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*GEORGE F. MORRELL (fl. c.1910-1950) A Collection of Drawings - subjects include Jupiter above Trafalgar Square; Coming of Saturn; Cyclone or Low Pressure System; Lunar Landscape Drawing; Point Where the Harvest Moon rises; The South East Heavens; Enke`s Comet; Jupiter`s Present Proximity; Jupiter rising from the Sea; Path of Orkisz`s Comet in the Northern Heavens; Path of the Star`s Light through the Ether; Marconi, Mars and the Mysterious Messages; white, black and grey wash heightened with white, on card, unframed, varying sizes 12 x 14 in (30.5 x 35.6cm) and smaller; (39) George Morrell worked as an illustrator, designer and poster artist. He had a particular interest in Astronomy. He wrote and illustrated articles on the planets and their Orbits within the Solar System. Publications that he worked for included The Illustrated London News, Popular Science Weekly and The Graphic. For a drawing by George Morrell comparable in date to others in this group cf. Christie`s, Niall Hobhouse Collection, 22nd May 2008 Lot 219
A pair of French silvered metal mounted moulded and cut glass seven light candelabra, by Baccarat, 20th century, each with a beaded and lobed urn socket above a dished drip pan hung with pendants, on a lobed baluster stem above six conforming sockets and drip pans on twist moulded arms, rising from a lobed fitting above a standing caryatid portrayed draped in the Classical style, the lobed, circular bases inscribed ‘BACCARAT’ to the undersides, 64.5cm high, 36cm wide
A set of four Victorian gilt metal and cut glass mounted four light wall appliques, late 19th century, each with a foliate urn cast socket raised above three others on scrolled arms, all with dished glass drip pans and hung with faceted glass bead swags, on openwork foliate cast backplates, 38cm high, 39cm wide, 26.5cm protrudence
A pair of gilt metal eight light chandeliers in the Louis Philippe taste, early 20th century, the foliate cast urn sockets on scrolling foliate cast arms, issuing from dished bodies, each with three suspension chains rising to a corona, 78cm high, 61cm widePlease note: These are not a pair. The image of one has been duplicated for the catalogue. They are similar in design, however do bear differences.
A Continental glass and silvered metal mounted fourteen light chandelier in the George III style, last quarter 20th century, the electrical sockets above foliate drip pans, on serpentine twist-moulded branches issuing in two tiers from the dished boss, a faceted and knopped stem rising to inverted, dished mouldings, hung overall with faceted glass bead swags and pendants, 145cm high, 86cm wide
LATE NINETEENTH CENTURY GILT METAL THREE LIGHT CANDELABRA, modelled as a winged serpent around a rustic column applied with a measuring fruiting vine, issuing two conforming scroll arms and sconces, raised on a pierced scrollwork, the form base, mounted on a shaped ebonised plinth, 22" (55.9cm) high, converted to electricity
Armand-Jean Duplessis (1585-1642), Cardinal Richelieu, cast Bronze Tribute Medal, 1631, bust right wearing biretta and robes, signed below, ARMANVS IOAN CARD DE RICHELIEV, rev globe within circle of stars, guided by a winged genius, MENS SIDERA VOLVIT, 50.5mm, cast with integral shaped suspension loop (BMC [Jones] 187-192; Jones, Warin, 5; Pollard [2007] 662; Kress 576; Mol 251; Clifford 455-458; Baldwin`s Auction 31, lots 1040-1041). A contemporary cast with light patination, very fine
Franz Bergman, Austrian 1838-1894, a cold painted bronze figural table light of the elephant rider, with boy riding the elephant, the light supported upon cushion attached to elephant`s back and housed within rectangular glass panelled frame with dome surmount, bears Bergman seal under elephant, height 37 cm. (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use.)
AMENDMENT: Please be aware, these items are Meissen style: A Meissen twin branch florally encrusted wall light, late 19th/ early 20th century, of oval form, overall decorated with birds and foliage, florally encrusted and adorned with putti, bearing maker`s mark to base, height 43 cm; a Sitzendorf florally encrusted wall plaque, late 19th century, of triangular form, overall decorated with encrusted flowers and central putto, bearing maker`s mark to base, height 23 cm, (2).
Fionnuala Boyd, British b.1944 and Les Evans, British b.1945- "Light Figure" and "Dark Figure", 1990; oils on canvas laid down on panel, a pair, signed and dated in pencil to the reverse, in co-ordinating frames, ea. 23x15.2cm, (2), (may be subject to Droit de Suite) Provenance: with Angela Flowers Gallery, London according to the label attached to the reverse of the frame
A French gilt metal toleware eight branch chandelier, late 19th/early 20th century, overall with molded gilt metal leaf decoration, waterfall drops of glass lustres, each branch with candle light sconce with pear drop glass lustres, continuous graduated ball glass lustres, leading to central glass finial, height 100 cm. (It is the buyer`s responsibility to ensure electrical items are professionally rewired for use).
Aline Magnusson terracotta sculpture of a ram, raised on light oak rectangular plinth base, length 30cm, height 22cm, signed and dated 1993 on plinth base NB: Aline Magnusson is an Irish born sculpture, some of her most noted work include `Cat Tinkerbell`, `Piglet Glader` featured in bronze, on streets in Stockholm (illustrated)
Erskine Nicol RSA ARA (1825-1904) COUPLE RESTING BY A GRASSEY KNOLL, 1852 oil on board signed and dated lower right; with framer`s details stamped on reverse 24.13 by 37.465cm., 9.5 by 14.75in. L This work was executed the same year as a comparable work in oil now in the collection of the Tate entitled Wayside Prayer, 1852, presented by Sir Henry Tate in 1894 (Tate reference, N01537). The female character wears the same dress and headscarf in both works and the setting, gravely path and rickety fence all bear a striking resemblance to the Tate`s example. It is possible that the woman in this work is also praying, having perhaps had some sustenance from the jug in the left foreground. However, the animated face of the man, his gaze directed towards her, suggests a more light-hearted flirtatious ambience. His left hand appears to be touching the ring finger of his right, indicating perhaps their relationship either present or anticipated.
Hugh J. Masterson STILL LIFE WITH CHARDONNAY AND ORANGES oil on canvas signed lower right; with Combridge Fine Art label on reverse 60.96 by 45.72cm., 24 by 18in. P "Combridge Fine Art, Dublin; Where purchased by the present owner" "Dublin born Masterson is currently based in Colorado, USA but is represented in Ireland by Combridge Fine Arts, Dublin and in England by Whibley`s Fine Art, Sussex. He draws inspiration from the Dutch masters and has a keen interest in understanding and experimenting with the science of painting. According to the artist, "At the heart of good painting is the ability to make a unified statement on the canvas and convey a message with light and colour. This is something that goes beyond technical understanding and must be obtained through perseverance and the study of great artists of past times."
Seventeen David Winter Cottages - The Millenium At Horseshoe Bay, Miner`s Cottage, Moonlight Haven, Moorland Cottage, Newton Millhouse, Plum Cottage, Quindene Manor, Suffolk House (light pink), Tom`s Yard, Trainspotters, Treasures Of Egypt, The Village mould 1, Watt`s Cottage, The Weaver`s Lodgings, Welcome Home Cottage, The Winemerchant and Woodcutter`s Cottage
A NICKLE CASED REVUE PRECISION POCKET WATCH CIRCA 1940S. D: White dial with Arabic numerals and outer minute track. M: Manual wind 17 jewel Swiss lever movement. C: Circular shaped case signed Revue Precision, case diameter approx 50mm excluding the neck and bow. D: In very good original condition. M: In working order at present. C: In very good condition with some light scratches and wear due to general use, D: Dial / M: Movement / C: Case / S: Strap / B: Bracelet.

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534325 item(s)/page