We found 534325 price guide item(s) matching your search
There are 534325 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534325 item(s)/page
The Electric Light Orchestra Story by Bev Bevan softback book 174 pages Published Brunel University Bookshop. Book in good condition with dings to corners and spine has creasing on bottom front cover and some pages with discolouration. Sold on behalf of the Michael Sobell Cancer Charity. Shipping at cost from £4.99 in UK, we can ship a 30kg box for £10 so up to 10 books. Overseas shipping at cost from £7.99
A Chinese silver cigarette case of rectangular form having engraved dragon decoration to front with Mahjong Red Dragon emblem (symbolising good fortune) to cartouche, stamped to interior: Kai Wee 90 Silver, Hong Kong silversmith, approx 155g Condition Report case in good condition with no damage to decoration on front, clasp in good condition some light scuffing to back and some tarnish to inside but in good condition. original elastic missing
A CONTINENTAL SILVER AND ENAMEL SEWING COMPANION, the screw cap thimble opening to reveal three-bobbin holder with needle case inner, the cap exterior enamelled with a band of roses against a pale green guilloche enamel ground, stamped 935. 5.3cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.A few very very small pin head sized faults to the green enamel (possible bubbles/air holes) light surface wear to body. No losses or damage to enamel.
Carrie Lees (b.1966) Snowdrop Signed verso Limited edition giclée print 56 x 40.5cm (63.5 x 48cm including frame) Horatio's Garden will receive 100% of the hammer price on this lot. Carrie Lees trained as a fine art photographer at St. Martins and the Black and White School of Photography with Natasha Bult, where she immersed herself in traditional printing techniques, producing exhibition quality work. Her landscape and travel work have featured in many group exhibitions, such as the Thackeray Gallery, and in various Condé Nast publications. Carrie subsequently worked as a successful portrait photographer for many years. She developed techniques that focussed on manipulation of natural light to create timeless images and printed using museum quality papers. More recently she has experimented with using these skills and the same traditional methods to create similar "portraits" of plants. She is drawn to the beauty and fragility of the botanical world and aims to produce simple but structural images to portray the living essence of the plants themselves. This can be seen both in her latest photographs and cyanotype prints.
Claudia Legge (b.1989) Empty Pool Archival pigment printed on German etching paper 80 x 60cm 90 x 70cm including frame. Float mounted in a hand-painted white box frame. Horatio's Garden will receive 50% of the hammer price. Claudia Legge is a photographer and director and underwater specialists based in London. She works and exhibits worldwide and is a qualified commercial diver. Her work has been in numerous group exhibitions including the Royal Photographic Society International photography Exhibition (2017). Taylor Wessing Photographic Portrait Prize at the National Portrait Gallery (2018), the Summer Exhibition at the Royal Academy (2019), the VIA Arts Prize at the Brazilian Embassy (2019) and The Underwater Photographer Of The Year (2021). 'Surrealist, magical and transcendentally beautiful, her work is fast becoming highly collectable.' The Gentleman's Journal 'The underwater realm she creates here is an erotically charged phantasmagoria of movement, shade, light, darkness and shadow.' The London Magazine 'Total triumph… skill of the highest order.' It's Nice That 'A young photographer taking the world by storm; one snap at a time'. MTV "Claudia's work never fails to amaze" i-D Magazine
Rebecca Newnham (b.1967) Vermeer 19 Oudolf Signed Glass and timber, 2019 92 x 92 x 9cm. Horatio's Garden will receive 50% of the hammer price. Description of the work: Vermeer are a series of curved reliefs whose reflective glass surface refracts the environment so that the viewer's perception switches between examining the image and the reflection. A painted response with glass enamels which are fired onto glass, cut up and collaged onto a curved timber frame which emphasizes the pixilated image. It is a system which questions what we see and how we see. This panel is the first in a series of three, in response to the fabulous pond in the Piet Oudolf garden at Hauser & Wirth in Somerset. It combines multiple images of the grey sky and clouds reflected on the surface of the pond, the aquatic plants below and the rippled surface. Rebecca Newham is a sculptor and designer concerned with dynamic movement and light. Each work playfully integrates science, art and engineering, and they can be static or kinetic; some float or suspend or rotate. Free standing works interpret scientific ideas such as fluid dynamics, waves of energy and sound. Wall panels are inspired by an experience of place, the painted facets merge with ambient reflection blending the image with the present. Newhams's sculptures often have a glass skin. Light reflecting from this faceted glass surface changes as the viewer moves through the space adding to the impact of the work. Glass is painted with enamels, fired then cut, polished, and applied to wrap seamlessly around the form. Newham has works in private and museum collections; she alternates working on her own narrative pieces with site specific commissions.
Lucy Kent (b.1984) Big Clouds and Wind Signed and stamped verso Oil on wood panel 25 x 30cm 40 x 45cm including frame. Horatio's Garden will receive 50% of the hammer price. Lucy is a British artist, living and working in Wiltshire, UK. Lucy works in oil, both en plein air and in the studio, making larger works from her studies. Her paintings capture a fleeting moment and the ever-changing effects of colours and light in nature. Working from life is an immersive experience, the paint is applied thickly with a brush and palette knife, working quickly and energetically to record the scene in front of her. Her works are loose and expressive impressions of her subject, picking out details such as a moon or a twinkling light on the horizon which entices the viewer further, drawing them into the painting and holding their attention. Having exhibited at the Royal Society of British Artists and the Royal Society of Oil Painters, Lucy's 'mini series' painted on her doorstep during lockdown last year were an unprecedented success and sold before the paint was dry!
Boo Mallinson (b.1967) Spring Landscape Signed Boo Mallinson (lower right) Charcoal, ink and acrylic on canvas 40cm x 40cm Horatio's Garden will receive 100% of the hammer price on this lot. Boo's paintings act as a visual diary and a way of recording her everyday walks and journeys through the landscape. When walking we absorb the sights, sounds and smells as they come together to form a very strong memory of place. Our minds can drift and wander, yet we are very much in the present. Memories of a repeated walk along a known pathway, the distant horizon, the dramatic changes of colour and light from one moment to the next, day to day, season to season, these immersive encounters with the natural world form the starting point of Boo's paintings. Some paintings remain very close to their origins, hinting at a place visited or remembered. These paintings are often smaller and more gestural, translating an idea quickly and embracing chance and accident. Other paintings evolve slowly and are reworked, building up the surface organically and allowing Boo to translate ambiguous images into new compositions. They are still about a visual encounter with the landscape yet there is a process of simplification, allowing her to explore colour and abstraction and to move intuitively between the real and the imaginary. This ambiguity allows the viewer the freedom to put their own interpretation into the paintings and be reminded of their own experiences of being within the landscape. Boo is represented by Highgate Contemporary Art in London and The Limetree Gallery in Bristol.
Madeleine Braithwaite-Exley (Contemporary) Soft Light, Scottish West Coast Signed MBE (lower right) Oil on canvas board 43 x 53cm (including frame). Horatio's Garden will receive 50% of the hammer price. Madeleine was born and brought up in Scotland. A keen artist from an early age, she is self taught, working in oils and acrylics, she favours still life and landscapes. Spending family holidays on the white sandy beaches of the Scottish West Coast or fishing the highland rivers, she has long memories of the strong colours on the mountains, in the seas and of dramatic skies. She gets her inspiration from the shores of the Hebrides, through the winding highland Glens and the rich farmland of Perthshire, where she now lives. Her work will usually have an abundance of colour, a variety of moody skies or a scattering of lobster & lemons! As the seasons change so do the inspiring opportunities.
Philippe Wouwermann (Haarlem 1619-1668), Oil paintinging on canvas depicting two figures on horseback. Cm 57x76. Philippe Wouwerman, son of the painter Paul Joosten Wouwermann, grew up in a family of painters as also his brothers Jean and Peter were. Known as a genre painter he devoted himself to the landscape in the wake of Van de Laer who was a painter who had been in Italy and executed paintings of Italianate landscapes. Wouwerman's works are depictions of everyday life, peasant falls in the tradition of bamboccianti. He lived mostly in his hometown of Haarlem immersed in the artistic influences of his time drawing but personalizing facilitated by a fast and agile ability to run stroke that allowed him a wide and substantial production. His depictions of horses are famous and very well known is to make it popular and it must be considered one of the greatest painters of the Dutch Golden Age. This work is characterized by a composition where the light effect is given by a single contrast giving a colorful damped, The low point of view carries a compositional diagonal that is characteristic and frequent. The palette is dominated by brown color with details that stand out for their liveliness such as red drape on the back of the horse or the red dress of the figure on horseback. The tower at the top and nuanced landscape in the distance give an Italianate tone in the manner of Van de Laer. The sharp contrast between the brown and light colors of the sky in shades of gray silver give a depth yield. The monogram P H W slightly discolored at the bottom right and notes listed on argue in favor of a certain paternity Phillippe Wouwermann. His works are on the RijksMuseum Amsterdam, the National Gallery in London, all'Ermotage St. Petersburg and above, with a remarkable collection, the Museum of Dresden. ASORStudio
A certified natural 5.29 carat colour change Sri-Lankan sapphire & diamond ring, the rectangular cushion cut sapphire held by four claws between two rectangular cut diamonds, on 'PLAT' white metal shank, accompanied by a Gem & Pearl Lab Report stating that the sapphire appears blue in daylight and bluish purple in incandescent light and shows no evidence of heat treatment. Finger size M/N.
Antike Keramik - Konvolut aus 2 römischen Vorrats-/Küchengefäßen aus hellem Ton: zweihenklige Amphore, Höhe ca. 28cm; Krugartiges Gefäß mit Ausgußröhre in ca 4,5cm Länge, Höhe ca. 16cm. Altersbedingte Gebrauchsspuren, Risse, Abplatzungen. Aus alter deutscher Privatsammlung. Versand nur innerhalb der EU! | Ancient pottery - set of 2 Roman storage/kitchen vessels made of light-coloured clay: two-handled amphora, height approx. 28cm; Jug-like vessel with spout approx. 4.5cm long, height approx. 16cm. Signs of use due to age, cracks, flaking. Old german private collection. Shipping only within the EU!
Münzalbum mit Dt. Kaiserreich - dabei etliche Münzen des Dt. Kaiserreichs, z.B. mit 1 x Freie Hansestadt Bremen - 2 Mark 1904/J, vz, feine Kratzer, leichte Tönung, minimal berieben, kleine Randkerben, leicht verschmutzt. Zudem III. Reich, BRD, Russ. Zarenreich, Dänemark 19.Jh, alle Welt. Erhalt stets unterschiedlich. Am besten besichtigen. Coin album with German Empire - besides quite a few coins of the German Empire, e.g. with 1 x Free Hanseatic City of Bremen - 2 Mark 1904/J, EF, fine scratches, light toning, minimally rubbed, small edge nicks, slightly soiled. In addition III Reich, FRG, Russ. Tsarist Empire, Denmark 19.Jh, all the world. Condition always different. Best to visit.
Kiste mit 19 Jahreskalendern mit u.a. historischen Wertpapieren, darunter u.a. Power & Light for the USA, Deutsche Wirtschaft auf Aktien, Satirischer Börsenkalender, Schätze der Reichsbank usw. Am besten besichtigen | Box with 19 year calendars with historical securities, including Power & Light for the USA, German economy on shares, satirical stock exchange calendar, treasures of the Reichsbank etc. Best to visit
LIKE A NEW CAR!!! VIEWING FRIDAY 10-6pm and can be viewed till 9pm externally until the car park gates close at 9pm - Registration SC14 UDP2014 ONLY 28,270 miles ONE YEARS MOT new !!! Car due to lock-down has only driven locally and around 1K miles since last serviced in Oct 2019(sat in driveway mostly)service History on car and stamped in bookVOLKSWAGEN PASSAT EXECUTIVE TDI BLUE MOTION Technology 4 DOOR SALOON Diesel 1600 in Grey with full black LUXURY leather seats New battery fitted and Timing Belt plus water pump fitted October 2019 27K milesCAR COMES WITH TWO KEYS AND V5 - SO READY TO DRIVE AWAY!The car has two minor issues, a part broken end part of the lower bumper grill(see pic) and light scrape marks on the front passenger door and rear door & same side rear bumper(looks like the previous driver ran past a semi-soft post or something! - again see pics - but minor and easy touch-up £120 approx.BUYERS ATTENTION: IF YOU BID AND LUCKY ENOUGH TO HAVE THE HIGHEST ££BID YOU STILL HAVE BUYERS COMMISSION of 18%( INCL VAT) TO ADD TO THE HAMMER PRICE YOU BID ON - TAKE THIS INTO ££CONSIDERATION WHEN BIDDING PLEASE! THIS CAR IS WORTH £7.5-8K!! 'IT'S A CRACKER!'
WÖRN, WALTER (Stuttgart 1901-1963), "Liegendes Paar am Strand", u.li. monogrammiert und datiert 'Wö 57', Farbkreide/hellbrauner Karton, HxB: ca. 50x70 cm (65x85 cm mit Rahmen). Mit verglastem Galerierahmen. Altersspuren. VERSO Etikett Galerie Gommel, Ludwigsburg. | WÖRN, WALTER (Stuttgart 1901-1963), "Couple lying on the beach", below left monogrammed and dated 'Wö 57', colored chalk / light brown cardboard, HxW: approx. 50x70 cm (65x85 cm with frame). With glazed gallery frame. Signs of age. VERSO label Galerie Gommel, Ludwigsburg.
MÄRKLIN zwei Güterwagen, Spur 0, 1930er Jahre, bestehend aus Plattformwagen blau/schwarz, darauf ein weiß/hellblauer, unbeschrifteter Tierwagen mit Löwe, (Riss am re. Vorderbein ), geprägtes Märklin-Logo, unterhalb des Wagens gestempelt, Herstellung 1936-1940, L 16, 5 cm, Altersspuren, dazu Planwagen 1663, rotbraun, helle Plane mit dem Stempel "Märklin" (stockfleckig), tlw. min. Lackschäden, L 13 cm, Herstellung 1932-1940. Zwei abweichende Märklin-Kartons der 1930er Jahre anbei. MÄRKLIN two freight wagons, track 0, 1930s, consisting of a platform wagon blue / black, on it a white / light blue, unlabeled animal wagon with a lion, (tear on the right front leg), embossed Märklin logo, stamped below the wagon, manufacture 1936-1940, l 16.5 cm, signs of age, with it a covered wagon "1663", red-brown, creme-colored tarpaulin with the stamp "Märklin" (foxing), partly with minor damage to the paintwork, l 13 cm, made 1932-1940.

-
534325 item(s)/page