GRENFELL JOYCE: (1910-1979) English diseuse and comedy actress, remembered for her performances in the St. Trinian´s series of films. A good signed 8 x 10 photograph, the original vintage publicity portrait depicting Grenfell in a head and shoulders pose in costume as the policewoman Sergeant Ruby Gates, taking notes, from the British comedy film Blue Murder at St. Trinian´s (1957). Signed by Grenfell in bold blue ink with her name alone to a largely light area of the image. A pencil annotation in the hand of a collector to the verso indicates that the signature was obtained in person following Grenfell´s appearance on the WOR radio chat show hosted by Arlene Francis in New York on 19th October 1977. Scarce in this form. VG
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STEPTOE AND SON: Wilfrid Brambell (1912-1985) Irish actor, best remembered for his portrayal of Albert Steptoe in the BBC television sitcom Steptoe and Son (1962-65, 1970-74). A good vintage signed 8 x 10 photograph of Brambell in a head and shoulders pose in costume as the grubby rag-and-bone man Albert Steptoe and holding a cigarette in one hand. Signed in blue ink to a clear area of the background at the head of the image; Harry H. Corbett (1925-1982) English actor and comedian, best remembered for his portrayal of Harold Steptoe in Steptoe and Son. Signed 8 x 10 photograph of Corbett in a head and shoulders pose. Signed in black ink to a light area at the base of the image. One very small, light stain close to the conclusion of the signature. Signed photographs of this size of either actor are scarce and desirable. Some very slight, minor surface and corner creasing and two small pinholes to the upper corners of Corbett´s photograph. VG, 2
APOLLO XIII: A softover edition of Failue Is Not an Option: Mission Control from Mercury to Apollo 13 and Beyond by Gene Kranz, trade paperback edition published by Berkley Books, New York, May 2001, signed by the American aerospace engineer and NASA Chief Flight Director Gene Kranz (1933- ) with his name alone in black ink to the title page, and also signed by James Lovell (1928- ) American astronaut, Commander of the Apollo XIII lunar mission, 1970, and Fred Haise (1933- ) American astronaut, Lunar Module Pilot of Apollo XIII, 1970. Both Lovell and Haise have signed in black inks to the title page, each adding Apollo 13 and their crew position acronyms in their hands beneath their signatures. Some very light, minor age wear, VG
REEVE CHRISTOPHER: (1952-2004) American actor, remembered for playing the title character in the superhero film Superman (1978) and three sequels. Signed colour 8 x 10 photograph of Reeve standing in a full-length pose, in costume as Superman, alongside the United States stars and stripes flag on the surface of the moon from the superhero film Superman IV: The Quest for Peace (1987). Signed by Reeve in bold blue ink with his name alone to the image. One very light, extremely minor horizontal surface crease, otherwise VG
APOLLO XI: A vintage printed 4to edition of Time magazine from 25th July 1969 featuring the printed caption Apollo 11: The Riskiest Voyage to the cover across a colour image of the three Apollo XI crew members standing together in full-length poses, each wearing their white spacesuits, signed by both Buzz Aldrin (1930- ) American astronaut, Lunar Module Pilot of Apollo XI (1969) and the second man to walk on the moon and Michael Collins (1930-2021) American astronaut, Command Module Pilot of Apollo XI (1969) individually. Both have signed in bold blue inks with their names alone to light areas of the front cover image. Accompanied by an unsigned colour 5 x 7 photograph of Collins standing in a three-quarter length pose with a blue Sharpie pen in one hand and the present Time magazine in the other, having just signed the cover. Front cover neatly detached and with some creasing and scuffing and with light overall age wear, about G, 2
HAY WILL: (1888-1949) English comedy actor. A good vintage signed 8 x 10 photograph of Hay seated in a head and shoulders pose in costume as the inept railway station master William Porter from the British comedy film Oh, Mr Porter! (1937). Signed by Hay in fountain pen ink to the base of the image. Signed photographs of Hay in costume from his most widely acclaimed role are rare and desirable. A couple of very light, extremely minor corner creases, VG
LOY MYRNA: (1905-1993) American actress, the recipient of an Honorary Academy Award. Vintage signed and inscribed sepia 8 x 10 photograph of the actress in a head and shoulders pose in costume as Alice Higgins from the American comedy-drama film Broadway Bill (1934). Signed by Loy in dark fountain pen ink to a light area of the image, further adding the title of the short story Strictly Confidential in her hand beneath her signature, being the work that formed the basis for the film Broadway Bill (and also the title under which the film was released in the United Kingdom). About EX
AST PAT: (1941-2001) American actress and model, remembered for her portrayal of Lydia in Andy Warhol´s film Heat (1972). Signed 8 x 10 photograph of Ast standing in a half-length pose in costume as Edna Dawson from the American prison black comedy film Reform School Girls (1986). Signed by Ast in blue ink with her name alone to a light area at the base of the image. VG
TAYLOR ELIZABETH: (1932- 2011) English actress, Academy Award winner. A good vintage signed and inscribed 8 x 10 photograph of the young Taylor seated in a half-length pose wearing a polka dot dress. Signed in blue fountain pen ink across a largely light area of the image, 'Best wishes Eddie, Elizabeth Taylor'. Some very minor, extremely light wrinkling to the edges, otherwise about EX
HAIRSTON JESTER: (1901-2000) American composer and songwriter, an authority on black spirituals and choral music whose works include the Christmas song Mary's Boy Child (1956). Signed 8 x 10 photograph of Hairston in a head and shoulders pose. Signed in black ink with his name alone to a clear area of the background at the head of the image. A couple of very light, extremely minor corner creases to the white borders, otherwise EX
RATHBONE BASIL: (1892-1967) British actor, famous for his portrayal of Sherlock Holmes in a number of films. Vintage signed sepia 8 x 10 photograph of the actor in a head and shoulders pose and holding a lit cigarette in one raised hand. Signed by Rathbone in black fountain pen ink with his name alone to the centre of the image. Some very light, extremely minor silvering to a few edges of the image, VG
O´CONNOR UNA: (1880-1959) Irish-born American character actress, remembered for her portrayal of Bess in The Adventures of Robin Hood (1938) and as Minnie in Bride of Frankenstein (1935). A scarce vintage signed and inscribed 8 x 10 photograph of O´Connor in a head and shoulders pose. Photograph by Albert L. Bresnik of Hollywood and bearing his blindstamp to the lower right corner. Signed by O´Connor in bold dark fountain pen ink to a clear area of the background. A few very light, extremely minor corner creases, VG
JAMES SID: (1913-1976) South African-born British comedy actor, best remembered for his roles in nineteen Carry On films between 1960-74, making his debut in Carry On Constable. A good vintage signed and inscribed 8 x 10 photograph of James in a head and shoulders pose, in costume as Sid, wearing a top hat and holding a small gun in one hand, from the British black comedy film Too Many Crooks (1959). Signed by the actor in dark blue fountain pen ink to a largely clear area of the image. A few very minor, light surface and corner creases, VG
FREUD LUCIAN: (1922-2011) British painter. A rare A.L.S., Lucian Freud, to the verso of a colour picture postcard of his oil painting entitled Blond girl on a bed (1987), n.p. (London), n.d. (10th December 1990), to Sarah Griffiths. The artist writes, in full, ´I liked your letter and will try and answer some of your question - they don´t all apply. I´ve just finished a huge picture of a naked man. Meanwhile do keep warm. Here´s a Christmas present´. Accompanied by the original envelope hand addressed by Freud. Some very light age wear, otherwise VGFreud most likely refers to one of his paintings of the Australian performance artist Leigh Bowery (1961-1994) who became a signifcant model and muse for the painter.
DOUGLAS LORD ALFRED: (1870-1945) English poet and journalist, and a lover of Oscar Wilde. A good A.L.S., Alfred Douglas, two pages, 4to, Hove, Sussex, 4th February 1934, to Samuel M. Steward. Douglas thanks his correspondent for their letter although asks not to be flattered too much ('except as a counterpoise to over abuse (of which nowadays I get very little) it is not good for me'). further agreeing to inscribe a copy of The True History of Shakespeare's Sonnets and explaining that he shall call in at Martin Secker's when next in London to do so, and at the same time correct some misprints, adding that he will ask Secker to send it with an invoice and remarking 'Please do not think me mean not to send you a copy as a present, but I have given away such a lot that I simply have had to stop. The sale of the book so far is very small (only about 500 copies out of an edition of 1000) though it was universally praised in the reviews & brought me a lot of kind appreciation from "eminent Shakespearean scholars" (much to my surprise, as I quite expected them to fall upon me in a mass attack). I am longing for a 2nd edition as I have now got almost conclusive evidence of the actual exsistence of Master Will Hughes to whom (as I think with Malone, Butler & Wilde) the sonnets were addressed'. Accompanied by the original envelope hand addressed by Douglas to Steward at the Ohio State University and bearing a good wax seal to the verso. Some very light, minimal creasing, VGSamuel Steward (1909-1993) American tattoo artist and pornographer. Steward taught English at Ohio State University in Columbus from 1932-34 and at the same time became close friends with Gertrude Stein, later paying her a visit at her country house in France during the summer of 1937. It was on this visit that Steward met Lord Alfred Douglas, as well as other literary figures including Thornton Wilder and Andre Gide.William Hughes is one potential candidate for the person on whom the 'Fair Youth' of Shakespeare's Sonnets is based. The identification was first proposed by Thomas Tyrwhitt in the 18th century and was endorsed by Edmond Malone in a 1790 edition of the sonnets. Samuel Butler also accepted some aspects of the theory, and Oscar Wilde explored the idea in greater detail in his short story The Portrait of Mr. W. H. (1889).
DAVIS BRAD: (1949-1991) American actor, remembered for his role as Billy Hayes in the prison drama film Midnight Express (1978). A scarce signed and inscribed 8 x 10 photograph of Davis in a close-up head and shoulders pose. Signed in black ink across a light area of the image. Signed photographs of Davis are scarce as a result of his untimely death at the age of 41. About EX
POPULAR MUSIC: Small selection of vintage signed postcard photographs and slightly larger (2) by various British singers and bands of the 1960s comprising The Four Pennies (Lionel Morton, Mike Wilsh and Alan Buck), Billy J. Kramer, Sandie Shaw, Cliff Richard and Adam Faith (3; two signed and inscribed to the versos). A few small, minor tape stains to the corners and with some creasing (1) and light age wear, G to VG, 7
BRYNNER YUL: (1920-1985) Russian-born actor, Academy Award winner. A good vintage signed and inscribed 8 x 10 photograph of Brynner standing in a half-length pose, in costume as the French pirate Jean Lafitte, with a pistol in his belt, from the pirate-war film The Buccaneer (1958). Photograph by Bud Fraker for Paramount Pictures and bearing his credit stamp to the verso. Signed by Brynner in bold black ink to a light area of the image and with a more complete signature than is often encountered. About EX
PRINZE FREDDIE: (1954-1977) American comedian and actor, famous for his role as Chico Rodriguez in the American sitcom television series Chico and the Man (1974-78). An extremely rare signed and inscribed 8 x 10 photograph of Prinze standing in a half-length pose. An ink annotation in an unidentified hand to the verso indicates that the photograph was taken at a beach party hosted by the television and film producer David Wolper for the Los Angeles volley ball team on 21st June 1975. Signed in bold blue ink to a clear area of the image with an inscription incorporating Chico´s catchphrase, ´To Jim - "It´s Not My Job", Best Wishes, Freddie Prinze´. Signed photographs of Prinze are extremely rare as a result of his tragic death when he shot himself in the head at the young age of 22. A couple of very light, extremely minor corner creases, VG
PATTERSON FLOYD: (1935-2006) American boxer, World Heavyweight Champion 1956-59 & 1960-62. Vintage signed 8 x 10 photograph of Patterson standing in a full-length boxing stance. Signed (´Warmest regards from your friend, Floyd Patterson´) in blue ink to a clear area of the background at the head of the image. Some light overall surface creasing, G
DALAI LAMA: (1935- ) Tibetan spiritual leader, Nobel Peace Prize winner, 1989. Signed colour 7 x 10.5 photograph of the Dalai Lama in a head and shoulders pose. Signed in bold blue ink with his name alone to a light area of the background. Some light marking to the image, mainly affecting the background, G
ABBA: Signed and inscribed record sleeve for the compilation album Greatest Hits Vol. 2 (1979) by all four members of the Swedish pop supergroup of the 1970s individually, comprising Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad, signed by each in black inks to the front cover of the gatefold sleeve which features a colour image of the band in head and shoulders poses together. The cover also features an inscription in the hand of one of the band members, ´To The Guys in P. Nutt from Abba´. A printed label neatly affixed to the verso explains that the album sleeve was signed in November 1979 for the owners of the P. Nutt Records store. Record no longer present. Some age wear, scuffing and light overall creasing, only very slightly affecting the signatures, GAbba´s Greatest Hits Vol. 2 was released to coincide with the group´s tour of North America and Europe and reached Number 1 in the UK albums charts. The P. Nutt Records store was located on the High Street in Cheltenham, Gloucestershire, from 1978-81 and was managed by Phil De Wolfe and Charlie Pollock.
MARCEAU FRANCOIS SEVERIN: (1769-1796) French General who served in the French Revolutionary Wars and was immortalised in Lord Byron's Childe Harold's Pilgrimage. An extremely rare manuscript D.S., F Marceau, one page, oblong 8vo, Headquarters at Fontaine-l'Eveque, 20th May 1794, in French. Marceau heads the document with the words Egalite, Liberte, Revolution and continues to provide an order, in full, 'Il est ordonne au garde-magasin de ramasser autant de fourrage qu'il se pourra pour le distribuer aux troupes de la Republique. Il voudra bien designer le lieu ou il aura etabli ce magasin et en faire part au general Bardy' (Translation: 'The storekeeper is ordered to collect as much fodder as possible to distribute it to the troops of the Republic. He will be kind enough to designate the place where he will have established this store and to inform General Bardy of it'). Autographs of Marceau are extremely rare in any form as a result of his untimely death at the age of 27 having received a mortal wound during the Battle of Limburg. Some light age wear and a few minor tears to the slightly uneven edges. About VG
BROKEN ARROW: John Lupton (1928-1993) American actor who portrayed the Indian agent Tom Jeffords in the American Western television series Broken Arrow (1956-58). Signed 8 x 10 photograph of Lupton in a three-quarter length pose outdoors wearing a Western costume and holding a rifle in his hands. Signed in black ink with his name alone to a light area at the base of the image; Michael Ansara (1922-2013) American actor who portrayed the Apache Chief Cochise in Broken Arrow. Signed 8 x 10 photograph of the actor in a head and shoulders pose wearing a traditional costume. Signed in bold black fountain pen ink with his name alone to a clear area of the background. VG to EX, 2
DE GAULLE CHARLES: (1890-1970) French General and statesman who led the Free French Forces during World War II. President of the French Republic 1959-69. T.L.S., C. de Gaulle, one page, 4to, n.p., 1st March 1955, to Daniel Halevy, on black bordered mourning stationery, in French. De Gaulle writes, in part, 'Heureuse est la memoire de Jerome Tharaud d'avoir merite de vous un si bel eloge! En vous disant tout l'agrement que j'ai pris a le lire, je vous remercie de votre aimable envoi auquel j'ai ete sensible' (Translation: 'Happy is the memory of Jerome Tharaud to have merited such a fine eulogy from you! In telling you how much I enjoyed reading it, I would like to thank you for your kind letter, which I appreciated'). Some very light, extremely minor age wear, VGDaniel Halevy (1872-1962) French historian, the son of Ludovic Halevy.Jerome Tharaud (1874-1953) French writer.
NORRIS LESLIE: (1921-2006) Welsh poet and short story writer. T.L.S., Leslie Norris, one page, 4to, Aldingbourne, Chichester, Sussex, 17th August 1967, to [Elinor] Kane, Copy Editor at The Atlantic Monthly. Norris returns the proofs of his two poems Winter Song and Drummer Evans and continues to remark ´The first is absolutely perfect, but I have marked one error in The Drummer; as you will see the fresh stanza should begin at "Because I knew that I would never make..." - that is, line 30, not line 31......Of course, if you have to arrange it as you have in the proof, because of page-length or something, I don´t mind at all´ and concluding ´Similarly, I have no objection to your changing "Evans´s" to Evans´ on the two places you have marked. Welsh English is not always the same as English, and a small Welsh boy would say "Evans´s" ´. Together with a typescript copy of Winter Song bearing a few pencil annotations in the hand of an editor to the margin, and a galley proof (stamped Uncorrected Author´s Proof) of the same poem, prepared ahead of publication in The Atlantic Monthly, signed by Morris at the foot, indicating his approval, and dated 16th August 1967 in his hand. Some light creasing and minor age toning, G, 3
KWOUK BURT: (1930-2016) British actor, best remembered for his role as Cato in the Pink Panther films. Signed 8 x 10 photograph of Kwouk in a head and shoulders pose in costume as Cato Fong, Inspector Clouseau´s manservant, from the detective comedy film Revenge of the Pink Panther (1978). Signed by the actor in bold black fountain pen ink with his name alone to a light area at the head of the image. About EX
CAINE MICHAEL: (1933- ) English actor, Academy Award winner. Signed 8 x 10 photograph of Caine standing outdoors in a three-quarter length pose in costume as MI5 officer John Preston from the British Cold War spy film The Fourth Protocol (1987). Signed by the actor in bold black fountain pen ink with his name alone to a light area of the image. About EX
MASEFIELD JOHN: (1878-1967) English writer and poet who was Poet Laureate 1930-67. A.L.S., John Masefield, one page, 8vo (folding letter card), Greenwich, 9th June 1907, to Max Meyerfeld. Masefield thanks his correspondent for their letter and continues ´I fear that I cannot conveniently come to you earlier tomorrow, so let us cancel the engagement´, further suggesting that another day later in the week, perhaps Thursday, would be possible, ´or let me know, by letter, the points about which you wish to see me. The latter course would suit me the better, as I have much work on hand, & find it difficult to make appointments´. Hand addressed by Masefield to the verso and with some light traces of former mounting. About VGMax Meyerfeld (1875-1940) German journalist and translator, the first translator of Oscar Wilde´s works into German.
CARUSO ENRICO: (1873-1921) Italian tenor. A good fountain pen ink signature ('Enrico Caruso') and place and date, London, 1904, in his hand, to the verso of his personal printed oblong 12mo Visiting Card, featuring his printed name to the centre and with no address indicated. One heavy crease to the lower left corner and some light age wear, G
CECIL ROBERT: (1864-1958) British lawyer, politician and diplomat, one of the architects of the League of Nations. Nobel Peace Prize winner, 1937. T.L.S., Robert Cecil, one page, 4to, Grosvenor Crescent, London, 27th April 1922, to Mrs. Lawrence Holt in Liverpool, on the printed stationery of the League of Nations Union. Cecil enquires as to whether his correspondent would be prepared to host a Drawing Room Meeting in aid of the League of Nations Union, remarking ´We are finding increasingly that Drawing-room Meetings given by well-known hostesses are a most useful method of educating people who very rarely go to public meetings in the work of the League of Nations Union´ and further adding ´We would supply one or two well-known speakers and, should you so desire it, would also send out all the invitations from a list to be supplied by you´. Some very light, extremely minor creasing, VGCecil´s correspondent was the wife of Lawrence Durning Holt (1882-1961) British businessman with an interest in shipping who served as Lord Mayor of Liverpool 1929-30.
NABOKOV VLADIMIR: (1899-1977) Russian-born American novelist and poet whose works include Lolita (1955). A rare D.S., Vladimir Nabokov, two pages (separate leaves), 4to, n.p. (New York?), 4th August 1969. The printed document takes the form of a letter from Columbia Pictures addressed to the publishers McGraw Hill International and concerns an earlier Option Agreement ´with respect to the motion picture and allied rights in and to that certain literary work entitled "Ada or Ardor"´, agreeing to extend the option until 5th August 1970 and continuing to state, in part, ´In consideration for the extension of time for the exercise of the option as provided......the undersigned hereby agrees to pay the sum of Thirty Thousand ($30,000) Dollars as follows: (a) To you, upon execution of this agreement, the sum of Twenty-Seven Thousand ($27,000) Dollars, receipt of which is hereby acknowledged. (b) To Irving Paul Lazar Agency, for your account, the sum of Three Thousand ($3,000) Dollars payable on January 5, 1980´. Signed by Nabokov in blue ink at the conclusion, indicating his agreement to the contents of the document, and also countersigned by a representative of Columbia Pictures. Some light age wear and two file holes and a few staple holes to the head of each page, otherwise VGNabokov´s novel Ada or Ardor: A Family Chronicle (1969) was composed from two earlier writing projects and the published cumulation would represent the novelist´s longest work. The American scholar Alfred Appel described the novel as ´a great work of art, a necessary book, radiant and rapturous´ and said that it ´provides further evidence that [Nabokov] is a peer of Kafka, Proust and Joyce´. Despite Columbia Pictures´ interest in the work and securing the rights to make Ada or Ardor into a film, the project was never completed.
THE STREETS OF SAN FRANCISCO: Michael Douglas (1944- ) American actor and Academy Award winner, portrayed Inspector Steve Keller in the American crime drama television series The Streets of San Francisco (1972-76). Signed colour 8 x 10 photograph of the young actor in a head and shoulders pose. Signed by Douglas in bold blue ink with his name alone to a light area at the base of the image. A printed label neatly affixed to the verso indicates that the signature was obtained in person at the Festival de Television de Monte-Carlo in June 2019; Karl Malden (1912-2009) American actor and Academy Award winner, portrayed Lieutenant Mike Stone in The Streets of San Francisco (1972-77). Signed colour 8 x 10 photograph of Malden in a head and shoulders pose. Signed in bold blue ink with his name alone to a clear area of the image. VG to EX, 2
I REMEMBER MAMA: A good vintage signed 10 x 8 photograph by both Oscar Homolka (Uncle Chris Halvorsen) and Barbara O´Neil (Jessie Brown) individually, the image depicting the actors in half-length poses in a scene from the American drama film I Remember Mama (1948). Signed by each in fountain pen inks with their names alone to largely light areas of the image. Rare in this form. Homolka was nominated for a Best Supporting Actor Oscar for his performance in this film. One crease to the upper left corner, otherwise VGBarbara O´Neil (1910-1980) portrayed Ellen O´Hara, the mother of Scarlett, in Gone with the Wind (1939) and is a Best Supporting Actress Academy Award nominee.
FOSTER JODIE: (1962- ) American actress, Academy Award winner. Signed 8 x 10 photograph of Foster in a three-quarter length pose in costume as the FBI Academy trainee Clarice Starling from the American psychological horror thriller film The Silence of the Lambs (1991). Signed by Foster in blue ink with her name alone to a light area at the centre of the image. It was for her performance in this role that Foster won the second of her Best Actress Oscars. About EX
RATTIGAN TERENCE: (1911-1977) English playwright and screenwriter. A good vintage signed 7.5 x 10 photograph, the image depicting the debonair Rattigan seated in a half-length pose with one arm resting on some books at his side. Photograph by Ray Hearne and bearing his credit stamp to the verso. The original printed caption lightly affixed to the verso indicates that the photograph was issued the the British Lion Film Corporation Ltd. to promote the film adaptation of Rattigan's The Winslow Boy (1948) starring Robert Donat. Signed by Rattigan in blue fountain pen ink with his name alone to a light area of the image. Four minor traces of former mounting to the corners of the verso, otherwise VG
GEORGE V: (1865-1936) King of the United Kingdom 1910-36. D.S., George R. I., as King, at the head, two pages, folio, Court at St. James´s, 27th April 1915. The partially printed document, completed in manuscript, is addressed to the Governor of Liverpool prison and is a remission document relating to Fadlo Chamlati who ´was, at the Police Court, Liverpool, on 25th March 1915, convicted of an offence under the Alien´s Restriction Order and sentenced to six months´ imprisonment´, continuing to state that the King, ´in consideration of some circumstances humbly represented to Us are graciously pleased to extend Our Grace and Mercy unto the said Fadlo Chamlati and to pardon and remit unto him three months of the sentence passed on him´ and that Chamlati should be discharged out of custody accordingly. Countersigned at the conclusion by John Simon (1873-1954) 1st Viscount Simon. British politician who served as Home Secretary 1915-16, 1935-37. With blank integral leaf (some staining to the verso). Some light age wear, otherwise VG
BEN-ADIR KINGSLEY: (1986- ) British actor who portrayed Colonel Ben Younger in Peaky Blinders (2017-19). Signed colour 8 x 10 photograph of Ben-Adir in a half-length pose. Signed in black ink with his name alone to a light area of the image. An ink annotation in the hand of a collector to the verso indicates that the signature was obtained in person at the GQ Awards ceremony in London on 1st September 2021. EX
COBDEN RICHARD: (1804-1865) English politician, manufacturer and a campaigner for free trade and peace, associated with the Anti-Corn Law League. An excellent A.L.S., Richd. Cobden, four pages, 8vo, London, 12th August 1850, to Michel Chevalier. Cobden thanks his correspondent for their letter and extracts from the Revue des deux Mondes and continues to observe ´You are pursuing the politics & true course, in labouring to identify as much as possible in mens minds the doctrines of protection & socialism. If we carry out logically the declared principles of the protectionists we shall find ourselves carried forward to the ground occupied by Owen, Cabet & Co. - Unfortunately the protectionists gave not generally logical heads, & therefore it is very difficult to lead them back to first principles´, further adding ´I have reflected frequently upon your economical prospects in France, & am always more inclined to the belief that you will some day own the complete bouleversement of the present system to the accidental failure of your crops, & the consequent dread of famine. The case will be made to turn upon a question of food for the millions, as it did in 1846, in England. Once withdraw protection from the agriculturists & they will destroy the other monopolies´. Cobden also remarks that he agrees with Chevalier concerning the British foreign minister, ´Lord Palmerston represents the old ideas of international rivalry. jealousy, & antagonism. He is twenty years behind his time - I will not say that he is twenty years behind the opinion of the mass of my countrymen, for I am afraid we are an arrogant, dictatorial, pugnacious people, fond of intermeddling with our neighbours, & bullying weaker powers. But he is a generation behind the late lamented Peel in his ideas of foreign policy. You will have observed that I was one of half-a-dozen liberals who refused to vote in approbation of Palmerston´s policy. You.....will approve of my standing by my principles when the popular feeling was running strong on the other side. Time & reflection will change the foreign politics as they have already done the domestic policy of this country´. A letter of fine content and good association. Some very light, extremely minor age wear, VGMichel Chevalier (1806-1879) French engineer, statesman, economist and free market liberal. Together with Richard Cobden and John Bright Chevalier prepared the free trade agreement of 1860 between the United Kingdom and France, which is still called the Cobden-Chevalier Treaty.Robert Owen (1771-1858) Welsh textile manufacturer, philanthropist and social reformer, a founder of utopian socialism and the co-operative movement.Etienne Cabet (1788-1856) French philosopher and utopian socialist who founded the Icarian movement.Viscount Palmerston (1784-1865) British statesman who served as Prime Minister of the United Kingdom 1855-58 & 1859-65 and was previously Foreign Secretary 1830-34, 1835-41 and 1846-51.Robert Peel (1788-1850) British statesman who served as Prime Minister of the United Kingdom 1834-35 and 1841-46.
MOORE ROGER: (1927-2017) English actor, famous for his portrayal of the fictional British secret agent James Bond in seven films from 1973-85. Signed colour 8 x 10 photograph of Moore standing in a three-quarter length pose wearing a silver spacesuit and holding a pistol in one hand, in costume as James Bond from the spy-fi film Moonraker (1979). Signed by Moore in bold black ink with his name alone to a light area of the image. A couple of very light, extremely minor surface and corner creases, VG
[MY FAIR LADY]: COOPER GLADYS (1888-1971) English actress, an Academy Award nominee. Cooper portrayed Mrs. Higgins in the musical comedy-drama film My Fair Lady (1964), a role for which she received a Best Supporting Actress Oscar nomination. A good vintage signed 8 x 10 photograph of Cooper in a head and shoulders pose in costume as Mrs. Maud Railton-Bell from the drama film Separate Tables (1958). Signed by the actress in blue fountain pen ink with her name alone to the clear background. A few very light, minor surface and corner creases, otherwise VG
CROSBY BING: (1903-1977) American singer and actor, Academy Award winner. A good vintage signed and inscribed 8 x 10 photograph of Crosby in a head and shoulders pose with one hand raised to the side of his face. Signed in turquoise fountain pen ink to a largely light area of the background. EX
BADER DOUGLAS: (1910-1982) British World War II Ace (22.5 victories), recognised for his important role during the Battle of Britain. Signed commemorative cover issued in recognition of Bader and featuring a colour image of several Hawker Hurricane aircraft from 242 Squadron being led in flight by Bader during September 1940 and with an inset portrait of the pilot, post marked on 12th October 1977. Signed by Bader in black ink with his name alone to a clear area of the cover. Together with a second signed commemorative cover issued by the Royal Air Force Museum to commemorate the 30th Anniversary of the Battle of Britain and featuring a colour image of a Hawker Hurricane aircraft in flight, post marked on 19th September 1970. Signed by Bader in blue ink with his name alone to a clear area of the cover. One very light, minor stain to the lower right corner. Generally VG, 2
[BEWITCHED]: MOOREHEAD AGNES (1900-1974) American actress, remembered for her role as Endora, Samantha’s mother, in the American fantasy sitcom television series Bewitched (1964-72). A good signed 8 x 10 photograph, the dramatically lit image depicting the actress in a head and shoulders pose. Signed by Moorehead in fountain pen ink to the image and dated at New York City, 1968 in her hand. A few minor, light creases to the corners, otherwise about VG
[HITLER ADOLF]: (1889-1945) Fuhrer of the Third Reich 1933-45 & [MEISSNER OTTO] (1880-1953) German civil servant, head of the Office of the President of Germany 1920-45. D.S. in facsimile by both Hitler and Meissner, one page, folio, Berlin, 1st September 1944, in German. The partially printed document, completed in typescript, awards the War Merit Cross 2nd Class to Kurt Grundmann. The printed facsimile signatures of Hitler and Meissner appear at the foot of the document alongside a circular blind embossed seal featuring the Nazi eagle and swastika. Some light creasing and minor age wear, otherwise VG
THIN LIZZY: A small oblong 8vo page individually signed by three members of the Irish hard rock band Thin Lizzy, comprising Phil Lynott, Scott Gorham and John Sykes. All have signed in blue inks, Lynott adding an inscription in his hand and Gorham adding the name of the band in his hand beneath his signature. Accompanied by a retained ticket stub for a concert given by Thin Lizzy at Lockley Grand Hall, Guild Hall, Preston, on 14th March (1983) and an unsigned colour 7.5 x 4 photograph of the band. Some light creasing and minor age wear, G to VG, 3
FAMOUS MEN & WOMEN: A good selection of A.Ls.S. by a variety of famous French men and women, most associated with the arts during the 19th century, including Leon Gozlan (seeking confirmation of the date for a lecture), Joseph Mery (recommending a young orphan on the verge of marriage), Henry Murger (asking for a box at the theatre for four people), Jules Janin (explaining that he had little influence in helping a young tenor whom he had not been able to introduce to Hector Berlioz, who was in Germany, and also mentioning Malibran), Pierre-Jean de Beranger (requesting that a letter be forwarded to Coutaut at the Plon publishing house), Alfred Bruneau (explaining that he has run out of seats for his next performance), Laure Cinti-Damoreau (a lengthy letter regarding a recommendation for a former dresser with the opera), Edouard Detaille (complying to a request from an autograph collector), Camille Doucet (two letters to Antoine Bertora, Secretary to the Chamberlains of Emperor Napoleon III), Sophie Gay (thanking her correspondent for a sympathetic article about La Duchesse de Chateauroux), Paul Milliet (to Leon Bessand, making reference to Massenet´s opera Herodiade, to which Milliet had contributed the libretto), Tonia Navar (a charming series of seven letters from the actress to her close friend, the courtesan Liane de Pougy), Pierre Puvis de Chavannes (to Hippolyte Durand-Tahier on the subject of Berlin), Horace Vernet (making himself available to his correspondent for the necessary explanations on a report he has written without spectacles), Edouard Delessert (two letters, in one making a reference to his friend the opera composer Ernest Reyer), Pierre Henri-Simon (written to the recto and verso of his personal visiting card), Oscar Milosz (providing his address in Paris to the editor of the literary review La Bouteille a la Mer) etc. Some light age wear and a few minor faults, generally G to VG, 32
SHAW GEORGE BERNARD: (1856-1950) Irish playwright, Nobel Prize winner for Literature, 1925. An interesting Typewritten Manuscript Signed (twice, 'By Bernard Shaw' beneath the title, and again with his initials G.B.S. at the conclusion), nine pages (typed to the rectos only), 4to, n.p., 27th January 1923. The manuscript, with extensive revisions and corrections in Shaw's hand (indicated in bold text below) is entitled The Unprotected Child and The Law, and states, in part, 'It is a curious feature of British civilization that our police arrangements, though they enable the adult male citizen to go about unarmed and the adult female to walk abroad unescorted, fail to protect children from the most detestable forms of molestation. The woman who goes shopping with a sense of complete security, and never has a moment's anxiety as to the return of her husband from his work unrobbed and unbruised, cannot feel that her children, even at the smallest age compatible with independent locomotion, are safe in broad daylight in a London park, much less in the camera obscura of the picture theatre......When she realizes too late that the law, professing to deter the criminal, is really calculated to deter the prosecutor, she is sometimes moved to suspect that this effect is not wholly unintended. There is something more than motherly indignation to support that suspicion. The few publicly articulate people who concern themselves about the matter, and who form the so-called public opinion that finds expression on the bench, seem to fall into two extremes with no middle. Either they are psychopathically excited by psychopathic outrages and frantically demand that the offenders be flogged or emasculated, or they regard the offence as an amiable weakness, and the notion that its consequences to the victim are necessarily serious as sentimental nonsense. They shew their reluctance to punish it by very light sentences, and by a resolute opposition to the raising of the age at which the consent (and by inference the enjoyment) of the child can be placed in defence. Thus between the flagellomaniacs who are making the offender's vice an excuse for gratifying their own peculiar form of it on the one hand, and the sympathetic amorists on the other, the children have to thank their luck rather than the law when they escape molestation. The matter is further complicated by men's dread of false charges, blackmail, and conspiracies between mother and child to 'put away' an inconvenient father.......Sir Basil Thompson......humorously suggests that all girls should be locked up until they are eighteen to save the police the trouble of investigating the stories they invent.....In fact the younger the child the more unrestrained the imaginative liar. Further differences between child and child in precocity are so inclaculable that we have Oscar Wilde giving sixteen as the age at which conscience of sex begins, and Rousseau, in his autobiography, giving the date in his own case at his birth: the net conclusion being that in the case of any individual child it is impossible either to accept any story on the ground that the teller is too young to have invented it, or to reject it as too grotesque to be credible......In view of these facts, it is impossible to exempt a child from the most searching cross examination when criminal proceedings are taken; yet from every point of view other than that of establishing or refuting a charge, cross examination is as undesirable as its necessarily bad effect on the child can make it. In short, the remedy offered by the criminal law may easily be worse than no remedy at all. It rubs violently into the child's mind an impression that had much better be obliterated, or, as that is hardly possible, minimized.......The danger to children is at its gravest when popular ignorance and superstition on matters of sex are left undispelled because of the taboo which forbids their being mentioned. Take for example the case of venereal disease. Few people realize that children are in special danger of being infected by it: they regard them as specially exempt from it because of their innocence. They do not know that there is a belief, widespread in our most ignorant classes, that a man suffering from such a disease can be cured by intercourse with a virgin; and that consequently, as childhood is the surest guarantee of virginity. childern are violated as a therapeutical measure, the only result. of course, being that the child is infected too......As far as I know, there is only one attempt being made to provide, by private subscription, a hospital for innocently infected children to which any sane mother would consent to send her child. That staggering fact illustrates the sort of consideration children get from our public authorities and the public conscience behind them......When we come to the remedies, we are forced to admit that what cannot be prevented cannot be remedied. Some of the preventive remedies are obvious enough. Wherever you have overcrowding and overwork both of children and adults, you get a high rate of incest with children as certainly as a high rate of zymotic disease. People who have bedrooms all to themselves as a matter of course, and who have plenty of sport and music and reading and pictures to divert them, cannot conceive a life in which young girls boast of being the mothers of their fathers' children; but this is an established modern industrial phenomenon; and the comfortable people may as well know that it exists and is part of the price of their comfort......If the question of how much population the country can bear is ever faced as it should be, the first point to be settled will be not one of heads per acre divided into wheat per acre, but of space available for separate bedrooms (not to say bathrooms) per head. When incest and promiscuity have been cut off at their source in poverty and drudgery, there will still be an irreducible minimum of criminal assault for which society at large is not responsible. For the decent and as far as possible harmless investigation of such cases we need special courts, women police, women jurors, judges, magistrates, advocates and doctors alongside the male ones, with none of them in any uniform recognizable by a child as a police uniform.....The publication of the child's name, or of portraits of it, should be made a serious offence; and the publication of the name of the accused person unless and until convicted should also be prohibited. There are many things shamelessly featured in our newspapers which are forbidden by French law and should be forbidden in every decent country. I must add that the advocates of complete license for the press have one argument which cannot be ignored.......As to punishments, when they are simply vindictive they are also simply wicked; and their effect on the imagination increases crime......´OWING TO LIMITATIONS IMPOSED BY THE SALEROOM, THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT DE DISPLAYED. PLEASE REFER TO IAA EUROPE DIRECTLY FOR FURTHER INFORMATION.
BASINGER KIM: (1953- ) American actress, Academy Award winner. Basinger portrayed Domino Petachi in the James Bond film Never Say Never Again (1983). Signed 8 x 10 photograph of Basinger standing in a sexy three-quarter length pose with her hands raised to her necklace. Signed in purple ink across a largely light area of the image. VG
BONAPARTE CAROLINE: (1782-1839) Imperial French Princess, a younger sister of Napoleon Bonaparte, and Queen Consort of Naples 1808-15 by her marriage to Joachim Murat. A fine A.L.S., Caroline, two pages, 8vo, n.p. (Naples), 15th May (1813), to a Prince, in French. The Queen thanks her correspondent for their letter as ´il m’eut été affreux d’apprendre tout à coup dans le journal la triste nouvelle que vous m’annoncez, cette mort du maréchal duc d’Istrie´ (Translation: ´it would have been dreadful for me to learn suddenly in the newspaper of the sad news that you are announcing to me, this death of the Marshal Duc d´Istrie´) and further remarks ´elle m’affecte excessivement. Il est cruel de voir ainsi disparaître peu à peu les personnes qui depuis 15 ans sont attachées à l’Empereur et ont partagé tous ses souvenirs, cette perte l’aura beaucoup affligé. Moi j’en suis aussi tellement attristée´ (Translation: ´it affects me greatly. It is cruel to see people who have been attached to the Emperor for 15 years and have shared all his memories disappear little by little. I too am so saddened´). The Queen also makes reference to Napoleon´s victory at the Battle of Lutzen, ´Je viens de recevoir la nouvelle télégraphique de la victoire remportée par l’Empereur, et je suis toute fière de l’avoir deviné car j’étais sûre que cela se passerait ainsi, le canon a tiré partout ici, et jusqu’à Messine pour annoncer cette heureuse nouvelle qui a fait la plus vive sensation, et nous en avions besoin´ (Translation: ´ I have just received the telegraphic news of the Emperor's victory, and I am very proud to have guessed it because I was sure it would happen like this, the cannon have fired everywhere here and as far as Messina to announce this happy news which has caused the greatest sensation, and we needed it´) and in concluding reassures the Prince as to how valuable it is to her to receive news from him, and also refers to her husband, who is doing wonderfully, and their children who are all in good health, ´Il n’est que moi qui sans avoir de maladie apparente deviens d’une maigreur et d’une faiblesse excessives au point que je me fais peur à voir´ (Translation: ´I am the only one who, without having any apparent illness, is becoming so thin and weak that I am frightening to look at´). With the very small ink stamp of the Joly Collection to the lower right corner of the second page and with some light, uniform age toning, about VGJean-Baptiste Bessieres (1768-1813) 1st Duc d´Istrie. French military commander and Marshal of the Empire who served during both the French Revolutionary Wars and the Napoleonic Wars. On the eve of the Battle of Lutzen, Bessieres was killed instantly by a cannonball shot which ricocheted off a wall and hit him in the chest. On 2nd May 1813 the Battle of Lutzen had been fought as a result of the Russian commander, Prince Peter Wittgenstein, surprising Napoleon and attempting to forestall his capture of Leipzig. The Russians attacked the French right wing near Lutzen in Germany, however Napoleon recovered quickly and ordered a double envelopment of the allies. After a day of heavy fighting the imminent encirclement of his army prompted Wittgenstein to retreat. The two armies would clash again in the Battle of Bautzen three weeks later, which resulted in another French victory.
SAND GEORGE: (1804-1876) French novelist. A very fine A.L.S., George Sand, two pages, 8vo, n.p. (Nohant-Vic), 1st December 1852, to [Eugene Delacroix] (´Cher bon ami´), in French. Sand writes a warm and affectionate letter to her friend, commencing by explaining that Maurice Dudevant-Sand has been to Delacroix´s house twice and not found him at home, remarking ´Cela me prouve du moins, que vous n’êtes pas arrêté dans vos grands travaux, que vos forces et votre ardeur se soutiennent´ (Translation: ´This at least proves to me that you are not at a standstill in your great work, and that your strength and enthusiasm are holding up´) and continuing ´ Je vous comprends bien, moi, de vous absorber dans l’ivresse sérieuse et continue de la création. Personne ne vous comprend mieux que moi ; non pas que je veuille comparer mes griffonnages à votre Å“uvre monumentale, mais parce que je ne vois pas ailleurs la manière de vivre qui fait qu’on oublie les maux particuliers, les bêtises ou les folies générales et jusqu’à son propre individu souffreteux´ (Translation: ´I understand you well, absorbing yourself in the serious and continuous intoxication of creation. No one understands you better than I do; not because I want to compare my doodles to your monumental work, but because I don't see elsewhere the way of life that makes us forget our particular ills, our general foolishness and follies, and even our own suffering self´) and continuing to ask for a gift, ´Cher ami, nous voici au 1er décembre. Vous savez qu’au 1er janvier, j’ai à faire une joie, une surprise à Maurice, et j’arrive encore avec mes deux sous habituels à vous demander l’aumône d’une pochade. Aurez-vous le temps d’y penser? Je voudrais surtout vous épargner l’ennui de l’encadrement, de l’emballage?........N’est-ce pas abuser de votre amitié que de vous demander de fouiller dans vos toiles, dans vos recoins ? Enfin, prenez un des matins de ce mois-ci votre courage à deux mains, et songez à la fête que donne ici l’arrivée de ces trésors´ (Translation: ´Dear friend, here we are on 1 December. You know that on 1 January I have to give Maurice something to look forward to, something to surprise him with, and I'm still managing, with my usual two pennies, to ask you for alms in the form of a pochade. Will you have time to think about it? Above all, I'd like to spare you the trouble of framing and wrapping? ........ Wouldn't it be an abuse of your friendship to ask you to rummage through your canvases and nooks and crannies? Finally, take courage one of the mornings of this month, and think of the celebration that the arrival of these treasures gives here´) and concluding by writing ´Cher ami, pensez à moi quelquefois, même quand je ne vous ennuie pas de mes appels. Pensez-y pour m’aimer comme je vous aime, et quand vous avez un instant, dites-moi en deux lignes que vous vous portez bien´ (Translation: ´Dear friend, think of me sometimes, even when I'm not bothering you with my calls. Think of me to love me as I love you, and when you have a moment, tell me in two lines that you are well´). With blank integral leaf. A letter of wonderful content and association. Some very light, extremely minimal age wear, VGEugene Delacroix (1798-1863) French artist of the Romantic school and a close friend of Sand.From the existing published correspondence between Sand and Delacroix the painting which the artist presented as a gift is known to be Leila, a small oil on canvas which would later be donated to the Musée de la Vie Romantique in 1923. Delacroix replied to the present letter a week later, writing ´Oui, chère, je vous enverrai quelque chose, et c’est une chose qui vous a déjà plu et que vous aviez vu[e] commencée. C’est une petite surprise que je voulais faire à Maurice et à vous. Vous me permettrez donc d’envoyer des étrennes à cet enfant-là que j’aime autant que je vous aime. Le sujet est le même que vous avez déjà en pastel ou en aquarelle : Lélia dans la caverne etc. […] La vue d’une lettre de vous est un rayon de bonheur et il en a toujours été ainsi : jamais la plus petite amertume n’a gâté ce pur sentiment : vous me prenez avec des petites manies qui sont l’effet de ma petite santé et de mes petits nerfs, et vous démêlez à travers cela le sentiment profond qui m’attache à vous…´ (Translation: Yes, dear, I'll send you something, and it's something you've already liked and that you've seen started. It's a little surprise I wanted to do for Maurice and for you. So please allow me to send a Christmas present to that child, whom I love as much as I love you. The subject is the same as the one you already have in pastel or watercolour: Lélia dans la caverne etc. [...] The view of the cave is a very special one. [...] The sight of a letter from you is a ray of happiness, and it has always been so: never has the slightest bit of bitterness spoiled this pure feeling: you catch me with little quirks that are the effect of my little health and my little nerves, and through that you unravel the deep feeling that attaches me to you..´)And, on 30th December, Sand wrote to Delacroix to thank him with the following words ´Cette chose superbe et aimée est arrivée ce soir. Je l’ai fait ouvrir dans a chambre avec mystère, car je tiens au jour de la surprise, selon les vieux us. J’en ai donc joui seule…´ (Translation: ´This superb and beloved thing arrived this evening. I had it opened in my room with mystery, because I like the day of surprise, according to the old customs. So I enjoyed it alone..´)
STEIN GERTRUDE: (1874-1946) American novelist, poet, playwright and art collector who hosted a famous salon in Paris. A good A.L.S., Gertrude Stein, two pages, 4to, Belley, n.d. (1920s), to Rene Crevel ('My dear Rene'), on the printed stationery of the Hotel Pernollet. Stein expresses her pleasure at knowing that 'everything is going so nicely' with Crevel and that he does want to translate Three Lives ('it will give me a great deal of happiness to have you do it'), further remarking 'I like the title Crepitements better than Centre Point I think, I like the title Crepitements very much, it sounds nice and means well, I like it[s] meaning, to frizzle'. Stein also informs Crevel that she is sending his address to Mr. W. A. Bradley 'who is now my literary agent in Paris', adding that 'he places English translations of French books in America and you never can tell what may happen'. Stein also explains that she will not be back until the middle of October but will see Crevel before he leaves and concludes with the words 'We love you very much always'. A letter of good association. Some light creasing to the edges and with some staining to the centre, affecting a few words of text but not the signature, GRene Crevel (1900-1935) French writer associated with the Surrealist movement.Three Lives was written between 1905 and 1906, however Stein struggled to find a publisher for the work of fiction until 1909. The book is separated into three stories, The Good Anna, Melanctha, and The Gentle Lena. Crevel's intended project to translate the work did not come to fruition.
[ASCENT OF MONT BLANC]: A fascinating, lengthy A.L.S. by Dr. Edmund Clark, closely written over four pages, 4to, Chamonix, 27th August 1835, to Reverend Robert Warrener. Clark writes in the midst of his Grand Tour and provides a detailed account of his successful ascent of Mont Blanc, penned in the immediate aftermath of his remarkable feat, beginning by explaining ´I have postponed my letter in hope of meeting with something of greater interest to write about, nor perhaps should I have now commenced had I not lately succeeded in an excursion of some difficulty, an account of which may help to fill my sheet. Yesterday at 3pm I reached the summit of Mont Blanc, the greatest elevation in Europe with Captain Sherwill a young English officer. This forms the 12th successful ascent of Mont Blanc, of which 6 have been accomplished by English insects´ and continuing to offer an insight into the many places in Italy and Switzerland he had visited before the ascent, ´Having seen the lions at Paris, whisked off to salute the bears at Berne. Spent a halfpenny in feeding the big brown bear with ginger bread-nuts making him stand up & catch the projected fragments in their descent towards his monstrous gaping mouth´, mentioning a famous belle in Brienz regarded as the prettiest woman in Switzerland (´the say [she] has got a lout of a fellow for a husband that thrashes her, the scoundrel´), and the Chillon Castle (´saw Byron´s name cut by himself in the dreadful dungeon´), as well as stops at Milan (where Clark viewed a picture by Leonardo da Vinci), Verona, Padua, Venice (´fine gondola lounges, the most luxurious sort of locomotion under the sun´) as well as Florence where they´Doffed our hats to the Venus de´Medici´ and also saw statues by Michelangelo, and Rome, writing ´Florence is a positively enchanting residence.....such I was in the good Pope´s dominions, a German baron & Swedish countess joined us [for] breakfast at the port before Rome.....In 3 hours we were at the gates of Rome. I entered it on foot & bare headed as is duty bound. Modern Rome is a dismal affair, but the old Ruins!´, before travelling to Naples (´through the horrid dens of cut-throats´) and to Pompeii, ´the most interesting of all objects in Italy. Scrambled up to the lofty top of Vesuvius. Such a view over the Isles of Capri´. Clark then offers an extensive report of his mountaineering exploits, ´...up the Brevent about 17,000 feet. Then a formidable day´s work up the Buel (?) a height of more than 10,000 feet. Here poor Mr. Eschen sunk into a chasm.....next morning he was found frozen to death......We looked down upon this fatal spot. I accompanied Dr. Benjamin Babington from India. It was one of the noblest views I ever saw. We were surrounded with a forest of snowy alpine peaks. Next to Mt. Blanc it is the highest accessible mountain in this part of the chain. Thursday Aug 25 with seven guides started for the top of the mountain king. It is two years since the last ascent & 5 since 3 guides were killed in an unsuccessful attempt. Ascended to the base of the Aiguille du Midi to breakfast then left Terra Firma & embarked on the dreary ocean of ice & snow. The ice is cut & creviced in such a manner that we had often half an hour´s work to advance 40 yards climbing up walls of ice by holes cut with a hatchet, or taking hold of the end of an ice pole to scramble up. We were fastened together with cords. In many places we walked over a thin slippery ledge with a deep blue chasm of 200 to 300 feet on each side.......We marched on the ice that day 7 hours & then arrived at an islet of bare rocks that rise up in the midst of the snows & are called Les Grands Mulets. Here we were dragged up a high precipice with the help of ropes & so reached the comfortable hotel. This hotel is a platform as big as an ironing table covered with snow. The snow we scraped away in some degree & then turned up the dry side of the stones (such is the unhappy tendency of man to luxurious indulgence). Lighted a fire. Manufactured some punch......Then stretched ourselves to sleep covered with a blanket & a sheet at a height much greater than the top of Skiddaw or Ben Nevis, and the thermometer at freezing. It was a lovely moon light night. No sound of insect or of bird, nothing but the awful roar of avalanches around & beneath us. 26th of August Friday, all dressed at 4 o´clock......then again embarked on the snows.......Stopped by a long crevice. Crossed it upon a bridge formed of 5 ice poles placed from edge to edge. Felt rather as if snuffing the candle with one´s finger. Then climbed up the opposite side by cutting holes with the axe. After this comfortable trudging in the snow but rather deep till the Petit Plateau, a place of snow covered with an avalanche. Crossed it & arrived at the Grand Plain. Height about 13,000 feet. Heat of the sun burning and blistering to the eyes & face......began to feel the effect of rarity of the air - headache, no appetite.......arrived at the spot where the 3 brave guides perished in an avalanche while trying to ascend with a Russian physician & statesman in 1820. Their bodies have never been found. The crevice into which they were buried by the avalanche is still somewhat visible. Two of the 7 guides with us were nearly killed in that dreadful catastrophe. Now began to ascend the steep icy wall of the summit. We were nearly 4 hours in ascending one vast slope being obliged to cut a passage with the axe very often. Here one slip wd. have been serious. You wd. probably have glided down the frozen inclined plain with immense velocity.......We now became very cold, our shoes.....as hard as iron, our faces pale & shrunk. Respiration uneasy, Intense headache. My friend had great nausea also. At last we reached the Petit Mulets. The loftiest rocks in the line of ascent. From this a steep hard plain of snow leads directly to the summit. We lay down on the snow, panted & puffed away, again for 10 yards, then lay down again; eat a little snow; up again (the guides too were already exhausted) How many more starts to the top? Three said the brave guides......and in two desperate efforts we were on the pinnacle of Europe. My friend arrived a moment or two after & such was his exhaustion that the moment his guide called out Nous voici sur le sommet de Mt. Blanc he burst into a flood of tears. We were both utterly worn out with fatigue, rarity of air. Cold & inability to eat. The thermometer was below freezing even in the sun......The sky deep indigo approaching to violet. The view immense......all in a vast panorama laid at our feet. In the highest rock I placed olive twigs brought from Italy for the purpose.....all these are enclosed in a strong cylinder of glass.......& placed in......the rocks so securely that when the storms of a thousand years are gone by & our dust is mixed with kindred earth, still I think it possible that the little record may remain unhurt. We descended hastily slept on the Grands Mulets on our delicious bed of rocks & today rejoined the valley. No one seriously hurt. I had one foot a little frozen......We are all full of gaiety for it is not too often that an ascent is at once so successful & so pleasant. It is my intention to write a small pamphlet on the ascent & to send you a copy´. With address panel to the final page of the bifolium. An excellent letter containing a rare first hand account of an early 19th century ascent of Mont Blanc. Some minor staining and age wear and toning and with a few small, neat splits and tears, G
COOK & MOORE: Peter Cook (1937-1995) English comedian and actor, remembered for his long-running partnership with Dudley Moore. A good signed 10 x 8 photograph of Cook seated outdoors in a three-quarter length pose in costume as Morris Finsbury from the British comedy film The Wrong Box (1966) which also starred Dudley Moore. Signed by Cook in bold blue fountain pen ink to the image, further adding a small doodle of a face above his signature with a speech bubble containing the greeting Hi; Dudley Moore (1935-2002) English actor and comedian. Signed 10 x 8 photograph of Moore in a head and shoulders pose. Signed in bold black fountain pen ink with his name alone to a clear area of the background. Together with Eleanor Bron (1938- ) English actress. Signed 7 x 10 photograph of Bron in a head and shoulders pose in costume as Margaret Spencer from the British comedy film Bedazzled (1967) which also starred Peter Cook and Dudley Moore. Signed (´Ugh! Eleanor Bron´) in bold blue fountain pen ink across a light area at the base of the image. VG to EX, 3

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