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Portrait of a clergyman, late 17th/early 18th century oil on canvas, unsigned, 85cm x 72cm, original carved giltwood frame stating sitter is Rev Thomas Davison 1635 - 1715 Vicar of Norton DurhamNot re-lined, short canvas impression/tear near right-hand edge, other very minor paint abrasions, small area of overpainted paint flaking on the forehead, probably repaired tear in bottom right-hand corner, generally good condition, frame has some light abrasions
Early 19th century portrait of a gentleman (Anthony Adamson 1761 - 1836), oil on canvas, unsigned, overall frame dimensions 38cm x 33cm, original gesso frameCanvas has 1 small tear to the left of the figure, several other minor paint chips and very light craquelure but paint all stable, slightly dirty, original frame with a few minor abrasions
A Chanel black lambskin flap bag, with Paris Boutique CC closure, gold-tone hardware, leather and chain shoulder strap, internal slip pocket, authenticity number 1817238, with authenticity card and dust bag, 17cm wide, 5.5cm deep, 11.5cm highCondition ReportGood overall condition.There are some signs of use, particularly to base corners. external leather in good soft condition. light marketing to hardware.Interior in good overall condition with a few light marks.See images.
A group of Art Nouveau and later ornaments, to include an Art Nouveau hair comb, modelled with a peacock cabochon and dragonflies on either side, to a horn comb, peacock cabochon,140mm wide and 51mm high, possibly French, an Art Nouveau enamel and gilt double dragonfly belt buckle, 88mm wide, and a 1920's enamel and gilt belt buckle, with flower heads to a vine and entwined tendril frame,110mm wide, 71.07g, total (3).Condition ReportLight marks and scratches.Overall good condition.
A small group of 9ct gold rings, comprising a 9ct white gold diamond open scroll ring, 13mm wide, Birmingham 2002, a 9ct gold half eternity diamond ring, with multiple rows of grain set diamonds to a plain shank, 9mm wide, a 9ct gold light brown diamond cluster ring, to a bifurcated plain shank, Birmingham 2004, and a 9ct gold floral ring, to a plain 'D' shank, 11mm wide, hallmarked Birmingham 15.89g (4)Ring size T, S, U, TCondition ReportMinor marks and scratches to surfaces.Slight dent to the floral gold ring.Two of the rings year mark difficult to read.Tarnish.All rings a little dirty. Would benefit from being cleaned gently.
A late Victorian chrysoberyl cat's eye and diamond cluster, later mounted to a bar brooch. A circular cabochon chrysoberyl cat's eye claw set to the centre and surrounded by a row of old European cut diamonds all claw set to a scalloped gallery with an incised under bezel. The later bar with flat guards and a lever catch. Tested as approximately 18ct gold, the bar as 15ct gold and the pin as 9ct gold. 64mm x 14mm, 3.45g Condition ReportGood central chatoyancy. Diamonds bright and lively. Light surface marks consistent with its age.
A Mulberry olive green Alexa sparkle tweed cross body bag, gold tone hardware, postmans lock closure, with interior zip pocket, serial number 1367569, with care card,22cm wide12cm deep13.5cm highCondition ReportVery good condition.A few light scratches and signs of light use to hardware.Interior in good condition, with dust particles.
An 18ct white gold single stone diamond ring with a brilliant cut diamond, estimated as approximately 0.64ct, six claw set to a pierced hearty collet, open chenier shoulders and a plain shank. Sheffield (no date letter). 3.77g. Assessed as approximately: Colour H/I Clarity VS2/SI1 Ring size R ½Buying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportDiamond bright and lively. Setting secure. Minor light surface marks commensurate with general wear.
A white gold diamond single stone ring, with a marquise cut diamond set to an open gallery collet, to a plain band, tested as approximately 18ct gold, 2.48g. Size I ½Buying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportDiamond is bright and lively. Light surface marks. Diamond weight estimated approximately 0.30ct.
A Balenciaga brown whistle shoulder bag, the exterior in brown leather with central zip closure, silver tone hardware, two handles, side zip pocket, top cinch strap with clasp, the interior in black cotton with inteior zip pocket and matching brown leather travel mirror, bought from the Balenciaga store in Mayfair in 2008, with dustbag, metal whistle charm and brand card,39cm wide17.5cm high20cm deepCondition ReportThe exterior with some creasing and scratches to the leather.The interior in good condition with no obvious faults.The travel mirror with some scuffs to the leather.The whistle charm with some light tarnishing.
A Louis Vuitton monogrammed canvas Pegase 45, brass tone hardware, retractable handle and leather top handle, front slip pocket, two wheels to base, the interior with partitioned nylon and velcro flaps, two zip pockets, 34cm wide18cm deep47cm highCondition Reportfairly good overall condition. Some marks to the exterior and some scratches to base stand.Some light scratches to retractable handle.Damage to wheels, although do still roll. Inteior in fair condition with some staining and marks, particularly to divisional flaps.
A Mulberry brown leather crocodile embossed 'Kelly' style bag brass-tone hardware, single flap with top handle, detachable strap, brown suede interior with zip and slip pocket, removable vanity mirror, (lock damaged), serial number 562556,27cm wide10cm deepcm highCondition ReportGood overall condition, there are a few marks to the exterior commensurate with light use. front lock broken but damaged piece is present.Interior with light marks.
A gold charm bracelet, a gold double curb link bracelet, to a concealed box clasp and single safety catch, stamped 585, tested as approximately 14ct gold, suspending ten gold charms to include a Manneken Pis Bruxelles charm, stamped 750, a group of temple columns, a Dala horse, a Viking ship, a paste traffic light, a guitar, all tested as approximately 18ct gold, an Olympic logo, a post horn, a little mermaid statue, and an articulated windmill, all tested as approximately 14ct gold, 32.87gCondition ReportClasp secures.A few very minor dents to guitar back and traffic light charms.Minor marks and scratches to surfaces.
†A white gold mounted fancy coloured diamond drop shaped pendant, set with a pear cut natural coloured diamond with a stated weight of 1.54ct rub set to plain drop shaped mount with a fixed bale. A diamond report by AIG stating the stone to be of natural origin, of natural fancy light yellow colour and VVS clarity. Marked on bale 750, 1.54ct. Suspended on a silver trace link chain. 3.17g (2)†This lot is subject to VAT, payable by the Buyer, on the Hammer Price and the Buyer’s Premium.
A late Victorian 18ct gold sapphire and diamond boat shaped ring, with two oval cut sapphires, interspersed with old cut diamonds, claw set to each side of a scalloped head with solid rounded shoulders and a plain shank, Birmingham 1898, 4.69g, Ring size N½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportScratches to stone surfaces. Light surface marks commensurate with its age. Slightly dirty, could do with a gentle clean. Diamonds bright and lively.
An Arts & Craft silver and enamel pendant, by James Fenton, the shield form pendant with heart shaped leaves and drop, decorated with light blue enamel, 55mm long, maker's mark JF, Birmingham 1909, 5.61gCondition ReportSome areas of tarnish to the silver, but nothing major.A few tiny gas bubbles to the enamel panels.Surface scratches and marks.Overall good condition for its age.
A Louis Vuitton monogrammed canvas garment bag, brass tone hardware and hook, leather edging, handles and luggage tag, press stud closure, with two interior hangers, serial number SP0997,62cm wide123cm highCondition ReportGood overall condition. A few signs of use to canvas, some marks and light staining to top handles and edging.
A pair of diamond stud earrings, by Le Vian, light brown round brilliant cut diamonds with a combined weight estimated as 0.46ct, claw set to post and butterfly fittings, stamped 14K Le Vian, tested as approximately 14ct gold, 1.85gCondition ReportMarks and scratches to mounts.Very dirty, could do with a gentle clean.With box.
A Victorian 18ct gold diamond set snake ring, modelled as a coiled snake, with an old pear cut light yellow diamond rub set to the head and ruby eyes. London 1875, 7.59g Ring size approximately YBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportDiamond light yellow in colour, with minor inclusions unnoticeable to the unaided eye. Size approximately 0.50ct. Untested for colour origin. Overall good condition, however, there is some substantial wear to the inner edges of the snake head hoop. Wear to the ruby eyes.
A collection of silver and hardstone jewellery, comprising a silver hammered torque necklace, internal measurements 130mm x 140mm, hallmarked Birmingham, a silver bangle inscribed 'Dominus illuminatio mea', 70mm diameter, Sheffield 2007, a silver open cuff bracelet, internal measurements 65mm x 52mm, hallmarked Birmingham, a silver red hardstone pendant, marked Mexico, 65mm long, a silver kite shaped hardstone pendant, Sheffield 2005, suspended by a silver belcher link chain, a silver ammonite pendant, 320mm long, suspended by a silver cable link chain, 300mm long, all items hallmarked or tested as silver, and a stainless steel pendant, stamped Breil, suspended by a silver curb link chain, 260mm long, silver 233.05g total (7)Condition Report'Dominus illuminatio mea'- The lord is my light opening line of Psalm 27 and is used by the University of Oxford as their motto, and is shown on their coat of arms.As found.
A Chinese light green jade plaque, late 19th / early 20th century, carved in low relief with shou character underneath parasol flanked by dragon and flowers, approx. 15cm x 12cm. Condition: outer rim with several six sizable chips, and other grazes / nibbles, polished natural faults and small puncture to reverse centre, possible regrinding, general wear.
A pair of George I style silver three light candelabra, urn shaped sconces above shaped octagonal bases with knopped stems and scroll branches, hallmarked by Barker Ellis & Co., Birmingham,1971, approx 21.5cm high, filled (2) Further details: marks clear, condition good Provenance: The Old Vicarage, Breedon-on-the-Hill, Derbyshire
A cultured pearl necklace with diamond set clasp, comprising a single row of uniform pearls, each pearl measuring 8-8.5mm, strung to an Art Deco style rectangular diamond set white metal clasp, set to the centre with a 'light yellow' trapeze cut diamond, estimated weight approx 0.30ct, within a border of grain set diamonds, length approx 17 x 13mm, unmarked assessed platinum, length approx 82cm Further details: good all stones present and intact, minor wear only commensurate with age Provenance: The Old Vicarage, Breedon-on-the-Hill, Derbyshire
Mary Viola Paterson (British, 1899-1981), 'Bathsheba', watercolour, circa 1925, monogrammed, 50 cm x 45 cm framed and glazed.Liss Fine Art label versoPainting has been sealed in the frame and glazed - it has not been removed from the frame for inspection. Paper discoloured commensurate with age. Some light foxing throughout.
Bruno Capacci (Italian, 1906-1996), Commedia dell'Arte, signed, dated and inscribed, 'Capacci MXMXXXV VIII' (lower left), oil on panel, 152 cm x 151 cm, framed 159 cm x 159cmSlight cracking throughout to the painted surface and some abrasions to the surface (especially on harlequin's shoulder and hat). Nails now becoming exposed in the sky. Some light wear to the gilt frame.
Keith Vaughan (1912-1977), 'Revellers in Trafalgar Square, New Year's Eve 1964', pencil, signed, inscribed and dated '64 to lower right, 22.5 cm x 20 cm framed and glazed.Private collection, deceased estate. Illustrated in: 'Keith Vaughan, Journals, 1939-1977, Page 157. Ex lot 75, Bonhams, '20th Century British Art', 6th March 2007, catalogue present.Some thinning / wear to the top corners of the paper, visible on close inspection (sere images). Pencil smudges also visible. In a sealed frame, so the work has not been removed for inspection of the reverse. Frame with light wear commensurate with age.
Llewellyn Petley Jones (1908-1986) Welsh, Painters in an Orchard, signed 'Petley' (lower left), oil on canvas, image 62 cm x 74 cm, framed, 83 cm x 96 cm, unglazed.Overall in good condition. Some small areas of over painting to the sky visible under UV light. Later frame with some light wear to the corners.
Robert Knight Ryland (1873-1951) American, Hercules in the Garden of the Hesperides, signed 'Robert K Ryland' and dated 1910 (lower righthand side), oil on canvas, image 173 cm x 127 cm, framed 200 cm x 153 cm, un-glazed.Papillon Gallery label versoOverall appears to be in very good condition. Painted on slightly coarser canvas. Might benefit from light cleaining. Some slight wear to the later frame, especially to the corners.
Duncan Grant (1885-1978), 'Study for Venus and Adonis', pencil, 20.3 cm x 33 cm, framed and glazed 31 cm x 43 cm, together with a Christie's 'South Kensington, 20th Century British Art' catalogue from 2006, this work is illustrated on page 78. This work is a study for the 'Venus and Adonis' painting held at the Tate Collection. Private collection, deceased estate There is a Treasury blind stamp below the lower hand and red ink or paint stain on the lower ankle and foot. General light staining and early foxing to the paper are commensurate with age. Paper is brown, and pencil lines look good. The drawing is sealed in the frame and glazed with standard glass - it has not been inspected out of the frame.
Augustus John (1878-1961), study of a seated female nude, pencil, signed lower right, 24.5 cm x 27cm framed and glazed, 45 cm x 45 cm. Private collection, deceased estate.Ex lot 45, Bonhams, 13th June 2018 This drawing is sealed in the frame and glazed - it has not been inspected out of the frame. Some light staining to the top edge, which appears to be trimmed to the edge of the mount. Otherwise, looks to be in good condition and ready to hang.
Josef Arnold (1788-1879) Austrian, 'Glescherpartie', oil on canvas, signed and dated 1853, 46.5 cm x 63.5 cm in a gilt frame.Some areas of craquelure scattered throughout, particularly visible to the sky and mountains. There is some small patches of rubbing and abrasions along the the righ framing edge. A very small patch of paint loss please see images above. Inspection under UV light reveals a small area of cloudy green masking varnish to the lower left corner surrounding the signature. Work is in overall good condition.
Sir Peter Scott (1909-1989), Wild Ducks in Flight at Sunset, signed and dated 'Peter Scott 1936' (lower right), inscribed on the reverse 'I sat near the mouth of the creek but I only saw 7 ducks', oil on canvas, 12.5 x 21.5 cm, framed 36 x 45 cmNo tears to the canvas. Some foxing spots visible to the surface (as shown). Frame with light wear commensurate with age
A large Lalique 'Bacchantes' frosted glass wine cooler, with a central band of figures in relief, 'Lalique France' etched to base, 24 cm high x 26.5 cm wide.No chips or cracks. Some light scratches and blemishes to the frosted glass (see images), and light scratches to the underside of the base. No liner present
Henry- Grey hair; yellow cravat; Michael- Brown hair; dark blue suit; white shirt; light blue tie.This two-faced jug was a special edition jug issued to mark Michael Doulton's personal appearances at retail locations. This piece is one of the few two-faced jugs made in the small size. Artist: William K. HarperIssued: 1992Dimensions: 4.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Red, white, black, light brown, and grey coloration. The North Staffordshire Drummer Boy character jug was one of the complimentary choices for new and renewal members of the International Collectors Club in 2005.Series: ICC. Royal Doulton and RDICC backstamp. Artist: UnknownIssued: 2005 - 2005Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Style Two, bowl of gruel, bust of Mr. Bumble, and a locket handle. Brown jacket with white trim, white shirt, light brown cap with black peak.Issued in a limited edition of 500, this Oliver Twist character jug is available only through the International Collectors Club. Series: ICC; Charles Dickens' Characters. Royal Doulton and ICC backstamp. Artist: David B. BiggsIssued: 2004Dimensions: 5.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Variation One, Big Ben is at Eight O'clock. Black coat with purple collar; lemon cravat; Big Ben is light brown.Exclusively for RDICC. Royal Doulton and RDICC backstamp. Artist: Eric GriffithsIssued: 1980 - 1982Dimensions: 4.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good
Dark brown hat; light brown coat; red kerchief with white spots.In the 1837 Charles Dickens novel, "The Pickwick Papers," Sam Weller was a boots employed at the White Hart Inn. He became a faithful aide and valet to Mr. Pickwick and eventually married Napkin's housemaid. This character jug is unusual in that its modeling changes dramatically between the large and small versions. Artist: Leslie Harradine and Harry FentonIssued: 1940 - 1960Dimensions: 2.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Dark brown hat, light brown coat, red kerchief with white spots. From the Charles Dickens' Characters series.In the 1837 Charles Dickens novel, "The Pickwick Papers," Sam Weller was a boots employed at the White Hart Inn. He became a faithful aide and valet to Mr. Pickwick and eventually married Napkin's housemaid. This character jug is unusual in that its modeling changes dramatically between the large and small versions. Artist: Leslie Harradine and Harry FentonIssued: 1940 - 1960Dimensions: 6.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Style One. Black, brown and red helmet badge.Launched exclusively by Griffith Pottery House in 1983, The Fireman jug was then released into the general range in 1984. Varieties of the handle exist, with the nozzle ranging from dark orange to light yellow. An error in this jug exists. The red helmet badge was not applied during painting, resulting in a white badge. Artist: Jerry D. GriffithIssued: 1983 - 1991Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.
Blue-grey helmet; dark green robes.Don Quixote is the hero of the novel by Cervantes, a satirical parody of this chivalrous knight. Don Quixote leads a life of adventure, capturing many hearts along the way. The helmet color of the jugs varies from dark grey to light grey. Artist: Geoff BlowerIssued: 1960 - 1991Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

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534297 item(s)/page