NO RESERVE Country crafts and brewing.- Child (Samuel) Every man his own brewer; or, a Compendium of the English Brewery, lacking half-title, light browning, modern calf-backed boards, for the author, 1768 § Strong (Stanley) The Romance of Brewing, plates, some colour, original padded leather boards, gilt, privately circulated, 1950 § Hasluck (Paul) Wood Carving, illustrations, some light foxing, bookplate to pastedown, original decorative roan, spine gilt, 1910; and c.60 others, brewing, crafts, farming etc, v.s. (c.65)
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NO RESERVE Medicine.- Trousset (Etienne Berard) Histoire de la Fievre qui a régné épidémiquement a Grenoble..., first edition, with final two leaves bound before title, contemporary ink signature on title and with one or two annotations to lower margins, stitched into contemporary red wrappers, a little faded, Grenoble, J.L.A.Giroud, An VIII [1799] § Timbs (John) Doctors and Patients, second, revised edition, advertisement leaf at end, name erased at head of title, original cloth, light staining to fore-edge, 1876, 8vo (2)⁂ The first is an account of the typhus epidemic which ravaged the south eastern French town of Grenoble at the end of the eighteenth century. It appears to have been spread by the military from Grenoble to Nice and into parts of Italy, affecting all ages and classes of society. Library Hub lists one copy only in the UK (Wellcome Library).
Food.- ["Secundus (Dick Humelbergius)"] Apician Morsels; or, Tales of the Table, Kitchen, and Larder, engraved frontispiece and one plate, light spotting to title, contemporary cloth-backed boards, a little rubbed, 1834 § Doran (Dr.) Table Traits, with something on them, first edition, previous owner's ink signature to title, bookplate, contemporary half-calf, a little rubbed, 1854 § Simmonds (Peter Lund) The Curiosities of Food, first edition, bookplate, original cloth, slight bumping to corners and spine extremities, 1859; and another, similar, 8vo (4)
NO RESERVE Affo (Ireneo) Vita del graziosissimo pittore Francesco Mazzola detto Il Parmigianino, second edition, later small ink stamp of Dr. Hans Semper of Innsbruck at head of title, later vellum-backed boards, uncut, spine titled in manuscript, Parma, Filippo Carmignani, 1784 § Leoni (Michele) Pitture di Antonio Allegri da Corregio, contemporary roan-backed marbled boards, spine gilt, Modena, 1841 § Mengz (Antonio Raffaele) Lettera...Primo Pittor di Camera di S.M.C. a Don Antonio Ponz, wood-engraved title-vignette, contemporary mottled wrappers, Turin, 1777 § Quilliet (F.) Dictionnaire des Peintres Espagnols, half-title signed by author on verso, contemporary calf-backed marbled boards, spine gilt, Paris, 1816, some light foxing, a little rubbed, 4to & 8vo (4)⁂ The first is one of the earliest biographies of the painter Il Parmigianino, by the ducal librarian at Parma, published a year after the first edition in Venice.
NO RESERVE Prior (Edward) A History of Gothic Art in England, contemporary vellum, ruled in gilt, g.e., lightly scratched, else an attractive copy, 1900 § Bond (Frederick Bligh) and Dom Bede Camm, Roodscreens and Roodlofts, 2 vol., original cloth, gilt, 1909 § Britton (John) Chronological History and Graphic Illustrations or Christian Architecture in England..., some offsetting, contemporary half morocco, rubbed, 1835, first two first editions, bookplates to pastedown, all with plates, some engraved, light spotting; and c. 50 others, British art and architecture, v.s. (c.50)
NO RESERVE English country houses.- Lloyd (Nathaniel) A History of the English House, title in red & black, 1931 § Dawber (Guy) and W. Galsworthy Davie, Old Cottages and Farmhouses in Kent and Sussex, 1900; Old Cottages, Farm Houses and other Stone Buildings in the Cotswold District, 1904 § Mawe (Thomas) Every Man His own Gardener, engraved frontispiece, contemporary calf, rebacked, 1805, first three first editions, plates and illustrations, first three original decorative cloth, brightly gilt, light rubbing to extremities; and c.155 others, English country houses, country living etc., v.s. (c.155)
Lehmann (Gottfried Arnold) Samlung Schöner Ansichten und Vorzüglicher Gebäude in und um Hamburg, suite of 4 fine engravings of country houses, plate-mark c.170 x 190mm., rich impressions with good margins, very light marginal foxing, loose as issued in original wrappers with engraved title on upper cover, uncut, lower wrapper a little spotted and with faint central crease, oblong 4to, Hamburg, 1799.⁂ Unrecorded. The suite was reissued by Karl Tauchnitz later in 1799 with 3 additional plates and the plates numbered 1-7. This is the first state with only 4 plates as called for on the cover and plates unnumbered. WorldCat lists only one copy of the Tauchnitz edition (Hamburg University Library) and that contains only 5 of the 7 plates.
Riou (Stephen) The Grecian Orders of Architecture, first edition, engraved title-vignette, 6 vignettes and 28 plates, some folding, some light offsetting, title lightly browned, occasional scattered spotting, later half calf sympathetically rebacked, rubbed, extremities a little worn, [Blackmer 1425; Harris 746], folio, by J. Dixwell, for the Author, 1768.⁂ "Riou was in Athens while Stuart and Revett were working there, and decided to produce an architectural theory for the use of the Greek architectural orders then being described and measured by Stuart and Revett." (Blackmer). The book is dedicated to James Stuart who, along with David Garrick, Soame Jenyns and George Stubbs, is included in the list of subscribers.
NO RESERVE Webb (Daniel) An Inquiry into the Beauty of Painting..., second edition, contemporary ink signature to head of title and notes to front pastedown, contemporary calf, R. & J.Dodsley, 1761 § Watelet (C.H.) L'Art de Peindre. Poeme...sur les differentes parties de la peinture, engraved frontispiece, title in red & black with vignette, engraved head-pieces and 2 plates (slightly shaved), old ink inscriptions, modern book-label of Pamela & Raymond Lister and bookplate of John Harris, pencil sketches to rear, contemporary mottled calf, rebacked, upper cover detached, Amsterdam, 1761 § Laugier (Marc Antoine) Maniere de bien juger des ouvrages de peinture, first edition, privilege leaf at end, light browning at beginning and end, contemporary mottled sheep, spine gilt, Paris, C.-A.Jombert, 1771, rubbed, 8vo et infra (3)
Faret (Nicolas) L'Honeste Homme, ou l'Art de Plaire a la Cour, second edition, title with woodcut device, woodcut ornaments and initials, light water-staining to title, minor repairs to free endpapers, old limp vellum, rubbed and stained, spine defective at head (repaired), 8vo, Paris, Nicolas & Jean de la Coste, 1639.⁂ Scarce collection of commonplaces from 16th century authors producing a new social etiquette for 17th century France. It was first published in 1630 and translated into English in 1632 by Edward Grimestone, who dedicated it to Richard Hubert, a courtier and Groom-Porter to Charles I. There were several 17th century editions, all of which are scarce; Library Hub lists one copy only dated 1639 (Wadham College, Oxford) but this has a different imprint.Faret (1596-1646) was one of the founder members of the Académie Française and the first occupant of seat number nine.
Rome.- Donati (Alessandro) Roma vetus ac recens utriusque aedificiis ad eruditam cognitionem expositis, engraved frontispiece, 4 folding engraved plans or plates, numerous full-page and smaller illustrations, with final blank, lacking 2A6, tear without loss to first folding plan, mostly light foxing and staining, lightly browned, contemporary vellum, spine gilt, Rome, Rubeis Brothers, 1725; and a Julius Caesar, Elzevier, 1670, small 4to & 8vo (2)
NO RESERVE Darrell (William) Il gentiluomo istruito nella condotta d'una virtuosa, e felice vita, first edition in Italian, half-title, title in red and black and with woodcut printer's device, woodcut head- and tail-pieces and decorative initials, library ink stamp to verso of title and at end, occasional spotting or light foxing, contemporary limp vellum, little stained, large 8vo, Padua, Giovanni Manfre, 1746.⁂ Darrell (1651-1721) English Jesuit theologian and writer, who was a member of the Catholic Darrell family of Scotney Castle, Sussex. He died at St. Omer's College in Artois, France.
Condillac (Étienne Bonnot de) Essai sur l'origine des connaissances humaines, 2 vol., first edition, half-title to vol.2 only, woodcut head- and tail-pieces and decorative initials, some spotting and light browning, contemporary mottled calf, spines richly gilt and with red morocco labels, spine ends little chipped, vol.1 joints splitting, but holding firm, corners little worn, rubbed, III, p.474], Amsterdam, Pierre Mortier, 1746; Psychology.- Traité des Sensations, a Madame la Comtesse de Vassé, 2 vol., first edition, half-titles, woodcut head- and tail-pieces and decorative initials, some spotting and light staining, contemporary cat's paw calf, richly gilt spines in compartments and with double red morocco labels, spine ends little chipped, corners worn, rubbed, [Tchemerzine III, 477; En français dans le texte 158; Garrison & Morton 4968], London & Paris, De Bure the elder, 1754, 12mo (4)⁂ I: Condillac's first work. II: 'The most extreme statement of the notion that the mind is a tabula rasa formed completely by experience. Condillac focused entirely on the sensations as the source of knowledge' (Rieber & Gach 114).
Klinger (Friedrich Maximilian) Les Aventures du docteur Faust et sa descente aux enfers, first edition in French, engraved frontispiece, additional portrait title and 5 plates, lacking half-title, some browning and staining, occasional spotting or light foxing, contemporary speckled calf, rebacked, spine gilt, Amsterdam, Les Libraires asssociés, 1798; and 2 19th century French novels from the library of the Duchesse de Berry at Brunsee, 8vo (3)⁂ Scarce. The plate at p.243 shows a lady viewing pornographic images on a type of magic lantern.
NO RESERVE Sappho, Bion & Moschus. Recueil de Compositions dessinées par Girodet, edited by P.A.Coupin, 40 line engravings by H.G.Chatillon after Anne-Louis Girodet-Trioson, some light foxing, contemporary half green-stained parchment, red roan label, uncut, rubbed, folio, Paris, Chaillou-Potrelle [& others], 1829.
NO RESERVE British history.- Speed (John) The History of Great Britaine under the conquests of the Romans, Saxons, Danes and Normans..., engraved illustrations, head and tailpieces, title laid down, some browning, contemporary ink ownership signature to front free endpaper, contemporary panelled calf, a little rubbed, John Beale, for George Humble, 1623 § Oldmixon (John) The History of England: during the reigns of King William and Queen Mary, Queen Anne, King George I: being the sequel of the Reigns of the Stuarts..., engraved portraits, light spotting or marginal toning, new endpapers, contemporary calf, rubbed, rebacked, 1735; and c.225 others, British history, v.s. (c.230)
Addison (Joseph) The Works, 4 vol., engraved portrait frontispiece, contemporary ink ownership signature to title, some very light spotting or browning, 20th century half morocco, 1721 § Du Camp (Maxime) Théophile Gautier, translated by J. E. Gordon, title in red & black, portrait frontispiece, 20th century half morocco, an attractive copy, 1893 § Count Cagliostro. The Complete Fortune-teller being The Magic Mirror of Michael Nostradamus..., illustrations, original pictorial cloth, with an inset window showing "the fateful number" on volvelle inside front cover, soiled and marked, n.d., [early 20th centuy]; and 7 others, literature, v.s. (13)
NO RESERVE Shooting.- Coote (Hon. Robert) The compleat marksman: or, the true art of shooting-flying: a poem, second edition, first two ff. stained, closely trimmed at head, just touching the odd page number, some spotting and light staining, final 2 ff. detaching, 18th century parchment boards, parchment starting to lift at foot of spine, stained, rubbed, [Schwerdt IV, p. 23; Chute, Shooting flying: a bibliography, 127 ('very rare')], 8vo, Printed for C. Henderson, under the Royal Exchange, Cornhill; and sold by all other booksellers in town and country, [1760].⁂ Rare, with ESTC recording only four copies. 'An amusing poem on the preparation for a day's walking up with pointers, largely a plagiarism of Markland (1727) but more charming.' (Chute).
NO RESERVE Roscoe (William) The Life of Lorenzo de' Medici, called the Magnificent, 2 vol., engraved portrait frontispiece and title vignette, contemporary ink ownership signature to title, partially removed, light damp-staining, contemporary calf, lightly rubbed, rebacked, for A. Strahan etc., 1797; and c.125 others, general history, mythology etc, v.s. (c.125)
Herbert (William) Antiquities of the Inns of Court and Chancery: Containing Historical and Descriptive Sketches Relative to Their Original Foundation, Customs, Ceremonies, Buildings, Government..., first edition, engraved frontispiece and 23 plates, some offsetting and light spotting, contemporary calf, lightly speckled with paint, spine a little rubbed, 8vo, 1804.
[Thornton (Edward)] Illustrations of the History and Practices of the Thugs, previous ownership stamp and signature from the Earl of Ellenborough to pastedown, light finger-soiling and toning to title, original cloth, rubbed and faded, custom-made casing and slip-case, 8vo, 1851.⁂ Edward Law, 1st Earl of Ellenborough (1790-1871), was a British Tory politician. He was four times President of the Board of Control and also served as Governor-General of India between 1842 and 1844.
NO RESERVE Byron (George Gordon Noel, Lord) The Poetical Works, 6 vol., new edition, half-titles, engraved portrait frontispiece by Finden after Phillips, lightly foxed and offset to title, contemporary calf, spines gilt, red and green morocco spine labels, very light rubbing to covers and spine heads, else an attractive set, 8vo, 1855-56.
De La Bruyère (Jean) The "Characters", translated by Henri Van Laun, number 72 of 300 copies, portrait frontispiece and 23 etchings by B. Damman and V. Foulquier, title in red & black, very occasional light finger-soiling, contemporary half morocco, spine gilt in compartments with red spine labels, extremities and joints rubbed, 8vo, 1885.⁂ The original contributions by La Bruyère are primarily observations on character and conduct, describing portraits of people and their failings - many were thinly disguised descriptions of living people. It was first translated into English in 1699 and is credited with greatly having influenced contemporary English essayists.
NO RESERVE Convicts.- Sheehy (David) Prison Papers, Dublin, 1888 § Bottomley (Horatio) Convict "13": a Ballad of Maidstone Gaol, light spotting, endpapers browned, [1928] § Six Years in the Prisons of England by A Merchant, edited by Frank Henderson, 1869, first editions, the first two original pictorial boards or cloth, the last contemporary roan preserving original spine, rubbed ; and 17 others by convicts and ex-convicts, v.s. (20)
NO RESERVE Keynes (Geoffrey) The Writings of William Blake, 3 vol., one of 1500 copies on handmade paper, frontispiece, endpapers spotted, 20th century calf-backed boards, Nonesuch Press, 1925 § Bloomfield (Robert) The Farmer's Boy: A Rural Poem, engraved plates, half-title lightly browned, light marginal toning, 20th century half calf, 1801 § Bewick (Thomas) Select Fables, illustrations, 20th century morocco-backed boards, [1878]; and c. 130 others, literature and literary criticism, v.s. (c.135)
NO RESERVE Gumuchian copy.- Adam (Victor) Paresse et Travail, Gumuchian copy, with his code / price in pencil on front free endpaper, half-title, lithographed additional vignette title and 14 plates, endpapers foxed, light foxing / spotting elsewhere, original pictorial boards, some staining, corners worn, rubbed, 8vo, Paris, A. Marcilly, [c.1835].
NO RESERVE Pictorial cloth.- Gaskell (Elizabeth C.) Cranford, 1895 § Burney (Fanny) Evelina, 1903 § Eliot (George) Scenes of Clerical Life, 1906, illustrated by Hugh Thomson, original pictorial cloth, richly gilt, some light rubbing or fading to extremities but else bright, crisp copies; and 39 others, original pictorial cloth, v.s. (42)
NO RESERVE Downman (John, 1750-1824), Follower of. Portrait study of a young lady wearing a white shawl and bonnet, coloured chalks with point of the brush and watercolour, bears monogram lower right, on laid paper without watermark, 210 x 160 mm (8 1/4 x 6 1/4 in), minor surface dirt and light browning, unframed, late 18th early 19th century; together with a pen and ink drawing of a fisherman attributed to Samuel Owen (1768-1857) and dated '1811', on wove paper watermarked 'Ivy Mill/ 1809', sheet 340 x 440 mm (13 1/4 x 17 1/4 in), inset into mount and fixed at all edges, some perforations and surface dirt, unframed; and an oval monochrome watercolour caricature by another hand, inscribed below in ink 'The Wife of Bath/ Approach my house, and let me kiss thy cheek/ Thou should'st be always thus, resign'd and meek', 250 x 200 mm (9 7/8 x 7 7/8 in), unframed, early 19th century (3)
Caricatures.- Colley (Thomas), Attributed to. The English Lion Dismember'd, satire on the reaction of the English to their loss of Minorca in the Seven Years' War, symbolized by the loss of a lion's paw, engraving with hand-colouring on wove paper without watermark, platemark 245 x 350 mm. (9 5/8 x 13 3/4 in), sheet 300 x 480 mm. (11 3/4 x 18 7/8 in), some surface dirt, light toning, nicks to extremities, unframed, [BM Satires 5649], [1780] § Cruikshank (Isaac) The aristocratic crusade, or chivalry revived by Don Quixote de St Omer and his friend Sancho, satire on Burke's 'Reflections on the French Revolution', etching with hand-colouring on 'Taylor' watermarked laid paper, sheet 270 x 430 mm. (10 3/4 x 17 in), some surface dirt, trimmed to or within the platemark, unframed, [BM Satires 7824], 1791 § Grant (Charles Jameson) A General Retreat, Wellington leading the government in flight from its attack on the castle of Reform, etching with hand-colouring, on wove paper without watermark, platemark 250 x 340 mm. (9 7/8 x 13 1/2 in), small margins, unframed, [BM Satires undescribed], [1830] (3)
Thorsen (P. G., editor) Codex Runicus: Arnamagnæanske Haandskrifter 28, first edition, 100 plates, Kjøbenhavn, 1877, bound with, Om Runernes Brug til Skrift, spotting to title, Copenhagen, 1877, contemporary half-vellum, a little rubbed, light bumping to corners and extremities § Cumming (J. G.) The Runic and Other Monumental Remains of the Isle of Man, lithographed title and 15 plates, spotting to first and last few leaves, bookplate, original morocco-backed baoards, a little rubbed, slight bumping to corners and extremities, [1857]; and another, runes 8vo & 4to (3)
Africa.- Clapperton (R.H.) Journal of a Second Expedition into the Interior of Africa, first edition, engraved mezzotint portrait frontispiece, engraved folding map and plan, small repairs to map, lacking half title, title browned, occasional light spotting or offsetting, endpapers foxed, 20th century half calf, rebacked and recornered preserving contemporary marbled boards, rubbed, morocco spine label, gilt, 4to, 1829.
Holy Land.- Roberts (David) The Holy Land, 3 parts in 1, 120 lithographs after paintings by David Roberts, text by George Croly, light finger-soiling and marking to title and some plates, occasional faint partially removed stamps to titles and some plates, later calf-backed boards, corners lightly rubbed, 4to, [cf. Abbey, Travel 388], London, Paris & New York, Cassell, Petter, Galpin & Co., 1880; and 4 others, v.s. (5)
NO RESERVE Italy.- Eustace (Rev. John Chetwode) A Tour Through Italy Exhibiting a View of its Scenery, its Antiquities, and its Monuments; Particularly as they are Objects of Classical Interest and Elucidation..., 2 vol., first edition, half-title, 10 engraved plates, some light spotting or browning, 20th century calf-backed boards, spines faded, for J. Mawman, 1813 § Robertson (William) An Historical Disquisition concerning the ancients had of India..., 2 engraved folding maps, some foxing, contemporary calf, rebacked, for T. Cadell, 1809; and c.65 others, travel, v.s. (c.70)
NO RESERVE Italy.- [Russel (James)] Letters from a Young Painter Abroad to his Friends in England, 2 vol., second edition, 13 engraved plates, 11 folding, some light browning, contemporary calf, gilt ownership stamp of F.F.Foljambe of Osberton Hall, Notts. at foot of spine, rubbed, joints split, spine ends worn, W.Russel, 1750 § Dupaty (J.B.) Lettres sur l'Italie, en 1785, 2 vol., first edition, half-titles, wood-engraved head- & tail-pieces, some spotting, contemporary pink paste-paper boards, rubbed, spines faded, 8vo, Rome, et se trouve a Paris, De Senne, 1788 § Atti (Gaetano) aunto Storico della Citta di Cento..., errata leaf at end, modern cloth, uncut, Cento, 1853, 8vo (5)⁂ The author of the first, James Russel, was an English artist living in Rome from 1740-63 who sought commissions for paintings, dealt in antiquities and acted as a guide to those on the Grand Tour, particularly for the recently excavated Pompeii and Herculaneum.
Thailand.- Bowring (Sir John) The Kingdom and People of Siam, 2 vol., one folding map, 2 facsimile letters, 15 chromolithographed or engraved plates only (of 16), lacking half-titles, some light foxing, short tear to plate in vol.1 not affecting the image, contemporary half morocco, worn, upper cover to vol.1 detached, 8vo, 1857.
World.- Froissart (Sir John) Chronicles of England, France, Spain, and the Adjoining Countries, 2 vol., additional hand-coloured title, illustrations, bookplates to pastedown, 20th century ink ownership signature to half-title, some light spotting to first few ff., contemporary calf, spines gilt, rebacked preserving original spine strip, lightly rubbed, 1842 § Du Chaillu (Paul) Adventures in The Great Forest of Equatorial Africa, additional wood-engraving bound at front with presentation inscription from the author beneath, frontispiece, map and illustrations, later pictorial half morocco, gilt, 1890; and 5 others, travel and topography, 8vo & 12mo (8)
London.- Westminster Abbey.- Dart (John) Westmonasterium: or The History and Antiquities of The Abbey Church of St Peters Westminster..., 2 vol., 134 engraved plates (of 135, one supplied in good facsimile), Earl of Strafford's coat of arms laid down to vol.1 title verso, 1 leaf in facsimile, some light browning to vol.1 frontispiece, contemporary panelled calf, rubbed, vol.2 spine worn, rebacked, [Upcott II, p.851], James Cole [&c.], 1723 § Ackermann (Rudolph) The History of the Abbey Church of St. Peter's Westminster ..., 2 vol., first edition, 80 hand-coloured aquatint plates, engraved plan and portrait, lacking half-title, occasional light spotting and offsetting, later diced calf, gilt, rebacked, covers rubbed, 1812, folio (4)
US One-Sheet "Domestic" poster for the penultimate Sean Connery James Bond film "Diamonds Are Forever" (1971). The poster design pictures Bond with two glamorous women against a background of explosive and colourful action. The "Domestic" variant One-Sheet was designed for use in the home American market (it carries a GP ratings box lower right).27" x 41" (69 x 104 cm)Additional Information: NSS #71/303Condition: Very GoodUnrestored, folded (as issued) with general light handling wear. Splits to the three cross folds ranging from 1/2" to 1"- additional horizontal crease across top areaArtist: Robert McGinnis£100 - 200VAT Status: M
US One-Sheet Advance poster for "The Man With The Golden Gun" (1974), Roger Moore's second outing as the British secret agent with the 'Licence to Kill'. The poster highlights the forthcoming Christmas release of the film focusing on the individual pieces (Fountain Pen, Lighter, Cigarette Case and Cuff Link) of Scaramanga's golden gun. This poster offered here is in original unrestored, folded (as issued) condition that displays very well with only minimal of fold line wear.27" x 41" (69 x 104 cm)Additional Information: NSS #74/251Condition: Very GoodUnrestored, folded (as issued) with general light handling wear. Splits to the three cross folds ranging from 1/2" to 1/4"Artist: Robert McGinnis (Roger Moore)£100 - 200VAT Status: M
Two US One-Sheet James Bond film posters from the Roger Moore era. The"Spy Who Loved Me" (1977) features Bob Peak artwork and the "A View to a Kill" (1985) Advance displays the artistic skills of Daniel Goozee.27" x 41" (69 x 104 cm)Additional Information: Spy Who Loved Me NSS #77/42 - A View to a Kill NSS #850004Condition: Very GoodBoth unrestored, folded (as issued). SWLM has general light handling wear with an MGM/UA snipe over credits in lower right corner. AVTAK has general light fold line wear with a split to the bottom cross fold of 1/4"Artist: Bob Peak, Daniel Goozee£100 - 200VAT Status: M
Two US One-Sheets for the James Bond film "Moonraker" (1979). Both the Advance Style A International and Regular Styles both featuring Daniel Goozee artwork.27" x 41" (69 x 104 cm)Additional Information: NSS #790012Condition: Very GoodBoth unrestored, folded (as issued). Advance Style A has general light handling wear and likely unused. Regular has general foldline wear and appears slightly fadedArtist: Daniel Goozee£100 - 200VAT Status: M
Group of three One-Sheets (2 x US-Advance and Regular and 1 x Lebanese) for the James Bond film "For Your Eyes Only".27" x 41" (69 x 104 cm)Additional Information: NSS #810014Condition: Good to Very GoodAll three are unrestored, folded (as issued). Advance has general foldline wear with splits to the three cross folds ranging from 1/8" to 1/4". Regular has general light handling wear and likely unused. Lebanese has heavy fold line wear with scuffs/colour loss to each corner area caused by aged water damageArtist: Bill Gold, Brian Bysouth£100 - 200VAT Status: M
Group of three US One-Sheet posters for the James Bond film "Octopussy" (1983) comprising Style A and B Advance and Regular design.27" x 41" (69 x 104 cm)Additional Information: NSS #830011Condition: Very GoodAll three are unrestored, folded (as issued). Advance Style A & B have general light fold line wear and are likely unused. Regular has general foldline wear with splits to the three cross folds ranging from 1/2" to 1/4"Artist: Daniel Goozee, Renato Casaro£100 - 200VAT Status: M
UK Double Crown for Elvis' first movie "Love Me Tender" (1956). This is also an early example of Tom Chantrell artwork. Presented rolled (as issued) and in excellent unrestored, original condition.20" x 30" (51 x 76 cm)Additional Information: Printed in England by Stafford & Co. Ltd. Netherfield, Nottingham and LondonCondition: Very GoodUnrestored, rolled (as issued). Light handling/age wear with only a 1/2" clean tear to left edge and slight staining along top edge.Artist: Tom Chantrell£100 - 200VAT Status: M
A set of four Italian teaser posters for Roger Moore's second 007 adventure "The Man With the Golden Gun" (1974), with each section highlighting the objects (fountain pen, cigarette lighter, cufflink and cigarette case) that when ingeniously combined make up Scaramanga's lethal 'golden gun'. Widely regarded as the scarcest paper for the title, this is the first time we have offered any of the designs for sale and although there are the odd occasion when a single sheet has been spotted this is the very first time we believe a full set of four has come to market. Offered in original unrestored, untrimmed condition. The tagline literally translates as "A gun to kill James Bond".39" x 55" (99 x 198 cm)Condition: Very GoodUnrestored, folded (as issued). Likely unused (as they remain untrimmed) just light handling and fold line wear.Artist: Unknown Artist£500 - 700VAT Status: M
The UK Quad for George Lucas' breakthrough teen Comedy "American Graffiti" (1973) features artwork by Mort Drucker, a comic and caricature artist who worked extensively on "MAD" magazine. The artwork presents a montage of caricature images from the film and is rightly considered to be a classic of the genre. Drucker's unique imagery was used for both UK and American film posters and (IMHO) it is the British landscape format that suits the overall design much better.30" x 40" (76 x 102 cm)Condition: Good to Very GoodUnrestored, folded (as issued) generally very good, image area displays very well with handling wear to edges. To include 1" clean tear right edge (amateur repair), two nicks top edge 1/4" (amateur repair), top left corner area light crinkling and creases.Artist: Mort Drucker£100 - 200VAT Status: M
Two crime, thriller themed US One-Sheets. Clint Eastwood returns as 'Dirty' Harry Callahan in the third movie of the series "The Enforcer" (1976) that features a Bill Gold design and Alfred Hitchcock's taut thriller "Torn Curtain" (1966) which paired Paul Newman with Julie Andrews.27" x 41" (69 x 104 cm)Additional Information: Enforcer NSS #77/4 - Rorn Curtain NSS #66/259Condition: Excellent to Very GoodBoth unrestored, folded (as issued). Enforcer is general light handling wear and likely unused. Torn Curtain has general fold line wear with splits to the three cross folds ranging from 1/2" to 1/4" and pinholes (some enlarged) to each corner.Artist: Bill Gold £50 - 100VAT Status: M
One of the defining film franchises of the 1970's as Clint Eastwood again starred as Detective Harry Callahan (for the second of five times) in the "Dirty Harry" sequel "Magnum Force" (1973). This original 1973 UK Quad movie poster is designed by Bill Gold who's stylish imagery and use of perspective with the Magnum .44 gun barrel particularly eye-catching. Along with the 'man with no name' a defining role role for Eastwood who carved out a violent niche in the cinema with his portrayal of 'Dirty' Harry Callahan.30" x 40" (76 x 102 cm)Additional Information: Printed by L. Ripley and Co. LtdCondition: Very GoodUnrestored, folded (as issued), appears tri-folded as centre horizontal fold line is very 'soft' - 5" diagonal crease to bottom left corner. Smudge to top left corner, 1/2" nick with light creasing to bottom right corner. Overall it presents to very good effect with vibrant, unfaded, bright colours.Artist: Bill Gold£100 - 200VAT Status: M
A pair of US One-Sheets for Steven Spielberg's "Jaws" (1975) and the sequel, "Jaws 2" (1978).27" x 41" (69 x 104 cm)Additional Information: Jaws NSS #75/155 Condition: Good to Very GoodBoth unrestored, folded (as issued) - Jaws 2 has general light handling wear and likely unuse. Jaws has general foldline wear with two inverted 'V' splits to the top centre fold line underneath 'Universal' and scattered pinholes to each corner. White border is slightly discoloured from ageArtist: Roger Kastel, Lou Feck£250 - 350VAT Status: M
"He was Tony Montana. The world will remember him by another name...SCARFACE". British UK Quad poster for the Brian De Palma Gangster classic "Scarface" (1983) starring Al Pacino, one of the greatest and most influential gangster movies of all time. The poster design (sadly unattributed) comprises a simple but effective design, and employs just three colours (black/white/red), possibly in homage to the poster campaign for "The Godfather" (1972).30" x 40" (76 x 102 cm)Condition: Good to Very GoodUnrestored, folded (as issued), single pin hole to corners. Black areas have light finger marks, two small areas of scuffing to left edge (1"). 2.5" clean tear center right edge fold line (amateur repair)Artist: Unknown Artist£100 - 200VAT Status: M
A pair of US One-Sheets for two 'family' friendly adventure films from the 1980's, a 'Golden Age' for such genre favourites. Joe Dante's"Gremlins" (1984) with John Alvin artwork and Barry Levinson's "Pyramid of Fear/Young Sherlock Holmes" (1985).27" x 41" (69 x 104 cm)Additional Information: Gremlins NSS # 840040Condition: Good to Very GoodBoth unrestored, folded (as issued). Gremlins has general light handling wear and likely unused. Pyramid of Fear has heavy fold line wear with scattered creases throughout, bottom left edge 5" of creases and top left edge has an area of 3"paperloss Artist: John Alvin£50 - 100VAT Status: M
"Predator" (1987), directed by John McTiernan is an excellent mix of gung-ho action and sci-fi horror, with an iconic monster (designed by Stan Winston). The original UK Quad film poster offered here is from first year of release 1987 and was created by a team at the FEREF design agency, including Stephen Laws, Frank Hillary and acclaimed movie poster artist Brian Bysouth. This was one of the first film posters by Bysouth to have been created with photo composition and not painted. This 'thermal imaging' version is considered a classic amongst collectors of the genre.30" x 40" (76 x 102 cm)Condition: Very GoodUnrestored, folded (as issued). Minimal handling and fold line wear with a small line of very light crinkling (4") to left edge at top.Artist: Brian Bysouth, FEREF£100 - 200VAT Status: M
This impressive Studio made production poster was created for the mayoral campaign of Oswald Cobblepot (Danny DeVito) the notorious Batman nemesis Penguin, in the Tim Burton sequel "Batman Returns" (1992). It depicts Cobblepot as a distinguished and respected Gotham City businessman who will bring an end to the corruption and crime plaguing the City, and act as a beacon of light in its bright future. The poster design is used throughout the film as a prop and set dressing. 61" x 29.5" (155 x 75 cm)Additional Information: Production Made Prop PosterCondition: Very GoodUnrestored, rolled (as issued). Minimal handling and age wear with a small (1/2") area of paperloss to top edge.Artist: Unknown Artist£600 - 800VAT Status: M
Advance 'Coming Soon' teaser UK Quad movie poster for Richard Donner's ground breaking and much loved 1978 superhero actioner "Superman" (1978). Cleverly designed using just (the now) distinctive lettering and really quite stunning with the silver foil backdrop. Presented in unrestored rolled (as issued) condition, this ultra rare example presents and displays very well. A genuinely scarce and desirable item of movie memorabilia from a truly inspirational and influential film, with this being the first time we have offered one for sale.30" x 40" (76 x 102 cm)Condition: Very Good to ExcellentUnrestored, rolled (as issued). Image areas is excellent, soft crinkling and creases to top edge. Light crinkling bottom left corner. 1/2" crease to the 2nd 'O' in 'SOON'.Artist: Unknown Artist£200 - 300VAT Status: M

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