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Lot 390
ANTON HENNING (GERMAN, B. 1964)2-Sitzerwood, steel, leather, foam186cm wide x 89cm deep x 65cm high on a wooden plinth 240wide x 135cm deep x 16cm highARRProvenanceHaunch of VenisonCondition reportBirch-veneered plinth has been chipped/bruised, front right corner; further minor scuffs to extreme corners. The laminated sofa frame is in good condition. The leather will benefit from a light clean but there are no rips or tears.
Lot 251
FREDERICK GORE (BRITISH, 1913-2009)The Lavender Distillery at Simiane-la-Rotondesigned 'F. Gore' (lower right) and titled (on the canvas return)oil on canvas76 x 96cmARRProvenanceBlains, Bruton Place, LondonHaunch of VenisonCondition reportAppears in generally good condition.Not inspected under UV light.
Lot 252
FREDERICK GORE (BRITISH, 1913-2009)Lavender in the Luberonsigned 'F. Gore' (lower right) and titled and dated '1994' (on canvas return)oil on canvas71.5 x 91.5cmARRProvenanceBlains, Bruton Place, LondonHaunch of VenisonCondition reportAppears in generally good condition.Not inspected under UV light.
Lot 258
JOHN BELLANY (BRITISH, 1942-2013)Maid of the Forthsigned 'Bellany' (lower right)oil on canvas119 x 88cmARRProvenanceBlains, Bruton Street, LondonHaunch of VenisonCondition reportOriginal canvas. The paint surface is clean and sound with no sign of retouching under ultraviolet light. Ready to hang.
Lot 344
MARK ALEXANDER (BRITISH, B. 1966)Via Negativasigned and dated 'alexander 08' (on the canvas return)oil and mixed media on canvas91 x 73cmARRProvenanceHaunch of VenisonOriginal canvas. Some flourescence under ultraviolet light but this appears to be excess drips of varnish rather than retouching.
Lot 1007
VICTORIAN WALNUT HALL CHAIR,the raised back with two moulded panels, the first with griffin, the second with Latin motto 'DIEU EST', on turned and molded legs joined by stretchersCondition report: No notable damage, usual general light wear and tear commensurate with age and use, some scratches, scuffs, nicks, etc
Lot 1025
HERMES LEATHER BELT WITH TWO 'H' BUCKLES,the belt in leather with orange/tan reverse, the buckles gold and silver toned respectively, in two boxesCondition report: Belt 125cm long, some slight marks, two indents to edges at one end (see image), light general wear to packaging, no paperwork, unisex; image of Hermes marks to buckles added, no visible mark to belt
Lot 50
Marc Chagall (1887-1985)La Flute enchantée III (Mourlot 667) Lithograph in colours, 1972, on wove paper, signed and inscribed Epreuve d'artiste in pencil, an artist's proof aside from the edition of 50, the full sheet, with pale light-staining but the colours strong, otherwise in good conditionImage 420 x 325mm. (16 1/2 x 12 3/4in.); Sheet 589 x 442mm. (23 1/4 x 17 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 64
Joan Miró (1893-1983)Nebula (Mourlot 255) Lithograph in colours, 1958, on Arches wove paper, signed and inscribed 'H.C' in pencil, an hors commerce aside from the edition of 100, published by Maeght Editeur, Paris, the full sheet with deckle edges on three sides, mount and light-staining, with backboard staining, other surface defects, framedSheet 498 x 654mm. (19 5/8 x 25 3/4in.)Footnotes:Provenance:With the blindstamp of Galleria Libreria Prandi, Reggio Emilia.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 48
Marc Chagall (1887-1985)Le Paradis bleu (Mourlot 612) Lithograph in colours, 1970, on Arches wove paper, signed and numbered 34/50 in pencil, possibly the full sheet, with deckle edges below and right, very pale light-staining, otherwise in good conditionImage 760 x 560mm. (29 7/8 x 22in.); Sheet 906 x 665mm. (35 3/4 x 26 1/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 31
Marc Chagall (1887-1985)Nature morte au Bouquet (Mourlot 299) Lithograph in colours, 1960, on Arches wove paper, signed and numbered 23/75 in pencil, published by Maeght Editeur, Paris, the full sheet with deckle edge at right and below, with light-staining but colours still strong, in good conditionImage 650 x 502mm. (25 5/8 X 19 3/4in.); Sheet 740 x 577mm. (29 1/8 X 22 3/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 44
Marc Chagall (1887-1985)Intimité (Mourlot 571) Lithograph in colours, 1969, on Arches wove paper, signed and numbered 18/50 in pencil (there were also 25 artist's proofs), the full sheet with deckle edge at right and below, with light-staining, otherwise in good conditionImage 600 x 390mm. (23 1/2 x 15 3/4in.); Sheet 755 x 542mm. (29 3/4 x 21 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 45
Marc Chagall (1887-1985)Fleurs devant la Fenêtre (Mourlot 478) Lithograph in colours, 1967, on Arches wove paper, signed and numbered 32/50 in pencil, the full sheet, with deckle edges at right and below, with the palest light-staining, otherwise in good conditionImage 450 x 420mm. (17 3/4 x 16 1/2in.); Sheet 665 x 532mm. (26 1/4 x 21in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 29
Marc Chagall (1887-1985)Femme-Oiseau (Mourlot 49) Lithograph in colours, 1950, on wove paper, signed in pencil, a proof aside from the edition of 50 before text, with wider margins, with light-and backboard staining, the green slightly attenuated, generally in good conditionImage 420 x 555mm. (16 1/2 x 21 7/8in.); Sheet 544 x 670mm. (21 3/8 x 26 3/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 87
BARBARA HEPWORTH (1903-1975)The Aegean Suite The complete set of nine lithographs printed in colours, 1971, on wove paper, each signed and numbered 30/60 in pencil, printed by Curwen Studio, with their blindstamp, published by Marlborough Fine Art, London, the full sheets, with pale time and light-staining, the colours slightly attenuated but still good, in overall good condition, framedSheets 810 x 585mm. (31 7/8 x 23in.) (9)Footnotes:ProvenanceChristie's Contemporary Art, London, June 1976. Acquired directly from the above, thence by descent to the present owner. The Aegean Suite is one of only two major sets of lithographs completed by Barbara Hepworth during her lifetime. Although her graphic output was limited, she enjoyed printmaking as the intricacy of its layering process would allow her to develop ideas on space, abstraction, form and texture that she would later translate into her sculpture. Hepworth had started work on the suite in 1970 in St Ives, Cornwall, and completed it with master printer Stanley Jones at the Curwen Studio in London the following year. The apparent ease with which she combines the drawn line and the lithographic wash is a testament to her skills and dedication to the medium. The title and geometric forms choreographed across all nine works of the present set also convey the artist's fascination with the sites of antique Greece, while the abstracted suns and moons are reminiscent of her interest in the celestial; a theme she keenly explored in her graphic oeuvre. This complete set with all nine works presented in their original frames was purchased from Christie's Contemporary Art exhibition in June 1976 and are offered alongside the Christie's original Certificates of Authenticity, a brochure printed in colours about the prints, a typed letter by David Case introducing the June 1976 collection and the exhibition pricelists.The 1976 exhibition focused on Barbara Hepworth who had died the year before, presenting her alongside other contemporary printmakers, notably Julian Trevelyan and Dorothea Wight.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 53
After Marc Chagall (1887-1985) By Charles SorlierLes Glaïeuls (Sorlier 24) Lithograph in colours, 1965, on Arches wove paper, signed in blue ink and numbered 113/250 in pencil, the full sheet with deckle edges at right and below, with pale time and light-staining, otherwise in good conditionImage 330 x 250mm. (13 x 9 7/8in.); Sheet 423 x 309mm.(17 x 12 1/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 46
Marc Chagall (1887-1985)Vocation (Mourlot 601) Lithograph in colours, 1969, on japon nacré paper, signed and numbered 2/35 in pencil, the full sheet with deckle edges at right and below, with the palest light-staining, the colours strong and vibrant, in very good conditionImage 280 x 235mm. (11 x 9 1/4in.); Sheet 469 x 355mm. (18 1/2 x 14in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 27
PABLO PICASSO (1881-1973)Femme au bord de la mer (Baer 237; Bloch 67; Mourlot XVII) Lithograph, 1924, on tinted Van Gelder wove paper, signed and numbered 33/50 in pencil, published by Galerie Simon, Paris, the full sheet, with deckle edges at all four sides, with light-staining and some scattered foxing, generally in good condition, framedImage 200 x 308mm. (8 1/16 x 12 1/16in.); Sheet 282 x 382mm. (11 1/8 x 14 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 54
After Marc Chagall (1887-1985) By Charles SorlierSoleil Couchant, from Nice et la Côte d'Azur (Sorlier 26) Lithograph in colours, 1967, on Arches wove paper, signed and numbered 82/150 in pencil, printed by Mourlot, Paris, with margins, a deckle edge at right, with mount and light-staining, the colours attenuated, otherwise in good overall condition Image 595 x 455mm. (23 3/8 x 17 7/8in.); Sheet 695 x 522mm. (27 3/8 x 20 1/2in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 33
Marc Chagall (1887-1985)Printemps au Pré, from Daphnis et Chloé (Mourlot 314; Cramer Books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 12/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge at right and below, with minor light-staining, the colours still strong and vibrant, in good conditionImage 420 x 640mm. (16 1/2 by 25 1/4in.); Sheet 538 x 756mm. (21 1/4 x 29 3/4in.)Footnotes:Marc Chagall is recognised as one of the leading lithographers of the 20th century. The following collection highlights the artist's fascination with printmaking in Paris from the 1950s to the 1980s and his close collaboration with master printmaker Charles Sorlier and the Mourlot Studios.It was a fascination that mainly came about later in Chagall's career when he had reached the grand aged of 63. After returning to France in 1947, having escaped Nazi-occupied France for the United States six years earlier, he took up printmaking with the aid of both Atelier Mourlot director, Fernand Mourlot, and expert printmaker, Charles Sorlier. Sorlier would become Chagall's most important creative collaborator, assisting him in the Mourlot atelier. Together they would come to create an exceptional body of lithographic work, illustrating Chagall's most recognised and favourite subjects from matrimony, birds, animals and flowers to biblical scenes and the circus. Within this important private collection, assembled over two decades from Northern Germany, is offered a selection of prints from Chagall's first major colour portfolio, Daphnis et Chloé (Lot 33-42). The 42 lithographs that make up the vibrant book are based on the Greek poet, Longus' retelling of Daphnis and Chloé love story. Commissioned by one of the most important art publishers of the 20th Century, Tériade believe Chagall would be perfect at capturing a tale of love over adversity and he was not wrong. After a trip abroad and inspired by the light and landscape of the Greek islands he visited, Chagall returned to Paris with a series of preparatory studies to produce the portfolio with Sorlier. It has since come to be regarded as one of the most important and beautifully illustrated books of the last century – and a highlight of Chagall's storied career. As Chagall and Sorlier's relationship strengthened, Sorlier would evaluate the quality of the lithographs and numbering of the proofs, destroying any excess, after which Chagall would hand sign them. Devoted to the process and insistent upon rigorous standards, Chagall would work and rework the plates and colours until he was completely happy, standing with Sorlier at every step of the process. Sorlier once wrote 'the great integrity he invests in his work...requires that the plate bear my name each time he has not directly participated in the transcription to stone'. For this reason, most of the afterworks are signed by Marc Chagall and in the stone by Charles Sorlier. These so-called afterworks are currently some of the most valuable and sought after works of Chagall's entire artistic oeuvre (Lot 53-54). Such collaborations exemplify the close and harmonious bond between the artist and the master printer.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 65
Joan Miró (1893-1983)Joan Miró Lithographs II: One plate (Mourlot 1045; Cramer 198) Lithograph in colours, 1975, on Arches wove paper, signed and numbered LXV/LXXX in pencil, published by Maeght, Paris, the full sheet, with minor light-staining, otherwise in good condition, framedSheet 450 x 616mm. (24 1/4 x 17/1/2 in.) This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 32
Marc Chagall (1887-1985)Songe d'un Amoureux (Mourlot 301) Lithograph in colours, 1961, on Arches wove paper, the second (final) state, signed and numbered 63/75 in pencil, published by Maeght, Paris, the full sheet with a deckle edge at right, with pale light-staining, the red and pink colours slightly attenuated, otherwise in good conditionImage 505 x 650mm. (19 3/4 x 25 1/2in.); Sheet 767 x 582mm. (30 1/4 x 22 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 43
Marc Chagall (1887-1985)Le Bouquet Rouge (Mourlot 580) Lithograph in colours, 1969, on Arches wove paper, signed and numbered 31/50 in pencil (there were also 25 artist's proofs), the full sheet with a deckle edge at right, with light-staining, the green/blue and brown colours slightly attenuated, generally in good conditionImage 560 x 380mm. (22 x 15in.); Sheet 756 x 530mm. (29 x 21in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 74
David Hockney (born 1937)Mirror, Mirror on the Wall (M.C.A. Tokyo 10) Etching and aquatint in red and black, 1961, on wove paper, signed and dated 'David Hockney '61' in pencil, from the edition of approximately fifty impressions, printed by Ron Fuller and Peter Mathews at the Royal College of Art, London, with wide margins, very pale mount and light-staining, other minor surface defects, the image in good condition, framedPlate 400 x 500mm. (16 x 19 5/8in.); Sheet 551 x 703mm. (21 3/4 x 27 5/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 36
Marc Chagall (1887-1985)La Leçon de Philétas, from Daphnis et Chloé (Mourlot 323; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 47/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge below, with pale light-staining, otherwise in good conditionImage 425 x 325mm. (16 3/4 x 12 7/8in.); Sheet 539 x 380mm. (21 1/4 x 150in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 4193
20 British Quad film posters, The Warrior Empress, Gilbert and Sullivan, House of Bamboo, A Date with Death, Halliday Brand, Deep Six, How to Succeed, The Chalk Garden x 2, The Grissom Gang, Magnificent Rebel, Cromwell, Son of Flubber, Stagecoach, The Big Birthday, The Hills of Donegal, Light in the Piazza, Mississippi Gambler, A Shot in the Dark, The Happy Thieves, , folded, 30 x 40 inches (20).
Lot 1522
18th century Italian School, 2 sepia watercolours on laid and watermarked blue paper, ruins in extensive landscapes, 15cm x 20cm, unframedImage with figure on a donkey is in good condition, very slight paper discolouration, unreadable title in top right-hand corner, second image appears to be stained around the sky, backing sheets are discoloured with a few light fox marks
Lot 1501
18th century oil on canvas, portrait of a gentleman wearing a wig and red coat, unsigned, 51cm x 40cm, framedVery old re-lining, original stretcher, a few very minor spots of overpainting only visible under UV light, paint all very stable, very light craquelure around the collar, good carved wood frame also in good condition
Lot 1509
19th century oil on canvas, reclining woman, unsigned, 44cm x 35cm, framedCanvas has been re-lined but no sign of any repaired tears or previous canvas damage, light crazing along the top edge but paint all stable, generally slightly dirty and would benefit from a light clean, Christie's stencil mark on stretcher, no further labels or inscriptions, frame in very good condition
Lot 1523
18th century Italian School, 2 sepia watercolours on laid and watermarked blue paper, 15cm x 20cm, unframedImage with buildings has a light surface impression mark in top left-hand corner, both have very slight paper discolouration, both have unreadable titles in top right-hand corner, lightly attached to backing sheets which are discoloured
Lot 711
ROYAL WORCESTER AESTHETIC MOVEMENT MOON FLASK,with twin handles, the body moulded with herons and bamboo trees, on four feet, printed marks in green, 22cm highCondition report: Obvious restoration to rim, approximately 60-70% restored; front left foot has been off with hairlines surrounding visible; further glaze inclusions, imperfections, dirt and light overall general wear
Lot 729
VICTORIAN GLASS RUMMER,with double series facet cut flared bucket bowl, over a faceted hollow waisted stem and circular foot, 18.6cm, along with three other Victorian rummers, a cordial glass, and a pair of wine glasses wheel engraved with ferns and with dedication (7)Condition report: Condition of most generally good, with light age/use related wear.One runner has a number of chips to it's foot. Another has a shaving to centre of underside of foot, as does one of the fern glasses. Additional images now available.
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534338 item(s)/page