VIK RECORDS - ORIGINAL US 7" COLLECTION. Killer collection of 22 x scorchin' cuts on this important RCA sub. Artists/titles include Joe Clay - Get On The Right Track (4X-0218 - clean Ex condition with some light non-feelable 'shadowing'), The Heartbreakers/The Sharps - 'Split' EP (promo only, VDJ-6 - sharp Ex), Champion Jack Dupree - Shake Baby Shake (4X-0304 - VG+) and Dirty Woman (4X-0260 - VG+), Lee Denson - The Pied Piper (4X-0251 - Ex+) and Climb Love Mountain (4X-0281 - Ex+), The Sharps - Sweet Sweetheart (4X-0264), The Laurie Sisters (4X-0209), The Three Chuckles (4X-0244), Helene Dixon (4X-0212), Joe Valion (4X-0204), Teddy Randazzo (x5), Mamselle's and Vikki Nelson. Condition is often sharp VG+ to Ex+/archive with all housed with lovely clean original company sleeves..
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JOE CLAY - VIK RECORDS 7" RARITIES. Cracking pack of 2 x hot 45s from the Gretna, Louisiana rocker! Titles are Get On The Right Track c/w Cracker Jack (4X-0218 - superlative Ex+ or archive condition showing very few marks indeed) and Duck Tail c/w Sixteen Chicks (4X-0211 '2nd' pressing with label variant - glossy VG+ with a few light surface marks). Both with lovely sharp, clean and bright labels and housed with very well presented cool original company sleeves.
Sandra Blow RA, British 1925-2006 - Untitled, 2003; acrylic, pastel and paper collage, signed and dated lower right 'Blow 2003', 19 x 21.4 cm (ARR) Provenance:with Belgrave Gallery St. Ives (according to the label on the reverse)Note:Blow is considered to be one of the pioneering abstract artists of the 1950s who introduced a new form of expressive painting to Britain, often using everyday discarded materials such as sawdust, sackcloth and plaster, as well as paint. Although considerably younger than many of her contemporaries of this early period, she was at the forefront of the abstract movement. Her later period shows her skillful techniques towards creating abstract form, light, space, texture and rhythm.Condition Report: The work is floating, held in a white painted frame with minor scuffs. Due to the mounting, the work has not been examined out of the frame. Overall the work is in good condition, minor wear to corners.
Peter Newcombe, British b. 1943 - Light, after the storm, 1977; oil on panel, signed and dated lower left 'Peter Newcombe 1977', 16 x 27 cm (ARR)Provenance:with The Edwin Pollard Gallery, Wimbledon Village, London (according to the label affixed to the reverse);the Collection of an Important Patron of British Art
George Sweet, British 1909-1997 - Reclining nude; oil on canvas, signed with initials and dated lower right 'GS 57', 75.8 x 102.7 cm (ARR) Note:Sweet studied at the Slade under Henry Tonks, alongside founding members of the Euston Road School, William Coldstream and Claude Rogers. Sweet shared with these artists a dedication to an exacting realism and light delicate palette. His works are held by the Royal West of England Academy and Bristol Museum & Gallery.
Ken Howard OBE RA, British 1932-2022 - Albert Bridge, Morning light; oil on canvas, signed lower right 'Ken Howard', titled to the reverse, 20.5 x 61 cm (ARR)Provenance:with Richard Green Gallery, New Bond Street (according to the label attached to the reverse of the frame);the Collection of an Important Patron of British Art
George Sweet, British 1909-1997 - Reclining nude; oil on board, signed with initials lower right 'GS', 25.1 x 36 cm (ARR) Note:Sweet studied at the Slade under Henry Tonks, alongside founding members of the Euston Road School, William Coldstream and Claude Rogers. Sweet shared with these artists a dedication to an exacting realism and light delicate palette. His works are held by the Royal West of England Academy and Bristol Museum & Gallery.
George Sweet, British 1909-1997 - Rose in a glass of water; oil on canvas, signed with initials lower right 'GS', 28.4 x 23 cm (ARR) Note:Sweet studied at the Slade under Henry Tonks, alongside founding members of the Euston Road School, William Coldstream and Claude Rogers. Sweet shared with these artists a dedication to an exacting realism and light delicate palette. His works are held by the Royal West of England Academy and Bristol Museum & Gallery.
AMENDED DESCRIPTION; WILFRED HIGGINS oil on board - head and shoulder portrait of a greyhound 'Swinging Light' winner of the Waterloo Cup 1941 and 1942, signed lower right, 38 x 30cms, and a letter opener having a taxidermy hare's foot for the handle with silver ferule inscribed 'Swinging Light, Waterloo Cup 1941', 32cms L
An assembled collection of tin-glazed earthenware by Isis Ceramics, second half of the 20th century, English, designed by Deborah Sears, comprising fifty pieces in various blue and white delft-style painted patterns, including twelve dinner plates in 'Exotic Animals' for Colefax and Fowler, all with painted marks,dinner plates 28.5cm diameter (50)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.For an itemised list, please see the condition report.Condition ReportTwelve dinner plates in ‘Exotic Animals’ for Colefax and Fowler, 28.5cm diameterSeven scalloped plates in various patterns, 25cm diameterOne charger in ‘The Landscape’, 42cm diameterOne small beaker in ‘Monkey’, 8.5cm highEight caudle cups in ‘Palladian’, 7cm diameterFifteen caudle cups in ‘Monkey’, 7cm diameterThree tea canisters in ‘Exotic Animals’, with silver covers, 11 x 16cmOne commemorative ‘Leeds Castle’ jug, 22cm highOne sugar bowl with pastoral animals, 10.5cm diameterOne small jug decorated with roosters, 9cm highConditionSome minor pitting to some pieces. The charger and one plate with crazing and some staining. Some tarnish and discolouration to the silver tops. Otherwise there is a very minor light wear throughout and generally this lot is presented in good order.
A grand tour giallo antico marble souvenir,19th century, Italian, of the Temple of Vespasian and Titus, on a black marble base,12.5cm wide36.5cm highCondition ReportSome small chips and knocks commensurate with age. A small amount of movement in the pediment. A small amount of old darkened glue visible to the pediment, however this is likely from manufacture as opposed to obvious recent structural repair. The base of the corner column has a small area of loss, with an even smaller loss to another base. General light surface wear, dirt and patina. A few tiny cracks throughout. A few tiny knocks to the base. Overall appears in good structural and cosmetic condition.
A gilt-metal and glass electrolier,20th century, French or Italian, in the style of Maison Baguès, in the form of a lyre issuing six scrolling and foliate bound branches, terminating in light fittings,60cm wide65cm highCondition ReportSome flaking to gilding. Metal is generally dirty and tarnished. Some small nibbles and abrasions to the glass piece. In fair cosmetic order overall with wear commensurate with age and use.PAT test failed 6.3.23
A small George II giltwood pier mirror,c.1755, the frame with scrolling rococo decoration, the edges decorated with trailing flowers, flanking a mercury glass plate,51cm wide92cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1;purchased by the above from William Bedford, London, 1983.Condition ReportCredit: Salt ImagesRe-gilded. Some very minor chips, knocks and losses to gilding. Foxing, mottling and light surface wear to glass plate, which is described in the original invoice as being original; the backboards appear to have sufficient age, giving weight to this supposition. General wear to the reverse commensurate with age and use. Overall appears in good structural and cosmetic condition and is ready to hang.
A pair of Louis XV-style fauteuils,20th century, each with open arms and raised on cabriole supports, the back and drop-in seat upholstered in purple fabric, 75cm wide75cm deep98cm high (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, Pimlico, London, SW1.Condition ReportGeneral surface wear and light knocks to frames. The upholstery in fair condition. Joints solid and sound. Overall appear in fairly good structural and cosmetic condition and are ready for use.
A George III mahogany rent table,c.1800, the revolving circular top above an arrangement of alternating drawers and cupboards, each in alphabetical order bearing an engraved ivory plaque, raised on a baluster column and tripod supports, terminating in brass caps and castors, 112cm diameter78cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire;purchased by the above from Norman Adams Ltd., London.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: XX8CEA1Y.Condition ReportThe leather later, with general wear, fading and light scratches. Minor splits, knocks and losses to veneer and beading. Some slight lifting. Minor repair to veneer and stringing in places. Drawers and doors open smoothly. General wear to interior. General knocks and wear to base. Tarnish and discolouration to brass. Joints sound. Re-polished. Overall appears in good structural and cosmetic condition.
A Zuckermann Harpsichords kit-built harpsichord,late 20th century, Flemish, the red-painted body with Flemish-style 'groteschi' papers to the inner case and around the keyboard, with an inscription above the keyboard 'SAM LLOYD ANNO 1980',81cm wide197cm long94cm highProvenance: The Estate of Althea Lloyd.Condition ReportGeneral light rubbing and surface wear to the case. Some very minor chips and knocks. Genral light wear to keys. Joints sound and solid.
A pair of archaistic bronze table lamps,20th century, Chinese, each in the form of a vase with twin handles and decorated in relief, with a pale green silk shade,33cm diameter37cm high (2) Condition ReportWould need re-wiring. Some light signs of wear but in overall very good cosmetic condition. Some slight pulls and marks to the shades and the trim has come unstuck in pieces.
A pair of faux marble and embossed metal table lamps,of recent manufacture, each with a slender column and foliate-decorated base, fitted with a pleated shade,28cm diameter91cm high (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportWires cut. Some light fading and wear to shades. General light surface wear throughout. Overall appear in fairly good cosmetic condition.PAT tested passed 6.3.23
Two ebonised tray-top side tables, 19th century and later, a toleware example painted with a castle, the other papier mâché, decorated with a hunting scene, each on a modern faux bamboo stand, larger 78cm wide57cm deep47cm high (2)Provenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportThe papier mache example with marks, scratches, rubbing and wear. Some cracks, knocks and chips. The toleware example with light scratches, some marks and dirt. General wear to stands. Joints solid.
Three pairs of silk curtains,late 20th century, each with a swag waterfall valance,each curtain 293cm long132cm wideswags 190cm wide (9)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportImage credit: Salt Images.In good cosmetic order with very light signs of wear. The fabric has slight pulls from the manufacturing process. One bead has become unthreaded. Some light moisture marks to the lining. The underneath drops aren't lined. The swags and front drops are lined and interlined. No obvious stains or tears. One very small hole. Poles included 190cm long.
A pair of northern elm low chairs,late Qing dynasty (1644-1911), Chinese, Fujian Province, each with a stick back, square seat and turned supports united by stretchers, 44cm wide36cm deep79cm high (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1;purchased by above from Snap Dragon, London, 2000.Condition ReportGeneral light wear, knocks and marks. Some slight fading and discolouration. Overall sound and solid. Generally appear in fairly good order.
A George I walnut and feather-banded kneehole desk, first quarter of the 18th century, the quarter-veneered top above an arrangement of seven drawers and a cupboard door, raised on bracket feet, terminating in castors,76cm wide51cm deep79cm highProvenance: The Estate of Mrs Althea Lloyd.Condition ReportGeneral surface wear, scratches, knocks and wear to veneer commensurate with age and use. Some small losses, splits and areas of light cosmetic repair. Some losses and repair to moulding and beading. Metalware probably replaced. Drawers and door open and close smoothly. Some splits and wear to the interior. Knocks and wear to the feet. Some blocks off but present. Joints sound and solid.
A William and Mary-style walnut wingback armchair, c.1900, with bulbous supports united by turned stretchers, terminating in Spanish feet,92cm wide92cm deep138cm highProvenance: The Estate of Althea Lloyd.Buying this armchair at auction could save up to 0.16 tonnes of CO2e compared to buying a new armchair.Condition ReportSome slight wear, fading and discolouration to the upholstery. Free from tears or large marks. General light knocks, rubbing and wear to supports. Joints sound. Overall in fairly good structural and cosmetic order and is ready for use.
A narrow oak console table,of recent manufacture, Continental, with a pale marble top above three frieze drawers, raised on cabriole supports terminating in hoof feet,170cm wide40cm deep79cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportVery light surface wear to marble. General light surface wear and knocks to timber. A few small splits to the drawers, which all run smoothly. Joints very tight and sound. Overall appears in good structural and cosmetic condition and is ready for use.
A George IV mahogany serving table,c.1825, the galleried, rounded rectangular top, above a moulded frieze, raised on tapering reeded supports terminating in peg feet,142cm wide60cm deep90cm highCondition ReportSmall knocks, scratches, marks and light wear to top. Some small dings and areas of wear to gallery. Some slight fading and discolouration. General light knocks and wear to supports. Joints sound and solid. Overall appears in good structural condition and is ready for use.
A giltwood and marble centre table,19th century and later, the circular grey marble top raised on a putti-decorated base, 99cm diameter71cm highCondition ReportThe top and base are associated. The possibly adapted from a column or architectural element. General light wear to the marble. The base re-gilded. General knocks and wear. Losses to fingers and other raised areas. Cracks, breaks, filling and repairs. Dirt and dust.
An export black-lacquered writing box,late 17th century, Chinese, decorated all-over with figures, birds, animals and blossoming branches, the hinged lid enclosing compartments, set with twin carrying handles and an engraved brass lock plate, raised on a later stand,51cm wide35cm deep67cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1;purchased by the above from Carson Booth Antiques, London, 1983.Condition ReportGeneral light surface wear and scratches throughout. A fine split to the lid. Some rubbing, loss and wear to decoration. Small historic knocks and small chips to corners and edges. Some evidence of light touching up and cosmetic attention. Hinges replaced. General wear to interior, with slide and drawers running smoothly. General wear to underside. Some tarnish and discolouration to brass. General light knocks, rubbing and surface wear to stand. Joints solid. Overall appears in fairly good structural and cosmetic condition.
A Chinese Chippendale-style giltwood mirror,20th century, the pierced scrolling frame surmounted with a pagoda and a figure, decorated with flowers and birds, with a rectangular bevelled plate,85cm wide139cm highCondition ReportOne chip to top right corner of giltwood. Further small chips, knocks and splits. Splits to each side give a small amount of movement to the frame. Some light rubbing and wear to gilding. Light surface wear to plate. Ready to hang.
An Arts and Crafts wool carpet,c.1920, Irish, Donegal,310 x 195cm Condition ReportOne area with an apparent old repair. General wear and areas of lower pile commensurate with age and use. Some light marks. Some slight discolouration in places but colours generally appear fairly full. Free from unpleasant odours. Overall appears in fairly good order and is ready for use.
A two-seat 'Connaught' sofa by Peter Dudgeon, London,late 20th century, in the Howard & Sons style, upholstered in pale foliate fabric,175cm wide102cm deep95cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Buying this sofa at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportImage credit: Salt Images.Some light marks and dirt to upholstery. Two tears within the join of the integral back cushions. Joints sound and solid. Overall appears in good structural and cosmetic condition and is ready for use. The seat cushions are feather-filled.
A painted pine writing table,early 20th century, Italian, with all-over scrolling foliate and gilt detail, the shaped top above an arrangement of five drawers, raised on cabriole supports, 145cm wide66cm deep77cm hightogether with a similar elbow chair (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, Pimlico, London, SW1.Condition ReportSome craquelure, rubbing, small losses and wear to painted and gilt detail. Some marks, stains and discolouration to top. General light knocks and wear throughout. Drawers run smoothly. Joints tight and solid. Overall appears in fairly good structural and cosmetic condition and is ready for use. The chair, 58cm wide, 58cm deep, 95cm high. Some general rubbing, knocks and wear to painted detail. Some chips, knocks and small splits. Some areas of discolouration. Some repainting and touching up. Joints tight and solid. Light wear to velvet seat. Overall in fairly good structural and cosmetic condition and ready for use.
An ebonised and parcel-gilt occasional table,19th century, Italian, with a painted faux specimen marble top above a turned column and tripod base, terminating in cast metal paw feet,51cm wide51cm deep76cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportSome general light surface wear and scratches to top. Minor rubbing and wear to paint. Some chips, knocks and losses to ebonised and gilt detail beneath, with some of the gilding particularly a little unstable. Joints tight and the whole generally solid. Overall appears in fair cosmetic and structural condition.
A Victorian-style button-upholstered chaise longue,20th century, with a curved back and arms, raised on ring-turned front supports terminating in castors, 156cm long77cm deep97cm highProvenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportGeneral wear and some light marks to the upholstery. Springs generally good. General knocks and wear to supports. Castors wheel freely. Joints sound and solid. Overall appears in fairly good structural and cosmetic condition and is ready for use.
A pair of porcelain table lamps,20th century, with printed decoration of various specimens including malachite, each with a blue cotton cone shade,15cm wide56cm highshade 55cm diameter (2)Condition ReportRecent manufacture and in very good overall condition. Some wear to the underside as to be expected. Sits flat and sturdy. Overall in very good cosmetic condition with very light signs of wear commensurate with use.PAT passed 6.3.23
A set of ten George II-style mahogany dining chairs,20th century, each with an arched upholstered back, raised on acanthus-carved cabriole supports, with loose covers,62cm wide70cm deep107cm high (10)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportImage credit: Salt Images.Light knocks and wear to the supports. Generally in good structural order, with solid and tight joints. Some marks, dirt and stains to the covers. Ready for use. Seat height approximately 48cm.
A pair of archaistic patinated bronze zhong bell lamps,of recent manufacture, Chinese, each with scrolling decoration and seal script, suspended from an ebonised frame, with a rectangular shade,33cm wide19cm deep48cm high (2)Provenance: The Late Sir John Craven, The Barn, Long Newnton, Tetbury, Gloucestershire.Condition ReportOne foot reglued. Other small knocks and light surface wear. Shades appear in fair order. Old plug heads.PAT tested 6.3.23
A double manual harpsichord by Joop Klinkhamer of Amsterdam,late 20th century, Dutch, after Ruckers, the grey body decorated with foliate friezes and the soundboard painted with tulips, birds, butterflies and floral sprays, and painted above the keyboard with the inscription 'IOANNES ANTONIUS KLINKHAMER FECIT AMSTELODAMENSIS 1983',237cm long96cm deep97cm highCondition ReportSome small knocks and losses to the case. General light cosmetic wear to the case, with some small chips, knocks and losses to the paint. Joints sound and solid. Some light rubbing and wear to gilding. General light wear to the keys.One string missing. Due to the specialist nature of this item we are unable to offer a full mechanical condition report or make comment on matters of conservation. We would highly recommend that prospective bidders view this instrument in person to ensure that they are entirely satisfied with the condition.Front board and music desk present. No padded cover. The base is a separate piece, however it does not appear to dismantle.
A Régence-style giltwood mirror,late 19th/early 20th century, French, with scrolling foliate detail,70cm wide120cm highCondition ReportRe-gilded. Some cracks, chips, knocks, rubbing and wear to gilding. Some areas of repair and touching up with gold paint. Some light foxing, wear and mottling to plate. Ready to hang. Overall appears in fair cosmetic condition.
A Renaissance-style carved walnut stool,late 19th century, Italian, of 'X' shape with eagle head finials above a padded seat, raised on shaped supports united by stretchers, terminating in claw and ball feet,73cm wide38cm deep63cm highCondition ReportTwo of the points of the beaks lost. Further small knocks, chips, scratches and areas of surface wear. Some areas of glue repair to joints and stretchers. Twlo blocks beneath seat lost. One talon lost. Some piping of the uphosltery loose. Some wear, light marks and stains to upholstery. A small amount of wobble in joints but generally sound and sturdy. Overall appears in fair structural and cosmetic condition.
A two-seater sofa by George Smith,late 20th century, with short scroll arms and turned front supports, terminating in brass caps and castors,188cm wide106cm deep89cm highBuying this sofa at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportSome marks, dirt, fading and wear to upholstery. General light surface wear and knocks to supports. Joints tight and sound. Overall appears in good structural condition, but may benefit from being re-upholstered. Perfectly usable in its current condition. The seat cushions are both foam and feather-filled.
A George III miniature chest of drawers,early 19th century, with four drawers and raised on bracket feet,31cm wide22cm deep33cm highBuying this chest of drawers at auction could save up to 0.32 tonnes of CO2e compared to buying a new chest of drawers.Condition ReportThe bottom drawer is a little stiff. Small knocks, scuffs and small dents throughout. Long hairline cracks to the top and right-hand side. Scuffs and knocks to the feet. Front top right corner impacted. Overall in nicely aged condition with light signs of wear and use.
A set of four Udaipur School paintings of Marwari horses, 19th century, Indian, Rajasthan, with Devanagari script to the bottom,image 27 x 21cm, mounted and framed (4)Condition ReportFrame size - 38 x 31cm. The frames are not glazed. Reddish/brown horse - some light scratches to the body, some light dents to the paper. The yellow horse with some small dents to the paper along the left-hand edge. A few marks/nicks to the mounts. Otherwise in generally good condition with light signs of wear commensurate with age.
A pine pot stand containing three clay amphora vases,20th century, each twin-handled pot inset into the base,108cm wide39cm deep57cm highpots 45cm high approximately (4)Condition ReportPots with surface wear, slight chips and abrasions commensurate with age. Manufacturing imperfections to one, particularly around the belly and neck. Pine base stable and solid with light wear due to age, overall in good general condition.
A walnut credenza,18th century and later, Italian, the shaped top above a quatrefoil panelled door, on a plinth base, 79cm wide36cm deep89cm highProvenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportThe top later, with light knoocks, scratches and traces of historic woodworm, none of which appears active. The lock sticks a little, however the hinges and drawer open smoothly. Joints sound and solid. Overall appears in fairly good structural and cosmetic condition, with general wear and small damages commensurate with age and use.
A pair of painted wooden pilaster floor lamps,probably 18th or 19th century and later, Continental, each of fluted column form on a circular base, with a large conical shade,58cm diameter165cm high (2)Provenance: The Late John Scott-Oldfield, 65 Warwick Square, London, SW1.Condition ReportSplits, knocks, losses and wear commensurate with age and use. Bases later. Overall appear in fairly good structural and cosmetic condition, appearing pleasantly distressed. Ready for use. Some light marks, stains, cracks and perforations to the shades.PAT tested passed 6.3.23
A Biedermeier maple sofa,19th century, Swedish, upholstered in light-blue suede,210cm wide80cm deep85cm highBuying this sofa at auction could save up to 0.56 tonnes of CO2e compared to buying a new sofa.Condition ReportSome scratches and surface wear to veneer throughout. Some very minor knocks and chips to edges and corners. Upholstery with wear and staining and would benefit from being re-covered. Joints very tight and sturdy.
An upholstered armchair attributed to George Smith,late 20th century, with striped upholstery, raised on turned front supports terminating in brass castors,86cm wide115cm deep84cm high,together with a matching stool (2)Buying this armchair at auction could save up to 0.16 tonnes of CO2e compared to buying a new armchair.Condition ReportBoth lacking maker's labels. Some loght wear, fading and light marks to upholstery commensurate with age and use, but this doesn't appear too extensive. Some rubbing, knocks and wear to supports. Joints all solid and sound. Please see additional photos.
A carved teak figure of an elephant, late 19th/early 20th century, Indian, set with a pair of mahouts,18cm wide44cm deep44cm highCondition ReportGeneral light surface wear and knocks commensurate with age and use. Small areas of break and repair to the figures, however overall appears in good structural and cosmetic condition.
A chinoiserie brass dining table,of recent manufacture, with a glass top above a Chinese coromandel lacquer panel, raised on tubular supports united by stylised brackets,218cm long110cm wide72cm highBuying this dining table at auction could save up to 0.46 tonnes of CO2e compared to buying a new table.Condition ReportGeneral light scratches and wear to the glass. A few tiny chips. Minor wear, knocks and small losses to the panel. General wear, tarnish and discolouration to the brass. Generally sound and solid and ready for use.
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534297 item(s)/page