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Click here to subscribeTwo William Ridgway, Son & Co. Humphrey's Clock series dessert plates, printed in light blue with a rural scene with Dickens' characters within a border of scrolls and flower swags, diameters 20.3 and 20.9cm, one with printed clock cartouche with series title and maker's initials, the other with printed title only, circa 1840-48 (minor chips behind one rim)
A Minton Lace Border pattern meat dish, with wavy edge, printed in light blue with a wreath of flowers surrounding a lace centre and a similar border of lace panels, length 37.8cm, printed mark with title and cursive initial M, large impressed "Improved Stone China" seal mark, circa 1830-50 (rim chip)
A "Florentine" pattern large water jug, possibly by Minton, of ornate gadrooned form with additional scroll-moulded lifting handle beneath the spout, printed in light blue with a floral pattern, height 33.2cm, printed title cartouche mark, circa 1835-50 (section of neck riveted, cracks in base)
A Charles Meigh Bouquet pattern large water jug, of ornate form with additional lifting handle beneath the spout, printed in light blue with scattered formal flower sprays and a border of flowers, birds and butterflies, height 37.4cm, printed title cartouche with maker's initials, circa 1835-50 (foot missing, cracks, chips)
Two blue-printed children's teapots: one of circular form with recessed cover, printed in light blue with a boy out riding in a romantic landscape, length 14.7cm, unmarked, circa 1835-50(handle glued, chips to rim and inside cover); the other of rounded rectangular form decorated with a group of two girls and a lamb, length 14.6cm, unmarked, circa 1840-60 (spout restored)
A small group of blue-printed coffee cans, including a Wedgwood can in the Peony pattern with a matching small twiffler plate (can with hair crack, plate with small rim chip), a gilt-rimmed can in Spode's Leaf pattern (hair cracks), two cans with light-blue romantic-style border patterns (one with hair crack and rim chip), a Wedgwood can in the standard Willow pattern, and two cans with other chinoiserie designs (both damaged); all except Wedgwood items unmarked, all between 1800 and 1860
Four blue-printed cream jugs: one of semi-ball shape printed in light blue with a scene of cattle, height 9.1cm (handle crack, rim chips); a second printed with a typical romantic Chinese scene, height 10.5cm (cracks, rim chip); the third printed in darker blue with a floral design featuring a reserve with two love birds, height 10.5cm (cracked); and the fourth of ornate shape on small scroll feet, printed with a rural scene, height 12.3cm (hair crack, handle glued); all unmarked, between 1815 and 1860
A Bisley Closed Competition Shooting Trophy for the 'A Company 1st Volunteer Battalion Duke of Cornwall's Light Infantry 1894'. A Victorian silver trophy cup and cover, the vase-shaped base with two scroll handles, part fluted and embossed with a band of flowers and scrolls, on a knopped stem and round foot with a nulled band, engraved with the winners names and dates, the part fluted cover with finial in the form of Victory standing on a sphere, Sheffield 1891 by John Round and Son Ltd, and an ebonised socle, the cup and cover 49cm high overall (19 1/4in) - 48oz
Three to Pte. W.C. Josey, Oxf. & Bucks. Light Infantry: 1914-15 Star, B.W.M. & Victory Medal, mint state; a B.W.M./Mercantile Marine medal pair (Leonard A. Cooper); a B.W.M./R.N.R. L.S. & G.C., Ed. VII (W. Brice, R.N.R.), the B.W.M. officially renamed; and other medals(4), including Khedive's Star for 1884 (unnamed), very fine or better; together with Third Reich badges and insignia(6) and two "wings" -19
Seven to Pte. W.R. Dickinson, Durham Light Infantry: Campaign Stars for 1939-45, Africa, Italy and France/Germany; Defence & War Medals (all unnamed as issued); Efficiency Medal, Geo. VI, type 1, bar Territorial, very fine; together with four badges and a gun-metal powder flask with brass fittings, this with several small dents -12
A Benlian Tabriz rug, the deep red field with one large and two small trees interspersed with a cockerel and hen, deer and birds and a light blue arch enclosing two tigers and deer, signed to the top right corner within a star, the sea green main border with palmettes united by flowering tendrils, alternate palmettes centred by masks, within two ivory ground foliate bands, approx. 140 x 212cm (55 x 83 1/2in)
A Royal Worcester coffee set for six painted by Harry Stinton, typically painted with Highland cattle in upland landscapes, with six silver-gilt coffee spoons, in a fitted case, printed puce marks, date code for 1930, the spoons hallmarked for London 1927 (one saucer with light crazing to the glaze)
A light oak dresser, George III and later, the inverted breakfront stepped cornice above three shelves flanked by short shelves and drawers, boarded back, above a rectangular top and three cockbeaded deep drawers with brass swing handles raised on a shaped apron and cabriole legs and pointed pad feet, restorations, 76 in (193.04 cm) wide, 19 in (48.26 cm) deep, 84 in (213.36 cm) high
An Edwardian mahogany boxwood and harewood inlaid and satinwood crossbanded bureau bookcase circa 1910, the bevelled and concave cornice above a harebell swagged frieze and astragal glazed doors enclosing adjustable shelves over a fall-front enclosing a light oak later fitted interior over four long graduated drawers raised on shaped bracket feet, 36 in (91.44 cm) wide, 18.5 in (46.99 cm) deep, 82 in (208.28 cm) high
A French light oak armoire, early 20th century, with panel cupboard door and fluted classical and scallop shell mouldings above a moulded drawer, on plinth base 49" wide, 24" deep, 83" high, a matching pot cupboard and two towel rails (4), 49 in (124.46 cm) wide, 24 in (60.96 cm) deep, 83 in (210.82 cm) high
A James Macintyre gesso Faience tobacco jar and cover, circa 1900, tube lined with olive green floral motifs against a light green ground, brown printed mark, 5" high, a Clarice Cliff crocus pattern ashtray, cracked, 4.50" diameter and a Copeland late Spode ovoid vase and cover printed with an early biplane and the flags of the nations, 3.50" high (5)
Chinese cloisonne wall plate, early 20th Century, worked with sparrows amidst blossoming peony and bamboo against a light blue ground, 12 in (30.48 cm) diameter), also a smaller cloisonne plate worked with a butterfly approaching apple blossom (damage to foot rim) (2), 8.5 in (21.59 cm) diameter
Derby porcelain pedestal sucrier, Circa 1782-1800, oval form with acanthus moulded loop handles decorated with floral sprays in light green enamel beneath a green enamel rim, bordered with gilt lines, over a spreading oval foot, puce baton mark (firing crack and hair crack to handle), 8.5 in (21.59 cm) long
French black slate and coloured marble clock garniture, circa 1900, the clock surmounted by a gilt brass mounted urn over a 3.5 in (8.89cm) diameter white enamel dial with Arabic numerals, eight day drum movement striking on a bell, on a canted plinth with cast brass scroll feet and a pair of conforming four light candelabra (3), 19.5 in (49.53 cm) high
AN R. LALIQUE MOULDED CEILING BOWL, circa 1930-35, of domed rounded form, moulded in relief with chrysanthemums upon a leaf pressed ground with translucent frosted finish marked R. Lalique, with four screw inserts, and associated Lalique wall light, circa 1930-35, of similar form, half-domed (2), 12 in (30.48 cm) diameter
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