* Murdoch (Iris, 1919-1999). Irish and British Novelist and Philosopher. Autograph letter signed, 'Iris Murdoch', Steeple Aston, Oxford, 5 December, no year, circa 1980s, to Richard, in blue ink, stating, in part, 'Most writers are influenced by other writers, I have been (or hope to have been) influenced by Homer, Shakespeare, Tolstoy, Dostoevsky, Dickens, Jane Austen, Emily Bronte, Henry James, Proust, Kafka, and others... I hope that you will read all or many of the above writers, who are really good', 2 pages on light blue paper, minor creases, oblong 8voQty: (1)
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* Rota (Nino, 1911-1979). Italian Composer, most notably of film music. Autograph Musical Quotation Signed, 'Nino Rota', Rome, 2 September 1951, neatly written in blue ink on off-white card, depicting seven bars in the treble clef from the main theme of Legend of the Glass Mountain, with title, signature, place and date inscribed by Rota beneath, rounded corners, 9.5 x 9 cm, light mounting remnants to versoQty: (1)NOTESThe Glass Mountain is a 1949 British romantic film drama, starring Michael Denison, Dulcie Gray and Valentina Cortese. Nino Rota's theme music was a contemporary hit. An attractive and uncommon item.
* Sassoon (Siegfried, 1886-1967). English Poet, Writer and Soldier. Autograph Poem signed with his distinctive monogram 'SS' of the humorous poem 'Out of Date', circa 1925, 12 lines, beginning, 'A noon edition said / "Lord Out of Date is dead"...', written in light purple pencil on a Reform Club Pall Mall correspondence card, 14 x 9 cm, address side blank, preserved in a purpose-made red cloth book box with gilt-titled spine, together with three autograph letters signed by Sassoon, the first to Colin [Fenton], Heytesbury [House], 10 April 1954, declaring that some of his poems depress him and are not worth printing, mentioning his great friend Max Beerbohm lamenting the effects of solitude and disparaging the dons of All Souls, in particular A.L. Rowse, '... the other poems in the M.S. I sent to John [Sparrow] give me a feeling of depression, and I don't think many of them are worth printing. I imagine people finding them too solemn and unstimulating...', written in a close hand in blue ink to upper half a page of light blue paper with monogram signature, 8vo; an earlier autograph letter signed to Mr Horsley, London, 20 July 1926, offering to meet with members of Horsley's College Library Society, and asking him to leave it open, in blue ink on a small correspondence card with verso blank, oblong 16mo; the last and undated letter to Horsley, cancelling a proposed visit to Cambridge and sending his apologies, a little marginal toning, one page, 8vo; plus a printed decorative card featuring Sassoon's poem Another Spring with signed presentation inscription from Siegfried Sassoon to C.F. [Colin Fenton] to lower margin, verso blank, 10 x 16 cmQty: (5)NOTESThe autograph poem is apparently unpublished. It may date from circa 1920/21 if the reference to '... Caruso's grave condition...' is contemporary with the poem. In his biography of the poet, Max Egremont draws attention to the fact that Sassoon's poetry returned to satire in 1920. It was at this same time that Caruso became seriously ill, suffering a throat haemorrhage on 11 December, the news of which would have crossed most of Europe and America. Colin Fenton (1929-1982) was a student at Christ Church College Oxford, and was believed to have been John Sparrow's lover. For a time, Fenton shared Sparrow's accommodation at C1 Albany and it was Sparrow who introduced Fenton to Sassoon in 1953. Fenton was to write Sassoon's obituary for the Times in 1967. The autograph poem and letters are all apparently unpublished.
Signed Concert Programmes. A good collection of 53 signed concert programmes, 1945-2006, including a collection of 33 programmes for concerts promoted by Liverpool Philharmonic Society (1963-1978), 9 programmes for concerts at Birmingham Town Hall (1945-1948), and 8 programmes for Birmingham's Symphony Hall (1998-2006), all with one or more signatures of various performers, signatures of pianists include Daniel Barenboim, Vladimir Ashkenazy, Yvgeny Kissin, Julius Katchen, Gerald Moore, Andre Tchaikovsky, Gina Bachauer, conductors include Simon Rattle, Adrian Boult, George Solti, Richard Tauber, Walter Susskind, Maxim Shostakovich, Colin Davis, Meredith Davies, Rudolf Schwartz, Peter Eros, George Hurst, Charles Groves, violinists include Arthur Grumiaux, Henryk Szeryng, Ruggiero Ricci, singers include Cecilia Bartoli, Amy Shuard, Forbes Robinson, Victoria De Los Angeles, Elisabeth Schwarzkopf, Gerard Husch, plus signatures of Malcolm Arnold, Julian Bream, Pearl Fawcett, etc., mostly stapled as issued, some scattered light soiling and marginal creasing, etc., but generally VG, mostly slim 8voQty: (53)
* Sorabji (Kaikhorsru Shapurji, 1892-1988). English Composer of Parsi Extraction. Autograph Musical Quotation Signed 'Kaikhosru Shapurji Sorabji', no date, in black ink on part of an album leaf with printed staves, the handwritten being one long bar (14 notes) from the opening of Sorabji's most famous work Opus clavicembalisticum for piano, titled and signed across printed staves beneath, paper size 12 x 18 cm, light central vertical fold, remains of adhesive, mount remains to versoQty: (1)NOTESSorabji's massive piano piece Opus clavicembalisticum was given its first and only performance during the composer's lifetime on 1 December 1930 by Sorabji himself. At nearly 3 hours in length, it is one of the longest works in the repertoire, and is of labyrinthine complexity. Being a highly eccentric composer, Sorabji put a ban on all performances of his works between 1940 and 1976. The pianist John Ogdon recorded the whole work in 1989. Autograph material by Sorabji is scarce, with autograph quotations from his most famous work being particularly uncommon.
* Tennyson (Alfred, Lord, 1809-1892). Poet Laureate. Concluding part of an autograph letter signed, 'A Tennyson', 1882, to Sir Alfred Lyall, '... I trust we shall learn that India is advancing and that there are dawnings of hope that England has a last found her way to the Eastern heart. Glad as one must be of the victories in Egypt, we cannot but look anxiously toward the settlement', recipient's name and date in the hand of Tennyson's son Hallam, a few light spots, light mounting remains to verso, one page, 8vo, together with: Tennyson (Emily, 1813-1896). Wife of Alfred Lord Tennyson. Autograph letter signed, 'Emily Tennyson', Farringford, 21 February 1867, to her son Lionel, mentioning her other son Hallam and her pleasure that her two children are corresponding with one another, further mentioning the American poet Bayard Taylor (1825-1878) who was about to visit, plus Queen Victoria and Prince Albert, etc., 4 pages, the conclusion and signature written vertically across top of first page, a few minor marks and one annotation in blue pencil, 8voQty: (2)NOTESSir Alfred Comyn Lyall (1835-1911) was an administrator in India and author of an important book about Tennyson published by Macmillan in 1902. He was also a trusted friend of the poet.
* Tolkien (John Ronald Reuel, 1892-1973). English Writer, Poet, Philologist, and Academic. Autograph Letter Signed, 'JRR Tolkien', 1 Alfred Street, St. Giles, Oxford, 17 March 1920, to Miss Duncan, enclosing a 'mixed bag' of 50 possible examination questions on the Old English period and lamenting his general lack of time for anything, 'They are not intended to be models of clear questioning, but to suggest enquiries. The easily available critical writings that might help are all too few. I hope some time to make out something like a select bibliography, but I am enormously pressed for time this vacation...', neatly written in blue ink, light horizontal fold crease, 2 pp., small 8vo (14.5 x 11 cm), together with the 3-page folio typescript referred to, entitled 'Old English Literature Questions (miscellaneous)', with many annotations by Tolkien in his holograph, upwards of 37 words together with numerous minor emendations correcting mistyping and adding accents to various old English words, one annotation in an unidentified hand, a little creasing and marks to upper left corners where previously stapled, 3 leaves, 4toQty: (2)NOTESThis early letter was written 3 months before Tolkien was interviewed and ultimately appointed as reader in English language at Leeds University; a post that was later converted into a professorship.
* Vuillard (Edouard, 1868-1940). French Painter. Autograph letter signed, 'E. Vuillard', no place, no date, 1920s, to Madame Tartiera, in French, thanking his correspondent for her kind thought and saying that he will willingly come on Saturday and be very happy to see her again, written in brown ink on letter side of a folding letter form with perforated edges, autograph address with stamp and indistinct cancellation mark, light stain near stamp and cancellation mark not affecting the text or signature, small 8voQty: (1)
* Waxman (Franz, 1906-1967). German-born Film Composer. Typed letter signed, 'Franz Waxman', Los Angeles Orchestral Society letterhead, 28 January 1952, to Dr. Edgar Magnin, written in his capacity as Musical Director of the Los Angeles Orchestral Society and thanking the recipient for giving up his time and inviting him and his family 'as our honored guests at the concert...', light fold creases and minor tear from staple punch to upper left corner, 4to, together with: Herrmann (Bernard, 1911-1975). American Film Composer. A list of books about music in the English language, prepared as an appendix to the Oxford Companion to Music by Percy A. Scholes, 1st edition, Oxford University Press, 1940, signed in ink by Bernard Herrmann on front rear endpaper and with autograph annotations by Herrmann on nine pages, original cloth, gilt-title to spine, a little rubbed, 8voQty: (2)
* Woolf (Leonard, 1880-1969). British Political Theorist, Author and Publisher. A series of five typed letters signed, (3 'Leonard Woolf' & 2 'L W'), Monk's House, Lewes, Sussex, July 1955 to January 1960, to John Lehmann (1907-1987, English Poet & Publisher) and Neville Braybrooke (1923-2001, Writer), all relating to matters regarding his own publications and in two giving permission to quote from Virginia Woolf's book A Writer's Diary and expressing contrition as a result of a fiscal mistake on his part, a few rust marks and one staple to upper left corners, one letter with horizontal band of toning to lower blank part of letter just touching foot of descender in Woolf's autograph and for pen marks or trials to lower right corner of the same letter, a few light creases and marks, all on personal stationery, one page, oblong 8voQty: (5)
Aldin (Cecil). A Gay Dog, 1905; Jack and Jill, [1914]; Gyp's Hour of Bliss, [1919]; Willie Winkie's Animal Book, [circa 1920], 1st editions, colour illustrations, occasional light spotting and offsetting, presentation inscriptions to A Gay Dog and Willie Winkie's Animal Book, original pictorial boards, Jack and Jill and Gyp's Hour of Bliss rebacked, some edge wear and stains, 4toQty: (4)
Aldin (Cecil). An Artist's Model, London: H.F. & G. Witherby, New York: Charles Scribner's Sons, [1930], 20 colour plates, a little minor spotting, top edge gilt, original vellum gilt, a few light marks, folio, limited signed edition 128/350, together with US, London: Humphrey Milford, [1922], 6 colour illustrations, lacking front endpaper, original pencil and ink sketch titled 'Cabaret Follies' & 'Us', signed by Cecil Aldin at front, front hinge tender, original cloth-backed boards, small tears to spine, some soiling and edge wear, 4to, with 4 others illustrated by Aldin: Ten Little Puppy Dogs, [1902}, The Snob, 1904 (last plate repaired, new endpapers and modern cloth reback), Sleeping Partners, 2nd impression, 1930 and A Dog Day, new and cheap edition, 1904Qty: (6)
Aldin (Cecil). Cecil Aldin's Letter Books, London: Humphrey Milford, [1921], 5 volumes only (of 6), colour illustrations, a few minor spots, original pictorial wrappers, spine ends and edges lightly rubbed, all contained in original pictorial card box, a little rubbed with light marginal toning to rear, small 4toQty: (1)NOTESThe full series comprises Black Billy, Pale Peter, Ugly Duckling, Puss Puss, White Rabbit and Cock-o-Lorum. Cock-o-Lorum is lacking in this set. Rare in the original book box.
Aldin (Cecil). Cecil Aldin's Happy Family, told by May Byron, 6 volumes, London: Henry Frowde/Hodder & Stoughton, [1912], colour plates, a little minor marginal spotting, light toning and offsetting to half titles and endpapers, original boards with colour illustration mounted to upper covers, volume I spine repaired, a little toning, small 4toQty: (6)NOTESA complete set, comprising Hungry Peter, Rufus, Humpty and Dumpty, Rags, Master Quack, Forager.
Aldin (Cecil). Pickles, [1909]; Rough and Tumble, [1910}; The Twins, [1910]; Merry and Bright, [1911], Mac, [1912], 1st editions, colour lithographed plates, one text leaf repaired in The Twins, occasional light spotting and offsetting, a couple of previous owner inscriptions, original cloth-backed boards, some soiling and edge wear, a few covers a little bowed, 4toQty: (5)
Aldin (Cecil). The Merry Puppy Book, London: Henry Frowde and Hodder & Stoughton, [1913], chromolithograph and black & white illustrations, some spotting, a few leaves splitting at gutter, one leaf nearly detached (somewhat edge-frayed with small tape repair to lower edge of blank verso), final printed leaf with closed marginal tear, stiching strained, front pastedown with contemporary ink inscription dated 1913, original cloth-backed pictorial boards, spine and edges rubbed, some wear to extremities, top of rear joint with short split, 4to, together with: The Bobtail Puppy Book, London: Henry Frowde and Hodder & Stoughton, [1912], chromolithograph and black & white illustrations, minor finger-soiling to one page, free endpapers partly toned with light spotting, original pictorial cloth, a trifle rubbed with some marks (mainly to rear cover), spine slightly frayed at foot, slim 4to, plus: The Black Puppy Book, London: Henry Frowde and Hodder & Stoughton, [1909], chromolithograph and black & white illustrations, some light toning, original cloth-backed boards, rubbed with some marks (mainly to rear cover), a little wear to extremities and rear cover, spine with small pinhole near head, slim 4to, plus 3 other Puppy books (Mongrel, Red, and White), all recased or rebacked, and a copy of Moufflou, [1915]Qty: (7)
Aldin (Cecil, illustrator). Dogs of Character, written and illustrated by Cecil Aldin, 1st edition, London: Eyre & Spottiswoode and New York: Charles Scribner's sons, 1927, numerous illustrations, a few spots at front and rear, original pictorial cloth, corners lightly rubbed, large 8vo, together with: The Dog who wasn't what he thought he was, by Walter Emanuel, London [etc.]: Raphael Tuck & Sons, [1914], 24 full-page colour illustrations, occasional light finger-soiling or scarce minor spotting, stitching showing in places (but firm), original pictorial cloth, a trifle rubbed and lightly marked, spine browned, large 8vo, with 10 others illustrated by Aldin, including: The Bunch Book, by James Douglas, 1st edition in dust jacket, 1932; Hotspur the Beagle, by John Vickerman, 1st edition in dust jacket, 1934, and one other dog-related: Thy Servant a Dog, by Rudyard Kipling, 1st edition (in book form) in dust jacket, 1930Qty: (13)
Banbury Cross Series. The Banbury Cross Series, prepared for children by Grace Rhys, 12 volumes (complete), London: J.M. Dent, 1894-95, illustrations by R. Anning Bell, R. Heighway, V. & E. Holden, H. Isabel Adams, Charles Robinson, H. Granville Fell, Alice M. Mitchell, Sidney H. Heath and others, light toning to decorative endpapers, top edge gilt, original green cloth gilt, cloth ties, some fading to extremities, slight bowing to covers, contained in original cloth box, gilt illustration to hinged lid (light soiling and a few marks), small 8voQty: (12)NOTESA charming set of illustrated fairy tales, rarely found complete in the original box, comprising Jack the Giant-Killer and Beauty and the Beast, The History of Cinderella or the Little Glass Slipper, The Sleeping Beauty and Dick Whittington and his Cat (2nd edition, November 1895), Little Red Riding Hood & the History of Tom Thumb, The House that Jack Built & Other Nursery Rhymes, Blue Beard and Puss in Boots, Aladdin or the Wonderful Lamp, Banbury Cross & Other Nursery Rhymes, Fireside Stories, The Fairy Gifts and Tom Hickathrift, Aesop's Fables, The History of Ali Baba and the Forty Thieves.
Baynes (Pauline Diana, illustrator). Fairy Tales from the British Isles, retold by Amabel Williams-Ellis, 1st edition, London & Glasgow: Blackie, 1960, 8 colour plates (including frontispiece), numerous black & white illustrations in text, title with a few minor spots at head of gutter, colour pictorial endpapers, edges lightly spotted, original red cloth gilt, in pictorial dust jacket, some light toning, 2 short closed tears to top edge of rear panel, sunned spine with adhesive tape repairs to frayed ends, laminate lifting with some loss (as often) along dust-soiled front joint, 8voQty: (1)
(Clarke (Harry, illustrator). Tales of Mystery and Imagination, by Edgar Allan Poe, 1st edition, George G. Harrap & Co. Ltd., 1919, 24 uncoloured plates, each with tissue-guard (tissue-guard to frontispiece with lower outer corner torn away), top edge gilt, remainder untrimmed, original gilt-decorated full vellum, some marks and light discolouration (generally a good copy), 4toQty: (1)NOTESLimited edition of 170 copies, signed by Harry Clarke, this copy numbered 127/170.
* Cobb, Ruth, fl. 1902-1953. A complete set of original pen and ink and watercolour drawings for the book 'Three Little Adventurers' by Madeleine Grant Richards, [1917], all signed to lower margin, each 12.5 x 8cm (5 x 3ins), mounted in order of appearance in the story in two panoramic matching frames, glazed, each 20 x 142cm (8 x 56ins), together with a second larger original pen, ink and watercolour illustration used as the fourth illustration in the book, short closed tear to lower margin, 19.5 x 12.5cm (7.75 x 5ins), framed and glazed, plus a first edition copy of the book, some light toning, inner hinges broken and leaves coming loose, original pictorial cloth in bright condition, d.j. somewhat soiled and worn and relined, 8vo, Mrs Grant Richards publisher's contract and two royalty receipts (1918) loosely insertedQty: (7)NOTESMost of Cobb's book illustrations were drawn for children's books, including those she wrote herself. She also contributed to magazines such as Chatterbox and Punch.
Dulac (Edmund). Lyrics Pathetic & Humorous from A to Z, London: Frederick Warne & Co., 1908, 24 colour plates, light offsetting to endpapers, original cloth-backed pictorial boards, upper corners repaired, lower corners rubbed, a couple of small bumps at foot of covers, a few small marks and small abrasion to upper cover, 4toQty: (1)
Dulac (Edmund, illustrator). My Days With the Fairies, by Mrs. Rodolph Stawell. A New and Enlarged Edition of "Fairies I Have Met", London: Hodder and Stoughton, [1913], 8 tipped-in colour plates, some light spotting, Henry Sotheran ticket, original red pictorial cloth gilt, spine a little faded, edges lightly rubbed, covers slightly bowed, 4to, together with Dulac (Edmund, illustrator). Treasure Island, by Robert Louis Stevenson, London: Ernest Benn, 1927, 12 colour plates, light toning to endpapers, contemporary prize inscription to front endpaper, original cloth gilt, green label to spine, 4to, with four others: W. Heath Robinson's Bill the Minder, 1st US edition, Henry Holt, New York, 1912, Edmund Dulac's Picture-Book for the French Red Cross, [1915], Kim, by Rudyard Kipling, Limited Editions Club, New York, 1962, limited signed edition 80/1500 and Colin White's Edmund Dulac, Studio Vista, 1976Qty: (6)
Dulac (Edmund, illustrator). Rubaiyat of Omar Khayyam, rendered into English verse by Edward Fitzgerald, London: Hodder and Stoughton, [1909], 20 tipped-in colour plates (plate opposite 36th quatrain with light corner crease), a few minor spots front and rear, original cream cloth gilt, 4toQty: (1)
Dulac (Edmund, illustrator). Shakespeare's Comedy of the Tempest, London: Hodder & Stoughton, [1908], 40 tipped-in colour plates, small previous owner blindstamp to front endpaper, Henry Sotheran ticket, original green cloth gilt, joints and edges lightly rubbed, covers a little bowed, 4to, together with Dulac (Edmund, illustrator). Dreamer of Dreams, by the Queen of Roumania, London: Hodder & Stoughton, [1915], 6 tipped-in colour plates, a few minor spots, light toning to half title and advertisement leaf verso, original cloth gilt, spine a little toned, 4toQty: (2)
Dulac (Edmund, illustrator). Tanglewood Tales, by Nathaniel Hawthorne, London: Hodder and Stoughton, [1918], 14 tipped-in colour plates, a little minor spotting, light toning to endpapers, original half vellum, some light fading to covers and discolouration to vellum, contained in custom-made morocco-backed solander case, 4toQty: (1)NOTESLimited signed Edition de Luxe 160/500
Kipling (Rudyard). Just So Stories for Little Children, 1st edition, London: Macmillan and Co., 1902, illustrations by the author, one or two light fingermarks, light spotting and small red stains to endpapers, contemporary presentation inscription, bookplate, original 2nd state red pictorial cloth binding (the first state binding was blocked in white and prone to flaking), spine a little faded and rubbed at ends, small stain and indentation to upper cover, small 4toQty: (1)
Milne (A. A.). A complete set of first editions of the Winnie-the-Pooh Stories, 1924-1928, comprising: When We Were Very Young, 1st edition, Methuen, 1924, illustrated throughout by E.H. Shepard, presentation copy with original publisher's ink presentation stamp at foot of title, some toning to half-title and (blank) free endpapers, stitching slightly showing in places (but firm), top edge gilt, remainder rough-trimmed (with light spotting), original dark blue cloth gilt, spine very slightly darkened and a little rubbed at ends, 8vo; Winnie-the-Pooh, 1st edition, Methuen, 1926, illustrated throughout by E.H. Shepard, pictorial endpapers (some toning and light spotting), top edge gilt, remainder rough-trimmed, original green cloth gilt, spine ends and corners very lightly rubbed, 8vo; Now We Are Six, 1st edition, Methuen, 1927, half-title and final page partially toned, p.65/66 with small spot centrally, pictorial endpapers, top edge gilt, remainder rough-trimmed, original red cloth gilt, spine a little faded and lightly rubbed at ends, 8vo; The House At Pooh Corner, 1st edition, Methuen, 1928, illustrated throughout by E.H. Shepard, pictorial endpapers (free endpapers somewhat toned), top edge gilt, remainder rough-trimmed (a few light spots), original salmon cloth gilt, spine faded, two related advertisement slips loosely inserted, 8vo, housed together in a blue cloth slipcase with ribbon-pullQty: (4)
Milne (A. A.). The Christopher Robin Story Book, 1st edition, London: Methuen, 1929, signed by the author to title, numerous black & white illustrations by Ernest H. Shepard, scarce finger-soiling or minor marks, 4 leaves publisher's advertisements at rear, marbled endpapers, some spotting to fore-edge, modern dark blue morocco gilt, lightly faded gilt-decorated spine with raised bands, original blue cloth gilt front cover and spine bound in at rear, 8vo, together with: Toad of Toad Hall, 1st edition, London: Methuen, 1929, 4 leaves publisher's advertisements at rear, and 4 page publisher's advertisement leaflet loosely inserted, endpapers partly toned, top edge gilt, original blue cloth gilt, spine lightly faded, extremities minimally rubbed, dust jacket, some dust-soiling, a few light spots to rear panel, some edge-fraying and chips, browned spine somewhat rubbed, 8voQty: (2)
Milne (A.A., H. Fraser-Simson & E.H. Shepard). The King's Breakfast, 2nd edition, London: Mathuen & Co., 1926, illustrations by E.H. Shepard, light spotting to title, original cloth-backed pictorial boards, a few minor marks, 8vo, signed to title by E.H. Shepard, 9/1/70, together with Awdry (Rev. W.) Enterprising Engines (2 copies), 1968; Duke the Lost Engine, 1970, 1st editions, colour illustrations, original cloth, dust jackets, a few chips and tears, oblong 8vo, together with 6 other 'Railway Series' titles including 3 signed by the author, plus three others: Stuart Little, by E.B. White, 1st UK edition, 1946, Watership Down, by Richard Adams, 1974 paperback reprint, clear tape laminate to covers, inscribed by the author to title, and Ethel & Ernest, by Raymond Briggs, 1st edition, 1998, signed by the authorQty: (13)
* Milne (A.A.). The Pooh Calendar [1930], London: Methuen, [1929], pictorial cover and 12 illustrated leaves by Ernest H.Shepard, printed in colours on card (rectos only), covers somewhat toned and spotted, a few light spots to February, fastened with tassled yellow silk cord at head, 26 x 19cm (10.25 x 7.5ins), contained in original brown printed pictorial publisher's envelope, somewhat toned and dust-soiled, edge-frayed with some small chips, flap with 3cm closed tearQty: (1)NOTESScarce with the original envelope.
* Milne (A.A.). The Very Young Calendar 1930 ..., London: Methuen, [1929], pictorial cover and 12 illustrated leaves by Ernest H.Shepard, printed in colours on card (rectos only), covers somewhat toned and spotted, a few light spots to January, fastened with tassled blue silk cord at head, 25.5 x 20.5cm (10 x 8ins), contained in original blue printed publisher's envelope, somewhat toned and dust-soiled, with a little edge-frayingQty: (1)NOTESScarce with the original envelope.
Nicholson (William). London Types, William Heinemann, 1898, 12 colour lithograph plates, advertisement leaf at rear, light offsetting to text, occasional light marks to margins, endpapers spotted, hinges split, red edges, gutter percha perished and replaced with later stitching, original cloth-backed boards, soiled, head of spine frayed, edges showing, large 4toQty: (1)
Outhwaite (Ida Rentoul, illustrator). Elves and Fairies ..., Verses by Annie R. Rentoul, Selected Edition, Melbourne & Sydney: Lothian Book Publishing, 1919, 6 full-page colour illustrations, numerous black & white illustrations including 15 full-page, 'book belongs to' box neatly filled in, stitching strained, rear hinge cracked, original cloth-backed pictorial boards, toned with some light spotting, back cover a trifle rubbed or dented, slim 4toQty: (1)
Potter (Beatrix). The Pie and the Patty-Pan, 1st edition, London & New York: Warne, 1905, 1st issue (with date on title and mottled lavender endpapers), colour and black & white illustrations, occasional spotting (mainly to gutters), endpapers and half-title toned and spotted, stitching strained, original brown boards, front cover with inset illustration, extremities rubbed, some splitting to both joints, small 4to, together with: The Roly-Poly Pudding, 1st edition, London & New York: Warne, 1908, 2nd issue (title with date but without 'All rights reserved'), colour and black & white illustrations, some occasional light spotting, one leaf with short closed edge tear at foot, toned half-title with early ink manuscript inscription, original red cloth, front cover with inset illustration, lightly rubbed in places, spine somewhat faded, front cover marked at upper left corner, small 4to, plus: Ginger & Pickles, 1st edition, London & New York: Warne, 1909, 1st or 2nd issue (with date on title), colour and black & white illustrations, occasional minor finger-soiling or light spotting, front pastedown with contemporary ink manuscript inscription, original buff boards, front cover with colour pictorial panel, extremities very lightly rubbed, spine a little browned, front cover upper corner slightly bumped, small 4to, and a later printing of The Pie and the Patty-Pan, with pie and patty-pan endpapers, and front cover with image of Ribby sitting by the fireQty: (4)NOTESLinder, p.425 & 427 & 428 & 425 respectively; Quinby 9 & 15 & 17 & 9A respectively.
Potter (Beatrix). The Tale of the Flopsy Bunnies, 1st edition, London: Warne, 1909, early issue (with date on title, notice board on p.14 and printer's imprint on p.[86]), half-title, colour illustrations throughout, scarce light finger-soiling, first and last few leaves with minor stain at upper outer corner, pictorial endpapers, front pastedown with ink manuscript price at head, original brown boards, front cover with inset colour pictorial panel, both boards with small stain to upper outer corners, spine with loss at head (affecting 'The'), 16mo, together with 15 Beatrix Potter later editions (but all before May 1919), comprising 12 different titlesQty: (17)NOTESLinder p.428; Quinby 16. Frederick Warne and Co. of London were incorporated in May 1919, therefore these books which all have the imprint Frederick Warne and Co (without 'Ltd.' at the end) were published before that date.
Potter (Beatrix). The Tale of Timmy Tiptoes, 1st edition, London: Warne, 1911, first or second printing (with date on title), half-title, colour illustrations throughout, occasional light finger-soiling, pictorial endpapers, front pastedown with booksellers ticket at foot, stitching slightly showing, original brown boards, front cover with inset colour pictorial panel, extremities very lightly rubbed, front cover with tiny mark, 16moQty: (1)NOTESLinder p.429; Quinby 20.
Potter (Beatrix). The Tale of Pigling Bland, 1st edition, London: Warne, 1913, first or second issue (with date on title), half-title, 15 colour plates (including frontispiece), black & white illustrations to text, sparse light finger-soiling, pictorial endpapers, front free endpaper with contemporary ink ownership inscription and small skinned spot (corresponding to small previously adhered spot on pastedown), stitching somewhat strained, edges lightly spotted, original grey-green boards, front cover with inset colour pictorial panel and a couple of minor marks, corners a trifle bumped, 16moQty: (1)NOTESLinder p.429; Quinby 22.
Potter (Beatrix). The Tale of Johnny Town-Mouse, 1st edition, London: Warne, [1918], with 'London' printed correctly on the title-page, but also p.39 with quotes before first line and p.51 without quotes before first line, half-title, colour illustrations throughout, title blank verso stained, p.8 blank reverse with partial ink manuscript inscription, some finger-soiling or marks, one plate with corner crease, first few text leaves with strike-through of text from reverse, pictorial endpapers, original grey-green boards, with inset colour pictorial panel to upper cover, rear cover lightly scratched and pinholed, spine split along front joint, 16mo, together with: The Tale of Mrs Tittlemouse, Facsimile Notebook, London: Decimus Publishing, 1979, 10 tipped-in plates (most colour, one double-page), original straight-grain morocco gilt, contained in original gilt-pictorial slipcase, small 8vo (limited edition 264/500 copies), plus: The Tailor of Gloucester, A Facsimile of the Original Manuscript and Illustrations, London: Warne, 1968, a few light spots at front and rear, original gilt-lettered cloth, in clear plastic dust jacket (closed tear to front panel), contained in original pictorial slipcase (somewhat dust-soiled), 4to, (limited edition 162/1500 copies), with a quantity of Beatrix Potter later editions and related, including A History of the Writings of Beatrix Potter, by Leslie Linder, Warne, 1971Qty: (Approx. 120)NOTESFirst item: Linder, p.430; Quinby 25.
Rackham (Arthur, illustrator). The Rhinegold and The Valkyrie. By Richard Wagner. Translated by Margaret Armour, 1st edition thus, trade issue, London: William Heinemann, 1910, 34 tipped-in colour plates, captioned tissue-guards, strip of offsetting from adhesive to text-leaf following each plate, occasional spotting, original tan pictorial cloth gilt, light fraying to head of spine, a few marks, 4to, together with: Siegfried and the Twilight of the Gods. By Richard Wagner. Translated by Margaret Armour, 1st edition thus, trade issue, London: William Heinemann, 1911, 30 tipped-in colour plates, strip of offsetting from adhesive to text-leaf following each plate, occasional spotting, original tan pictorial cloth gilt, spine faded, light cockling to rear cover, 4to, Book of Pictures. With an Introduction by Sir Arthur Quiller-Couch, 1st edition, trade issue, London: William Heinemann, 1913, 44 tipped-in colour plates, captioned tissue-guards, free endpapers browned, ownership inscription (Cecil Rice) to front free endpaper, original grey pictorial cloth gilt, front board bowed, continuous dent in fore edges of both boards and of text-block, 4to, Little Brother and Little Sister. And Other Tales by the Brothers Grimm, 1st edition thus, London: Constable & Co Ltd, 1917, 12 tipped-in colour plates, free endpapers browned, ownership inscription (Cecil Rice) to half-title, original green pictorial cloth gilt, 4to, and 2 others, including T. C. Porter, Impressions of America, 1st edition, 1899, stereoscopic halftone plates from photographs, wood-framed viewing glasses in end-pocket, ownership inscription of David Talbot Rice dated March 1921 to front free endpaper, original two-tone cloth, ties lacking, 8vo, number 28 of 150 copies signed by the authorQty: (6)NOTESProvenance: David Talbot Rice (1903-1972), English archaeologist and historian; thence by descent. Latimore & Haskell pp. 36-7 (Rhinegold, Siegfried), 42 (Book of Pictures), 47 (Little Brother).
Rackham (Arthur, illustrator). Peter Pan in Kensington Gardens, by J.M. Barrie, London: Hodder & Stoughton, 1906, 50 tipped-in colour plates, closed tear to first tissue guard, some light spotting to text, original russet cloth gilt, one corner a little bumped, joints and edges slightly rubbed, 4toQty: (1)
Rackham (Arthur, illustrator). Peter Pan in Kensington Gardens, by J.M. Barrie, 5th edition, 1908, 50 tipped-in colour plates, frontispiece and half title detached, original cloth gilt, spine s little rubbed and darkened with small tears at ends, light edge wear, 4to, together with Attwell (Mabel Lucie, illustrator). Peter Pan and Wendy, by J.M. Barrie, Hodder & Stoughton, circa 1920, 12 tipped-in colour plates, hinges tender, front endpaper with previous owner signature detaching with clear tape reinforcement at gutter, original yellow pictorial cloth, spine a little rubbed and faded at ends, 8vo, with three others illustrated including Jessie Willcox Smith's The Water Babies, by Charles Kingsley, Boots the Chemist edition circa 1929 (with cleat tape reinforcements), Robinson Crusoe, illustrated by N.C. Wyeth, David McKay Company, Philadelphia, circa 1920 and A Book of Old Ballads, by Beverley Nichols, illustrated by H.M. Brock, 1934Qty: (5)
Rackham (Arthur, illustrator). The Ingoldsby Legends, Mirth & Marvels by Thomas Ingoldsby, London: J.M. Dent, 1907, 24 tipped-in colour plates, a little light spotting and toning to text, top edge gilt, others untrimmed, original vellum gilt, lacking ties, covers a little bowed, 4toQty: (1)NOTESLimited signed edition 451/560.
Wain (Louis). Big Dogs Little Dogs Cats and Kittens, London-Paris-New York: Raphael Tuck & Sons Ltd., [1903], 10 full-page and 1 double-page chromolithographed illustrations, numerous black & white illustrations, generally browned with some light spotting in places, occasional finger-soiling, stitching strained, front hinge cracked, original cloth-backed pictorial boards, rubbed and somewhat soiled, corners showing, slim folioQty: (1)
* Sambourne (Edward Linley, 1844-1910). The wine drinking Spaniard and the water drinking Moor, pen and black ink on thick card, depicting two knights on horseback jousting, with onlookers, signed and dated July 1887 to lower right, some light spotting towards edges, verso with red ink manuscript title, 15 x 24.5cm (6 x 9.75ins) mount aperture, window-mounted with hinged card front cover (with label to upper corner 'E6056'), together with:Ibid. Free Trade, Protection, and Retaliation, pen and black ink on card, depicting a lady and gentleman in historical costume, signed and dated 1904 to lower right, original artwork for a cartoon that appeared in Punch 27th October 1904, entitled 'Southampton Revels', a few light spots to edges, lower blank margin with card and glue residue, sheet size 31.5 x 24.5cm (12.5 x 9.75ins), mounted, plus:Ibid., The Aquittal [sic] of Sipido, pen & ink on card, unsigned, original artwork for a cartoon that appeared in Punch 15th August 1900, entitled 'The Stain on the Belgian Flag, The acquittal of Sipido', and 3 other original drawings, mostly pen and ink (one also with pencil), including: 'An Assisted Elopement' by H.M. Brock; Invitation Card (unfinished) by Linley Sambourne; and an illustration by A. S. BoydQty: (6)Note: Attribution of third item amended, and additional information added to second item.
* Wain (Louis, 1860-1939). Cat watching for chickens, pencil, pen & ink, heightened with body colour, on pale cream wove paper, depicting a crouched cat watching a chicken house in an orchard, signed in pencil to lower left, verso with pencilled 'No. 8' (circled), and 'Louis Wain's Annual' centrally, also with blue pencil '40.' in blue pencilled square to upper left corner, and with pencilled '2675[7?]' to upper right corner, some very light surface or handling marks, sheet size 34 x 25cm (13.25 x 10ins), adhered to window mount with brown gummed tape, with separate backboardQty: (1)
* Baynes (Pauline, 1922-2008). Dogs through the Ages, circa 1960s, gouache and graphite on artist's board (stamped to verso George Rowney & Co. Ltd. 'Diana Fashion Plate Board'), signed lower right, some light handling marks and minor soiling, mainly to edges, image size 294 x 463 mm (11.5 x 18.25 ins), sheet size 364 x 503 mm (14.3 x 19.75 ins)Qty: (1)
* Cotter (Rita, 20th century). Children at play, a pair of original watercolour illustrations on paper, depicting various small scenes of children playing, including feeding ducks, watching toy boats, going fishing, etc., with handwritten calligraphic verses from A Child's Garden of Verses, by Robert Louis Stevenson, each signed to lower right, one dated 1949, a few minor spots, one with very light dampstain to extreme lower blank margin, each 52 x 35 cm (20.5 x 13.75 ins), framed and glazedQty: (2)NOTESRita Cotter studied at the Glasgow School of Art between 1929-1932.
Chiswick Press. Sonnets, by Alfred Forman, printed for private circulation only, Chiswick Press, 1886, one or two minor spots, original limp vellum, slight soiling, small 4to, limited edition 49/50 signed by Charles Whittingham, printer, together with [Roy, William]. [Burying of the Mass - Satire on priesthood, especially Cardinal Wolsey]. Rede me and be nott wrothe for I say no thynge but trothe..., [reprinted by Charles Whittingham, Chiswick, 1845], satirical colour arms of Wolsey to title, printed in black letter, some light spotting, untrimmed, bookplates including Bernard Warrington, Pickering Collection, old bookseller cutting tipped-in at front, original cloth, chipped label to spine, loss at foot of spine, upper joint splitting, some fading, 8vo, limited facsimile edition of 100 copies (facsimile edition of the original first published in Strasbourg in 1528), plus Cuala Press. Lords and Commons. Translations from the Irish, by Frank O'Connor, The Cuala Press, Dublin, 1838, title with vignette in red, original cloth-backed boards (spine a little spotted), 8vo, with others including Happy Christmas, by E., P. and J. Gill, D., S. and M. Pepler, S. Dominic's Press, 1919, A Song about Tsar Ivan Vasilyevitch, Aquila Press, 1929, limited edition 112/750 (rebacked), and The Chorle and the Birde. Done into English from the French by Master John Lydgate, Swan Press, 1929, limited edition 97/100Qty: (19)
Flint (Sir William Russell, illust.). The Song of Songs Which is Solomon's, London: Philip Lee Warner publisher to the Medici Society, 1909, 10 mounted colour plates (including frontispiece), tissue-guards, light spotting to endpapers, top edge gilt, remainder untrimmed, original limp vellum, silk-ties, minor spotting, slim 4toQty: (1)NOTESLimited edition 475/500 printed on hand-made Riccardi paper.
Freedman (Barnett, 1901-1958, illustrator). A bound volume of proof lithographs for Anna Karenina by Leo Tolstoy, translated by Constance Garnett, printed for the members of The Limited Editions Club at the University Press, Cambridge, 1951, bound volume of proof lithographs only, containing colour lithograph frontispiece, 2 titlepages, and 58 colour lithograph illustrations, many printed recto and verso, top edge gilt, original quarter black cloth, spine lettered in gilt, with slipcase (some minor marks and light waterstain), 8vo, together with Mayne (Jonathan). Barnett Freedman (English Masters of Black and White), London, Art and Technics, 1948, inscribed 'to Humphrey from Barnett May 1948', torn and frayed dust wrapper, 8voQty: (2)NOTESPresentation copy from Barnett Freedman, with handwritten inscription to front blank: 'Proofs of Lithographs for Tolstoy's Anna Karenina, Limited Editions Club, U.S.A. Covers, Endpapers, Title - pages and Half titles, for Humphrey from Barnett, July 14 1953'. The artist is known to have had a few sets of proofs of his illustrations made for presentation to friends. A similar copy inscribed by the artist to another recipient was sold in these rooms in June 2018.
Golden Cockerel Press. Lucretia Borgia. The Chronicle of Tebaldeo Tebaldei - Renaissance Period - by Algernon Charles Swinburne, Commentary and Notes by Randolph Hughes, Golden Cockerel Press, 1942, wood-engravings by Reynolds Stone, presentation inscription from Randolph Hughes to Terence East, 1943 at front, top edge gilt, original cream buckram gilt by Sangorski & Sutcliffe, spine a little darkened, some light dust-soiling, folioQty: (1)NOTESLimited edition 90/350.
Old Stile Press. The Ballad of Judas Iscariot, by Robert Buchanan 1841-1901, The Old Stile Press, 1982, linocut illustrations by J. Martin Pitts, original cloth-backed boards, slipcase, 4to, limited edition 70/100, signed by the artist, together with Allen Press. Jealousy. Rhythmic Themes by Alain Robbe-Grillet, Allen Press, Kentfield, California, 1971, illustrations by Michèle Forgeois, original illustrated boards, one or two light marks, 4to, limited edition of 140, plus Enitharmon Press. Poems, by Harold Pinter, Enitharmon Press, 1968, errata slip loosely inserted, original morocco-backed boards, small 4to, limited signed edition 15/200, with other private press including Rampant Lion Press, Grabhorn Press etcQty: (21)
Twelve by Eight Press. Reflections from the Sea, by J.G. Lubbock, The Twelve by Eight Press, Leicester, 1971, 11 double and single page plates, some light offsetting, top edge gilt, original blue morocco gilt, slipcase, 4to, limited signed edition 56/85, together with Whittington Press. Hellmuth Weissenborn. Painter & Graphic Artist, Whittington Press/Bahman & Turner, 1976, colour illustrations, original cloth, slipcase (a little rubbed), 4to, limited signed edition 86/200, plus Fleece Press. Endeavours & Experiments. John Buckland Wright's essays in woodcut and colour engraving, together with other blocks remaining in his studio, by Christopher Buckland Wright, The Fleece Press, 2004, colour and monochrome illustrations, original cloth-backed boards, slipcase, 4to, limited edition of 150 (from a total edition of 300), with other private press including S.T.E. Lawrence. Boxwood Blockmaker, Whittington Press, 1980, limited edition 216/250, Gold & Books, illustrated by Rigby Graham, Brewhouse Press, 1969, limited edition of 250, Thomas Gray's An Ode on a Favourite Cat Drowned in a Tub of Goldfishes, Incline Press, 2001, limited edition 62/150 and Charles Flores Correspondences, monotypes by Rigby Graham, Cog Press, 1973, limited edition 35/150Qty: (18)
Verlaine (Paul). La Bonne Chanson, Paris: Creuzevault, 1936, 21 dry point etchings by Hermine David, gilt patterned fly-leaves, gilt patterned green material endpapers, light brown morocco hinges, top edge gilt with remaining edges rough trimmed and gilt, near-contemporary light brown morocco by A. Godon, decorative design in gilt to upper cover of wheat heads and stems, in chemise with light brown morocco spine and fore-edge strip, gilt patterned sides, contained in matching slipcase, 8voQty: (1)NOTESLimited edition 92/415 copies on Rives paper.
Asimov (Isaac). Pebble in the Sky, 1st edition, Garden City, New York: Doubleday & Company, 1950, occasional minor spotting, clear tape marks to endpapers, original grey cloth, spine lettered in red (slight clear tape residue to extremities), dust jacket, folds and edges a little rubbed, slight marginal toning, 8vo, the author's first book, together with Foundation, 1st UK edition, London: Weidenfeld & Nicolson, 1953, some light spotting, contemporary previous owner inscription, original cloth, dust jacket, some fading to spine, medium repaired tear to front panel, slight soiling to rear panel, 8vo, plus other Asimov including Robots and Empire, 1st edition, 1985 and others, ex-libris and paperbacks etcQty: (13)
Asimov (Isaac). I, Robot, 1st edition, New York: Gnome Press, [1950], marginal red stain to rear pastedown and endpaper, light spotting to fore edges, original red cloth, rear cover with damp stain towards lower corner, dust jacket, spine and front panel margins faded to grey, clear tape reinforcement at head and foot to verso, small tear and loss to rear panel, small tears and nicks to edges, damp stain at foot of rear panel and flap, 8voQty: (1)
Asimov (Isaac). I, Robot, 1st UK Grayson & Grayson edition, 1952, original cloth, dust jacket, small abrasion to front panel (from sticker removal?), a little rubbed with small chips, 8vo (the first UK edition was published by Dennis Dobson in 1950), together with Capote (Truman). Breakfast at Tiffany's, 1st UK edition, London: Hamish Hamilton, 1958, a little light spotting and toning, contemporary presentation inscription to front endpaper, original cloth, price-clipped dust jacket, spine ends chipped, light spotting to rear panel, 8vo, plus Nabokov (Vladimir). Lolita, 1st UK edition, London: Weidenfeld and Nicolson, 1959, small clear tape residue marks to rear pastedown, original cloth, dust jacket, edges slightly rubbed, 8vo, with four others: F. Scott Fitzgerald's Tender is the Night, 1st UK re-issue, Grey Walls, 1953, Herman Wouk's The Caine Mutiny, 1st US edition, 1951, Evelyn Waugh's Brideshead Revisited, 1st US trade edition, 1945 and a paperback reprint of Isaac Asimov's The Martian Way and other science fiction stories, 1971 (signed by the author)Qty: (7)

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