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Lot 183
*Roger Hilton (1911-1975)Nude and a chairsigned with initials and dated '74 l.l., felt-tip pen30 x 20.5cmProvenance: Waddington Galleries Ltd, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down. Paper light brown, ink a little faded.Frame 51 x 41cm
Lot 188
*David Nash RA (b.1945)'Sheep Space, Blaenau Ffestiniog'signed l.r., inscribed with title and dated 1981 l.l., mixed media17.5 x 27cm*Artist's Resale Right may apply to this lot.Condition report: Possibly a little light paper discolouration, and a very light wave to the paper. Not seen outside of frame
Lot 23
Paul-Cesar Helleu (French, 1859-1927)Mme Helleu with her head in her hands, study for 'Le Visage Encadre'drypoint, circa 1900, edition never publicly issued, signed and inscribed 'tire 20' and 'planche detruite' in black chalkplate mark 30 x 32.5cmProvenance: William Weston Gallery, London.The collection of Margaret and David Beaton.Condition report: Not viewed out of glazed frame. Overall very light brown tone to paper, but no obvious major condition issues.
Lot 234
*Karolina Larusdottir RWS (Icelandic, 1944-2019)'Feeding the swans'signed l.l., also signed, inscribed and dated 1995 verso, oil on canvas 25.5 x 30.5cm*Artist's Resale Right may apply to this lot.Condition report: A 1 cm thin and light tear to back of canvas, appears as mark in background snow (see additional condition images)
Lot 24
Paul Cesar Helleu (French, 1859-1927)'Ellen Helleu in a lace-trimmed hat'Drypoint, circa 1902, from a small edition, signed in pencil l.l., plate mark 55 x 34cmProvenance: William Weston Gallery, London. (Label says it was bought from the artist by the previous owner);the collection of Margaret and David Beaton.Condition report: Not viewed out of glazed frame. Some light staining, a little patchy in lower margin.
Lot 245
*Fred Uhlman (1901-1985)'Winter'Signed l.r., oil on board25 x 30.5cmProvenance: With Abbott & Holder.*Artist's Resale Right may apply to this lot.Condition report: The black paint is thin in areas such as railings in foreground and branches. Some small paint losses to background near tree centre right.Some light surface dirt. A few chips to the paint centre, to the trees. One or two further very small chips/indents; close to left edge in top half. One of two very small cracks in the paint in the snow, lower right. A few dabs of blue in between branches, upper left, possibly added later.Please view additional images.
Lot 259
*Pamela Chard (1926-2003)Still lifeoil on board100 x 62cm, unframed*Artist's Resale Right may apply to this lot.Condition report: All works from the Chard Studio are subject to condition issues. As they have been stored in a studio or attic for many years they are dirty.Many have scratches, paint loss, damage to stretchers and frames.Some works also have dents, holes and tears.Unframed. Some light surface dirt and scuffs to edges of board.No obvious major condition issues.
Lot 261
Marie Parmeter (20th century)Catstone35cm long, 25cm wide,16cm highCondition report: Damage to base near back. Light rubbing and small scratches and nicks to stone. Dark marks and red mark on face and other places look to be stains, possibly paint, rather than inclusion of stone. We do not know the type of stone used, it is very heavy and could be some form of marble, it is not a composite. Please see additional images.
Lot 269
Linda McCartney (American, 1941-1998)'Monsters'signed and dated 1980 u.l., also signed by the artist verso, pen and ink and crayon27 x 35.5cmProvenance: Stars Art Auction, Phillips, London, 20 October 1981 (donated by the artist for charity auction).Condition report: Not viewed out of glazed frame. Very light staining to edges of mount.
Lot 281
*Jean Field (b.1939) 'Symphony of Heads'signed and dated 1976 verso, oil on canvas65 x 95cmThis work was inspired by a row of wig stands in Woolworths. Jean Field describes the heads as 'gradually developing personalities of their own as the changing light constantly affected the subject'.*Artist's Resale Right may apply to this lot.Condition report: No obvious condition issues.
Lot 297
Keith Haring (American, 1958-1990)Yellow Montreux, 1983screenprint100 x 70cm, unframedCondition report: One of two extremely light half moon creases close to edges, barely visible.A very small and light indent at top left edge.A very small speck of yellow ink missing top right corner.One or two very light surface scuffs to black areas, only visible from certain angles.
Lot 298
Keith Haring (American, 1958-1990) Yellow Montreux; Green Montreux; Pink Montreux, Jazz Festival Posters, 1983set of three screenprints in colours on smooth wove 100 x 70cm, unframed (3)Condition report: Pink background - one small very light crease top left corner. One or two very soft half moon handling creases at extreme edges. Very light occasional scuffs to the black sections, only visible from certain angles.Green background - a few half moon handling creases close to edges. One in centre top margin is particularly visible and has a little corresponding ink loss. A tiny, 2mm, nick in the lower edge which has caused paper to lift slightly.Yellow background - a few scattered half moon handling creases close to margins. Light scuffs to black secitons. Little smudge of black ink from number '4' lower right.
Lot 313
*Patrick Hughes (b.1939) 'Banksy', 2018 hand-painted multiple with archival inkjet, artist's proof, signed and numbered edition of 20 102cm wide, 16.5cm deep, 45cm high *Artist's Resale Right may apply to this lot.Condition report: A couple of small flakes of paper/polystyrene have managed to get inside the perspex box.There are light surface scuffs along the lower edge of the perspex box and one or two further very light surface scratches elsewhere.
Lot 346
*Grayson Perry RA (b.1960) 'Alien Baby'glazed ceramic, 2008, stamped and numbered 11 to the reverse, from an edition of 1227 x 17cm'Alien Baby' was created during his time making the BAFTA nominated 'Rites of Passage', a four episode series exploring the topics of Death, Marriage, Birth and Coming of Age. Perry travelled the world exploring rituals across different cultures before returning home to England, to discuss his findings with British families, drawing parallels with seminal moments in their own lives and helping to devise secular rituals to help them make sense of the landmark moments they were experiencing.He described witnessing the slow motion modern miracle that sees the babies being nurtured into the world by the dedicated team of nurses who help them survive and thrive against all odds. He sees the nurses as the crew of a spaceship, employing modern technology with a sympathetic touch, the twinkling lights of the monitors reminiscent of the light-up controls of the flight deck of a spaceship. Inspired by this cosmic scene and believing there to be a need for the NHS to be ritualised as one of the pillars of modern society, Grayson produced a range of 12 'Alien Babies', each a celebration of the NHS, the technology and, above all, the humanity of the neonatal nurses. The works, each unique and executed in pottery with a metallic gilt glaze, were gifted by the artist to every member of the neonatal team at the Broomfield, as well as to the couples featured in the show. He states ‘each sculpture represents the spirit of all the little lives bought into the earth by the nursing team’.Provenance: This work was given by the artist to one of the nurses featured in the programme.*Artist's Resale Right may apply to this lot. Condition report: Some light rubbing on back of figure. Indentations from kiln stand on back.
Lot 361
*Ben Eine (b.1970)'Oranges and Lemons'screenprint in colours with screenprinted varnish, 2012, signed, dated and numbered 140/300 in pencil, on wove paper, with marginssheet 70 x 70cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light surface dirt in the margins, possibly finger prints. No other obvious flaws
Lot 54
*Dame Laura Knight RA RWS (1877-1970)The rehearsalpen and ink and watercolour24.3 x 38cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Signed with initials in pencil lower right on dark area. Paper stained light brown overall. Handling creases. Repaired tear to upper edge of paper. Tape marks to upper corners. See additional images.
Lot 55
*Dame Laura Knight RA RWS (1877-1970)Circus Horses;verso, an acrobat doing a handstandsigned 'Laura Knight' in red pencil over initials l.l., black pencil23.5 x 31cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. A double sided work. Front - circus horses - has spots of foxing and light staining. Back - handstand - very stained light brown all over with some white spots
Lot 61
*Gerald A Cooper (1897-1975)A still life summer flowers in a glass vasesigned and dated 1946 l.r., oil on canvas76 x 63cm*Artist's Resale Right may apply to this lot.Condition report: Seeing the painting under uv light shows there is retouching in quite a few areas of still life, and a wash over background. Please see additional condition images.
Lot 70
*Cedric Morris (1889-1982)French landscapesigned l.r., oil on canvas45.5 x 55cmProvenance: Sotheby’s London, 26 September 1984, lot 274.Cedric Morris had an enduring interest in landscape painting stretching back to his early years as a painter. Before the late 1920s, although interested in nature, he was yet to develop his passion for horticulture and so his output was varied in its scope and comprised of many portraits, landscapes and also birds. He lived for two years between 1918 and 1920 in Newlyn, and then along with his partner Lett Haines moved more permanently to Paris towards the end of 1920, using it as a base for the majority of the decade to come. From here, he could travel widely and he spent the summers throughout Europe in pursuit of new landscapes for inspiration. He spent time in Italy, the Dordogne, and Normandy where Margaret Morris, wife of the colourist J D Fergusson held her summer school. Like many artists, he was drawn to the south of France, in particular to the vallée de l'Ouvèze, where he remarked of his work there: 'I think the landscapes are the best I have ever done, rather like the Newlyn ones, the colour suits me' (Hugh St. Clair, 'A Lesson in Art and Life’ Pimpernel Press Ltd., 1919, p.48).In his Mediterranean works we can see a difference in colours as Cedric responds to the drier landscape - the heavy, rich greens and browns that saturate his British and Welsh views are still present, but toned more sparsely amongst ochres, Naples yellow and raw umbers, punctuated with accents of pale blues and pinkish hues. In our picture we can feel the difference in climate, the dry arid sandy soil and rocks of the foreground and the lighter-coloured olive trees beyond. The work is typical of his painting style - richly impastoed, with clearly defined brush strokes applied in varying angles across the surface. The work is impressionistic; he manages in a few gestural stokes to depict a startling variety of trees and shrubs, indicating his huge appreciation of the variety of flora around him.*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, may benefit from cleaning. Canvas not entirely flat but this may be due to thick impasto and does not detract from appearance. Back of canvas has been painted. Small rusty coloured mark to upper left corner, this shows up under uv light. Another small mark in trees directly below this also shows up under uv light. Please see additional images.
Lot 81
*Ruskin Spear RA (1911-1990)'In the club'signed l.r., oil on canvas61.5 x 51cmProvenance: Christie's London, 23 March 1995, lot 115.Literature: Martin Levy, 'Ruskin Spear', The Royal Academy Painters and Sculptors, pl.8, p.16.*Artist's Resale Right may apply to this lot.Condition report: Small area of craquelure to leg of back figure.Some paintbrush hairs in paint.No obvious issues shown up under UV light.
Lot 12
A GENTLEMAN'S STAINLESS STEEL OMEGA SPEEDMASTER AUTOMATIC CHRONOGRAPH WRIST WATCH CIRCA 2000, REF. 175.0032 / 175.0033 Movement: 46J, automatic, cal. 1140, signed Omega. Case: Diameter approx. 39mm, snap back, Speedmaster emblem embossed on case back, signed Omega, no number, tachymetre bezel, Omega crown. Strap: Leather. CONDITION REPORT Dial: Original dial in very good condition, showing small signs of age. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In good condition, with some light scratches due to general use. Strap/Bracelet: In excellent condition.
Lot 13
A GENTLEMAN'S STAINLESS STEEL BRITISH MILITARY OMEGA W.W.W. WRIST WATCH CIRCA 1945, PART OF THE "DIRTY DOZEN" Movement: 15J, manual wind, cal. 30T2, signed Omega, numbered 10,xxx,xxx. Case: Diameter approx. 35mm, fixed bars, screw back, signed Omega Watch Co, issue markings W.W.W. ^ Y15190 10679389. Strap: Leather. CONDITION REPORT Dial: Original dial in good condition, showing signs of age & light marks to the surface. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In good condition, with small scratches due to use. Strap/Bracelet: In good condition.
Lot 19
A GENTLEMAN'S BREITLING TOP TIME CHRONOGRAPH WRIST WATCH CIRCA 1969, REF. 2006/33 WITH "PANDA" DIAL Movement: 17J, manual wind, Valjoux cal. 7733, signed Breitling Watch Ltd. Case: Width approx. 37mm, chrome plated case with steel snap back, signed Breitling, numbered 1,2xx,xxx, Breitling crown. Strap: Leather. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In very good condition, with some light wear to plating of reverse side due to general use. Strap/Bracelet: In excellent condition.
Lot 21
A GENTLEMAN'S STAINLESS STEEL DOXA SFYGMOS SINGLE BUTTON "DOCTOR'S" CHRONOGRAPH WRIST WATCH CIRCA 1960s, REF. 7003-4 WITH PULSATIONS SCALE DIAL Movement: 17J, manual wind, modified Valjoux cal. 23. Case: Diameter approx. 35mm, screw back, signed Doxa, numbered 6,1xx,xxx, Doxa crown. Strap: Leather. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In excellent condition, with some light scratches due to general use. Strap/Bracelet: In excellent condition.
Lot 22
A GENTLEMAN'S 18K SOLID ROSE GOLD CHRONOGRAPHE SUISSE WRIST WATCH CIRCA 1940s Movement: Manual wind. Case: Diameter approx. 38mm, snap back, 18k hallmarks, dust cover. Strap: Leather. CONDITION REPORT Dial: Original dial in fair condition, showing signs of age. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In fair condition, with some wear & light scratches due to general use. Strap/Bracelet: In excellent condition.
Lot 24
A LADIES 18K SOLID YELLOW GOLD PATEK PHILIPPE CALATRAVA BRACELET WATCH CIRCA 1990s, REF. 4819 Movement: Quartz, signed Patek Philippe, numbered 1,5xx,xxx. Case: Diameter approx. 25mm, hobnail bezel, snap back, signed Patek Philippe, 18k hallmarks, Patek Philippe crown. Bracelet: 18k solid yellow gold bracelet, total length approx. 160mm. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In excellent condition, with some light scratches due to general use. Strap/Bracelet: In excellent condition, with some light scratches due to general use.
Lot 26
A LADIES 18K SOLID ROSE GOLD CARTIER PASHA WRIST WATCH DATED 2007, REF. 2812 WITH ORIGINAL BOX, PAPERS & DIAMOND SET DIAL Movement: Quartz, signed Cartier. Case: Diameter approx. 32mm, signed Pasha de Cartier, numbered, original diamond-set crown guard. Strap: Cartier leather strap & 18k solid rose gold deployment clasp. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In very good condition, with some light scratches due to general use. Strap/Bracelet: In good condition, deployment clasp in very good condition.
Lot 3
A GENTLEMAN'S STAINLESS STEEL ROLEX TUDOR PRINCE OYSTERDATE SUBMARINER WRIST WATCH CIRCA 1992, REF. 79090 Movement: 25J, automatic, cal. 2824-2, signed Tudor Auto-Prince. Case: Diameter approx. 40mm, Oyster case, signed Montres Tudor S.A., numbered B43x,xxx, 60 minute rotating bezel, Rolex triplock crown. Strap: NATO. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed. Case: In excellent condition, with some light scratches due to general use. Strap/Bracelet: In excellent condition.
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