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Lot 527
A pair of vintage handbags and a belt by Charles Jourdan. One lilac satin and navy leather trim bag, labelled inside Charles Jourdan Paris. The Matching clutch style bag and belt suite in mock astrakhan black velvet with patent leather finish. Labelled Charles Jourdan Made in Italy. CONDITION: Belt and matching bag in good condition with some light signs of wear. Lilac bag in fair condition, exterior clean but with some marks to interior.
Lot 66
A sapphire and diamond plaque ring, the central oval cut sapphire totalling approx. 1.92 carats, in a surround of brilliant cuts, totalling approx. 0.48 carat, to diamond set shoulders, mounted in white metal, stamped '18ct', finger size P, 5.3gms CONDITION: light in tone, medium saturation, light abrasion to the facet edges, small finger print inclusions along the edge of the stone, diamonds P-SI2, but bright and lively
Lot 72
An emerald and diamond ring, the central rectangular emerald cut 6.9 x 6.8 x 5.2mm, claw set above tapering step set baguette cut diamonds totalling approx. 0.60 carat, mounted in white metal (tests 18 carat gold), finger size M, 4.7gms CONDITION: medium/light tone, medium saturation, some nibbles along the facet edges, relatively clean stone, diamonds clean and shank solid
Lot 245
A VICTORIAN WALNUT STATIONERY BOX of dome lidded casket form with gilt pierced brass handle and strapwork decoration, the interior satin lined lid opening to reveal sectional dividers (attention required), light and stamps holders, with gilt stamped 'Lockwood Manufacturer, 75 New Bond Street, London' flanking the lock, 15.5 cms high handle down, 21 cms wide, 11.5 cms deep (some restoration required)
Lot 298
Three metal sewing clamps comprising a brass example with steel screw below a circular pin cushion top, 15cm, a steel example with oval pin cushion top, light rusting, 14cm, and another with exaggerated ‘C’ frame mounted with a hook below a trough form pin cushion, light rusting, 15.5cm (3)
Lot 47
Mauchline ware – seven pieces – comprising a two division wall mounting letter rack (Canterbury Cathedral/West Gate Canterbury – both photographic), 19.5cm, a cylinder rule (Windsor Castle And St George’s Chapel), some deep abrasions, 22cm, a domed paperweight (Head of Shanklin Chine), abrasions, 7cm, a ‘Tam O’Shanter’ Scotch Hone in rectangular box case with end handle (Burns’ Monument/Burns’ Cottage, Alloway), general wear, 24.5cm, a turned handle paper knife (Summit Of Snowdon – photographic), 23cm a sabre form paper knife (Builth Bridge And Town), 25cm, and a book – Light For The Valley – Paisley – Alex Gardener – n.d., tooled leather spine (Carrickfergus x 2, photographic) 10.8 x 7.2cm (7)
Lot 422
Hurd, William: A New Universal History of the Religious Rites, Ceremonies and Customs of the Whole World. For A Hogg, n.d. c1785. With a frontis plus 60 plates. Folio, PP: 704, xii(index); cont. full leather; rubbed and hinges cracked; light damp stain to first few plates; tears to margin of few plates; lacking the subscribers list.
Lot 424
STEVENSON (Robert Louis): 1- Underwoods. Chatto and Windus, 1887. FIRST EDITION, Number 40, of a limited edition of 50 COPIES ON LARGE HANDMADE PAPER, signed by the printers 'R. & R. Clark', pp: xvii, 139, 4to, original white cloth; recased with the original spine; covers grubby; armorial bookplate; browning to endpapers; internally very clean; 2- POEMS. Printed at the Florence Press, for Chatto & Windus.. 1913. Limited edition #136/500 on handmade paper. 4to. Original full soft vellum with ties and teg; Ties detached; light spotting to covers; o/w VG; 3- Virginibus Puerisque and Other Papers. Printed at the Florence Press, for Chatto & Windus, 1910; Limited edition #229/250 on handmade paper. With 12 colour illustrations after Norman Wilkinson. Original cloth backed grey boards; Covers grubby; internally clean; 4- EDINBURGH. Seeley, 1912; Limited edition #354/385. Tipped-in colour plates by James Heron. 4to. Original cloth; rubbed and smudged; 5- A Child's Garden of Verses. John Lane, The Bodley Head, 1896, first ill. edn. Illustrated by Charles Robinson. Original gilt pictorial cloth and with the 16pp publishers’ catalogue dated 1895. G+; plus: Dickens: Dickens v. Barabbas: Forster intervening; a study based upon some hitherto unpublished letters. Sawyer. 1930, Limited edition #79/90 on handmade paper. Original cloth; spine & part of covers faded; bookplate; o/w G+. (6)
Lot 426
1- Report, of the Committee of the, Society of Arts... Relative to the Mode of, Preventing the Forgery of Bank Notes. Printed by the order of the Society, London, 1819, Sold by the Housekeeper.. (Price Four Shillings), First edition, with imprint T.C. Hansard, to verso of title. PP: Half title present, title, 72, plus three additional 57*, 58*, 59*, Plus 6 plates with tissue guards (one folding). Signed ¾ calf binding with gilt lettering to spine and teg. Light stain to top margin of first few pages; otherwise a fine copy (Scarce). 2- Graham, W: The one pound note in the rise and progress of banking in Scotland, and its adaptability to England. 1886, 1st. original cloth; VG; 3- Graham, W: The One Pound Note in the History of Banking in Great Britain. 1911, inner hinges cracked; 4- Baird, W: The One Pound Note: Its History, Place and Power in Scotland, and Its Adaptability for England. 1901, 2nd. edn. little loose (4)
Lot 434
1- Keill, James: The Anatomy of the Human Body Abridged : Or, a Short and Full View of All the Parts of the Body. For John Clarke, 1742, 11th. edn, corrected. PP: (x), 361, (i)adv. Full calf; worn and dust soiled; Small hole to endpaper and stain to following few pages; light damp staining to second part; 2- Buchan, William: Domestic Medicine: Or a Treatise On The Prevention and Cure of Diseases By Regimen and Simple Medicines with an Appendix Containing a Dispensatory for the Use of Private Practitioners. W. Strahan, 1779, 6th. edn, corrected and with added complete index; PP: xxxii, 756, (xii)index. Full calf; worn and covers almost detached; lacking endpapers. (2)
Lot 444
DAVIES, W. H: 1- Raptures- Book of Poems. Beaumont Press, 1918. Signed Limited edition, # 12 of 22 copies printed on Japanese vellum. (a further 250 just numbered copies were printed; 23-272 ). Full vellum, designed by Pickford Waller and bound by Sangorski & Sutcliffe. Armorial bookplate of 'Simon Brett' to front pastedown; ¾ inch chip to bottom of spine, with loss; light hint of foxing to endpapers ; 2- Selected poems. 1923, 1st. Association copy, loosely inserted a 2pp letter signed by the artist Ernest F Hill, Plus a print of one of his paintings, Signed in pencil; 3- The Autobiography of a Super-Tramp. Fifield, 1908, First edition. Endpapers soiled; 4- Moss And Feather Ariel Poems No. 10. Faber, n.d. 1st. edn. in original envelope. VG. (4)
Lot 448
DAVIES, W. H: 1- Poet's Calendar. 1927, Signed Limited edition, # 19 of 125. Leather backed boards; Armorial bookplate of 'Simon Brett' to front pastedown; 2- Adventures of Johnny Walker, Tramp. 1926, Signed Limited edn. # 94 of 125 copies. Original cloth, Spine & part of covers faded; 3- Secrets. 1924, Signed Limited edn. # 28 of 100 copies. Original vellum backed mottled boards; Armorial bookplate of 'Simon Brett' to front pastedown; small stain to title page; foxing; 4- A Poet's Alphabet. 1925, Signed Limited edn. # 62 of 125 copies. ½ green vellum and dw. Light foxing to endpapers; 5- In Winter. Privately printed,1931, Signed Limited edn. # 106 of 290 copies. Original orange boards; partially faded near spine; PLUS: 27 FIRST EDITION (mostly VG with dw), Four issues of To-Day (with contributions by Davies), 8 by or about. (44)
Lot 135
Pair of 19th century Coalport porcelain plates for Sparks of Worcester 'By Appointment to Her Majesty Queen Adelaide', with one light and one dark blue ground, painted floral and fruit sprays to centre and having gilt oval rococo bordered reserves of exotic birds to the borders, 24cm diameter and a Flight Barr & Barr porcelain plate with gilt seaweed ground and gilt border, painted to centre with peacock beside lake, iron-red printed mark to base, 22cm diameter (chip to rim) (3)
Lot 408
***William Henry Innes (1905-1999) - Five oil paintings - "Low Tide Huddle", board 17.5ins x 23.5ins, Still life with studio pottery bowls and vase, board 20ins x 24ins, "Ripples on the Water", board 20.5ins x 24.5ins, all signed and framed, together with "Evening Light, High Tide", board 20ins x 24ins, and "Study of Terraced Houses", board, 16ins x 20ins, both signed, and unframed
Lot 464
Jared Hill (early 18th Century English school) - Ink and watercolour on laid paper - Estate map for land in the parish of Word (Worth, near Sandwich ) Kent, with title - "The Meafurment of Thirteen pieces of Marfh - Land for John Paramor Gent, Lying in the Parifh of Word in the County of Kent. Containing Sixty Eight Acres, and Thirty three perches Meafured by me Jared Hill. Surveyor, 1716, Total 68:0:33", with decorated compass points and "A Scale of Rods", with later light pencil annotations to main map and ink annotations to left margin, the last being for Lady Day 1750, 17ins x 25ins (laid down on linen - some damage), framed and glazed Note: An example of Hill's work as Surveyor was sold by The Canterbury Auction Galleries -18/03/2008 - Lot No. 242. The National Archives have an interesting example if his work - "Old Bolingbroke Estate Map, Lincolnshire", dated 1719, under image library reference MPC 1/118
Lot 617
A Chinese Imperial cloisonné enamel tripod censer of compressed two-handled lobed form, decorated in the "Ming" style with a band of classic lotus scrolls against a turquoise ground, all resting on three gilt pad feet, 3.5ins (89cm) diameter x 3ins (76cm) high, (Qianlong four-character incised mark with an additional character, and of the period (1736-95)) Note: The character can be read as cheng (pure/clear water) or deng (allowing articles in the water to fall to the bottom).The extra character below the reign mark can also be found on some imperial glass wares and is believed by some scholars to be a serial number from the Chinese classic qianziwen, 'The One Thousand Word Essay', with a strong connection to the Imperial workshops, see "Elegance and Radiance, Grandeur in Qing Glass" Chinese University of Hong Kong, 2000, p. 312. Also, according to Beatrice Quette in Cloisonné: "Chinese Enamel from the Yuan, Ming and Qing Dynasties", Bard Graduate Centre, New York, 2011, p.75 the additional character on the cloisonné incense sets may be for numbering and perhaps for 'differentiating the original location in the different palaces.' A similar censer is illustrated and discussed by Brinker & Lutz, Chinese Cloisonné, The Pierre Uldry Collection, Zurich, 1985, cat. No. 245 & 245a. Provenance: Capt. Harry L. Evans, RM, (1831-1883) and thence by family descent to the present owner. Captain Evans was part of the Royal Marine contingent serving aboard H.M.S James Watt in 1854, and took part in the capture of Canton in 1857 and the subsequent expedition to White Cloud (Baiyun) Mountains. He was slightly wounded in the attack upon the Pei-ho forts in 1859 and was present at the capture of the Taku forts in 1860. Later that year, he was also involved in the capture of the Summer Palace, Pekin. The diameter from handle to handle is 3.5ins (89cm). The maximum diameter at the most bulbous point is 4.375ins (101.2cm). The character can be read as cheng (pure/clear water) or deng (allowing articles in the water to fall to the bottom).There is no obvious loss or damage to enamels. The rim has some light scattered 'nicks'/scratches Weight - 430 grammes
Lot 528
One volume, ' The Desert of Wheat ' by Zane Grey, published by Grosset and Dunlap, New York, 1919, together with one volume, ' The Light of Western Stars ' by Zane Grey, published by Grosset and Dunlap, New York, 1914 and one volume, ' The Valley of the Moon ' by Jack London, published by Mills & Boon, London, 1914
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534297 item(s)/page