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Lot 31
A collection of silver and white metal jewels, including a silver charm bracelet, set with various charms including a traffic light, heart keep sake hinged box, three piece coin, iron, elephant and many others, together in the lot with a sovereign case (af) a teddy bear family brooch and a quantity of enamel badges etc 210g
Lot 485
Three 1960s dresses to include A 1960s maxi dress in browns and grey by Alexander Clare (labelled 36), another by Cornell (labelled 14) and a batik print kaftan with Wizard Sleeves. (3)All are in great condition. there are some light marks which are hard to spot on the AC dress (fabric is washable), and the elastic has perished in the wrists of the Cornell dress.
Lot 489
1940s/ early 50s clothing to include a fleck suit with dress and jacket, the dress being fitted with a straight skirt, and the jacket having a tightly nipped waist, a princess coat with beaver lamb collar, a rayon tea dress, a tailored black suit (skirt 28 inch waist), and a black and grey fine check suit with strong shoulders and tapered waist (skirt 27 inch waist). (5)the fleck suit is in good condition, the bodice to the dress is part lined and the lining underarms are stained, this doesn't show through to the other side. the black suit is in good condition, it has recently been cleaned and just needs a brush downthe tea dress has some open seamsthe coat has a seam pop at the waist, it would benefit from a clean, there are some light moth grazes and an l shaped stitched repair. presents well.
Lot 532
Three quality 1970s designs to include a 1970s evening dress with kimono style jacket by Indigo. This was purchased to wear to an Aston Villa event and cost £180 in 1978 (about £930 today!), also a late 1970s Frank Usher two piece in a mauve jersey and a silver grey Louis Feraud blouse with a sash that can be worn around the neck or waist, late 70s. (3)blouse missing top button and buttons at wrist on one sleeve, make up mark by top button and around the inside of the neck. There are some light (spillage?) marks on the kimono jacket, mostly on the sleeveNot sure if the frank usher dress should be elasticated at the drop waist, or if it was simply rouched along the drop waist line (the elastic is easy to replace if it has perished, but whatever in there does feel quite strong), there are two tiny white specks on the dress at the front, and a mark on the back of the jacket (washable).
Lot 658
Harry Potter. Bloomsbury promotional poster advertising the paperback release of Harry Potter and the Prisoner of Azkaban, double-sided design featuring the covers of Azkaban, Philosopher's Stone and Chamber of Secrets with fan mail to J. K. Rowling, 153cm by 49.5cm, generally well-preserved and bright with light creasing. Together with a Bloomsbury promotional poster advertising the release of Harry Potter and the Goblet of Fire, the title itself not featured on the design (simply 'Harry Potter and the'), 8 July 2000, 'Harry's Back! Bloomsbury, Publisher of the Year', some creasing and short tears/wear, 141cm by 50cm (2)
Lot 664
Victorian Valentine, c.1842, featuring hand-coloured etching of flowers with romantic verse and paper lace border, opening to reveal manuscript verse, addressed 'To Miss Mary Elliott, Redheugh, from S' [possibly relating to the Eliot Clan of Redheugh]. 'O Mary fair beyond compare / Give me a lock of thy sunny hair / Twill bind my heart for evermair / Until the day I die.' Folded as sent, addressed again to Miss Mary Elliott of Redheugh with remnants of wax seal, the paper bearing manufacturer's watermark (Whatman 1842). Well-preserved, original fold-lines as sent, some wear and slight loss from where the Valentine was first opened at the wax seal; some toning and light creasing/wear around edges. 25cm by 40cm (when fully opened)
Lot 112
A Chinese brass censer and cover, Qing Dynasty, 19th century, of hexagonal baluster shape with wide fretwork-pierced rim and bracket handles, the domed cover modelled as a finger citron on a leafy stem, the body cast in relief with shaped panels containing birds in branches and aquatic life amid marine foliage, inscribed with a dedication in three lines, 23cm high.Handles a little loose. Some minor signs of age throughout including light surface wear and very small dings and dints in places.
Lot 142
Two Chinese cloisonné pots and covers, late Qing Dynasty, circa 1900, the first of cylindrical form and decorated with blue dragons chasing flaming pearls against a white ground, 9.5cm high, 11cm dia., the second of compressed globular form with similar decoration, 9.5cm dia. (2)Provenance: James Russell Henderson, professor of Chemistry at Tongwen Guan, Beijing, from 1878-1924, thence by descent to the vendor.Minor signs of age and use. Exterior good to fair with some light surface wear. Interiors fair with a few very small enamel chips. Refer to images.
Lot 29
A pair of Chinese cafe-au-lait blue and white bowls from the Nanking Cargo, 1752Of rounded form, the outsides decorated with a cafe-au-lait ground, the insides with three peony blooms around a central flower, a diaper border to the rim, 19cm dia. (2)Provenance: Christie's Nanking Cargo auction, Amsterdam, April/May 1986, lots 2503 and 2509. Private English vendor, from the contents of a Shropshire Country House.One bowl has a hairline with associated fine sliver chip to the outside rim edge and a further fine hairline to the rim opposite. The other bowl has one very fine and barely perceptible hairline. Bothe have typical light surface wear from submersion. Refer to images.
Lot 71
A Chinese garlic-head flower vase, Qing Dynasty, 19th century, the lobed ovoid body with five apertures surmounted by a cylindrical neck and lotus flower rim, decorated in the Dayazhai style with dragons amid flowering chrysanthemums and peonies on a yellow ground, the five apertures with Ruyi borders, 27.5cm high (drilled for lamp flex).Provenance: property of a Shropshire deceased estate.Very small chip inside rim. Drill hole to underside for lamp flex/cable. Screw thread for light fitting fixed into top/neck.
Lot 273
Christian Rohlfs Beratung. Orig.-Farbholzschnitt in Türkisblau. In der Darstellung signiert. Im Stock kaum erkennbar monogrammiert. 1913. Auf kartonartigem Papier. 36,4 : 26,7 cm. Papierformat 36,6 : 27 cm. Sehr schöner Druck des vollständigen Holzstocks mit erkennbarerer Maserung, vor der Entfernung der oberen Stege und der Rißbildung im Unterrand. Einer der wenigen Farbdrucke. 'Die meisten seiner Drucke sind - untypisch - Unikate und bewußt auf solche Einmaligkeit hin angelegt. Denn er behandelte seine Druckstöcke über ihre graphisch festgelegten Linien und Flächen hinaus eigentlich wie Monotypien. Er bemalte seine fertig geschnittenen Druckstöcke, indem er sie vor jedem Druck erneut höchst individuell und spezifisch, nämlich malerisch, häufig mit dem Pinsel einfärbte in dickem oder dünnem Farbauftrag .. in verschiedenen Farben, Tönungen oder Konzentrationen .. Nur wenige Blätter sind denn auch in mehreren identischen Abzügen bekannt oder gar in größeren Auflagen gedruckt bzw. für Druckauflagen vorgesehen worden' (Utermann). Als Negativformen heben sich die 3 männlichen Gestalten vor dem dunklen Grund ab. Die noch gerundeten Konturen geben der Komposition Dichte und Geschlossenheit, während Abzüge des späteren Druckzustands eher Härte in den Kontrasten zeigen. Eine Auflage von 150 unsignierten Exemplaren für die Vorzugsausgabe Der Anbruch, Jg. II (1919) war geplant, es wurde jedoch nur ein kleiner Teil gedruckt. - PROVENIENZ: Privatsammlung NRW. LITERATUR: Vogt 74. - Vgl. Utermann 97-98 und Söhn, HDO 604-4. Dabei: Ders., Susanna im Bade. Orig.-Farbholzschnitt in Braun. Signiert auf dem Unterlegekarton unterh. der Darstellung. Im Stock unten links monogrammiert. 1916/17. Auf glattem hellen Papier. Papierformat 35 : 25,7 cm. - Im unteren Bereich der Darstellungen mit Farbverwischungen, die beim Auftrag entstanden sind. Am Ober- und Unterrand auf chamoisfarbenem Karton montiert. Sauberes Blatt. - Voigt 102. - Vgl. Utermann 145-147. I: Beratung. Orig. color woodcut in turquoise blue. Signed in the image. Barely recognizable monogrammed on the woodblock. 1913. On card-board paper. 36.4 : 26.7 cm. Paper size 36.6 : 27 cm. - On the lower left margin minimally soiled, mounted on cardboard on verso of upper margin. Clean copy. - II: Susanna. Orig. color woodcut in brown. Signed on the backing cardboard below the depiction. Monogr. on the stock lower left. 1916/17. On smooth light colored paper. Paper size 35 : 25.7 cm. - In the lower area of the illustration with color blurring due to application. Mounted on chamois-colored cardboard at the upper and lower margin. Clean sheet. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
Lot 8
Bonaventura Bonaventura Opuscula. Daran: Octavianus de Martinis, Oratio in vitam et merita Bonaventurae. Straßburg, Martin Flach, 31. Okt. 1489. - Straßburger Ausgabe der kleineren Werke Bonaventuras - Erstmals mit der Lebensbeschreibung von Octavianus de Martinis - In einem spätgotischen Holzdeckelband Insgesamt die vierte Ausgabe dieser Zusammenstellung kleinerer Werke, sowohl echter als auch gefälschter. EINBAND: Zeitgenössischer Kalblederband über Holzdeckeln mit Blindprägung: Rahmenaufbau aus Streicheisenlinien, Mittelfeld mit Rautengerank und Stempel Blütenknospe, Vorderdeckel oben mit Verfassername 'Bonaventura'. Folio. 30 : 21 cm. - ILLUSTRATION: Mit zahlreichen eingemalten Lombarden in Rot sowie Textbeginn auf Fol. 4 mit siebenzeiliger Eingangs-Initiale in Blau auf punziertem Goldgrund und farbiger Akanthusranke im Unterrand. - KOLLATION: 2 nn., 285 num. Bll. (ohne d. l. w.) - PROVENIENZ: Titel mit zeitgenöss. Besitzeintrag des Klarissenklosters zur Hl. Elisabeth in Brixen: 'Ad cenobiu(m) sancte elisabeth in suburbio brixine spectat liber presens'. Ebenso auf restaur. hint. flieg. Vorsatzblatt: 'Elisabeth sancte in claustro me bibliotheca possideat ..' - Modernes Exlibris. LITERATUR: GW 4647. - Hain/Cop. 3465. - Goff B 927. - BMC I, 150. - BSB B-671. Fourth Straßbourg edition of Bonaventura's shorter works, for the first time with the biography of Octavianus de Martinis. With opening initial in blue on leaf gold ground and color acanthus border in lower margin. Also with numerous lombards painted in red . Contemp. blindtooled calf over wooden boards. - Without the last blank. Light browning or foxing (only few leaves stronger), some waterstaining partly at head or foot margin, title with small marginal defects, spine restored using the old material, brass corner fittings and clasps renewed. Title with contemporary ownership inscription of the Poor Clares Monastery of St. Elisabeth in Brixen. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
Lot 78
Vergil Aristide Maillol Les Géorgiques. 3 Bände. Paris, P. Gonin 1937-1950. • Eine der schönsten und wichtigsten Buchillustrationen von Aristide Maillol • 1 von 100 Exemplaren der Vorzugsausgabe mit den zwei numerierten Extrasuiten 'Zum Vollender des klassischen Buchillustrationsstils wurde ein Bildhauer: Aristide Maillol' (Gunther Thiem) Gedruckt auf eigens geschöpftem Bütten mit dem Wasserzeichen 'Maillol-Gonin'. Die Suitenholzschnitte in Schwarz mit rotem und die in Rötel gedruckten mit schwarzem Monogramm-Stempel Maillols. Nominell ist dies 1 von 750 num. Exemplaren, es wurden jedoch nur 100 Luxusexemplare der Suitenausgabe gedruckt (vgl. Rauch). 'Maillol had been commissioned by Philippe Gonin to illustrate Virgil's Géorgiques .. which finally saw the light of day in two volumes in 1950. He designed more than a hundred woodcuts, including initial letters. In point of fact Count Kessler had intended the book to be a sequel to the Eclogues (1926) published in Germany, but it was finally left to Gonin to persuade Maillol to complete the illustrations which he had done by 1943 .. the majority of the woodcuts were 'executed by craftsmen after Maillol's drawings on the blocks, since at that time his eyes were not strong enough for the cutting'.' (Strachan S. 92) 'Für Maillols Buchgraphik zu klassischen Texten ist vor allem zweierlei kennzeichnend: Sie zeigt den Glanz der südlichen Landschaft in Einzelheiten der Vegetation, wie Bäumen und Pflanzen, Blüten und Blättern, Steinen und Felsen, und sie schafft ein Idealbild des Menschen, der in diese arkadische Natur paßt und ein ergänzender Teil dieser Landschaft ist. Den Menschen und sein vegetatives Gegenüber reduziert Maillols Kunst auf eine äußerst vereinfachte Form, die ihr Leben aus der Kontur gewinnt. Merkmale frühester Holzschnitt-Illustrationen sind von dem Künstler mit französischer Sensibilität und seinen aus der japanischen Kunst gewonnenen Erkenntnissen in die klassische Moderne übertragen worden.' (B. Zelinsky) EINBAND: Lose Lagen in illustrierten Orig.-Umschlägen sowie Orig.-Halbpergament-Decken und Orig.-Schubern (2 mit Illustrationen). 33 : 24 cm. - ILLUSTRATION: Mit 122 Orig.-Holzschnitten von A. Maillol sowie 2 Extrasuiten sämtlicher Graphiken in Rötel und Schwarz. - PROVENIENZ: Privatsammlung Nordrhein-Westfalen. LITERATUR: Guérin 159-215. - Monod 11339. - Rauch 144. - The Artist and the Book 175. - Strachan S. 337. - Kritter/Zelinsky I-1. One of the finest and most accomplished book illustrations by Maillol. Loose sheets in illustrated orig. wrappers and orig. half vellum boards, with orig. cases. With 122 orig. woodcuts by A. Maillol and 2 extra suites of all prints in red chalks and black. - Wrappers and edges slightly foxed, few foxings at plates of the suite. Altogether fine copy. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
Lot 347
Horst Janssen Porträtzeichnung Edgar Allan Poe. Orig.-Tuschezeichnung. Signiert, datiert (3.12.81) und bezeichnet: 'Edgar Allan Poe grüßt Hermann Laatzen'. 1981. Auf festem Vélin. 24,5 : 18 cm. Papierformat 37 : 28 cm. Ausdrucksstarke Porträtdarstellung des nordamerikanischen Dichters für den Hamburger Buchhändler Hermann Laatzen. Eine von mehreren gezeichneten und graphischen Arbeiten Janssens, die das Porträt von Edgar Allan Poe zeigen. Für Hermann Laatzen, der 1933 seine Buchhandlung in Hamburg öffnete, schuf Janssen u. a. ganze Porträtserien mit Dichtern und Literaten. - PROVENIENZ: Süddeutsche Privatsammlung. Expressive portrait of the North American poet for the Hamburg bookseller Hermann Laatzen. Portrait drawing Edgar Allan Poe. Orig. ink drawing. Signed, dated (12/3/81) and inscribed: 'Edgar Allan Poe grüsst Hermann Laatzen'. 1981. On firm wove paper. 24.5 : 18 cm. Paper size 37 : 28 cm. - Under passe-partout, verso mounted on firm paper at 2 corners, with faint light margins. With 2 small abrasions (0.5 : 0.5 cm) outside of the image. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.
Lot 1
AN EARLY 20TH CENTURY YELLOW METAL DIAMOND SINGLE STONE RING, set with an early brilliant cut diamond, claw set, to the tapering shoulders, estimated total diamond weight 0.61cts, colour assessed as I-J, clarity assessed as I2, stamped 18ctPt J/P 304, maker's mark A.W.C&S, ring size Q 1/2, approximate gross weight 2.5 grams (condition report: AF good to fair condition, diamond significantly chipped and fractured, two claws to the setting are missing, light scratches and scuffs in keeping with age and general wear)
Lot 108
A LADIES LATE 19TH CENTURY GERMAN BEADED BAG, designed as a white metal foliate and fruit embossed hinged frame with coloured beaded bag and white metal chain handle, dimensions of bag: 195mm by 215mm, circa 1890, approximate gross weight 329.2 grams. (condition report: overall condition good, some of the beads have started to come loose, inner silk lining appears intact, small red stain visible, silver frame stamped ALPACCA, (indicating to be German nickel silver), frame with light tarnish)
Lot 12
AN EARLY 20TH CENTURY TURQUOISE 9CT YELLOW GOLD BRACELET, designed as a series of six turquoise cabochons, interspaced by three row links, to the concealed push piece clasp, with safety chain, stamped 9ct, maker's mark Deakin and Francis, approximate length 192mm, approximate gross weight 7.20 grams (condition report: overall condition very good, clasp in good working order, the turquoise vary in colour, some possible replacement turquoise, minor light scratches, scuffs and bruising present, links to bracelet have worn thin, in keeping with age and general wear and tear)
Lot 154
A SELECTION OF 19TH TO EARLY 20TH CENTURY SILVER CUTLERY, to include a pair of silver tea spoons, maker's mark IW hallmarked Newcastle 1851 - 52, two silver sugar tongs one hallmarked Sheffield 1902 one with partial hallmarks, a pair of mustard spoons with gilt inlay hallmarked London 1908 and a knife, approximate lengths 174 to 105mm, approximate gross weight 160.8 grams (condition report: overall condition good, light tarnish, scratches and scuffs present)
Lot 157
FIVE EARLY 20TH CENTURY SPOONS, to include three silver tea spoons with blue enamelled shield shape terminals reading: 'Fuford (York) golf club' each with maker's mark J.W.T and hallmarked Birmingham 1927, 1928 and 1929, an early 20th century silver novelty golf spoon with maker's mark JD&S and hallmarked Sheffield 1927 and one further spoon with maker's mark CB&S hallmarked Sheffield 1927, approximate lengths 116mm to 125mm, approximate gross weight 86.3 grams (condition report: overall condition good, noticeable scratches and wear to the enamel of one golf spoon, the other two have minor light scratches to the enamel, general tarnish scratches and scuffs in keeping with age and general wear to all five spoons)
Lot 179
A PAIR OF EARLY 20TH CENTURY SILVER POSE VASES BY WALKER AND HALL, with tapering stem and undulating tops, maker's mark W&H (WALKER & HALL), hallmarked Sheffield 1913, approximate length 172mm, weighted bases (condition report: overall condition good, some small noticeable dents to stem of vases, minor tarnish, light scratches present in keeping with age)
Lot 20
AN EDWARDIAN HILLARD & THOMPSON SILVER SNUFF BOX, of rectangular outline scalloped border, maker's mark H&T, dimensions approximately 65mm by 40mm, hallmarks for Birmingham 1901, approximate gross weight 71.6 grams (condition report: overall condition good, hinge in good working order, minor light scratches and scuffs in keeping with age)
Lot 26
A GEORGE V STET FORTUNA DOMUS MEDAL AND A GOLD PLATED WALTHAM FULL HUNTER POCKET WATCH, the George V Stet Fortuna Domus medal, dated 1935, with original box, approximate gross weight 16 grams, the pocket watch with white enamel dial signed Waltham, black Roman numerals, black hands, subsidiary dial at six o'clock, movement signed American Waltham USA Traveller, numbered 19751876, (condition report: overall condition good, tarnish, light scratches and scuffs to medal, case in good to fair condition some marks and scuffs, pocket watch currently functioning Dennison watch case, service marks to watch case, the gold plate has worn to the watch case in keeping with age and general wear)
Lot 33
A SELECTION OF SILVER AND WHITE METAL JEWELLERY, to include a stamped 375 white metal fancy link chain, fitted with lobster clasp, approximate weight 11.0 grams, a modern silver bracelet with undulating links, hallmarked 'AZ' Edinburgh, a silver necklace hallmarked Sheffield, an unmarked white metal curb link bracelet, together with a silver moss agate brooch, sponsors , hallmarked 'EJ' Birmingham 1987 and a white metal lapis lazuli brooch, unmarked, approximate gross weight of weighable silver 53.6 grams (condition report: overall condition very good, minor tarnish and light scratches present, in keeping with general wear)
Lot 35
A COLLECTION OF SILVER MASONIC JEWELS, to include three enamelled Primo medals dated Birmingham 1929, 1929 and Londo 1951, a large enamelled medal by Victoria Lodge No 447 hallmarked London 1968 and one further metal hallmarked London 1968, approximate gross weight 143.1 grams (condition report: overall condition good, tarnish, light scratches present in keeping general wear and age)
Lot 37
AN EARLY 20TH CENTURY AMERICAN SILVER STAMP CASE TOGETHER WITH A MODERN ENAMEL PILL BOX, the first depicting a George Washington Two Cents stamp to the lid opening to reveal a stamp compartment, stamped sterling, circa 1900, length 27mm, the second designed as an enamelled front depicting two Collie dogs, stamped sterling, approximate length 31mm, approximate gross weight 27.8 grams (condition report: overall condition very good, hinges in good working order, both 'snap' when closed, minor tarnish, light marks in keeping with age and general wear and tear)
Lot 40
AN INDIAN WHITE METAL BOX, the circular box with scroll and floral embossed detail and fitted lid, approximate diameter 64mms, approximate weight gross 88.9 grams (condition report: overall condition good, box and lid unmarked, minor light scratches and scuffs in keeping with age, general wear)
Lot 42
A GENTLEMANS ZENITH WRISTWATCH, the white dial, with hourly applied markers, black and gold toned hands, dial signed Zenith Quartz Swiss made, black leather strap, case diameter approximately 32mm, case back engraved 33.00530.425 Surf 9K, approximate gross weight 30.6 grams (condition report: overall condition good, some located light scratches to watch face and case, black leather strap worn, marked Lizard Calf.
Lot 45
TWO EARLY 20TH CENTURY CIGARETTE CASES, the first lined in shagreen, stamped made in England, the second with engine turned detail and rose gold detail, personal engraving to inside, maker's mark G&SCo.Ltd, hallmarked London 1930, approximate gross weight 215.7 grams (condition report: overall condition good, some repair marks to edges of shagreen case, tarnish present to both cases, light scratches in keeping with age)
Lot 46
A PAIR OF NOVELTY SALT AND PEPPER POTS, TOGETHER WITH AN EARLY 20TH CENTURY SILVER ASPREY & CO. PILL BOX, the first designed as a pair of milk churns, approximate length 30mm, stamped '925 MEXICO', the second designed as a lidded pill box with engine turned detail, approximate diameter 38mm, hallmarked London 1911, approximate gross weight 60.6 grams (condition report: overall condition good, engine turned detail to pill box lid has worn away, minor tarnish, light scratches to both items in keeping with general wear and age)
Lot 50
THREE LATE 19TH TO EARLY 20TH CENTURY SILVER ITEMS, to include a late Victorian silver salt with blue glass insert, approximate length 55mm, hallmarked Birmingham 1874, an early 20th century silver sauce boat hallmarked Sheffield 1911 and a silver snuff box with engine turned detail and hinged handle to lid, sponge insert, hallmarked to the inside of base 'W.D & Co' Birminham 1948, approximate diameter 33mm, approximate gross weight of weighable silver 72.6 grams (condition report: overall condition good to fair, small crack to base of mustard pot together with light dents, light tarnish, scratches present to all)
Lot 51
A SELECTION OF LATE 19TH TO EARLY 20TH CENTURY SILVER ITEMS, to include a vesta with scroll engraved detail, hallmarked 'J.Cltd' Birmingham 1913, a silver tea strainer with wooden handle, hallmarked 'T.B&S' Sheffield 1935, a white metal snuff box, unreadable marks, a decorative engraved spoon, hallmarkedBirmingham 1936, and one other EP spoon, approximate gross weight of weighable silver 25.6 grams (condition report: overall condition good, light dents to vesta case, repair to tea strainer)
Lot 58
A YELLOW METAL DIAMOND FLORAL PENDANT, designed as a single cut diamond flower, suspended from an openwork tapered surmount, estimated total diamond weight 0.35ct, colour assessed as H-I, clarity assessed as SI, Italian stamp for 750, length of pendant including bail approximately 20mm, approximate gross weight 1.43 grams (condition report: overall pendant is in good condition, one diamond with nick to girdle, few light and dark inclusions)
Lot 9
A MODERN 9CT ONYX AND MALACHITE FOB PENDANT, set with onyx and malachite, within a plain polished scrolling surmount, hallmarked 9ct gold Birmingham 1995, length 45mm, approximate gross weight 14.30grams (condition report: overall condition very good, minor light scratches to surface of malachite and mount, in keeping with general wear and tear)
Lot 102
A white Chinese porcelain vase converted to a table lamp, on wooden stand, 53cm high together with a hanging ceiling light with strings of opalescent cut glass drops on a gilt metal frame, 36cm high and a five branch cut glass chandelier, 53cm high (3)Table lamp in need of rewiring, ceiling light in good condition, chandelier with three branches snapped off and in need of rewiring
Lot 270
The Geisha, poster advertising Mr Mouillot's Company from Daly's Theatre London, framed and glazed, 47.5cm x 71cm, together with William Nicholson (1872-1949), Quatorzains by W. E. Henley, London Types, 26cm x 33cm and Venus, lithograph, framed and glazed, 19cm x 23.5cm (3)Creases to the Geisha poster and some colour fading. Nichlson with some light foxing and marks. All frames with surface marks and scratches
Lot 75
A collection of lightening to include a glass lampshade in pierced metal frame, 46cm diameter; a brass two branch hanging ceiling light with glass floral decorated shades, the shades measuring 15cm diameter; a six branch chandelier with cut glass hanging drops, 40cm high excluding chain; a marbled glass circular hanging ceiling light, 30cm diameter; a red Toleware shade, 28cm diameter; a glass graduated shade, 13.5cm diameter and an orange glass bowl on wrought iron stand, 20cm highPierced metal shade in good condition; brass hanging ceiling light broken in middle but pieces present; chandelier with one dish with attached pendents lacking and candle style fittings bent; Toleware shade with some surface marks and scratches; orange glass bowl on stand in good condition
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534297 item(s)/page