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The Abbeydale Horizontal Enlarger, patent 14137-1913, made in England by Houghton-Butcher, G, light surface oxidation, chains G, some tarnishing to brass, oak body G-VG, bellows G, with electric illuminant, untested, condenser, negative plate carrier, VG, with Wray Supar 5¼ in f/4.5 lens, some wear to barrel, elements G
A Gandolfi Half Plate Camera, 4¾'' x 3¾'', body G-VG, some light surface marks, some tarnishing/wear to brass, bellows VG, focus screen intact, with Carl Zeiss Jena 13.5cm f/6.3 Tessar kens, elements F-G, some fungus, in F Deckel Compur shutter, shutter working, sometimes sluggish, with a Ross Homocentric 8½'' f/6.3 lens, elements G, light fungus, dust, with hood, lens board with home fitted with Agilux shutter enclosed in wooden surround with alumininum and brass lens mount, shutter fired and cocked with spring type quick release cable, shutter fires, with Taylor Hobson 14 Inch f/5.6 Anastigmat lens, serial no TT285733, marked with ministry broad arrow, serial no 14A/3254, elements G, some haze, again home fitted to aluminium barrel on lens board lens board, shutter fired with quick release cable, shutter sometimes sluggish, with Wray focus screen magnifier, with two modified roll film backs, six DDS, mahogany cover, lens board, with camera case, DDS Case, with H Fords wooden tripod and ebonised wooden table tripod
Three Broncolor Refectors, three different size reflectors, a Softlight P reflector, 53cm diameter, 20cm depth, with diffuser &honeycomb shade, a Par reflector, 30cm diameter, 18cm depth, with honeycomb shade and a P65 reflector, 30cm diameter, 24cm depth, with fine honeycomb shade & barn doors, light signs of wear. G
Studio Equipment, three Broncolor 112AC light stands, two with casters, three Broncolor Pulsoflex 57'' x 57'' soft boxes, a Broncolor Brolly weight, two Broncolor P120 reflectors, 22cm diameter, 4cm depth, four chrome reflectors, two 40cm diameter, 26cm depth, two 28cm diameter, 13cm depth, two boxes of square alluminium shades, aluminium snoods, all with Broncolor lamp fittings and three home adapted snoods of various sizes, overall G-VG
A Linhof Technika 70 Camera Outfit, viewfinder clear, focu/rangefinder functions, body G, some wear to edges, some tape residue to side, bellows F-G, repair to bottom edge, with cable release grip, with film plate back, focus screen intact, with Carl Zeiss 100mm f/2.8 Planar lens, in Sinchro-compur shutter, shutter sluggish/sticking on slow speeds, barrel G, elements G, some light scratches from cleaning, with hood, with drop in filter holder, front/rear caps, with Scneider Kreuznach 180mm f/5.5 Tele Arton lens, in Synchro shutter, shutter little sluggish on slow speeds, barrel G, elements G, small fungus spot to rear element, some dust, with caps, in Technika lens board, with Schneider Kreuznach 65mm f/8 Super Angulon lens, shutter working, barrel G, elements F-G, fungus, with caps, in Technika lens board, with two Super Rollex 56 x 72 film backs, in brown Linhof outfit case
A Canon EOS 5D DSLR Camera Body, serial no 2631297986, powers up, shutter working, appears to function as should, body G, light wear, with BG-45 battery grip, camera battery door not present, grip working, with two batteries, charger, strap, body cap, two memory cards, manuals and maker's boxes for camera & grip
An Ica Ideal 246 Folding Plate Camera, body G-VG, light wear, bellows G, light wear, shutter fires, no slow speeds, with fall & rise & pan movement, with Doppel Anastigmat Maximar 3.5cm f/6.8 lens, elements F, fungus, with three film plates, in wallet, in worn case, with 16 gelatin silver prints of the Austrian Alps
Three Minox Film Subminiature Cameras, comprising a chrome Minox LX, a chrome Minox C, both shutters working on manual, both metres untested, a Minox case and wrist strap, together with a Yashica Atoron, shutter issue, noisy, meter reacts to light, a Atoron flashgun, and maker's presentation box
A Voigtländer Bessa RF Rangefinder Folding Camera, pre-war specification, 6 x 9cm format on roll film, mask for 6 x 4.5cm, body VG, wear to carrying strap, light marks to back, Compur-Rapid shutter working, rangefinder dim but working, a Skopar 10.5cm f/3.5 lens F-G, mild fungus, with hinged yellow filter, maker's instruction booklet
A Zenza Bronica ETRS Camera, serial no 7121092, shutter working, body G, light wear, with Zenzanon E II 75mm f/2.8 lens, serial no 7918288, shutter working, barrel G, elements G, some light fungus, with AE-II metreed finder, meter responsive, appears to function as should, slight lifting to leatherette, with speed grip, three ETR 120 film backs, ETR lens hood, and maker's boxes for camera body, lens & finder
A Mamiya C330 Professional TLR Camera, serial no D59217, body G-VG, bellows VG, light wear, all functions smoothly, with Mamiya-Sekor 80mm f/2.8 blue dot lens, shutter working, elements G, light fungus spots, with two cased 48 lens hoods, with waist level finder, Mamiya Porrofinder, with case, some lifting to leatherette on Porrofinder, SL C filter, lens cap and manual
A Mamiya C330 Professional TLR Camera, serial no D55912, body G, some light wear, bellows VG, all functions smoothly, with Mamiya-Sekor 135mm f/4.5 lens, shutter sticking on slow speeds, elements G, some fungus, with lens case, with waist level finder, Porrofinder, with case, in maker's box, lens hood and cap
A Pentax 645 Camera, serial no 1031393, powers up, shutter fires, display working, not film tested, body G-VG, light wear, in maker's box, with strap, body cap, manual, lens brochure, with SMC Pentax-A 645 75mm f/2.8 lens, barrel VG, elemnts VG, with front rear caps, in maker's box, additional 120 film holder, in maker's box and focusing screen in box marked E-20
William Albert Clark (1880 - 1963), oil on canvas, A mainly white terrier named Jim standing by a croquet hoop in a garden, signed, inscribed and dated 1944, 34cm x 45cm, in gilt frameThe work has not been re-lined, areas of overpainting and restoration visible under a UV light. The frame has been re-painted. Overall a charming picture. Provenance: a local client
William Albert Clark (1880 - 1963) oil on canvas, A black and white Jack Russell named Flusie standing by a croquet hoop in a garden, signed inscribed and dated 1944, 34cm x 45cm, in gilt frameThe work has not been re-lined, areas of overpainting and restoration visible under a UV light. The frame has been re-painted. Overall a charming picture. Provenance: a local client
William Anslow Thornbery act. 1858-1898 - pair of oils on canvas in gilt frames – bustling harbour scenes, 34cm x 58cmBoth works have been re-lined and restored. Some overpainting restoration visible, also further areas seen under a UV light. The frames have some minor losses but overall a good presentable pair of pictures.
Set of three early 19th century Staffordshire canary yellow Satyr-mask jugs, 11cm and 12cm highCondition report: Some rubbing and enamel wear, a few nibbles and a couple of light hairlines commensurate with age. One has restoration to the handle and another has a spot of restoration to the footrim.
*Sir Alfred Munnings (1878-1959) oil on canvas - A Bay Hunter in Landscape, signed and dated 1908, 41cm x 51cm, in gilt frame.Provenance: Collection of the late Major Ivor Buxton, D.S.O., T.D., (1884-1969), of Shelley Hall, Suffolk, purchased from Munnings circa early 1940s, thence by family descentThe work is in very good original condition with no visible restoration to the naked eye or under a UV light. The frame is a later copy and has a few losses.
Robert Burrows (1810-1883) oil on canvas - extensive river landscape with figure in a punt, signed, 61cm x 91cm, in gilt frameGenerally good presentable condition. However there is plenty of evidence of overpainting visible under a UV light and to the naked eye, also some cracking to the paint surface on the top edge, now repainted - see images.
A pair of Philip Christian Liverpool moulded sauceboats, circa 1770, with scrollwork rims and handles, polychrome decorated with birds and flowers, 15.5cm longGood overall condition. A few nibbles and some enamel wear. One has a tiny hairline on the rim, the other has a very light hairline around the lower terminal of the handle.
*John Brunsdon (1933-2014) three etchings - 'Evening Light on the Gower', signed and numbered 54/150, 60cm x 45.5cm; 'Cloudbreak over Snowdon', signed and numbered 313/350, 60cm x 45.5cm; 'Derbyshire Lake', signed and numbered 26/150, 30cm x 23cm (3)Evening Light has some browning/discolouration to the outer edges but not on the image, the other two are in very good condition, ready to frame.
Joseph Robinson (1910- 1986) oil on board - standing man in blue blazer, signed and dated 61, 90cm x 60cm, framed, sold with exhibition catalogue illustrating the workVarious scratches to the surface as seen in the images. Would probably benefit from a light clean. The frame appears original.
Edwardian satinwood bureau bookcase with polychrome painted floral festoons, swan neck pediment, two astragal glazed doors and four drawers below on splayed bracket feet, 79cm wide x 43cm deep x 205cm. Provenance: Purchased T. C. S. Brooke antiques, Wroxham 3rd March 1972 for £375Distance between shelves approximately 25cm, one glass panel is cracked, split to veneer on fall, elements becoming detached. Small damage to leather to interior, upper section has been fitted with a light, minor splits to veneers but basically good condition. Two keys present (no key to glazed section)

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534297 item(s)/page