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Lot 132
Milne (A. A.) The House at Pooh Corner, first edition, illustrations and pictorial endpapers by E. H. Shepard, ink gift inscription to frontispiece recto, browning and ink ownership inscription to endpapers, original pictorial cloth, light sunning to spine, a few small marks to upper cover, light rubbing to spine tips and corners, dust-jacket, spine a little darkened, slight chipping and fraying to head, minor chipping to foot of spine and corner tips, a very good copy, 8vo, 1928.
Lot 133
*** Please note, the description of this lot has changed ***Mitchell (Margaret) Gone With the Wind, first English edition, light browning to endpapers, original cloth, dust-jacket, price-clipped, spine ends and corners a little chipped with small portion of loss to head of spine and lower joint, light rubbing to extremities, with original Daily Mail Book of the Month wraparound band (neatly repaired at joints and a little spotted), preserved in custom drop-back box, 8vo, 1936.⁂ The first English edition of Mitchell's hugely successful Civil War novel, rarer than its American counterpart in the jacket, especially so with the wraparound.
Lot 134
Naughton (Bill) Alfie, first edition, signed by the author, additional signed presentation inscription from his wife to title, 2pp. manuscript draft of the work in the author's hand loosely inserted, these additionally signed with presentation inscription from the author's wife to same recipient, folds, original boards, dust-jacket, light creasing and chipping to edges and corners, otherwise excellent, 8vo,1966.⁂ Signed by the author and warmly inscribed by his wife, Ema, to Laurence Foster, formerly Head of Drama for RTÉ ("Thank you for taking 'Alfie' to Ireland").
Lot 136
Rowling (J.K.) Harry Potter and the Philosopher's Stone, first paperback edition, with "Joanne Rowling", no space between "Taylor" and "1997" and full 10 to 1 number line on title verso, "wand" listed twice on p. 53 ex-library copy but only with a stamp to copyright page, margins lightly toned, light pen mark to p.9, original pictorial wrappers with misprint "Philospher's" to lower cover, rather creased, rubbing along joints and edges, publisher's laminate peeling away at upper corner, spine faded, 8vo, 1997.
Lot 138
Rowling (J.K.) Harry Potter and the Prisoner of Azkaban, first edition, first impression, second state with corrected text on p. 7 and "J. K. Rowling" to copyright p. but without advertisement at rear, original boards, light bumping to spine ends, dust-jacket, spine lightly faded with very light creasing to edges, otherwise fine, [Errington 187], 8vo, 1999.
Lot 139
Rowling (J.K.) Harry Potter and the Order of the Phoenix, first edition, signed by the author on title and several members of the cast for the film on endpaper, PSA/DNA letter of authenticity loosely inserted along with 2 tickets from the London Premiere and Cast & Crew Screening for the film Harry Potter and the Prisoner of Azkaban, original pictorial boards, dust-jacket, light creasing to foot of spine, "Signed by the Author at Waterstones" sticker to upper cover, 8vo, 2003.⁂ One of the most difficult titles to find signed. Cast signatures include Daniel Radcliffe, Emma Watson, Rupert Grint, Tom Felton and Richard Griffiths.
![[Rowling (J.K.)], "Robert Galbraith". The Cuckoo's Calling, uncorrected proof copy, original wrappers, light creasing to edge](https://cdn.globalauctionplatform.com/175e1d27-5155-4863-91f2-b02a010cc1cf/a4d3c4cb-2773-462f-8252-b02a011a6229/468x382.jpg)
![Sassoon (Siegfried) [The Sherston Trilogy], 3 vol. comprising: Memoirs of a Fox-Hunting Man, portion of light offsetting to f](https://cdn.globalauctionplatform.com/175e1d27-5155-4863-91f2-b02a010cc1cf/872a3044-4a95-4dd2-b135-b02a0118659b/468x382.jpg)
Lot 143
Sassoon (Siegfried) [The Sherston Trilogy], 3 vol. comprising: Memoirs of a Fox-Hunting Man, portion of light offsetting to front endpaper, jacket very lightly creased at head with a few tiny nicks, some very light surface soiling, 1928; Memoirs of an Infantry Officer, endpapers lightly browned, jacket with light spotting, a few very small chips or tears to edges, paper repairs to verso, 1930; Sherston's Progress, jacket with light creasing to flaps and edges, a few tiny nicks to head, 1936, first trade editions, vol. 2 & 3 with light spotting to endpapers and fore-edge, original cloth, spines a little faded (particularly to vol. 2), dust-jackets, light toning to spines, overall near-fine, 8vo. ⁂ A superb set of Sassoon's trilogy of autobiographical novels, the first volume being particularly scarce, especially in good condition.
Lot 144
Sholokhov (Mikhail) And Quiet Flows the Don, lower hinge cracked but holding firm, jacket with light chips and tears, tender along joints, reinforced with tape verso, 1934 [&] The Don Flows Home to the Sea, jacket spine faded, light creasing to spine ends, 1940, 2 vol., first English editions, endpapers browned, original cloth, dust-jackets, 8vo.⁂ The major epic of Soviet-era literature. Scarce. The Nobel Laureate's masterpiece follows the life and fate of the Don Cossacks during the Great War and Russian Revolution. Beginning in 1926 and completed in 1940, it was one of the first works of Soviet literature to be translated into English.
Lot 29
George Law Beetholme (British fl. 1847-1878) "The Fisherman's Haunt, Perthshire" Signed, titled on label verso, oil on canvas.75 x 61.5cm (framed 84.5 x 71.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of repairs and overpainting. There is craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor knocks and losses commensurate with age.
Lot 310
19th Century Carved Oak Buffet 19th century carved oak buffet or sideboard, carved pediment back with a central cabochon cresting, over a rectangular top with a moulded edge, carved frieze with oak leaf and repeating foliate pattern, central long cushion drawer raised on cabriole forelegs with scrolling acanthus leaf carved decoration and paw feet183cm wide, 59.5cm deep, 118cm highNo evidence of worm, carving in good condition with no losses, some light surface scratching in a few areas. Two splits to the top on the left hand side 40cm and 55cm long. Some wear to the top too, small scratches and a few knocks commensurate with age, consistent in colour.
Lot 34
Circle of Michiel Jansz. van Mierevelt (Delft 1567-1641) Portrait of Robert Bertie, 1st Earl of Lindsey (1582-1642), General to King Charles the First, bust-length, in armour, with a lace-trimmed collar and silver embroidered blue sash Unsigned, titled in the upper left-hand corner, oil on panel.68cm x 53cm (26.75in x 20.75in)Robert was the eldest son of Peregrine, 13th Baron Willoughby de Eresby and his wife Mary de Vere, daughter of the Earl of Oxford. He succeeded his father as 14th Baron Willoughby in 1601 and married Elizabeth Montagu of Boughton in 1604. In 1626, he was created Earl of Lindsey and was made a Knight of the Garter the following year. King Charles I appointed him First Lord of the Admiralty from 1635 to 1636 and Lindsey also established his claim, through his mother, to the hereditary office of Lord Great Chamberlain of England. Lord Lindsey supported King Charles I in the Civil War and, as an experienced military commander, the King appointed him General of his Royalist troops in August 1542 prior to the Battle of Edgehill. Lindsey fought on foot at the head of his infantry regiment at the battle, but was shot through the thigh and captured by the Roundheads. He was taken to a nearby barn, but died of his wounds the following day on 23 October 1642. He is buried at the church of St Michael and All Angels, Edenham.The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is a repaired split to the panel running from top to bottom with corresponding inpainting and a repair strip on verso. There is some minor craquelure across the surface of the painting and some light surface scuffs and scratches with some small areas of paint loss around the edges of the panel. The painting is ornately framed but not glazed. The frame has the odd minor knock and loss commensurate with age.
Lot 47
James Peel R.B.A. (British 1811-1906) Mountainous rural lane with cattle and drover Signed, oil on board.22 x 30cm (framed 39.5 x 47cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is a small tear to the board in the upper right-hand corner and some flecks of paint loss along the upper and right-hand edges of the board. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 48
Joseph Adam (Scottish 1819-1886) and Joseph Denovan Adam R.S.A. (Scottish 1842-1896) Mountainous landscape with sheep grazing Signed, oil on canvas.35.5 x 52cm (framed 60 x 76.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The surface appears to be grubby and there are some minor surface marks and scuffs across the painting. There are some small holes and areas of paint loss around the edges of the canvas. There is minor craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses.
Lot 62
Henri de Beul (Belgian 1845-1900) Highland scene with sheep, watchful dogs and approaching shepherd Signed and dated 1873, oil on panel.59.5cm x 80.5cm (23.5in x 31.75in)The painting is in very good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is some minor craquelure in areas across the painting and some minor flecks of paint loss around the edges of the panel. The painting is ornately framed but not glazed. The original frame has some minor scuffs and knocks commensurate with age.
Lot 66
George Turner (British 1843-1910) "Hay-Field, Barrow" Signed and dated 1866, titled on verso, oil on canvas.29 x 49.5cm (framed 44 x 64cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and extensive overpainting. There is minor craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 69
British School (19th century) Portrait of a seated girl, in a purple dress Unsigned, oval, oil on canvas.44.5 x 34.5cm (framed 59.5 x 49.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some cracking, knocks and losses.
Lot 7
Colin Hunter A.R.A., R.S.W., R.I. (Scottish 1841-1904) Coastal scene with fishing boats Signed and dated 1871, oil on canvas.34 x 59.5cm (framed 57 x 82.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor knocks and losses commensurate with age.
Lot 72
William Francis Longstaff (British 1879-1953) "The Cenotaph" and "Westminster Abbey" Both signed, a pair, watercolour and ink (2).each 16.5cm x 16.5cm (6.5in x 6.5in)Qty: 2The paintings are both in good, original condition. There is some very light time staining and browning around the edges of the paper near the mount boards. There is some water staining and mould across the mountboards and this has crept onto the upper left-hand corner of the cenotaph painting and a very small area in the centre right-hand edge of the Westminster Abbey painting. The paper has browned slightly across both paintings. The paintings are both framed and glazed. The frames have some minor scuffs and knocks commensurate with age.
Lot 96
A George III silver loving cup, A George III silver loving cup, with heart shape handle terminals, John Langlands II, Newcastle, height 12cm, gross weight 9.86ozt. Overall condition good to fairCommemorative mark double stamped - date letter deficientSits flatScratches to baseLight dents in keeping with age
Lot 100
Two early 18th century Irish silver table spoons, Two early 18th century Irish silver table spoons, Charles Leslie, Dublin, date letter indistinct, circa 1740, gross weight 3.90ozt. Overall condition fairWith scallop shell crest to reverseBowls misshapen, shalllow and light dents throughoutMarks worn and partially indistinct, see images
Lot 11
Circle of Richard Ansdell R.A. (British 1815-1885) Mountainous landscape with a Highlander and lady in conversation Bears indistinct signature, oil on canvas.62.5 x 85.5cm (framed 80 x 103cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of restoration and overpainting with several small repair patches visible on the reverse. There is craquelure and cracking across the surface of the painting. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 118
A selection of 19th century Russian niello silver, A selection of 19th century Russian niello silver, to include a belt and a bangle, Irkutsk marks.Overall condition fair to goodBelt buckle - maker's marks CA, marks clear, some light wear to niello, snags and losses to silk beltBangle - slightly misshapen, wear to niello, maker's marks XC, assayers mark 'T.H, 186...'
Lot 14
Henry Clark Pidgeon (British 1807-1880) "Belle Isle, Windermere" Signed and dated 'Aug 1864', titled on gallery label verso, watercolour.47cm x 71.5cm (18.5in x 28.25in)The painting is in very good, original condition. There is some very light time staining and browning across the sheet and one or two minor spots of foxing. The painting is ornately framed and glazed. The original frame has some knocks and losses.
Lot 145
Four George III silver candlesticks, Four George III silver candlesticks, Tudor & Leader, Sheffield, 1789, height 18.5cm (4). Overall condition fairOne missing base and one with replacement base - possible repair work to stick with missing base, see image All with monogram engravingHallmarks worn and partially legibleScratches, discolouration and light dents in keeping with age and use
Lot 180
Royal Copenhagen Candelabra Royal Copenhagen blue and white fluted full lace six-light candelabra, decorated in immortelle pattern with two fauns and a female figure sitting at the bulbous base, the site and arms adorned with snails and a lizard. The base stamped 'Royal Copenhagen Denmark', painted XSP and model number 1/100655cm highNo breaks, chips or restoration. In good condition.
Lot 183
Chinese ginger jar and cover Chinese ginger jar and cover, with interior cork stopper, painted with vases of flowers and auspicious objects in a famille rose pallette, 18th / early 19th century.20.5cm highThe lid has been broken and restuck with some losses. The base is free from damage. There is some pattern wear and light scratches.
Lot 190
Japanese Satsuma box retailed by Nicholas Haydon N.Y.C Japanese Satsuma box retailed by Nicholas Haydon, with retailer stamp and NewYork address to the ormolu base, finely painted with figures in landscapes and wildfowl, Meiji period 1868 - 1912. 12cm wide The box is in good overall condition with only slight signs of wear. There is overall crazing to the pottery, the metal mounts have some light tarnishing mainly to the underside.
Lot 2
William Thornley (British exh.1858-1898) "The Medway from New Brompton" Signed, titled on verso, oil on canvas.35 x 29.5cm (framed 51.5 x 46cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 21
John Fraser (British 1858-1927) "A Sussex Haven" Signed, titled and dated 1912 on verso, oil on canvas board.18 x 25.5cm (framed 40.5 x 48cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and one or two small areas of overpainting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 235
Cased Pocket Barometer A. Franks, Manchester, Liverpool & Hull A. Franks, Manchester, Liverpool & Hull aneroid pocket barometer, silvered dial in gilt brass case. Also with leather, blue velvet lined case.The case push open mechanism needs to be operated by the end of a pin/paperclip as the cover has been lost. Hand moves when pressure is altered in a plastic bag. Glass in order, brass with some light tarnishing. Case has lost areas of leather mainly to the edge
Lot 100
A collection of Studio Pottery chargers, vases, etcRoughness to bases throughout with some light markings and various scratches. The larger jug has flaking to the spout and a firing gap on the handle. Chipping to the rim of one of the smaller vases. Glaze faults to some areas - see images for more details
Lot 275
After George Romney, RA Portrait of Mrs Rachel Drake (1761-1784), seated by a red draped curtainoil on canvas74 x 61cmProvenance:Ottilie, Viscountess Scarsdale (née Pretzlik, 1905-1998),Her sale, Christie's, London, 28th July 1978, lot 21, as 'Romney - Portrait of a lady said to be Lady Hamilton', when acquired by the late Barry Lock (1934-2021) Literature:cf. Alex Kidson, George Romney: A complete catalogue of his paintings, New Haven: Yale University Press, 2015, no. 378 and 378a The present painting is a copy after Romney's portrait of Mrs Rachel Drake (1761-1784) dated to 1783 which is now in a private collection. The sitter was the daughter of Jeremiah Ives of Norwich and married in 1781 William Drake, MP for Amersham.The painting is executed in oil on a canvas support which is unlined. The canvas tension is slightly slack, but the picture is in plane. The paint layers are in a stable condition overall. The varnish layer is thick, glossy and yellowed. There are localised areas of overpaint visible under ultraviolet light. It is unclear if some elements of the composition have been reworked, this requires further investigation.Framed 90 x 77cm
Lot 470
A pair of Chinese carved wood red lacquer and parcel-gilt display cabinets, late Qing Dynasty, the upper section with three display recesses, over two pairs of cupboard doors and a single drawer, carved in relief with auspicious animals and Pekinese179 x 80 x 42cmGenerally good condition. Some dry cracking. Light wear to paintwork and gilt. Metal work oxidised. Barn found
Lot 510
A pair of black lacquered bedside cabinets decorated with pagodas in a landscape, each with two drawers over two cupboard doors, 85 x 58 x 37cm (2)Knocked to the extremities with light scratching to the topsDrawer fronts knocked with some losses to the paintDoors naturally sit slightly forwardSee images
Lot 176
Late Victorian lady's dress, in brown velvet and cafe au lait spotted silk, with tiered ruched skirt, bustle back with bow and lace trim to collar and cuffs. Wear comensurate with age. Light staining aross lighter fabric areas. Some damage and losses to lace collar. Tearing to right side. Staining to lace cuff.
Lot 1163
28 boxed diecast models to include Corgi, Crescent, Matchbox and Siku examples, featuring Crescent 1250 25 PDR Light Artillery Gun, Siku Super-Serie V 306 Binz Krankenwagen Europ 1200L (some paint chips), Lledo Days Gone, Matchbox Models of Yesteryear, etc. Diecast ex unless stated, boxes gd
Lot 1280
Six boxed Dinky diecast models to include 114 Triumph Spitfire in red (broken windscreen), 189 Triumph Herald in two tone green & white, 120 Jaguar E Type in red, 257 Fire Chief's Car, 276 Airport Fire Tender with flashing light and 263 Superior Criterion Ambulance, diecast showing play wear, boxes tatty
Lot 1317
Five boxed diecast models to include Dinky 751 Lawn Mower (light play wear), Matchbox King Size K-9 Combine Harvester and 3 x Britains (Lilliput World LV/604 Fordson Tractor - tatty box, 138F 4-Furrow Tractor & 142F Single-Horse Plough (plough only - no horse or ploughman, possible repainting)), plus a boxed Triang Minic Clockwork Dump Truck (torn-off box end tab). Diecast gd overall - some paint wear / chipping, boxes grubby
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534325 item(s)/page