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Click here to subscribeâ–´ Dame Elisabeth Frink CH RA (1930-1993)'Horse and Jockey'lithograph in colours,1974, studio proofsheet 56.5 x 67.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportLight surface dirt with some foxing starting to emerge, there are some small brown spots to the extreme left and also some light handling creases. The print has one deckled edge.
â–´ Dame Elisabeth Frink CH RA (1930-1993)'Rejoneadora I' lithograph in colours,1973, proof, signed 'Frink' in pencil l.r., with 'Curwen Chilford' blind stamp l.c.sheet 57 x 77cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe top edge is deckled and has some time staining. Some light surface dirt and a small spot to the right of the signature, please see images. The print has not been examined out of its cellophane wrapping.
â–´ Laurence Stephen Lowry RBA RA (1887-1976)'The Level Crossing'offset lithograph in colours, signed 'L.S Lowry' l.r., in pencil image 46 x 55cmCondition ReportFramed: 70.5 x 79cmSheet: 54.5 x 64cmViewed out of glazed frame, print has been trimmed and stuck down to backboard, staining at the edge of mount visible, light foxing to margins.
â–´ Laurence Stephen Lowry RBA RA (1887-1976)'St Luke's Church, London'offset lithograph in colours, published in 1973, signed 'L.S.Lowry' in pencil l.r, numbered '850/492', with Fine Art Trade Guild blind stamp l.l.image 61 x 45.5cmCondition ReportFramed: 83 x 66.5cmThe print is attached to a sheet of mount board with pieces of tape applied to the top edge and the upper left edge, please see images. It has been framed with an acidic mount which has resulted in some staining to the margins of the print. The margins also have some light smudges of surface dirt. The sheet has the title '"St. Luke's Church, Old Street, London E.C." by L.S. Lowry' underneath the mount. The edition number is written in reverse i.e. 850/492 ( it would normally be written as 492/850).
â–´ Adrian Wiszniewski (b.1958)'Unicorn'lithograph,1987, printed by the Peacock Printmakers, Aberdeen, signed 'A Wiszniewski' in pencil l.r., inscribed with title and numbered '8/10'image 51 x 34cm Condition ReportFramed size: 80 x 59cmNicely presented in good condition mount and frame. There are some light specks of dust and dirt trapped between the mount and the glazing but the printed area is unaffected. Appears to be in good condition. Unexamined out of glazed frame.
â–´ Julian Trevelyan RA (1910-1988)'Macclesfield'Etching and aquatint in colours, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '53/75'image 46.5 x 34.5cmCondition ReportFramed: 88.5 x 68cmTime staining and light foxing with some slight creasing to the top half of the print. Unexamined out of glazed frame.
â–´ Julian Trevelyan RA (1910-1988)'San Gimignano'etching in colours, AP, signed 'Julian Trevelyan' in pencil, l.r., inscribed with title l.c., and 'Artists Proof' l.l.image 49 x 37.5cmCondition ReportFramed: 75.5 x 65.5cmLight rippling to the paper with some minor spots of surface dirt to the margins, however the printed area appears to be unaffected. Unexamined out of glazed frame.
â–´ Julian Trevelyan RA (1910-1988)'Thames Barge'etching and aquatint in colours, 1984, signed 'Julian Trevelyan' in pencil l.r., inscribed with title and numbered '36/50'image 47.5 x 34.5cmCondition ReportFramed: 74 x 54cmSome light rippling to the paper, the print has an acidic mount. Unexamined out of glazed frame.
â–´ Chloe Fremantle (b.1950)'Eden (Valley)'signed 'Chloe Fremantle', inscribed as titled and dated Oct 73 verso, acrylic on canvas84.5 x 109cmCondition ReportFramed: 87 x 112cmSome light spots and speckles of surface dirt but in otherwise good condition. Examined under UV light there is no retouching is visible.
â–´ John Hitchens (b.1940)'Forms of Shade'signed 'John Hitchens' l.r., also signed, inscribed with title, and dated 1988 verso, oil on canvas41 x 91.5cmCondition Reportframed 61 x 111cm. Slight mark to upper centre, minor marks to matt board and losses to frame, presents well overall, not examined under UV light. Please contact department for a full report.
â–´ John Piper CH (1903-1992)'Île-d'Elle' (Levinson 110)lithograph in colours, 1958, signed 'John Piper' in pencil l.r., and numbered '58/75'image 42.5 x 56.5cm (visible)Condition ReportFramed: 64 x 84cmSome very light spots and speckles of surface dirt. There is a faint dirty mark to the upper right margin but this does not affect the printed area. In otherwise good condition and well presented. Unexamined out of glazed frame.
â–´ John Piper CH (1903-1992)'Ironbridge' (Levinson 178)lithograph in colours, 1966, proofsheet 57.5 x 78.5cm;together with:'Rudbaxton, Pembrokeshire: 17th Century Monument, 19th Century Furnishings' (Levinson 131)lithograph in colours, 1964, proofsheet 59.5 x 81cm (2)Provenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportIronbridge: Time staining and foxing with handling creases to the margins, and a fold to the bottom left corner. The left and right margins are marked with black registration crosses and small 1cm cuts, there is a 7cm brown stain to the centre of the bottom margin, please see images.Rudbaxton: Spots and speckles of surface dirt with some foxing starting to emerge. The print has deckled edges and there are light handling creases to the margins, there is a faint crease running along the length of the top edge.
â–´ John Piper CH (1903-1992)'Dinton Folly' (Levinson 367)screenprint in colours,1983, signed 'John Piper' in pencil, l.r., numbered '80/100'image 46 x 66.5cmCondition ReportFramed: 72 x 91.5cmSome very light rippling but in otherwise good condition and well presented. Unexamined out of glazed frame.
â–´ John Piper CH (1903-1992)'Flintham Hall' (Levinson 279)screenprint in colours, 1977, signed 'John Piper' l.r., and numbered '49/75'image 48 x 69cm (visible)'Flintham Hall' is from a portfolio of eight screenprints titled 'Victorian Dream Palaces', published by Marlborough Fine Art and printed on Vélin Arches 300gsm paper by Kelpra Studio in 1977. Flintham Hall was a large Georgian mansion in Nottinghamshire remodelled as a 'dream palace' for the Hildyard family in the early 1850s.Condition ReportFramed: 75.5 x 95cmSome time staining with light foxing visible to the margins. Unexamined out of glazed frame.
â–´ John Piper CH (1903-1992)'Westminster School II' (Levinson 115)lithograph in colours, 1961, signed 'John Piper' in pencil l.r., and numbered '86/100'image 41.5 x 58cm (visible)Condition ReportFramed: 64 x 84cmPaper discolouration and some light foxing visible to the lighter areas. Unexamined out of glazed frame.
â–´ Keith Vaughan (1912-1977)'The Walled Garden'lithograph in colours, signed and dated 'Keith Vaughan' in ink l.r., and inscribed 'Artist's proof' l.l.image 39 x 49.5cmCondition ReportFramed 60.5 x 69cmSome light surface scratches to the dark green areas upper right, please see images, however the printed area appears to be in otherwise good condition. A very minor handling crease to the exteme right margin and another small handling crease to the bottom margin. Unexamined out of glazed frame.
â–´ Bruce McLean (b.1944)'Chivas Rivas'screenprint in colours, artist's proof, signed 'Bruce Mclean' in pencil, l.r., inscribed 'AP' l.l.image 45 x 60.5cmCondition ReportFramed: 73 x 85.5cmSome light rippling to the paper, there is a slight mark in the margin next to the inscription 'AP' where it appears some writing may have been erased (?). In otherwise good condition and well presented.
â–´ David Hockney CH RA (b.1937)'The Print Collector (Felix Mann)'lithograph,1970, studio proof, signed 'David Hockney' in pencil l.r.sheet 66 x 53.5cmProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportThe print has deckled edges. There are light handling creases to the top edge and bottom left corner and some very small spots of light surface dirt, please see images.
â–´ Patrick Church (b.1991)'Please Don't Tell Me It's Over'indistinctly signed l.r., signed, inscribed with title and dated 2015 verso, acrylic on canvas40.5 x 50.5cm, unframedProvenance: Charity auction, Mansion House, London.Condition ReportSome very light surface dirt but in otherwise good condition.
â–´ Victor Burgin (b.1941)Abstract in blue, green and yellowsigned 'Victor Burgin' verso, oil on canvas126.5 x 98.5cmCondition ReportFramed: 129 x 101cmSome light surface dirt with a small dirty smudge to the upper right corner and brown dot to the right edge. There is a very small mark lower centre with a cross of tape applied to the reverse suggesting a possible repair but the damage to the front appears minimal.
â–´ Adrian Maurice Daintrey RWA (1902-1988)An Arcadian landscape, after a drawing by Claude in Liber Veritatis signed with initials l.l., inscribed 'After a drawing by Claude' and dated 1950 verso, oil on canvas50.5 x 60.5cmCondition ReportFramed 66 x 76cmLight surface dirt with small losses and slight rubbing to edges, there is minor damage to the right of the signature, please see images. Unexamined under UV light, for a full report please contactthe department.
â–´ Adrian Maurice Daintrey RWA (1902-1988)Reclining nudepartially signed l.l., signed with initials verso, oil on canvas70.5 x 91cmCondition ReportFramed 73 x 93cmThe signature l.l, is obscured and appears to have been overpainted by the artist. Minor rubbing to edges with some surface dirt, the painting may benefit from a light clean.
â–´ Paul Catherall (b.1967)'Goldfinger III'lithograph in colours, printer's proof, signed, inscribed with title and dated '2011' in pencil.sheet 95.5 x 72cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.Condition ReportSome light handling crease but in otherwise good overall condition.
▴ Sir Grayson Perry CBE RA (b.1960)'Alien Baby'glazed ceramic, stamped and numbered to the reverse '10', from a series of 12, executed 201824 x 16cm'Alien Baby' was created during Perry's time making the BAFTA-nominated 'Rites of Passage', a four-episode series exploring the topics of Death, Marriage, Birth and Coming of Age. Perry travelled the world exploring rituals across different cultures before returning home to England, to discuss his findings with British families, drawing parallels with seminal moments in their own lives and helping to devise secular rituals to help them make sense of the landmark moments they were experiencing.He described witnessing the slow-motion modern miracle that sees the babies being nurtured into the world by the dedicated team of nurses who help them survive and thrive against all odds. He sees the nurses as the crew of a spaceship, employing modern technology with a sympathetic touch, the twinkling lights of the monitors reminiscent of the light-up controls of the flight deck of a spaceship.‘It feels otherworldly like we are on board a spaceship drifting through inner space on our way to the time when they [the babies] should have come’.Inspired by this cosmic scene and believing there to be a need for the NHS to be ritualised as one of the pillars of modern society, Grayson produced a range of twelve 'Alien Babies', each a celebration of the NHS, the technology and, above all, the humanity of the neonatal nurses. The works, each unique and executed in pottery with a metallic gilt glaze, were gifted by the artist to every member of the neonatal team at the Broomfield. Provenance: The work was given by the artist to the vendor, who was a Ward Administrator during the time of filming, and featured in episode three of the series.Condition ReportCrazing and minor losses to the glaze with some discolouration. There are indentations from the kiln stand on the back.
â–´ John Rowland Barker (1911-1959)'St George'signed 'John R Barker' verso, oil on canvas laid on board33 x 40.5cm, unframedCondition ReportThere is some discolouration to the varnish with a clear difference in colour to the paint along the left and bottom edges, likely due to how the painting has been framed previously, please see images. Unexamined under UV light, for a full report please contact the department.
Damien Hirst (b.1965)'I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now'published by Booth-Clibborn, London,1997,1st edition, signed 'Damien Hirst' in pen, p.1., with coloured photographs and illustrations, some fold-outs, transformation plates operated by tabs and pop-ups30cm wide3.5cm deep33.5cm high overallCondition ReportSome light surface dirt to the dust jacket. There are some white marks underneath the dust jacket where it has become stuck to the centre of the front cover and it cannot be removed without causing further damage, please see images. However, the book itself is in generally good condition.
â–´ Cyril Mann (1911-1980)'Sitting Target'signed and inscribed with title on label verso, oil on board36.5 x 30cmCondition ReportOverall 48.5 x 42cmUpper left has two small areas of paint loss and a further scratch with paint loss. Upper left corner has been damaged. Light scuffs elsewhere. A great line to right side. Some surface dirt.
â–´ Diana Low (1911-1975)Sunflowersinscribed 'Diana Low' verso, oil on canvas61 x 56cmExhibited: Birmingham Exhibition, 1936.Condition ReportFramed: 75.5 x 70.2cmSurface dirt with craquelure throughout and some small losses, most noticeably to the lower right corner. Visible stetcher marks to the left and right edges. Under UV light there is some scratching visible in the top left corner with some small spots of retouching to the table.
â–´ William Bowyer RA (1926-2015)'Low Tide at Isleworth'signed and dated 'William Bowyer 90' l.l., oil on board51 x 61cmCondition ReportFramed: 62.5 x 73cmSome light scuffs to the upper right edge and two small losses to the top left corner, please see images. Unexamined out of glazed frame or under UV light, for a full report please contact the department.
â–´ Bernard Dunstan RA (1920-2017)'Cottage Bedroom - the White Night Dress'signed 'BD' l.l., inscribed with title and dated 77 verso, oil on board38 x 36.5cmCondition ReportFramed 49.5 x 47.5cmSome surface dirt, there is a pencil line and some light rubbing along the top edge but in otherwise good condition.
â–´ Bernard Dunstan RA (1920-2017)Crouching nudesigned 'BD' l.l., pencil28 x 38.5cmProvenance: With The Mall Galleries, London, 1976.Condition ReportFramed 44.5 x 55.5cmSome discolouration and light cockling, there is acid staining to the left and bottom edges where the drawing has been framed with an acidic mount. There are some small bugs trapped between the glazing and the work, unexamined out of glazed frame.
â–´ John Emanuel (b.1930)A seated nude from behind; A seated figurethe first signed 'John Emanuel' l.r., with a study of a reclining nude verso, the second signed 'John Emanuel' l.c., mixed media54.5 x 37.5cm and 55 x 36.5cm, unframed (2)Condition ReportLight cockling but in otherwise generally good condition. Seated nude from behind has a waxy finish to the lower right quarter.
â–´ Doris Zinkeisen (1898-1991)'Conversation Piece'signed 'Doris Zinkeisen' l.r., oil on canvas66 x 91.5cmExhibited: The Mall Galleries, London, 'The Royal Society of Portrait Painters',1983.Condition ReportFramed: 81.5 x 107.5cmThe canvas is unlined. Some rubbing to the edges and light scuffs but in otherwise generally good condition. Examined under UV light - some areas show up, but this appears to be in line with the painting rather than restoration so likely just artist's pigment.
â–´ John Nash RA (1893-1977)'Cyclamen Neapolitanum'pen and ink, heightened with white15 x 12cmProvenance: With Abbott and Holder, London.Exhibited: The Minories, Colchester, 'John Nash Book Designs', 1986.Illustrated: Robert Gathorne-Hardy, 'The Tranquil Gardener', Thomas Nelson & Sons, 1960 p.71.Condition ReportFramed: 32 x 28cmPaper discolouration with some light foxing. There is a small faded rectangle in the upper left corner. Unexamined out of glazed frame.
â–´ John Tunnard ARA (1900-1971)'Reflection'signed and dated 'John Tunnard, 60' l.r., also signed, inscribed with title and dated verso, oil on board and scratching out41 x 58cmCondition ReportFramed size 55 x 72cmPainted board stuck down to board of frame. A few tiny flecks of white paint look like they are not intentional (perhaps housepaint). Very light abrasions on surface. Overall no major condition issues, presents well.
â–´ Michael Wishart (1928-1996)'Nocturne. Silver & Gold'signed with monogram and dated '69' l.r., also signed, inscribed with title and dated verso, oil on canvas50 x 40cmCondition ReportFramed 55 x 44.5cmSmall scraches to the darker areas at the top of the painting, please see images, but in otherwise apparently good order. Unexamined under UV light, for a full report please contact the department.
â–´ Margaret Green (1925-2003)View of a garden, possibly the artist's home near Stowmarket, Suffolksigned 'M.Green' l.l., oil on canvas76 x 101cmCondition ReportFramed 92 x 117.5cmIn good condition and well presented. Unexamined under UV light, for a full report please contact the department.
â–´ Fred Cuming RA (1930-2022)'Seascape, Hythe' signed 'Cuming' l.l., oil on board24 x 20cmExhibited: Leonie Jonleigh Studio, Surrey, 'Queen's Jubilee Exhibition', June 1977.The present lot shows the view from the artist's studio which he had for a number of years from the late 1970s. The studio was located in an old boathouse that looked out to sea next to the Hythe Firing Ranges.We are grateful to Rachel Cuming for her assistance with the cataloguing of this lot.Condition ReportFramed: 34 x 30cmSome very light specks of surface dirt to the bottom edge but in otherwise good overall condition. Under UV light no retouching is visible. Unexamined out of glazed frame.
â–´ Fred Cuming RA (1930-2022)'Riders with Dog', 1995signed 'Cuming' l.l., oil on board20.7 x 25.5cm'Riders with Dog' is painted on Camber Sands in East Sussex. Cuming spent his life studying the play of light on water and Camber Sands gave him the perfect opportunity to capture its vast skies, varying moods and changing weather patterns. Looking at this painting, we can see why the artist gained the reputation as the 'Master of Colour, Light and Atmosphere'. We are grateful to Rachel Cuming for her assistance with the cataloguing of this lot.Condition ReportFramed: 32.9 x 37.6cm. In good condition
â–´ Fred Cuming RA (1930-2022)'Seascape, Hythe' signed 'Cuming' l.l., oil on board22.5 x 27.5cmProvenance: With Leonie Jonleigh Studio, Surrey, October 1977.The present lot shows the view from the artist's studio which he had for a number of years from the late 1970s. The studio was located in an old boathouse that looked out to sea, next to the Hythe Firing Ranges.We are grateful to Rachel Cuming for her assistance with the cataloguing of this lot.Condition ReportFramed: 33 x 38cmIn good condition. Unexamined out of glazed frame or under UV light, for a full report please contact the department.
â–´ Fred Cuming RA (1930-2022)'Squall, Hastings'signed 'Cuming' l.l., inscribed with title verso, oil on board21.5 x 41.5cmThe present lot was painted from the viewpoint of the Old Town Hastings, looking towards the Hastings Pier and further afield to St Leonards. Cuming lived and worked near Rye and Hastings for over 45 years and returned to this subject on many occasions. We are grateful to Rachel Cuming for her assistance with the cataloguing of this lot.Condition ReportFramed size 30 x 50cm In good overall condition. Examined under UV light no retouching is visible.
â–´ Fred Cuming RA (1930-2022)'The Boathouse'signed 'Cuming' l.l., oil on board69 x 44cmProvenance: Mason-Watts Fine Art, Leamington Spa, 'Christmas Show', 1988.The boathouse depicted is thought to be in either Dungeness or Rye Harbour. Cuming had a studio for 35 years at Rye Harbour, but at this period he frequently visited Dungeness, just up the coast, as he was intrigued by its abstract coastline. We are grateful to Rachel Cuming for her assistance with the cataloguing of this lot.Condition ReportFramed: 75.5 x 61cmSome light surface dirt but appears to be in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
â–´ Robert Lenkiewicz (1941-2002)'Aristotle/Phyllis - Painter with Moira Ryan'signed 'R.O. Lenkiewicz' and inscribed with title and 'Painter with Women/Project 18' verso, oil on board48 x 38cmCondition ReportFramed size 67 x 55cmSome very light scratches to upper centre, otherwise appears to be in good condition.
â–´ Richard Smith (1931-2016)Untitled (deep pink);Untitled (pale-blue parallelogram);two, mixed media, the first dated 'R Smith 82' l.r.109 x 74cm and 111 x 76.5cm respectively (2)Condition ReportFramed: 115.5 x 80cm and 117 x 82.5cmThe works appear to be a combination of gouache, watercolour, pastel and black chalk. Some light foxing to the upper right corner of Untitled (Deep Pink) and light surface dirt to both. Unexamined out of glazed frames.
â–´ Ken Howard RA (1932-2022)'Sarah, Silver and Black'signed 'Ken Howard' l.r., oil on canvas61 x 50.5cmExhibited: 'Ken Howard' Exhibition, Brian Sinfield Gallery, Burford, November 1995.Condition ReportFramed 74.5 x 64.5cmIn good overall condition, with no obvious condition issues apparent. Well presented and ready to hang. Inspected under UV light no retouching is visible.
â–´ Ken Howard RA (1932-2022)White roses in a vasesigned 'Ken Howard' l.r., oil on canvas board30.5 x 20cmCondition ReportFramed: 37.5 x 32cmRubbing to the extreme right edge. There are some light surface scuffs and scratches to the top edge, extreme right corner and beneath the rose on the right hand side. Examined under UV light no retouching is visible. Well presented and ready to hang.
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