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Click here to subscribeThe Folio Society, 'Dante's Inferno', by William Blake, together with a Dante Purgatorio by Salvador Dali, and Dante Paradiso by Giovani Di Paolo. All in original slip cases and with leather back silk boards. (3) (B.P. 21% + VAT)Light mould marks to spines of two volumes, books appear hardly opened and good. Sleeve have minor scuffs in places.
Early 19th century blue and white transfer printed Spode Aesop's Fables Series footed comport, printed with two scenes, 'The Leopard and the Fox', and 'The Fox and the Sick Lion'. 28cm diameter and 15cm high approximately. Together with another early 19th century blue and white transfer printed Spode Aesop's Fables Series lidded vegetable turine, the scene, 'The Wolf and the Lamb'. 30cm long approximately. Both with printed and impressed marks to the underside. (2)(B.P. 21% + VAT) Consigned from a large home counties of England estate collection. Under UV light, the comport has been restored around the base and bottom of the body area to one side. Turine appears ok overall with the usual crazing, minor scratches and tiny fits.
Early 20th century Royal Worcester porcelain vase, the filigree rim above a hand painted body of highland cattle, standing on four scroll feet. Signed by Harry Stinton, dated 1905. Printed marks to underside. 23cm high approximately. Shape no. G42.(B.P. 21% + VAT) Under UV light, appears good with no obvious chips, cracks, or restoration. A little grubby to the base inside.
Light up globe and a light up make up mirror, H: 40 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Stavtseva Yana, "Birth", sprite graphics, 123 x 123cm, c. 2022. The triptych "New Life" was created by the impression of the ongoing events in Ukraine. Part 1 is birth, part 2 is becoming, part 3 is flowering. In it, I depicted a fragile flower, which, despite the difficulties and dangers in each of the stages, continues to reach for the sun and sky. And a new, beautiful life, in spite of everything, awaits this creation. Even in the darkest of times, one must remember to turn to the light. This quote perfectly reflects the current events, where the only thing you want to believe in is world peace. UK shipping £35. My name is Yana, I'm a graphic designer, I live and work in St.Petersburg. I am deeply convinced that art should not depend on politics, there can be no race or gender in art! Moreover, art often went against political beliefs!Like many artists from Russia, I was shocked by what happened and my work, the triptych "New Life", was created precisely under the impression of the ongoing events. I want to tell the whole world: "I am Russian, but I am against the war! I support the Ukrainian people!" Describing my feelings and thoughts now, I am anxious, because now in my country the authorities can punish me for such support .... but I thank the organizers Doncaster Art Fair for giving artists an opportunity to help people from Ukraine!
Stavtseva Yana, "Bloom", sprite graphics, 123 x 123cm, c. 2022. The triptych "New Life" was created by the impression of the ongoing events in Ukraine. Part 1 is birth, part 2 is becoming, part 3 is flowering. In it, I depicted a fragile flower, which, despite the difficulties and dangers in each of the stages, continues to reach for the sun and sky. And a new, beautiful life, in spite of everything, awaits this creation. Even in the darkest of times, one must remember to turn to the light. This quote perfectly reflects the current events, where the only thing you want to believe in is world peace. UK shipping £35. My name is Yana, I'm a graphic designer, I live and work in St.Petersburg. I am deeply convinced that art should not depend on politics, there can be no race or gender in art! Moreover, art often went against political beliefs!Like many artists from Russia, I was shocked by what happened and my work, the triptych "New Life", was created precisely under the impression of the ongoing events. I want to tell the whole world: "I am Russian, but I am against the war! I support the Ukrainian people!" Describing my feelings and thoughts now, I am anxious, because now in my country the authorities can punish me for such support …. But I thank the organizers Doncaster Art Fair for giving artists an opportunity to help people from Ukraine!
Tin Stanton, "Mountain View", acrylic on stretched canvas, 40 x 40cm, c. 2019. UK shipping £15. Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel.
Laurie Basham, "Cut Sunflowers", pastel, 10 x 9in, c. 2020. Cut sunflowers in a metal pitcher sitting by a window with bright light. UK shipping £45. Award-winning pastel artist-President-Piedmont Pastel Society. Signature member-Md Pastel Society and Degas Pastel Society. Juried Member of the Pastel Society of America.
Tin Stanton, "Love Birds", framed acrylic on canvas board, 33 x 33cm, c. 2018. Love Birds - Acrylic painting on canvas board - Framed and ready to hang. UK shipping £15. Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel.
Tin Stanton, "Unseen", acrylic on canvas, 20 x 20cm, c. 2020. Unseen - Acrylic on stretched canvas - Ready to hang. UK shipping £10. Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel.
Kim Eshelman, "A way into summer", pastel on archival card, 24 x 30cm, c. 2021. Inspired by the field and wetlands in the artist's yard, this piece tells a story of a beautiful day in height of summer. UK shipping £45. Kim has been painting in a variety of mediums and styles for over 30 years. She is represented by multiple galleries and her work is in public and private collections worldwide. Kim's work features pastel landscapes inspired from the beautiful woods of Washington State where she lives. She plays with light filtering through trees, reflective ponds, and stunning skies.
Presnyakova Galina, "Facing the light", watercolour on paper, 30 x 30cm, c. 2018. Portrait of a young girl in a turban, who stretches towards the sun. A picture of hope and calm confidence in the future. UK shipping £40. I am a Russian artist with Ukrainian roots.My main source of inspiration is the beauty of people and the world around me. I paint portraits, landscapes, and still lifes in watercolor, I do illustrations for children's books and I draw sketches every day.
A pair of loaded sterling silver bonbon dishes with pierced circular rims on spreading circular foot, diameter 14cm.Additional InformationOne is compressed where the foot pedestal has pressed into the body, a couple of small creases, both have light tarnishing and some surface scratches throughout. Both have creases to the silver.
A German 925 standard oval sugar box, the hinged lid with embossed decoration, traces of gilded interior, swag motifs to the base and raised on four scrolling feet, indistinctly signed Stuttgart, length 13cm, approx 9.55ozt/297g.Additional InformationThe legs are compressed and slightly pushing into the body, there are a couple of light surface scratches, the marks are slightly obscured. The piece remains a good gauge however, the lid closes with just a very minimal gap.
A German 800 grade twin lipped sauce boat on integral stand stamped Stutz and a small German 800 grade cream jug, length of sauce boat 23cm, combined approx 17.66ozt/550g.Additional InformationThere is a release screw thread to the sauce boat, it is of good gauge, free from any engraving and just light surface wear throughout. The cream jug is of low gauge, is rather sprung and has some dents and wear throughout.
A German 800 grade pedestal comport with panelled bowl above fruit embossed central column and spreading circular foot, diameter 22cm, height 16.5cm, approx 16.1ozt/500g.Additional InformationSome tarnishing and toning to the surface with light surface scratches but overall in good condition. Good gauge and free from any inscriptions or engravings.
A German 925 grade silver bowl of shaped circular form, stamped Kaufmann 332246 with associated glass liner, diameter 18.5cm, approx 9.2ozt/286g.Additional InformationOf solid gauge, surface tarnishing and toning throughout but free from any engraved detail. Some light surface scratches to the exterior.
MARTIN, HALL & CO; an Victorian hallmarked silver dish of circular form with bright cut floral decoration with a cast beaded rim, Sheffield 1868, together with a cased set of six hallmarked silver cake forks, combined weight 7.2ozt/224g.Additional InformationTarnishing, light scratches, scuffs, wear, knocks.
A pair of George V hallmarked silver dwarf candlesticks, Sheffield 1921, height 15cm, with a Portuguese white metal dish engraved 'To Peter, from Rui' and dated 1989, diameter 26.5cm, weight of dish 6.5ozt/203g (3).Additional InformationThe candlesticks are tired, both sconces are badly dented and both have holes in the silver where they have been over polished, the Portuguese white metal dish is generally grubby with some light surface scratches.
J. SHERWOOD & SONS; a Edward VII hallmarked silver swing handled pedestal basket with cast panelled decoration, Birmingham 1905, approx weight 17.6ozt/548g, width 26cm.Additional InformationThe base is little bit dented so the piece is slightly offset, light surface wear and scratches, tarnishing.
W.I. BROADWAY & CO; a set of six Elizabeth II hallmarked silver napkin rings, each with engine turned decoration flanking a rectangular cartouche with engraved initials, Birmingham 1963/64, approx weight 2.2ozt/69g (6).Additional InformationEach with engraved initials, tarnishing, light scratches and wear, slight misshaping.
WALKER & HALL; an Edward VII hallmarked silver cream jug with cast beaded rim, raised on three paw feet, Sheffield 1902, together with a hallmarked silver cream jug with cast border, approx weight 6.0ozt/187g (2).Additional InformationThe Walker & Hall with a bent foot, tarnishing, light scratches and wear.
JOHN ALDWINKLE & THOMAS SLATER; a pair of Victorian hallmarked silver gilt apostle spoons, with cast figural heads to finials and wrythen handles, London 1894, together with a pair of Edward VII hallmarked silver apostle spoons of similar form, London 1903, approx weight 8.30zt/258g.Additional InformationEach with tarnishing, light wear, scratches, wear to the gilding, slight misshaping, bending to the handles.
MANCHESTER/SALFORD INTEREST; a George V hallmarked silver card case with engine turned decoration surrounding a shaped cartouche with engraved inscription 'City of Salford, Mayoress 1927-28', Birmingham 1925, approx weight 2.4ozt/74g, 9.5 x 6.5cm.Additional InformationLight tarnishing, light scuffs, denting to the corner especially, minor knocks, the hinge is slightly loose/wobbly.
NATHANIEL MILLS; a William IV hallmarked silver snuff box with engine turned decoration surrounding a rectangular vacant cartouche, with gilded interior, Birmingham 1835, approx weight 2.64ozt/8.2g, width 8cm.Additional InformationTarnishing, minor knocks to the edges, light scuffs, scratches to the interior. This box does have. Match strike to the left hand side.
NATHANIEL MILLS; a William IV hallmarked silver vinaigrette of rectangular form with engine turned decoration flanking a rectangular vacant cartouche, with gilded interior and grille, Birmingham 1835, approx weight 22g, width 3.7cm. Additional InformationLight tarnishing, the odd minor scratch and knock.
EDWARD SMITH; a Victorian hallmarked silver vinaigrette of shaped rectangular form with engine turned decoration, with gilded interior and grille, Birmingham 1857 (probably), together with a further Victorian hallmarked silver vinaigrette, approx weight 47g (2).Additional InformationThe larger example with engraved initials to cover, the grill has been snapped but is still present, heavy wear and tarnishing, the smaller example with applied suspension loop, light scratches and marks to each example.
A George VI hallmarked silver cigarette case of rounded rectangular form with presentation inscription beneath the hinged lid, London 1946, 17 x 9 x 5.5cm.Additional InformationThere are a few pinhead sized dents, surface tarnishing and toning throughout. Sandalwood interior, light surface wear and tear.
A.L DAVENPORT LTD; a good Art Deco George V hallmarked silver cocktail shaker and six cups of stepped tapering cylindrical form, Birmingham 1935, height of cocktail shaker 24.5cm, height of cup 6.5cm, combined approx 20.6ozt/641.6g.Additional InformationAll pieces are present and in good condition, clear hallmarks, light tarnishing and toning throughout.
THOMAS BRADBURY & SONS; a late Victorian hallmarked silver salver of shaped circular form with presentation inscription and raised on four scrolling feet, London 1898, diameter 36.5cm, approx 38.5ozt/1197g.Additional InformationTarnishing and toning throughout, of good gauge, light surface scratches, overall ok.
WALKER & HALL; a late Victorian hallmarked silver pedestal bowl ornately decorated with cast floral detail, Sheffield 1899, approx weight 20.93ozt/651g.Additional InformationTarnishing wear, light scratches, scuffs, there are two holes to the foot rim which look to have been from the manufacturing process, diameter approx. 26cm.
COHEN & CHARLES; a George V hallmarked silver jewellery box with faux tortoiseshell cover, Birmingham 1919 (af), together with a hallmarked silver topped dressing table bottle, a silver mounted nail buffer, etc (8).Additional InformationEach of the pieces with the exception of the button hook with hallmarked silver mounts, the dressing table jewellery box is af, the hinge has been broken, two feet have been broken off, one is bent and with numerous dents, the jar with light scratches and wear.
A late Victorian hallmarked Scottish silver matchbox sleeve, with engraved initial and laurel wreath detailing, Edinburgh 1894, length 7.5cm, together with a Scottish hallmarked silver napkin ring, combined weight 2.9ozt/92g (2).Additional InformationMatchbox sleeve with light age wear patina of scratches but nothing serious, a very slight dent to the edge of the flange but essentially ok.
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