole dish (3) (Condition Report: Le Creuset casserole has heavy wear and rust inside, both other pieces appear in good condition, the unmarked casserole has light staining and signs of light use, the vegetable dish has signs of light use)
Lot 37
A HEAVY 18CT GOLD INTAGLIO SIGNET RING, square signet with cut off corners, intaglio reads 'Omnia Bona Bonis' Latin for 'To the Good All Things Are Good', polished band, personal engraving to the reverse of the signet reads 'B.S.C to W.G.S 1/2/19', hallmarked 18ct London 1922, ring size O, approximate gross weight 11.1 grams (condition report: general light wear, light surface scratches, overall condition good)
Lot 107
TWO CANTEENS OF CUTLERY, the first an eight place canteen, signed 'Sheffield Cutlery England', dark wooden case with blue felt lining, the second a six place canteen, signed 'Ryals', light wooden case with orange felt lining, also including a sliver handled knife, hallmark rubbed, (condition report: some cutlery missing)
Lot 387
A GROUP OF CERAMICS, to include a boxed Wedgwood blue jasperware heart shaped trinket box, a Wedgwood Home 'Eden' salad bowl, a Belleek vase in the form of a sack, and shell shaped dish (loss to one foot), a Royal Worcester comport, dinner plates to include Royal Doulton The Vernon D5125, Lisette H5082, Carlyle H5018 and Under the Greenwood Tree, Royal Albert 'Lady Hamilton' (second quality), Spode R7242 with New York retailer's mark, and Hammersley Howard Sprays, etc (Qty) (Condition Report: most pieces appear in good condition, sd and as stated, signs of light use, would benefit from a clean)
Lot 67
A ROSE METAL CURB LINK BRACELET, hollow links, fitted with a heart padlock clasp, stamped 9ct, engraved 6-8-13, with additional safety chain, length 180mm, approximate gross weight 16.4 grams (condition report: general light wear, would benefit from a gentle clean and polish, clasp in working order, overall condition good)
Lot 336
JOSEPH MILNER KITE (1862-1946) A HEAD AND SHOULDERS PORTRAIT OF A YOUNG WOMAN, signed bottom left, chalk on paper, approximate size 47cm x 33cm, together with a portrait of a young man by the same hand, chalk on paper, approximate size 45cm x 33, Condition Report: the female has light edge creases and a small tear to the top edge, the male has a 6cm tear to the hair, creases and a tear to the top edge (Provenance: The Arnold Fellows Collection)
Lot 164
A LATE VICTORIAN SILVER GRAVY BOAT, polished form with engraved monogram and dated 1934-1959, wavy rim with scrolling handle, raised on three shell detailed hoof feet, hallmarked 'Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman)' London 1897, approximate gross weight 235.3 grams, 7.56 ozt (condition report: general light wear, slight tarnishing in places, overall condition good)
Lot 9
A BOXED YELLOW METAL NECKLACE, fitted with seven faceted balls, graduating in size, largest measuring 16.1mm, smallest 8.1mm, interspaced with polished bar spacers two stamped 9ct, onto a fine trace chain with spring clasp, worn 9ct stamp, length 420mm, approximate gross weight 9.8 grams, together with a fitted box (condition report: general light wear, would benefit from a gentle clean and polish, clasp in working order)
Lot 65
A BOXED GENTS 'LONGINES' 9CT GOLD WRISTWATCH, manual wind, round silvered dial signed 'Longines', Arabic quarter numerals interspaced with baton markers, subsidiary dial at the six o'clock position, gold hands, polished case, inside case back hallmarked 9ct London 1964, stamped Baume 35543, movement signed 'Longines 12956691, 370, approximate case width 32.8mm, fitted with a plated mesh bracelet and folding clasp, approximate case back weight 3.9 grams, together with a 'Longines' signed box (condition report: running at time of cataloguing although time keeping is untested, light surface scratches to the glass front, general wear)
Lot 20
A 9CT GOLD GEM SET DRESS RING, set with a circular cut light blue stone assessed as synthetic spinel, four claw set in an openwork scallop surround, trifurcated shoulders leading onto a polished band, hallmarked 9ct London, ring size O, approximate gross weight 7.7 grams (condition report: stone secure, light wear, overall condition good)
Lot 443
A QUANTITY OF TABLE LAMPS AND SHADES, comprising two mid-century Tremaen Pottery - Newlyn Cornwall lamp bases, one in shades of blue and grey, height 24cm, the other has layers of blue with a wheat sheaf design, height 36cm to top of fitting, a crystal table lamp, cream onyx lamps, two mid-century teak lamp bases, ceiling light, shades, etc. (Qty) (Condition Report: shades are worn and signs of light damage, no lamps have been tested, some may require rewiring)
Lot 26
A LADYS 9CT GOLD 'ROTARY' WRISTWATCH, manual wind, round silver dial signed 'Rotary Maximus, 21 jewels', alternating Arabic and baton markers, gold hands, in a polished case, inside case back hallmarked 9ct London 1955, movement stamped 450, approximate case width 18.2mm, fitted with a fancy link bracelet with folding clasp, hallmarked 9ct London, length 170mm, approximate gross weight excluding movement 13.8 grams (condition report: watch winds, sets and runs at time of cataloguing although time keeping is untested, general light wear, clasp in working order)
Lot 457
DENBY IMPERIAL BLUE DINNERWARE TOGETHER WITH AVALON POTTERY DECANTER (chipped stopper), together with four beakers, teapot and oil and vinegar decanters (one finial is reglued), a mid-century Jersey Pottery posy bowl (crazing), the Denby Imperial Blue dinnerware comprising six dinner plates, four cereal bowls, teapot, milk jug, sugar bowl, four mugs (one cracked), four cups, four saucers, four tea plates (38) (Condition report: obvious damage is mentioned in description, signs of light use)
Lot 6
Dinky: A boxed Dinky Toys, Cadillac Tourer, lemon body with red interior, Reference 131. Original box with correct colour spot, general wear expected with age. Vehicle is in very good condition, slight paint chips, box has usual shelf and edge wear, one detached but present inner flap. Together with a boxed Dinky Toys, Mercedes Benz Racing Car, white body with red interior, driver in light blue, racing number 30, Reference 237. Original box, general wear expected with age. Vehicle is in very good condition, slight paint chips, box has usual shelf and edge wear with some crushing and creasing to one corner. Please assess photographs. (2)
Lot 387
Pokémon: A complete Pokémon (mostly) Unlimited Fossil Set, comprising 62 cards, including 1st Edition: Moltres (27/62), Sandslash (41/62), and Psyduck (53/62) cards; as well as German Raichu card (29/62). Some whitening to card edges, some small marks to cards including some light scratching to holographic surfaces, but mostly good. All contained within binder sleeves.
Lot 365
Pastel on paper of a young Russian man dancing the polka in a Neo-Impressionist style. The artist used a palette of pink, cream, white and black on a light yellow-blue background. Housed in a gilded frame. Frame size: 15.20"L x 17.55"H x 0.60'W. Artwork dimensions: 9.50"W x 10.75"H. Condition: Age related wear.
Lot 690
BMW R69 1960 BMW R69Registration: TDB 88Frame number: 654891Engine number: 654891Colour: BlackV5c: YesMot: ExemptMilage: 61818Key: 1 keyFrom the estate of Richard Marshall Dewhurst deceased R69 in original condition with good history folder and addition of modern indicators and spot light.2 boxes of parts and manuals are included in this lot.Extra images added 05/10/22Akront Alloy rims Stamped with xx/xx/08 date codes. Updated 06/10/22
Lot 90
Registration: HJ64TRV VIN: SALLDHSP7FA461581 Milage Showing: 57,000 Transmission: Manual MOT: 19/04/2024Expensive Urban Truck upgrade2.2litre TDCiXS modelFirst registered October 2014 by Westover Land Rover in Dorset in sought after XS trim before being sent to renowned Land Rover modifiers Urban for the full Urban Truck conversion including styling package including colour coded light surrounds and front grill, lighting package including spotlights to the front and rear, snorkel, pickup bed roll over bars, sidesteps and upgraded alloy wheels as well as interior upgrades including large sounds system. Based on an XS trim to begin with fitted with extras including electric windows, air conditioning, heated seats and remote central locking.Showing 57,000 miles, 4 previous keepers and MOT till April next year.Please see our walk around video for more information and engine start upGUIDE PRICE £35,000 - £45,000
Lot 61
Registration: EAW717L VIN: 6191 Milage Showing: 45,000 Transmission: Automatic MOT: ExemptRare automaticRecent bodywork refreshUK supplied from new before being imported to Jersey in the Channel islands in 2002. The car was then brought back to the UK where it has received a light restoration in recent years including paint refresh, partial interior retrim, new stainless steel bumpers and major engine service.Showing 45,000 miles and is now exempt from MOT and Tax. Sold with history file including receipts for maintenance on Jersey as well as many Jersey insurance discs (similar to a UK tax disc) as well as receipts for recent work carried out.Please see our walk around video for more information and engine start upGUIDE PRICE £10,000 - £14,000
Lot 1210
Charles Thomas Burt (1823-1902)Changing PastureSigned and dated 1861, oil on canvas, 24.5cm by 35cmRelined, cleaned and re-varnished. Some likely strengthening through the white clouds of the sky. Small patch of retouching immediately above the right hand side of the horizontal fence post within the pasture before the trees which is approx 3mm wide and 1cm across. Some slight rubbing / tiny loss to outer edges of canvas. Paint slightly flattened from restoration within sky. Light surface dirt and discoloured varnish, otherwise ein a good and stable state of preservation.
Lot 1217
William Mellor (1851–1931)Waterfall scene in an Autumnal landscapeSigned, oil on canvas, 64.5cm by 125cmFairly stiffly relined, cleaned and re-varnished. Small retouches to the upper left corner, approx 1.5cm away from the upper left corner, the second being the larger 0.5-1cm across. Two further areas of retouching presumably to old damages. Approx centre, left-hand side edge, one approx 1cm away from left-hand side edge and although slightly irregular roughly rectangular at approx 1cm by 2cm overall. The second more linear band or patch or retouching is approx 7cm to the right of this and runs vertically approx length of 6cm and roughly 1cm across. Further patch of retouching towards lower left-hand side corner around 3cm at widest diameter although not a regular circle. Some general retouching throughout lower right-hand corner, across the rock. Two small retouches closer to the upper right-hand side edge, above the foliage. Retouches to the upper right corner. Further patch of retouching within sky just left of centre and approx 4cm away from the upper edge roughly 2-4cm by 1.5-2cm overall. Further more sporadic retouches to composition elsewhere. The surface is slightly flattened from the restoration process, areas of varying-sized stable cracquelure, more notable to sky. Light surface dirt and discoloured varnish. Otherwise in a stable and presentatble state of preservation.
Lot 1225
Attributed to Thomas Smythe (1825-1907) Horse mounted traveller in a snowbound landscape Possibly signed under framing lower right, oil on board, 60cm dia. (oval) Some relatively light dirt and discoloured varnish. Board is sound. Slight mark to edge of oval right-hand side against frame. Otherwise in a broadly good and presentable state of preservation.
Lot 1206
Follower of Matthew Ellis Nutter (1795-1862)The Lookouts - Greyhounds and another dog standing in a stable Oil on canvas, 49cm by 59cmIn a restored state of preservation, relined, cleaned and re-varnished. Some surface dirt and discolured varnish now in evidence. The surface is slightly flattened and the paint is thin in isolated places as a result of the restoration process e.g. legs of grey and white dog. Areas of varying sized cracquelure. Some of which is more widely separated e.g. across the front 50% of the brown and white standing dog, elements of the horizon-line. Parts of the composition have a more bubbled finnish e.g. within the background and also elements of the foreground e.g. the ground beneath and left of where the black dog rests, including the landscape immediately behind the same animal, lower right corner etc. Relatively minor rubbing to some edges. A good amount of these more raised and pitted areas of surface and as previously mentioned immediately behind the black dog for example and through the foreground. Retouching and restoration can be seen with a UV light. A fairly consistent area on the inside of the building against the open doorway shows consistent retouching and overpainting which takes the overall form roughly of a number seven and is approx 10-15cm on each length and roughly 5cm across. Furthermore minor retouching to horizon, the outline of brown and white dogs tail, sporadically to the edges and elsewhere.
Lot 1208
Horatio Henry Couldery (1832–1918)The Best of Friends Signed, oil on canvas, 27.5cm by 39cmIn fully restored condition. Fairly stiffly relined, cleaned and re-varnished. Retains a degree of surface within the brushwork of the coat of the dog and the hay for example. Some light surface dirt and discoloured varnish. There is likely a patch of restoration within the hay immediately beneath the stomach of the recumbent puppy and another running across and through the hay below the puppy's left-hand leg or certainly an irregularity to the original paint/surface, see images. Otherwise in a stable and presentable state of preservation. Provenance: Private collection
Lot 1218
Robert Collinson (fl.1854-1890) A Quiet Dell Initialled and dated 1862, oil on canvas, 21cm by 27cmProvenance: Roy Miles Fine Paintings, LondonPhilips London December 14, 1993, Lot 55Painted on paper/card, laid onto canvas. Relatively light surface dirt and discoloured varnish. The base of the sheet is slightly apparent is some areas of the sky where the paint is thin. Relatively sporadic fine retouches throughout sky. Slightly more concentrated to upper right and upper left corners with further more concentrated narrow band (no more than 0.5cm across) at the central part of the right-hand side, yellow covered hill. Retouches to outer edges, lower left-hand corner, within the central area, the darker tones and shadows and the dell itself, in the area around the bird, and scattered sparely elsewhere to the vegetation. Some extension to the sheet. Otherwise in a stable and presentable state of preservation.
Lot 1138
Charles Edward Wilson RI (1854-1941) "The Rustic Angler" Signed, watercolour, 26.5cm by 38.5cmIn an overall good state of preservation. Some reduction to overall colour depth and recently light time staining through the sheet which is mostly apparent to the lesser worked area such as sky, and upper left-hand corner. Possible subtle cockle to sheet however not examined out of the frame. Odd tiny foxing spot e.g. lower left-hand corner.
Lot 1185
Robert W. Wright (fl.1871-1889)In disgrace - a young boy apprehensively returning home Signed and dated 1881, oil on panel, 18cm by 24cmProvenance: Possibly anonymous sale 12 August 1992 & 24th September 1992 In an overall good and highly presentable state of preservation including the frame. Cleaned and revarnished. Paint is possibly slightly thin in places such as the background but equally the artist has probably applied diluted pigments. Patch of delicate retouching across the floor tile in the furthest lower left-hand corner and along lower left-hand corner edge. There is little else to easily discern under a UV light by way of later paint or restoration but may not entirely preclude the possibility of further minor intervention.
Lot 1191
Jane Maria Bowkett (1837-1891) Powder and Puff Signed, oil on canvas, 75cm by 62.5cm Fairly stiffly relined, cleaned and re-carnished with a fairly high gloss finish. Some flattening to the surface and the paint is thin in places as a result of the restoration process. Minor rubbings/abrasion to edges and corners. Scattered small-sized retouches visible with UV, right-hand side upper edge and background upper right-hand side. Larger likely patch of retouching and overpainting, right of the dollys neck. Patch of retouching and overpainting within the foreground and is the area between the discarded string of beads and the hand and wrist of the dismembered doll's arm. Further cluster of retouches and more consistent overpainting to denote some of the darker decoration within the foreground immediately below the left-hand side of the girls pink skirts which extends across to include the area between the pot lid. Further sporadic retouches elsewhere to background e..g. the space below the doll towards the right edge and further similar size delicate retouches here and there. Areas of varying sized stable cracquelure, some minor transferred gilt paint, upper left hand-side corner, left-hand side edge, upper area. Loss/damage approx 1cm from lower edge between lower edge and pot lid. See image. Light surface dirt and discoloured varnish. There is a collection of varnish? to upper right hand corner, see image.
Lot 1140
William Fraser Garden (1856-1921) A great tree on a riverbank, thought to be Christchurch, St Ives, Cambridgeshire Signed and dated 1918, watercolour, 41cm by 29cmDappled staining along top edge and within upper right-hand corner (less applied pigment?). Cluster of varying-sized foxing spot along right-hand side lower edge and into the area of water within this general area. Other foxing spots not necessarily evident. Some light staining to exposed areas elsewhere which would suggest the ochre colour along top edge and the upper right corner is applied watercolour. Colour depth broadly good, possibly slightly muted. Light surface dirt in places or transferred graphite. No evidence of cockling, not examined out of the frame.
Lot 1195
William Davis (1812-1873) Carving his Name Signed, oil on canvas, 26cm by 23.5cmProvenance: Sothebys Victorian Paintings, Drawings and Watercolours, November 12, 1992, Lot 73Relined, cleaned and re-varnished. The paint is slightly thin and the weave of canvas is more apparent in some areas. Slight stretcher shadow, mostly left-hand side upright to a lesser extent lower edge. Light surface dirt and discoloured varnish. Essentially square patch of overpainting to the right side of the young boys forehead, approx 1cm by 1cm (all be it slightly irregular shape) Further sporadic retouches along his left eyebrow and the lower part of his right cheek. Odd possible sporadic retouch/strengthening within the darker tones of the flora and foliage. Canvas slightly buckled in places. Odd area of fine stable cracqulure, otherwise in a good state of preservation. Please contact the department for further information.
Lot 1176
Continental School, probably North European (18th century) Portrait of a young gentile boy standing wearing a green frock coat, a yellow waistcoat, a white shirt with frills to the cuffs, a pair of fine yellow boots, and a powdered wig, resting on a cane in his right hand, with an embellished tricorn hat placed on a table to his left Oil on canvas, 102cm by 70.5cmIn fully and heavily restored condition. Fairly stiffly relined, cleaned and re-varnished. Surface somewhat flattened as a result of the restoration process. Slight buckle to lower right-hand corner. Small amount of fairly minor surface scratches within upper right-hand corner, see image. Areas of minor and sporadic rubbing to edges, especially upper edge above standing young gentlemen's head. A good amount of fairly consistent retouching, repairs and restoration throughout the painting but briefly summarised as various areas throughout the background most consistently right-hand side, upper left-hand corner and left-hand side background with some slightly more defined areas of retouching to old flaked paint, right-angle likley old tear with associated retouching within background in line with the curls of the young gentlemen's left-hand side wig approx 3cm on each arm. The restoration and overpainting becomes more consistent within the background below the young gentlemen's right-hand elbow. Further varied patches to the foreground including long line of strengthening along the left-hand side of his cane and further areas of retouching with more notable patch across part of his right foot and upwards into the background. Consistent patch of overpainting in the foreground below the table top against the right-hand side edge which covers roughly 40% of that area. Further notable patches of retouches broadly within lower 25%. Consistent retouching and overpainting to his coat, left-hand side. Various strengthening throughout his waistcoat with numerous patches of retouching and later paint possibly of a different date. Notable patch of restoration and overpainting within lower right of gentlemen's wig extending down far right of his forehead through his left-hand temple intercepting his cheek, his jaw and sporadic retouches to his right-hand side of nose extending down through lip and chin with more sporadic retouches to forehead and rest of wig. Fairly consistent retouches and infilling to both hands and a good amount of the red ribbon worn at his right wrist. Further notable area of consistent overpainting in the space between his left hip and the hat extending across the table. Please see some illustrative images. Some light surface dirt and discoloured varnish. For more information please contact the department. Consigned from North Yorkshire source.
Lot 1121
William Lionel Wyllie RA, RI, RE (1851-1931)"London Bridge seen through the arch of the previous bridge"Inscribed, trial proof, etching with pencil, 14.5cm by 20cmProvenance: Collection W L WyllieChris Beetles Limited, LondonIn an overall good and presentable state of preservation. Some light time staining/discolouration to sheet, more pronounced along left-hand side edge. Odd extremely tiny fleck or foxing spot mostly lower right-hand corner. No evidence of cockling. Not examined out of the frame.
Lot 1150
Noel Harry Leaver ARCA (1889-1951) North African Street scene with figures before a mosqueSigned, watercolour heightened with white, 36cm by 26cm (unframed)In a broadly good state of preservation. Mounted but unframed or glazed therefore some airly minor surface dirt and relatively light time staining which is more evident within the less worked areas. Colour depth generally good and bright, slightly muted from staining in the main. Odd very minor patch of abrasion / rubbing ie across the bright blue of the lower robe worn by the figure at the foot of the stairs.
Lot 1164
Vincent Galloway (1894-1977)“Improptu in a flat” - Portrait of Denise Barwick, wife of Richard Llewellyn Barwick of Thimbleby Hall, Yorkshire Initialled and dated 1946, inscribed verso, oil on canvas, 65cm by 54.5cm Exhibited: Likely at The Society of Portrait Painters, unknown dateCovered in a layer of dirt and discoloured varnish with a good amount of dirt to glazing which is somewhat obscuring the painting. Significant dirt and debris to reverse. Otherwise seemingly in a good and stable state of preservation. Not examined out of the frame or with a UV light.
Lot 1155
Claude Harrison (1922-2009) ARCA, RP (1922-2009)Wrestling match in a Lakeland landscape Signed, oil on board, 38cm by 28.5cmIn a broadly good and original state of preservation. Light surface dirt and discoloured varnish. Very small likely abrassion to extremities to lower left-hand corner or small area of white transferred paint. Not examined with a UV light.
Lot 1168
Owen Bowen (1873-1967)Figure before a red-roofed building and a display of summer flowers in the garden Signed, oil on canvas, 48.5cm by 59cmIn an overall good an original state of preservation. Relatively light layer of dirt and slightly discoloured varnish. The canvas is very slightly loose on stretcher and marginally buckled in areas, which is not presenting any immediate associated condition issues. Otherwise in a stable and presentable state of preservation. Not examined with a UV light.
Lot 1202
E W Gill (mid-19th century)Study of dead Mallard on a ledgeSigned and dated 1847 verso, oil on canvas, 28cm by 34cmE W Gill exhibited at the RA between 1843 and 1855, several of which depicted dead game.In an overall good and original state of preservation. Cleaned and re-varnished. Very slight stretcher shadow. Odd very minor abrasion/ rubbing to outer edges, mostly upper left hand corner area. Tiny pin sized mark to background just right of right hand side outstretched wing approx centre level. Light surafce dirt and discoloured varnish. Tiny pale couloured splash mostly within upper left corner. Upper background slightly rubbed/ thinned. Isolated minor stable cracquelure. Very subtle push mark to canvas lower edge, just below head of duck.
Lot 1190
Attributed to Edward Thompson Davis (1833-1867) Reading Time Indistinctly monogrammed? oil on panel, 22cm by 17cmIn an overall good and presentable state of preservation. Area of retouching to lower right and along lower edge which is no more than 0.5cm at widest point and approx 2cm in length. Further fine linear retouch to lower edge at approx centre and approx 1.5cm in length. Odd sporadic fine retouch elsewhere mostly to the lower foreground. Cleaned and revarnished. Possibly some light thinning to some of the paint although assumed to have been executed with an almost porcelain-like finish. Please contact the department for further information.
Lot 1188
Circle of Thomas Webster (1800-1886) The Reading Lesson Oil on canvas, 33cm by 35cm (demi - lune)In fully restored condition. Relined, cleaned and re-varnished. The outline of the lady's right-hand side lower hairline has been strengthened. Retouches to old cracquelure through the left-hand sleeve of the young girl. Scattered and fairly fine retouches through the background and odd minor retouches elsewhere. Further evident retouches to the upper part of the lady's fingers which are more visible by eye and have deteriorated or discoloured to have an overly pale quality. The same level of restoration can be found on the left-hand side of the same lady's forehead, the left-hand sie of the lady's neck mostly against the collar, the left-hand side of the young girls forehead and chest area in general. Possibly some flattening and thinning to the paint as a result of the restoration process. Some large areas of the background may have more consistent strengthening. Light surface dirt and discoloured varnish, isolated areas of fine stable cracquelure. Otherwise in a broadly stable and presentable state of preservation.
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