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Lot 8
‡ PAUL PETER PIECH two lithographs - exhibition poster supporting threatened tribal people, entitled 'Injustice Around the World', signed and dated 1987, 76 x 51cms, and another two colour lithograph - Australian First Nations land rights poem by Bill Day, 'Australian Crucifixion', signed and dated 1988, 76 x 51cmsProvenance: Private collection SomersetComments: unframed, tape residue marks in the corners, some light creasing and small tears
Lot 145
TWO MAHOGANY WALL MIRRORS, one with spindle turned 'gallery' top, 240 x 140cms, the other with turned uprights, foliate and scroll carved crest and base, bears label verso, 107 x 200cms (2)Provenance: private client CardiffComments: first with chip to upper left right, one spindle replaced, damage to moulding, the other light scuffs, marks and chips
Lot 7
‡ PAUL PETER PIECH three-colour lithograph - promotion of human rights organisation Survival International with anti-ethnocide slogan, 76 x 51cms and another two-colour lithograph relating to Aboriginal land rights, 64 x 45cms (2)Provenance: Private collection Somerset Comments: unframed, watermarks and light creasing
Lot 1258
A Royal Crown Derby Porcelain Fluted Circular Plate, decorated in Imari pattern 1128, a two-handled circular dish, a rectangular pin tray and a thimble, all in Imari pattern 1128, various dates 1980-90's. (4)circular plate has plate hook stuck to the back, can't see stamp, two handled circular dish is second quality., rest first quality.Two handled circular dish with very light rub to gilt, everything without cracks, crazing or chips.
Lot 336
Attributed to Miles Edmund Cotman (1810-1858)Riverside buildings with eel baskets Watercolour, together with a further landscape watercolour by Cornelius Varley, a monochrome drawing in the style of James Howe, and a further en griseille landscape sketch depicting "Castel San Angelo, Palliacashigia", inscribed and dated May 12th (18)64, 26.5cm x 36cm and various other sizes (4) (all unframed)Attributed to Miles Edward Cotman: Under Cellophane and not examined out of the cellophane. Some time staining to sheet, particulalry around the edges. Sporadic patches of light staining evident within the sky, where there is also some general surface dirt. Perhaps a little down on colour. The odd foxing spot. An incongruous white paint splash? to sky"Castel San Angelo, Palliacashigia": Some time stainging to sheet. A vertical line of light staining just in from the left hand edge running the height of the sheet, and mount marks around the entire sheet. Sporadic patches of light foxing spots, particularly to the tops of the nearest hill range above the cottage, with one notable dark spot to the left of this. Some general surface dirt in evidence. Crease to sheet in bottom right hand corner approx. 5cm long, and another in the left hand corner of a shorter length. Tear to sheet in a half-moon shape running downwards, approx. 1.5cm in length, from the left hand edge in the lower half of the sheet. Cornelius Varley: Some quite heavy time staining to sheet and appears to be possibly down in colour, although executed in a muted colour palette. The odd pale, sporadic foxing spot. Some general small spots of surface dirt. Monochrome drawing in the style of James Howe: Some light time staining. Some sporadic patches of staining, to include within the front hoof of the animal. Larger, more pronounced stain/foxing spot approx. 2cm from right hand edge. Some general small-scale surface dirt. Folding crease across the whole width of the sheet, half way down. A further crease running horizontally through the animal's back legs below its hocks, and a diagonal lighter crease running vertically on the diagonal from the horse's muzzle.
Lot 347
John Ridgewell ARCA (1937-2004)"Steps and Boat"Signed, oil on board, 17.5cm by 14cmNot examined out of the frame. Some general dirt and debris trapped beneath the glass, with the odd thunderfly to mount, etc. Sporadic, tiny-sized flecks of dust and debris to paint surface, particularly evident to right hand side in the hill range and within the sky. Possible very light and small marks within the clouds. Pencil line around the perimeter of the sheet, visible next to mount along on the left hand and upper edge. Generally in a good and bright state of preservation.
Lot 396
John Ridgewell ARCA (1937-2004)"Wood and Pond"Signed, oil on canvas, 75cm by 60cmLight surface dirt and discolouration. Some small smudge marks along top edge below the frame. Small patch of brown surface spots 3cm below the edge on the right hand side, with the odd sporadic patch of small-sized spots elsewhere across the painting. An incongruous black linear paint or ink splash mark approx 3cm in length just to the right of the stream approx. 15cm from the bottom. Small push mark from the back to the front just below this ink splash, with possible rub to surface. The odd further push mark elsewhere, notably on the left hand side un the upper quadrant, with some fine associated cracquelre. Other tiny losses to edges of canvas, likely due to frame rubbing.
Lot 332
Noel Harry Leaver (1889-1951)"Hot Summer, Tunisia"Signed, inscribed verso, watercolour, 37cm x 27cm (unframed)Unframed. General light time staining, most evident to the top of the sheet within the sky. Colour depth remains good. Significant creasing to each corner, particularly the top left and the top right corners, and also a crease to centre of sheet, all with associated substantial paint losses. Areas of significant abrasion to the sky around the creasing, and abrasions around the entire outer edge of the sheet to black border. Multiple pin holes in each corner and one in the centre of the lower edge, with the largest being in the top left hand and right hand side corners. Some general surface dirt to sheet. Small patch of tiny, dark spots to sky to the left of the furthest tower. Incongruous brown water mark? within area of the road in front of the farthest figure group. The odd sporadic small-scale foxing spot.
Lot 297
Assorted Modern Ladies Clothing comprising a Dolce and Gabbana silk mix sleeveless dress with faux wrap style bodice and fabric tie to the left hip, (size 44),LK Bennett silk sleeveless dress with multi pleated skirt, matching silk belt, collar, button fastening to the bodice (size 10),a Samantha Sung blue floral cotton shift dress with lycra (size 10),Stella Mcartney silk sleeveless drop waist dress with a drape to one shoulder, printed with a seated dog (size 42),Nicole Fahri sleeveless silk dress with a drawstring waist in an abstract print of red, cream and black,(5)Samantha Sung dress - zip stiff when pulled over the waist part.D&G dress - couple of marks to the hem.Nicole Farhi - light marks inside the neckline.Slight wear to all.
Lot 318
Edward H Thompson (1866-1945)Lakeland landscapeSigned and dated 1923, watercolour, 25.5cm by 43cmNot examined out of the frame. Some general light dirt and debris trapped under the glass. Some light time staining to the sheet. A patch of small-scale spots to sky aboove the central hill range. Further sporadic larger and lighter foxing spots to sheet within the sky and the upper reaches of the furthest hills. Patch of incongruous paint work - water damage? to immediate right of signature (see image). Small, thin pencil mark to top right hand corner within the sky approx 0.5cm long. Small white paint splashes/spots in the tree lines above and to the right of the cottage.
Lot 357
A* J* D* (20th Century) Study of a pigeonSigned watercolour, together with a further work by the same hand, depicting a bird of prey upon a rock, a a small group of further pictures and prints, etc (a quantity)Pigeon: 24cm by 19cm. Mounted and framed but not glazed. Time staining to sheet particularly evident in the sky, but appears to be executed on a buff coloured paper. Sporadic foxing spots, most evident in the top right hand corner of the sheet. Darker time stainging to edges. Small patches of abrasion running down the right hand edge for approx. 10cm from the top. Possible light surface abrasion to the left hand side of the rock. The odd tiny blak spot. Tiny incongruous black water/paint mark? within the long grasses along the bottom edge. Falcon: 26.5cm by 20.5cm. Glazed. Time staining to sheet, although appears to be executed on a buff coloured paper. Series of linear abrasions/rubs to surface, mostly concentrated to the bird's back and the sky to the left and above the bird, but not exclusively, with the associated changes in colour depth and possible paint loss along these rub marks. With a larger patch of abrasion directly above the bird's head. Patches of surface dirt and smudge marks in evidence, particularly visible with in the sky. Water mark approx 0.5cm diameter to the small rock in the foreground. Small amount of white chalky deposit within central front grasses and further above on the rock. General dirt and debris trapped beneath the glass. Not examined out of the frame.
Lot 252
An 18th Century Bilston enamel large tapering oval table snuff box and cover, circa 1770, the turquoise ground painted with panels depicting figures, the front with couple to front with musician to rear, the reverse panel with seated lovers, all within gilt metal foliage scroll framing, the hinged cover painted with pastoral scene depicting a couple with river, tree, cattle and sheep and cottage beyond, approx 7.5cm wide x 5cm high Condition: No restoration visible under UV & LED light, hinge and opener intact and working
Lot 306
Two Continental probably German oval porcelain plaques: one depicting a woman carrying a candlestick after George Hom (1838-1911), the other Classical Lady wearing white robes and gold headband with central star motif, both 9cm long, in modern giltwood frames (2) Condition: No restoration visible under UV & LED light
Lot 234
An 18th Century gilt metal and enamel etui, the tapering body cast and engraved with scrolling decoration, the body with shaped painted panels depicting a Shepherd with sheep and a walking couple on pink ground with scroll decoration, the cover panels painted with birds on blue ground, the cover opening to reveal steel instrument, approx 9cm long together with a 19th Century enamel heart shaped scent bottle painted with a seated couple, he plays the mandolin, gilt metal screw top on suspension ring, approx 3.5cm long overall (2) Condition: Etui - Cracks to one enamel panel. Opening mechanism works, hinge intact, items inside appear complete. Heart shaped scent bottle - No damage or restoration visible under UV & LED light
Lot 233
A South Staffordshire gilt metal mounted enamel etui, circa 1780, tapering body with oval section, the plum coloured ground overlaid with white enamel oval lattice work panels with lace work style borders, punctuated with white flowers, the pusher cover opens to reveal various steel instruments, 8cm long Condition: Hinge and opener in working order, no restoration visible under UV & LED light, micro white mark between center lace oval & 4 dots near base, slight ding to lace near gold band.
Lot 231
A South Staffordshire gilt metal mounted enamel etui, circa 1780, tapering body with oval section, the entire cobalt blue ground painted with panels depicting floral bouquets, overlaid with white scroll framing and latticework, the push cover opens to reveal gilt metal implements, 8cm long Condition: No restoration visible under UV & LED light, hinge & opener in working order, items inside appear complete, a couple of stress cracks to large panels.
Lot 220
A South Staffordshire gilt metal mounted casket shaped etui, circa 1770, the turquoise ground body decorated with floral bouquets within gilt scroll frames punctuated with white enamel lattice work, the hinged domed cover similar with central painted section depicting playing putti resting on a cloud pushes open to reveal fitted interior with a pair of scent bottles and various implements, approx 6.5cm long x 4cm deep x 5cm high (1) Condition: No damage or restoration visible under UV & LED light, hinge intact, opening button is not working , cover opens without releasing catch.
Lot 285
A small collection of mixed ceramics to include: a Coalport 'Hazelton' cobalt blue and floral decorated dinner plate, Crown Staffordshire light blue and gilt painted cups, various Royal Standard 'Lady Fayre' tea wares, Coalport coffee cups and saucers, small quantity of blue and white transfer cups and saucers etc. (1 box)
Lot 242A
An 18th Century South Staffordshire gilt metal mounted enamel ovoid nutmeg grater and detachable cover, circa 1790, the Pompadour pink ground decorated with floral sprigs, with steel rasp, 4cm long Condition: Small patches of pink enamel visible close to top rim, some very slight crazing, no restoration visible under UV & LED light
Lot 308
A pair of 19th Century Continental probably German porcelain oval painted plaques, the profile portraits depicting noblewomen possibly sisters in winter attire, velvet fur trimmed dresses, one with jewelled headdress, the other with leaf head band, one plaque stamped 15, in gilt Florentine frames (2) the plaques approx 8cm long, framed 25.5cm long Condition: Plaques appear to be in good condition, no visible restoration under UV & LED light, worn gilding to frames
Lot 242
An 18th Century South Staffordshire metal mounted enamel ovoid nutmeg grater and detachable cover, circa 1790, the white ground decorated with geometric cobalt blue strapwork punctuated with flowers and band of green anthemion festoons, the cover with gilt inscription reads Peace and Plenty above diamond and flower banding, with steel rasp, approx 4.8cm long Further details: Cracks to inside & outside of cover, gilding to inscription worn, no restoration visible under UV & LED light
Lot 316
A Chinese famille verte globular ginger jar and cover, the body painted with mother holding child surrounded by attendants, rocky landscape, red bats to the reverse, detachable cover with two figures dancing (repairs to the finial), approx 22cm high overall Condition: No cracks visible to body under light, chips to inner rim, 2 chips to top outer rim, 2 fire cracks to inner rim, slight wear to enamels. Cover - finial reattached, chipping to inner flange, wear to enamels.
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534325 item(s)/page