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Lot 964A
A mid century light oak chest of drawers / secretaire by Kandya. The chest having four graduated drawers with knob handles raised on plinth base. The top drawer with a fall front action. The chest with original Kandya iverine label to the back panel. Measures: 85cm high x 92cm wide x 50cm deep.
Lot 480
Queen - an exceptionally rare full band autographed page from Record Mirror & Disc. The page being a large format broadsheet type page, with a full colour image of the band. Autographed by Freddie Mercury, Brian May, John Deacon and Roger Taylor respectively, near their image. Each signed in black ballpoint ink to the cover, largely in light areas. Each autograph undedicated. Signed at Peebles Hydro Hotel where Queen stayed whilst playing 2 nights at Edinburgh Playhouse Theatre. Purchased early 90’s via Record Collector magazine by current vendor. Rare and impressive piece of Music memorabilia.
Lot 114
Three Chinese Kangxi period vases, early 18th century, one with a flared rim above a petal moulded neck and base, the body with spiral fluted panels, decorated throughout with flowers, the spreading foot with a band of25.5cm, together with two inverted baluster vases, with octagonal/octofoil bodies, with landscaped decoration of figures, pine & willow trees, and buildings, one with matched lid, each 21cm high (excluding lid)Condition report: The tallest vase has restoration around the rim four small chips and fritting, there is some light fritting around the foot rim. The octagonal vase with cover has some restored patches and large repaired cracks around the rim and shoulder, from the main point of the damage issues numerous cracks, one of which is 10cm long going down toward the base of the vase. The cover has had the base of the knop restored and a 1/4 of the rim restored, there is also a small rim chip. The octofoil vase has a very fine 11cm 'J' shape hairline crack to the body. see online images for details of damage and restoration.
Lot 127
A large Chinese cafe au lait vase, 19th century, decorated with Shoulao, attendants and bats, painted in black with blue & white moulded decoration, the neck decorated with the moon amongst clouds above leiwen moulded band with lion mask and ring handles, the base with moulded leiwen bands, 61cm high excluding base & light fittingsCondition report: The base pierced to take electric cable, otherwise no obvious faults
Lot 136
A Chinese pottery Ox and cart, Han dynasty, the ox modelled in sections and standing on all fours, the cart with barrel roof, the foot well with painted decoration in white, light yellow and red, an open door to the rear, the loose multi spoked wheels with shaped hubs, the ox 16.5cm long, the cart 19cm long, the wheels 14cm diameterCondition report: All parts probably matched.
Lot 173
A Chinese hors d'oeuvre set in the form of a butterfly, each dish painted in polychrome enamels with a deity, against a light turquoise ground, the centre dish with pseudo Jiaqing seal mark, in fitted case, 47cm wideCondition report: The left corner of the uppermost dish has been off and glued back on, otherwise the dishes are generally in good condition with rubbed rims but no further no obvious faults. The base has a split to the lower side, some light surface marks to the top of the case.
Lot 258
Three Chinese pottery figures, Tang dynasty, comprising a nobleman in hat and robe, with painted face, his robe and feet with traces of orange and black pigment, a noble lady in tall hat and robes, her face and neck with a splash of light green glaze, her long robes with light splashes of green glaze and traces of red pigment, and a court lady, her hair tied up, wearing a long robe with orange neck sash, her dress painted with red stripes, 25cm - 27cmCondition report: The noble lady's head has been off and re-attached.
Lot 36
A Chinese Famille Rose vase,中国, 粉彩花瓶一件，19世纪中叶mid 19th century, the shoulders with lion mask handles, the spherical body painted with figures on foot and on horseback before a mountainous background, the tall foot with shaped panels depicting a boy on a buffalo and verso a fisherman on a bridge, above false gadrooned border. Ink inscribed calligraphy to the underside. 56cm high.Condition report: The neck reduced and ground down. Very fine hairline crack running all around the base of the neck, visible on the interior and exterior. Some very light enamel chips to the body and base but nothing too detrimental. Gilding rubbed to handles and shaped panels. A blister mark to the interior base rim. Most faults visible on images.
Lot 65
A interesting Chinese Qingbai bowl, Song dynasty, 12th century, the thinly potted body with a light green glaze over combed roundel florets, carefully trimmed foot rim and black painted character (Dai; greatest), 14.9cm; and a white glazed bowl, 20th century, painted character mark to the underside for Yu/jade, 19cm diameterCondition report: The Qingbai bowl with light rim fritting but nothing detrimental. Some brown staining in patches beneath the glaze. The glaze is crazed throughout. A small exterior rim chip.The larger bowl with glaze blown from the rim otherwise no obvious faults.
Lot 35
Ten Comic Cuts run nr's 2412-2422 August 8th 1936 - October 17th 1936, very good condition. Twenty six Chips comic run nr's 2879-2904 (January 14th - December 30th) 1950 is a complete year of issue nice clean condition with light browning. Six Comet comics incl. 3 x 1947 and 2 x 1950 and 1 x 1959. Five TipTop comics nr 504 (June 21st 1947), 585,587, 589,604. Six Jingles five comics from 1947 nr 510, 511/512 (in one vol) 515, 519, 523, 526, four Rainbow comic nr 168 April 28th 1917, 1558, 1560, 1561 (1947) and one Sun comic Aug 26th 1950.
Lot 54
Five W.E John Biggles First Editions, in dust jackets, Biggles Hunts Big Game pub. H & S 1948, ink inscription, Biggles Breaks the Silence pub. H & S 1949, Biggles Gets His Men pub H & S 1950, Biggles Works pub H & S 1951, Another Job for Biggles pub. H & S 1951, all may have minor wear to head and foot of d/w on spine, light foxing and may have ink inscription.
Lot 56
Four Captain W. Johns Biggles 1st edition, in dust jackets, including Biggles of the Interpool pub Brockhampton Press 1957, Biggles in Mexico pub B.P dated 1959, Biggles forms a Syndicate publ. H & S dated 1961, Orchids for Biggles pub. BP dated 1962, all may have minor wear to head and foot of spine on dust jacket and some light foxing.
Lot 59
Captain W. Johns Biggles 1st Edition, both in dust jackets, Biggles Sets a Trap publ. H & S 1962 with foxing and browning to page edges, Biggles and the Plane that Disappeared publ. H & S 1963 ( has a neat ink inscription, in clear plastic protection wrapper light foxing to page edges). Later titles are harder to find.
Lot 60
Three Captain Johns Biggles 1st Edition, all three in dust jackets, Biggles Special Case publ. B.P dated 1963, Biggles Take a Hand publ. H & S dated 1963, Biggles Takes It Rough publ. B.P dated 1963, dust jackets have wear to head and foot to spine with light browning to page edges. Later titles are harder to find.
Lot 61
Six Captain W. Johns 1st editions, all six have dust jackets, Gimlet Goes Again Uni of London Press dated 1944, Gimlet's Oriental Quest publ. Brockhampton Press dated 1948, Gimlet Maps Up publ. B.P dated 1947, Worrals of the Islands publ. H & S dated 1945, Worrals Goes East publ. H & S dated 1944, Worrals Investigates publ. Lutterworth Press dated 1950, all with light wear to head and foot of spine on dust jackets, some may have an inscription, light foxing and browning to page edges.
Lot 64
Seven Billy Bunter 1st editions by Frank Richards, in dust jackets. This lot includes Billy Bunter's Barring-Out publ. Charles Skilton dated 1948, eight with dates written in ink. Lord Billy Bunter pub. Cassell 1956, ink inscription, jacket is chipped, edges browned. The Banishing of Billy Bunter publ. Cassell dated 1956, sellotape repair to rear of jackets. Billy Bunter Comes for Christmas publ. Cassell dated 1959, with bookplate, some light foxing to dust jacket and page edges. Billy Bunter Treasure Hunt publ. Cassell dated 1961, chipped to head and foot of spine. Billy Bunter Chief Hunter publ. Cassell dated 1963, Bunter's Last Fling the 38th and final story.
Lot 74
Ten Enid Blyton 1st edition books. The Secret Seven 1949, not price clipped, two 1" tears front dust wrapper; The Secret Seven Adventure 1950 not price clipped, Well Done Secret Seven 1951 not price clipped; Good Work Secret Seven 1954, no price clipped, ink name; Three Cheers Secret Seven 1956, not price clipped, tbbt ink name; Secret Seven Mystery 1957 not price clipped, Puzzle for the Secret Seven 1958, not price clipped, tbbt ink name; Shock for the Secret Seven 1961, price clipped, creasing to top of the dust jacket, small portion issing to title on d/w spine; Look Out Secret Seven 1962, price clipped ink name; Fun for the Secret Seven 1963, no price clipped. All published by Brockhampton Press.Note: light wear to head and foot of the dust wrapper spines, see images they form part of the condition report.
Lot 75
Nine Enid Blyton Famous Five 1st editions. Five Get Into Trouble 1949, 8th book in series, not price clipped, ink name. Five Have a Wonderful Time 1952, 11th book in the series not price clipped. Five Go Down to the Sea, 1953, 12th book in the series, not price clipped. Five Go to Mystery Moor, 1954, 13th book in the series, not price clipped. Five Have Plenty of Fun 1955, 14th book in the series, not price clipped. Five on a Secret Trail, 1956, 15th book in the series, price clipped, jacket has a small portion missing from front cover and chipped head and foot of spine. Five on Finniston Farm, 18th book in the series, not price clipped. Five Are Together Again 1963, 21st edition, not price clipped. All published by Hodder & Stoughton with light wear to head and foot of spine dust wrappers and corners.
Lot 76
The Play's the Thing published Home Library Book Co, publ. Geo Newnes 1927, 1st edition. 24 full page drawings by Alfred Bestall (Rupert Illustrator) nice clean book, occasional foxing, contents are nice and bright, in green cloth covers, some light wear. The Responsive Singing Games, publ by J.Saville, in card covers 1923, loose from covers and has a light fold, an early Blyton book (difficult to find). (2)
Lot 77
Enid Blyton nine 1st editions, The Caravan Family, published Lutterworth 1945, not price clipped. Mischief Again, photos by Paul Kaye, published Harvil Press 1955, not price clipped, neat presentation inscription. The Adventures of Pip 1948, published by Sampson Low, not price clipped. The Six Bad Boys, published Lutterworth 1951, not price clipped. Holiday House, published Evans 1955, not price clipped. Enid Blyton's Bright Story Book, published Brockhampton Press 1952, price clipped, neat ink inscription. The Birthday Kitten, published Lutterworth 1958, price clipped. Four in a Family, published Lutterworth 1956, neat ink inscription. The Four Cousins published Lutterworth 1962. May have light minor wear to head and foot of spine on dust wrappers.
Lot 79
Fourteen Broons and Oor Wullie annuals. This includes five Broons and Oor Wullie for the years 1959/63/71/72/76. 1963 has light crease to cover and wear to the spine. Some repair to 1959-tape repair to inner hinge, repair to 1st page edge, creasing to cover. Seven Broons annuals 1956/58/68/70/74/78 nr 58 worn at the corners and edges of cover, 68 creased cover and tape to inner hinge. Facsimile 1939 Broons in slipcase fine; The Broons and Oor Wullie 1936-96 and The Glory Years 1956-69 all fine.
Lot 116
Bisque head ‘walker’ in original Turkish costume, French circa 1910, with fixed blue glass eyes, open mouth with upper teeth and light brown wig tied back with a yellow ribbon, on a five piece composition body with walking mechanism to turn head, wearing exotic blue and silver harem pants, lace top with bolero and head-ware decorated in gold coins, blue socks and brown leather shoes, with gold bangles to wrists and ankles, (condition: good), 14” (36cm) tall.
Lot 214
Large Schoenau & Hoffmeister 914 bisque head doll, German circa 1915, with weighted brown glass eyes, open mouth with upper teeth, long light brown wig and on a fully jointed wood and composition body, wearing a white cotton dress, layers of underclothes, socks and boots, (condition: right hand over-painted, eyes re-set, stringing loose), 30” (76cm) tall.
Lot 221
A superb pair of Kathe- Kruse doll VII boy and girl dolls, German, late 1940s, both having finely painted cloth covered moulded cardboard heads, with hazel eyes, shaded lids and painted mouth, the girl with light brown hair in long plaits, the boy with short blonde hair and side-parting, jointed at shoulders and hips and both wearing all original clothes, boy in red cotton shorts with shirt, red , white and blue braiding and felt beret, girl with red cotton dress with flowers and hearts and red beret, each with red sandals and white socks, together with ‘The beloved Kathe-Kruse Dolls, Yesterday and today’ book by Lydia Richter, to which they are pictured on the front cover and featured on page 53. (condition: excellent), both 20 ½” (52cm) tall, (2 items).
Lot 236
Early good light brown mohair Steiff Teddy bear, German circa 1909, straw filled bear with black boot button eyes, black stitched nose, mouth and claws, swivel head and jointed at shoulders and hips, felt upper paw pads, hump to back, elongated arms and large feet, button to left ear, (condition: unfortunately living in an attic with mice has left a large hole to stomach and right hand side, lacking whole right foot and most of left, small holes and repairs to upper pads, other mohair and head good), 20” (51cm) tall.
Lot 238
Early light brown mohair centre seam Steiff Teddy Bear, German circa 1909, straw filled bear with black boot button eyes, black stitched nose, mouth and claws, swivel head and jointed at shoulders and hips, felt paw pads, hump to back, elongated arms and large feet, (condition: general wear and some bald patches to mohair, hole to left side of muzzle, left upper paw pad replaced, right upper paw pad with some small repairs, lowers paw pads with some small holes, left foot lacks claws, lacks button), 19” (48cm) tall.
Lot 248
Two Schuco miniature mohair Teddy bears, 1930s/50s, golden Perfume bottle bear with black boot button eyes, stitched nose and mouth, jointed at shoulders and hips and removable head to glass bottle with stopper, (condition: generally good), light brown Yes/No with red and black glass eyes, stitched nose and mouth, jointed at shoulders and hips and tail operating Yes/No mechanism, (condition: very good but lacks mohair covering to tail), both 5” (13cm) tall, (2 items).
Lot 25
Silber & Fleming painted wooden box-back dolls house, German circa 1860, the façade painted to represent yellow brick and stonework, having eight glazed windows with painted window bars and porch fan-light, with painted green pierced metal balcony and steps leading to green front door with gilt metal knocker, front opens to three large rooms on three levels, ground floor kitchen with painted tile floor, built in fire-place with ovens and shelves, further rooms with papered walls and built in fireplaces, (condition: paintwork good, normal wear, the house has been extended to back to enlarge rooms), 33” (84cm) tall, 19 ½” (49.5cm) wide, 23 ¾” (60cm) deep.
Lot 263
Large Early Steiff Teddy bear, German circa 1909, the lovely straw filled light brown mohair bear with black boot button eyes, pointed muzzle with black stitched nose, mouth and claws, swivel head and jointed at shoulders and hips, tan felt paw pads, hump to back, elongated arms and large feet, wearing a cream satin ribbon, (condition: bald areas to most of body, four repairs to face and small hole, upper paw pads replaced, lower pads repaired and holes), 24” (61cm) tall.
Lot 9
A charming wooden painted dolls house, probably D.H Wagner & Sohn, German 1920s, light blue painted façade and sides with white brick effect and brown lining, four windows with card window panes, porch with painted hinged door and balcony above with dummy door, painted straw effect pitched roof with paper printed windows and chimney, front opening to two rooms with original floor papers, (condition: generally very good), 17” (43cm) tall, 12 ½” (32cm) wide, 7 ½” (19cm) deep.
Lot 73
Trams and Transportation - World War II period The Light Railway Transport League The Modern Tramway magazine booklets, 1944-1948; 1937 Birmingham Corporation Tramways & Omnibus dept Transportation Facilities time table; others; Black Country Tramways Vols I & II, others Ottawa's Street cars etc qty
Lot 84
Photography interest - a Voigtlander Vito B, 35mm camera, 50mm Color-Skopar 3.5/50 lens c.1956, instructions, original box; an Olympus iS-1000 AF SLR camera, instructions; Mebro tripod, boxed; two 'Photolita' No.1 Photoflood bulbs, boxed; A 'Kodaslide' Home Projector, intstructions, boxed; a Weston Master II light meter; projector screen, carry case etc.
Lot 110
A pair of Northern European gilt brass twin light wall appliques, last quarter 18th century, each with scroll arms cast with bird masks terminating in foliate drip pans and urn candle sockets, issuing from pilaster backplates cast with guilloche, Vitruvian scrolls, and urn finials, 33cm high, 14cm wide, 18cm protuberance
Lot 162
A George III oak and elm tilt top occasional table, circa 1770, the circular top above a turned pillar and tripod base, 73cm high, 82cm diameter Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, The top light in colour, the base was possibly stained to simulate mahogany, this has retained a darker and richer colour but does appear to be elm as the predominant timber. The locking catch is a replacement, there are holes present where the previous one has been. This is loose to the top and the screws protruding. The keeper to the top is also laterThe rails holding the top are possibly later, there are later securing screws certainly,Some old splits and cracks and openings to jointsCondition Report Disclaimer
Lot 259
Y A Fine Reformed Gothic walnut and specimen parquetry inlaid trumpet work table, circa 1880, attributed to being designed by Charles Bevan for Gillows, with internal removable tray above the trumpet paper lined 'bag', the specimen marquetry including oak, walnut, tulipwood, and maple, 71.5cm high, 37cm wide, 37cm deepCharles Bevan was born in the late 1820's and started gaining recognition for his work as a furniture designer and manufacturer in around 1865.Three London addresses are recorded from which he operated, firstly at 66 Margaret Street between 1865-6. Here he advertised a 'New Registered Reclining chair' made by Marsh and Jones of Leeds, whose London show rooms were near his own premises. In that year with the help of Marsh and Jones he supplied the Yorkshire mill owner Sir Titus Salt with a large group of furniture including a bedroom suit, and in 1867 with the case of an Erard grand piano. These can all now been seen at Temple Newsam House inLeeds.In 1866 he moved to 46 Bemers Street, during which time, his fortunes improved, working with the Manchester firm of James Lamb whose work was shown in the Paris Exposition Universelle of 1867. The following year he went into collaboration with one of the largest and most notable of 19th century furniture manufacturers, Gillows of Lancaster and London. Finally, in 1872 his works were exhibited at the International Exhibition in London with Gillows. They, in partnership, produced a pair of ebonised cabinets, decorated with Doulton stoneware plagues which now form part of the V&A collection in London. His final move was in 1872 and coincided with a partnership with his son forming C.Bevan and Son and a move to 100 High Holborn where the firm remained for the following ten years.Stylistically his furniture tends to be very heavily ornamented and in the Gothic taste, elaborately decorated with geometric ornamental inlays, described at the time as in the 'medieval taste', something clearly evident in our work box.Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, some scuffs and knocks around the base,The internal tray probably originally with lids, these are all lacking, the pin cushion elements with rips,Some staining/deposit to the interior velvet of the lid - this may benefit from a light cleanThe top with fading and is a lighter colour than the rest, the base retaining good colour, Some splitting and cracking near the hinges of the top, The velvet interior to the lid worn and with losses and a stain to one lower side Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 280
James Sowerby (British 1757-1822)Study of a pearPencil and watercolourVariously annotated29.5 x 21.5cm (11½ x 8¼ in.)Provenance:Sowerby family collection (according to label verso)Condition Report: Laid down to a darker paper. The colour is good. Surface dirt and discolouration throughout the sheet with some scattered brown spots. Some light wear to the extreme edges of the sheet commensurate with age. Visible undulation throughout the sheet most likely caused when the sheet was laid down. Unexamined out of glazed frame.Condition Report Disclaimer
Lot 290
A rare William IV figural papier mache tray by Jennens & Bettridge, circa 1835, the oval tray painted with an adaptation of the 'Nubian Giraffe' after Jacques-Laurent Agasse (1767-1849), within a border gold painted with foliage and cartouches, stamped JENNENS & BETTRIDGE 2ND to the rear, 61cm high, 76cm wide, presented on an associated limed oak charger stand, 35cm highThe giraffe depicted on this tray, a gift to George IV from the Pasha of Egypt and the first of the species to be seen in England, arrived at Windsor in 1827, where it was housed in the menagerie at Sandpit Gate on the edge of the Great Park. Jacques-Laurent Agasse was commissioned to paint the giraffe in her enclosure, accompanied by her two Arab keepers, the cows maintained to provide milk for the juvenile animal, and Edward Cross, the owner of the Exeter Change menagerie who had been co-opted for his professional advice on the new acquisition.The giraffe's arrival prompted a brief period of so-called 'giraffamania', during which the decorative arts and fashion were inspired by the striking patterns and height of the animal. At the same time, a raft of satirical prints poked fun at the monarch and his new pet. It is probable that this tray was made during this period.The giraffe, never especially healthy, died after only two years and it was not until 1836, when the Zoological Society of London imported a small herd, that giraffes were seen again in Britain.The composition of the image after Agasse on the tray is interesting. The cattle in the background are excised and the landscape is extended to the left and right to fill the necessary space.Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,Signs of craquelure to the painted surface, also areas of re-touching and restoration, the black border of the tray appears to overlap the image in places, the gilt edge with loss of definition and again appearing to have restoration. Some knocks, light chips, and dentsPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 303
A brass and cast iron fire grate in George III Adam taste, 19th century, the arched backplate descending to a three-rail serpentine basket with urn finials, ball surround and above a pierced frieze with foliage and paterae, flanked by square section front uprights with further conforming urn mounts, 88cm high, 105cm wide, 38cm protuberanceCondition Report: Minor marks, knocks and scuffs overall consistent with age and use.There is some surface oxidisation to the iron elements of the grate, and there is some light green probably polish residue to the recesses of the incised decoration.There are losses to small sections of foliate decoration on the frieze, and the back may be lacking an ornament which would have possibly occupied the arched section.There is some iron strapwork underneath the basket, which may possibly be a later support.Condition Report Disclaimer
Lot 43
Willem van Leen (Dutch 1753 - 1825) Sea ShellsWatercolourSigned lower right34.5 x 25.5cm (13½ x 10 in.)Condition Report: Some light discolouration to the sheet with one or two isolated brown spots (most noticeable to the upper left corner). Some slight fading to the pigment. Original mount also with some discolouration. Unexamined out of glazed frame.Condition Report Disclaimer
Lot 75
A pair of Spanish green painted and parcel giltwood side chairs, late 18th century, each with double domed cresting rail with a pair of ducks, above horizontal splats and spindles, the rush seats above turned and facetted supports joined by stretchers, 85cm highCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use Old splits and cracks, Chips and losses, The paint with wear and losses, also areas of refreshing and over painting,The rush seats are almost certainly later replacements and these are in a useable condition overall with the usual light fraying and signs of use.Some looseness to jointsPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 91
A Swiss stained and leaded glass figural panel, possibly Bern, the central panel dated 1607 and with later elements, depicting three Landsknechte, dressed in vibrant costumes and wearing feathered hats, two holding a halberd and another with a beaker, standing before a diapered and balustraded background, the lower reserve with inscription and central armorial shield with standing bull, inside a likely later arrangement of circular segments with two further stained roundels, later fitted to a stained wood light box frame, approximately 93cm high, 61cm high overallWhile Swiss mercenary guards were a popular theme for Wappenscheibe (armorial panels) such as the present lot, the arrangement of three figures is unusual. The compositional arrangement of guards on a geometrically demarcated podium and the handling of the sprawling landscape in subtle yellow tones to the upper reserve, show distinct similarities to late 16th and early 17th century panels from the Bern region of Switzerland. Note for example the panel with Ulrich, Jakob and Gilgen Hess, dated 1586, in the collection of the Historisches Museum in Bern. An early 17th century panel which uses a similar cartouche-form device surrounding the inscription and a contemporary architectural backdrop to the figures (as with the balustrade in the present panel) is in the Metropolitan Museum of Art, accession no. 1974.28.190.
Lot 92
Ɵ Conway (Sir Martin), Great Artists 1400-1800, published WM. Heinemann, London, 1903, gilt cloth bound, large folioCondition Report: Book with scuffs, marks, bumps, wear to the cover, the pages with the usual marks, foxing and light stains, this has not been checked to ensure all plates are present, it is up to potential purchasers to satisfy themselves Condition Report Disclaimer
Lot 93
A Northern European, probably Scandinavian, carved and painted wood bread or chopping board, dated 1871, of large proportions, painted with light circles on turquoise ground, inscribed J. Mäder. 1871. to the centre, 86cm long, 69cm wide Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,The rear of this board is not painted, it appears to have been varnished previously this has worn away almost entirely - there are marks and indentations from use as a bread or chopping board.There are signs of old woodworm, some of this is filled some is open,Old splits and cracks and repairs, old chips and losses, The painted side with old dirt and discolouration to the edges and extremities Condition Report Disclaimer
Lot 2
Six bound books of plans and sections relating to the County of Hertford Light Railway, comprising November 1899 Orders number 1, 2, 3 and 4 and November 1901 Bushey Orders number 2 and 3, each approximately 56 x 77cm. The line appears to cover Hoddeston, Bushey, Stanmore, Watford and Rickmansworth, one book contains no plans
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