Mid/late 20th century Royal Worcester vase and cover decorated by John Smith, of slender ovoid form with twin key and husk handles, and gilt cover, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed J Smith, with black printed mark beneath and painted shape number 2713, H20.5cmCondition Report:Appears to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles and finial which have a tarnished effect in comparison to other parts of gilding.
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Mid/late 20th century Royal Worcester vase and cover decorated by Alan Telford, of slender ovoid form with scroll handles, and gilt cover, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed Telford, with black printed mark beneath and painted shape number 2710, H25cmCondition Report:Appears to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles which have a tarnished effect in comparison to other parts of gilding.
Pair of mid/late 20th century Royal Worcester vases and covers decorated by John Freeman, each of slender ovoid form with twin key and husk handles, and gilt covers, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed Freeman, with black printed mark beneath and painted shape number 2713, H25cmCondition Report:Both appear to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles and finials which have a tarnished effect in comparison to other parts of gilding.
Two late 18th/early 19th century Chinese export teapots, the largest example of globular form with curved handle and straight spout, decorated in the Mandarin style with figural scenes surrounded by red scale reserves, H13.5cm, the second smaller example decorated in underglaze blue with two musicians in a landscape set with willow tree and fence, H10.5cmCondition Report:Wear commensurate with age and use, including surface scratches and nicks.Large teapot with craze line around where base of handle meets body, some wear to decoration in places, wear and losses to edge of spout, with remnants of later gilding to edge.Two visible metal pins either side of spout, securing an interior strainer.Cover with loss to edge. Not particularly secure, and a later replacement. Smaller teapot with craze lines to body above where base of handle meets body. Small patch to top of handle illuminating under UV light, possible overpainting, no overtly visible without UV.Loss to rim, somewhat hidden when cover in place.Finial to cover has been reattached.Production firing crack by side of spout, also visible to interior.
Pair of George III style oak candlesticks, each with fluted brass socket with removable brass nozzle, upon a tapering column and turned circular stepped foot, H38cm Condition Report:General light wear commensurate with age and use, including surface scratches and nicks.Some wear around edges of bases.Brass nozzles loose.
Victorian silver plated dessert set by Elkington & Co for twelve place settings, each reeded handle with vacant cartouche, each with Elkington & Co mark, date letter for 1861, and registration lozenge, contained within a mahogany case with vacant brass cartouche to the hinged cover, opening to reveal a Royal blue baize lined interior with removable tray, case H6cm W29.5cm D26.5cmCondition Report:Flatware with general light wear commensurate with age and use, including surface scratches and nicks. Some light wear to plating. Case with some scratches and knocks to exterior, interior also with light general wear, particularly to baize in some areas where forks of knives have sat.
Pair of 20th century bronze effect four light candelabras, modelled in the Grand Tour style, each with stepped trefoil base leading to three paw legs cast with masks and palmettes and surmounted by zoomorphic figures, encasing a central turned column supporting a central stem with socket above drip pan, and three scrolling arms with conforming sockets and arms, H63cmCondition Report:General wear including surface scratches, deeper scratches, nicks and some knocks.Casting lacking detail.Wear to bronze finish.
19th century mother of pearl and abalone needle packet box of wedge form, with compartmented interior, H5cm, together with a mother of pearl thimble box of similar form, H3cm, a mother of pearl Palais Royal style needle case of flat rectangular form with vacant silver cartouche, H9cm, and a mother of pearl page marker with vacant silver cartouche, H8cm, (4) Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Needle packet box with loss to abalone edge on cover and back left corner of body, and a few cracks to abalone edges in general. Underneath push release for cover small pin which may have held a cartouche or panel at one stage which is now lacking. Interior with two loose dividers which are still present. Thimble box with some small losses and wear, particularly to right hand side. Palais Royal needle case with small cracks to top of cover. Page marker with small light crack to right of cartouche.
Archibald Knox (1864-1933) for Liberty & Co, Tudric pewter tulip vase, with bulbous bowl upon a tapering stem leading to a spreading foot issuing twin tendril handles that rise to meet the bowl, stamped beneath 029, H25cmCondition Report:General light wear, predominantly in the form of surface scratches and nicks.
Archibald Knox (1864-1933) for Liberty & Co, pair of Tudric pewter candlesticks, the bud shaped sockets raised upon three angular fin supports and a slightly domed circular base with cast stylised foliate decoration, each stamped beneath Tudric 0223, H30cmCondition Report:Good overall condition, some light wear in the form of surface scratches and nicks.
Rare early 20th century Martin Brothers stoneware tobacco jar and cover designed by Robert Wallace Martin, modelled in relief as a smirking face to one side, the other side modelled as the same subject wearing a quizzical expression, the cover formed as a sack hat, incised marks to base 'R W. Martin London & Southall. 10.1.1910', and to inner rim of cover 'R. W. Martin. & Bros London & Southall. 10.1.1910', H18cm Cf. Waddington's Canada Lot 51 A Private Collection of Martin Brothers Stoneware 06/12/2017 Woolley & Wallace Lot 37 British Art Pottery 01/12/2010Condition Report:General light surface wear commensurate with age and use. Plus small loss to eyebrow on of side, and a couple of small losses to hair. Hat with loss to side, further smaller loss to inner fold of hat, and two small losses to inner rim. Crazing to glaze visible to interior. For a full report please contact the saleroom.
Arts & Crafts copper lantern with Vaseline glass shade, of cylindrical form with domed top and large circular suspension ring, overall H40.5cmCondition Report:General wear commensurate with age and use, including surface scratches, and some light knocks.Small split to edge of copper base.Glass appears to be free of damage, as far as can be inspected.
Arts & Crafts Jesson, Birkett & Co, brass table lamp or wall light, designed by Thomas Birkett, the tapering stem with adjustable ball pivot supporting a conical shade with tapering final with ball terminal, upon a circular domed base pierced for wall mounting, shade positioned upright overall H57cm Often misattributed to Arthur Stansfield Dixon for Birmingham Guild of Handicraft, this particular lamp was designed by Thomas Birkett. In the late 1890's Birkett worked as a metalwork at the Birmingham Guild, before later joining the Faulkner Bronze Company which went on to become Jesson, Birkett & Co in 1904. The lamp features in lighting catalogues from the firm under the model no E490.Condition Report:General wear commensurate with age and use, including wear to patina, surface scratches, small nicks and indentations. Planished finish to shade worn down, edge of shade with a few knocks, and finial slightly knocked to side.
A continental porcelain mantle clock with a French striking movement c1820, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and courting couple, contrasting light green background with raised gold decoration to the sides and a depiction of love birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, Paris, eight-day countwheel movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
An early 20th century white marble mantle clock in a break front case with an arched top and finial, gilded scroll work to the sides and pierced foliate panels to the front, plinth raised on five bun feet, enamel dial with garland decoration, Arabic numerals, minute markers and Louis XV gilt hands, within a convex glazed bezel, eight-day Parisian striking movement striking the hours and half hours on a bell, with two conforming single light candlesticks. With Pendulum.Dimensions: Height: 29cm Length/Width: 19cm Depth/Diameter: 12cm
A late 19th century profusely decorated brass cased timepiece mantle clock with two matching five light candelabra, break front case raised on cast feet with decorative scroll work and a shaped urn to the pediment, eight-day spring driven French timepiece movement with an enamel dial, steel fleur di Lis hands, Roman numerals and minute track, egg and dart slip within a flat glazed bezel. With Pendulum.Dimensions: Height: 50cm Length/Width: 26cm Depth/Diameter: 14cm
A 20th century continental gilt metal Lyre mantle clock with a pair of matching six light candelabra, spring driven movement housed in a gilt drum case on a brass and cobalt blue base with paw feet, two bronzed metal figures of mythological cherubs with animal legs and cloven hooves supporting a festooned garland swag, eight-day twin barrel striking movement with a floating lever balance escapement, striking the hours and half-hours on two bells, white enamel dial with roman numerals, minute track and pierced steel hands, dial inscribed �Imperial�. Dimensions: Height: 60cm Length/Width: 34cm Depth/Diameter: 20cm
A fine and early Pioneer motoring era specially commissioned leather-cased travelling tea-set for two persons by Walter Thornhill & Co. of 144 & 145 New Bond St. London, circa 1893,the brown honey leather case with leather handle and brass clamps to lid with impressed initials 'A.L.', opening to light grey suede-lined compartmentalised interior fitted with silver plated kettle, engraved 'A.L.', with black African hardwood handle, containing sugar bowl, with burner and folding tripod stand, with silver-plated tea-caddy, engraved A.L.', containing two stacked drinking beakers suede cushion pad, and tea infuser with suspension chain, with one large and two smaller heavy cut-glass drinks bottles with sterling silver lids by Hubert Thornhill, hallmarked London 1893, each also with engraved initials 'A.L.', and with two bone chine tea-cups housed in black leather stand, with bone china saucers and two silver-plated tea-spoons housed behind suede straps in the lid, several pieces bearing Thornhill maker's markings, the case with silver gilt maker's marks to front edge and incorporating high-quality Bramah lock with key, the case measuring 28 x 21 x 16cm, in seemingly good order throughout. This lot is subject to the following lot symbols: †◊†VAT at the prevailing rate on Hammer Price and Buyer's Premium.â—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Two Louis Vuitton cases and an umbrella, late 20th Century,both zip-fastening soft-sided cases with monogram pattern, the first with tan leather handles and banding, with luggage tag and Prestolock combination padlock, beige canvas interior with pockets, numbered 'SP1010' to interior leather patch, some light use and in seemingly good overall order, approximately 72cm wide, the second produced under license by The French Company, USA, with lower and upper rigid tan leather panels, trim, handle, and luggage tag, (upper panel creased and kinked with travel label), black cloth-lined interior with straps, some travel wear and scuffs in places, 72cm wide, the Classic style umbrella with wooden handle and push button mechanism. (3)This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A Pininfarina carbon fibre limited edition briefcase, by Redwall of Pianoro, Italy, 1980s,hard-sided case with carbon fibre finish with angled edges, titanium corners, locks and handle with wooden grip, the interior in maroon leather with documents pouch and other pockets, bearing Redwall plaque inscribed 'Art. 104591' and limited edition number 'XCIV/C' (94/100), some light use but in seemingly good order, the case 45cm wide, offered with key. (2)For further information on this lot please visit Bonhams.com
A unique Lenticular image 'Avro Lancaster over Beachy Head' by Jim Dooley Living Pictures Limited,a Lenticular Animation picture, whereby the image of the Lancaster moves across the width of the picture together with the movement of the viewer, whilst the background stays static. This is the only image of a Lancaster aircraft in this format, common mounted with 8 signatures of members of 617 Squadron including Johnny Johnson and Leonard Cheshire. in Gilded frame, 116 x 150cm overall. The successful bidder will receive a letter from 617 Squadron Association confirming the picture's authenticity and with an endorsement by Guy Gibson VC., plus an invitation to the Dambusters 80th anniversary dinner. This exclusive work is donated by Jim Dooley Living Pictures Ltd., Jim was chairman of fundraising for the much acclaimed RAF Bomber Command Memorial in Piccadilly. Footnotes:This lot is offered for sale to raise funds for the 617 Squadron 80th Anniversary Appeal in aid of the Scampton Chapel Windows and Guy Gibson Flying Scholarships for the disabled.The Lenticular Process. The genesis of this unique piece of interactive wall art was first created by using an original sequence of images captured by an extremely high resolution digital camera. Each frame was then hand picked by Jim Dooley to maximise the drama of this Avro Lancaster flying over the iconic white cliffs of Beachy Head. The selected images were then converted into an HD GIF by computer modelling. Once the GIF was received by the printers, the lenticular conversion process could begin. Firstly, the correct lens pitch needed to be chosen (how many lenses to use per inch) in order to project the best and most realistic movement across the entire picture. This part of the manufacturing process was pivotal and needed to be accurate within 1/100mm tolerance. Weather and temperature changes can affect image quality, so this unique Living Picture was created within a controlled environment. Once the correct lens width had been selected, they were individually laid by hand across the entire length of the picture (this is always the most time consuming part of the manufacturing process). It was then ready to print using a UV flatbed printer. In order for the UV ink to bond with the individual lenses, they were secured by using a powerful vacuum. The inks were printed and cured to the back of the picture, the final colour finish for this unique Living Picture being white. The 3mm resin print then needed to harden for a further 24 hours before the picture was ready to be cut, sized and framed. This Living Picture doesn't require any power cell to project movement, this is achieved by using just optics and natural light.For further information on this lot please visit Bonhams.com
A hand-painted 'Aston Martin DBR1 1959 Le Mans' celebratory oval plaque and an 'Aston Martin' light box sign,both modern, the oval plaque with fibreglass raised laurel leaf surround, celebrating 1st and 2nd place for the 6-Cylinder 3-Litre DBR1 at the 1959 24-Hour event, 120cm wide, the single-sided light box with brushed aluminium frame, with Perspex panel painted with Aston Martin emblem and 'Sports Racing Sales and Service' lettering, requiring wiring for illumination, 74 x 40 x 11.5cm overall. (2)This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A fine hand-made pair of bespoke Italian car seats made to fit Maserati 300S,polished aluminium alloy buckets, on adjustable black rails and brackets, with upholstery in blue material and blue leather trim, padded leg roll to front, ribbed padding to base and light padding to back. (2)Footnotes:According to information supplied by the vendor these seats were purchased from a Coy's auction at Blenheim Palace when they offered garage equipment and spares from the estate of the late Hugh Taylor at auction in the 2010's. The seats had originally been commissioned by Hugh Taylor to an exacting specification to fit his Maserati 300S, with his usual attention to detail he had the seats constructed by the company that originally made the seating for Maserati in Italy, using original materials where possible including the upholstery covers. Sadly, the custom-built work was not completed in time for Mr Taylor to see his order come to fruition.This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A 'Sirene' glass mascot by Rene Lalique, created 1920,engraved 'R.Lalique France No.831' under the base, in clear glass with satin finish, 11cm high, small chip and internal bubble to rear edge of base, some light surface scratches to underside. For further information on this lot please visit Bonhams.com
A four person picnic set by Drew & Co, Leadenhall St, London, 1920s,black Rexine covered case with outer leather straps and handles, nickel plated locks, opening to light olive green lined Rexine interior, the lid housing cutlery, enamel plates and ceramic saucers, the base with matching Minton ceramic cups, Pyrex glass food boxes with sliding metal lids, two wicker covered bottles, two nests of glasses, other containers and condiments, kettle stand, kettle and burner, the case 63 x 38 x 16cm. This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
Marc MAET (1955-2000)Drawing 'Appearance Are Nothing Light Desire Structure ratio Death Memory', VII '90, signed in pencil (Study after Pierro Della Francesca)Tekening 'Schijn Zijn Niets Licht Verlangen Structuur ratio Dood Herinnering', VII '90, gesigneerd in potlood (Studie naar Pierro Della Francesca)65.5 x 50.5 cm
George Vincent (1796-1832) - Landscape with figures and cattle, oil on panel, signed with monogram lower right and dated 1831, 36 x 50cm, label verso stating 'Exhibited Norwich Society of Artists 1831'Panel good, no splits.Paint good and stable, no craquelure.Has been lightly cleaned and varnished.UV lamp highlights light varnishing and very minor touching-in only.
A yellow and white metal, sapphire and diamond oval cluster ring, featuring a centre oval sapphire within a border of ten round brilliant cut diamonds, all in bezel settings, sapphire dimensions approx 8 x 6 x 3.25mm, weight estimated as 1.45 carats, diamond dimensions each approx 3.2 x 2.1mm, total weight estimated as 1.30 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size R, gross weight 5.4g, stamped and tested as 18ctThe diamonds are round brilliant cut designed to give good light performance.It is difficult to assess their tone due to the restriction of settings.The sapphire is natural and has minor abrasions to the facets commensurate with wear.The ring has been sized at some point.
An 18ct yellow gold, emerald and diamond half hoop eternity ring, comprising three round faceted emeralds alternating with four pairs of round brilliant cut diamonds, all in claw settings, emerald dimensions each approx 4 x 2.7mm, total weight estimated as 0.72 carats, diamond diameters each approx 1.9mm, total weight estimated as 0.16 carats, assessed mounted collectively colour H to I and clarity SI1 to SI2, size O, gross weight 4.5g, hallmarked 18ct, London 1990Some light chips and surface cracks to emeralds.
Robert Weir Allan, Scottish, (1852-1942), The Wind & The Sea, oil on canvas, signed 84cm x 120cmCondition reportThe painting is in generally excellent condition, but is dirty and would significantly with a light professional clean. I could find no obvious tears or major losses to the work. There is a slight scratch to middle left of work above the rocks, Please see further images.
After Agathon Léonard, French (1841-1923), Danseuse à l'Écharpe (Play of the Scarf), 20th century, bronze, wired as a lamp, inscribed A.Leonard, 59cm high.Sometimes called Léonard Agathon van Weydevelt he was a French Art Nouveau sculptor. He regularly exhibited across France, and was made a chevalier of the Légion d'Honneur in 1900. Some of his best-known works are studies of dancers, such as La Cothurne (Tragic Pose from Le Jeu de l'escharpe), modeled in 1895 and cast in 1900. The Play of the Scarf, executed in a characteristic fin-de-siècle manner and rendered originally in gilt, showed a dancer in a flowing gown with a billowing scarf held above her head. This piece was produced in 1897, was inspired by the renowned dancer, Lois Fuller and was displayed as a table centerpiece at the 1900 World's Fair at the Pavillon de Sèvres in Paris. This example is not gilded and may have been cast at a slightly later date. Condition reportThe bronze is re-assuringly heavy! The electrics are working in the saleroom but are not certified. Note the modern screw which has been used to fit I assume a replacement light fitting. The first casts of this famous bronze were gilded and these come to sale from time to time. I was unable to find a comparable bronze with brown patina. While the piece is inscribed, there is no obvious foundry mark. I was hoping Suisse freres were the foundry but cannot confirm that. The work is in generally good condition. It appears to have some age, based on wear to base and overall patination. I am not dating the piece but it appears to pre date 1970. From estate of a Scottish family.Overall and elegant and attractive work of art.

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534325 item(s)/page