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Lot 289

Ercol light elm Model 486 sideboard, with three cupboard doors over two long drawers, 130 x 76 x 46cm

Lot 291

Ercol light elm sideboard with three central drawers flanked by cupboard doors, 145 x 69 x 45cm

Lot 312

Modern brass lantern light fitting, 40 x 71cm

Lot 379

A pair of brass twin light table lamps and another brass table lamp with mask heads and a Japanese style pottery table lamp base, (4) tallest 40cm

Lot 399

Bronze patinated spelter cherub light fitting, 22cm long

Lot 413

Mixed lot to include various glass light fittings and miscellaneous chandelier drops and beads, etc (a lot)

Lot 419

Kartell FL/Y orange plastic ceiling light pendant, diameter 45cm

Lot 205

A Nice example of a Tiffany style ceiling light shade. [48cm in diameter]

Lot 276

A 19th century light wood two over two chest of drawers. [84x105x47cm]

Lot 114

A COLLECTION OF VARIOUS GREETING CARDS from John Bellany etc Condition Report:All in reasonable condition but specifically the three John Bellany cards have some light yellow/brown staining suggesting moisture exposure at some point.

Lot 155

JAMES STUART PARK (SCOTTISH 1862-1933) ORCHIDS oil on canvas, signed, 60 X 50cm William Hardie Ltd lable and titled Irises verso Condition Report: The canvas has been lined and on close inspection there is light craquelure over most of the surface area most noticeable in the darker passages around the flowers and to a lesser extent the two purple buds at right and bottom while the white of the flowers appearing unaffected.

Lot 181

•CHARLES PULSFORD ARSA (SCOTTISH 1912-1989) ARCHETYPAL FIGURE (1953-54) Colour lithograph on paper, 43 x 28cm, 50 x 32cm (sheet), all unframed, (16) Condition Report: Generally on some of the lithographs there are touches of light foxing along some areas of the bottom margin and to a lesser degree right and left edges in some, with some light small creasing at corners in some, and there are four lithographs with heavier creasing and fold lines at each corner.

Lot 210

•CHARLES PULSFORD ARSA (SCOTTISH 1912-1989) ABSTRACT FIGURES lithograph, signed, 50 x 32cm and another lithograph, unframed, 50 x 33cm (2)Condition Report:Abstract Figures (signed):. The image and margins look fairly clean and a few light touches and suggestions of ink media. . Abstract Figures (unsigned):. Foxing evident in the margin especially the edges of the paper most prevalent along the right and bottom edges. There is a sizeable imprinted mark in the lower right hand corner area and a vertical fold line lower left margin area and corner. 

Lot 251

GEORGE DUTCH DAVIDSON (BRITISH 1879-1901) BOATS ON A RIVER watercolour, 13 x 25cm Condition Report: On close inspection under Ultra Violet there is general very light foxing noted in the top half section on the left over the area of the flowers and small foxing spots bottom left, top right, and top left corner areas with a small slight darkish spot bottom left corner area. There may be some general very light yellowish discolouration in some areas.

Lot 257

•STEVEN CAMPBELL (SCOTTISH 1953-2007) SPORTSMAN AND SPIRIT Gouache, 28.5 x 20cm Condition Report: The paper and pigment are slightly scratched in the area of the top right corner, a couple of light scratches to pigment lower middle and erroneous mark to the right of the number seven on the shirt.

Lot 263

•DONALD BAIN (SCOTTISH 1904-1979) SAILOR WITH GUITAR Ink and coloured wax crayon, signed, 33 x 31cm Condition Report: On close inspection the paper has slipped slightly within the mount exposing the left edge of the paper. There is a small impressed area, no more than 0.5 cm sq., in the paper located in proximity to the top right corner. There appears to be light discolouration in the paper more noticeable at the edges.

Lot 310

A good quality light tan fitted leather travel case with contents of assorted bottles, tidies and manicure pieces, 24cm tall x 27cm x 6cm, and a leather two bottle travelling cologne / scent case

Lot 58

THREE WROUGHT IRON LIGHT FITTINGS

Lot 300

E Goyard Aine Paris, a good quality light tan vintage leather suitcase with brass locks and riveted leather corners, 70cm x 42cm x 19cm, in original condition with polished patina, no key but a good suitcase with some original stickers

Lot 115

A Stag Concord light oak chest of drawers and dressing table, by John & Sylvia Reid

Lot 273

Six assorted industrial light shades

Lot 748

Clothes brushes, a carved wooden elephant, light fitting, etc.

Lot 592

Various light fittings, door furniture etc.

Lot 789

A good pair of plated three light candelabra.

Lot 174

Michael Powolny (1871-1954), Large Seasons Putto, light colored body, white glaze, black decorated, executed 1907-12, dimensions: 38 cm. Michael Powolny (1871-1954), Grosser Jahreszeitenputto, heller Scherben, weiss glasiert, schwarz dekoriert, Ausfuehrung 1907-12, Masze: 38 cm.

Lot 175

Michael Powolny (1871-1954), Centerpiece with 3 Standing Putti, made by Wiener Keramik (Viennese Ceramics), model No. 154, light-colored body, multi-colored glaze, gilded, dimensions: 24 cm. Michael Powolny (1871-1954), Tafelaufsatz mit 3 stehenden Putten, Ausfuehrung Wiener Keramik, Modell Nr. 154, heller Scherben, mehrfarbig glasiert, vergoldet, Masze: 24 cm.

Lot 1

GARETH THOMAS pastel - two figures on Anglesey beach with coastline, entitled verso 'Light Breaking through Trearddur Bay', signed, 34 x 51cms

Lot 24

GARETH THOMAS oil on canvas - Eryri landscape, entitled verso by artist hand 'Morning Light Over Snowdon', signed, unframed, 60 x 80cms

Lot 58

A large Oriental, twin handled brass baluster vase, decorated in relief with rabbit and floral motifs, approximately 30 cm (h) Condition Report: There is restoration to one of the handles which has been off and soldered back in place, vase has light surface scratching / knocks throughout and surface dirt / staining in areas.

Lot 1501

18th century oil on canvas, Classical study, child holding a bird's nest, unsigned, 29" x 24", framedCanvas has not been re-lined, small patch repair near top edge almost invisible on the front, no sign of previous damage or overpainting, light craquelure all over but paint is stable, probably original frame with minor gesso chips, no labels or inscriptions verso

Lot 1505

Alfred Fontville de Breanski (1877-1957), oil on canvas, A Passing Storm In The Highlands, signed, 20" x 30", framedVery good untouched original condition, would benefit from a light clean, no canvas damage patches or repairs, no overpainting, original carved wood frame also in good condition

Lot 1518

A 19th century oil on canvas, moonlit landscape, indistinctly signed, 14" x 21", framedUntouched condition, slightly dirty and would benefit from a light clean, no patches damage or repairs, signature is unreadable V P..., original gesso frame which is slightly dull but in good condition

Lot 1534

Tomas Golding (1909 - 1985), oil/gouache on board, cart on a Continental beach, signed, 7" x 11.5", framedPainting is in untouched condition, slightly dirty and would benefit from a light clean, mount is torn and discoloured and needs replacing, original moulded wood frame which is worn

Lot 1551

F Adams, oil on board, barge on a canal, signed, 18" x 22", unframedGood condition but would benefit from a light clean

Lot 1552

Edward Brian Seago (1910 - 1974), watercolour, winter landscape, signed, 10" x 14", framed1 small fox mark between the trees, otherwise very good condition, mount is discoloured and with light foxing, probably original gilt frame and glazed, no labels or inscriptions verso

Lot 1565

T R Sanderson, oil on board, winter landscape Langdale, signed, 18" x 36", framedGood original condition, would benefit from a light clean, no damage

Lot 1578

After Huber (Jakob-Wilhelm) and Muller (Carl Theodor), 10 views of Pompeii, coloured lithographs, Naples 1819, image 12" x 16", framed (10)Very slight paper discolouration, several have light foxing and 1 has damp staining, frames and glass all in good condition

Lot 1620

19th/20th century watercolour, boats in Polperro harbour, signed with initials MEC, 11" x 17", framedA couple of light fox marks in top left-hand corner, slight paper discolouration, generally good

Lot 1663

Vahan Hovivian, oil on board, a mosque, signed, 7.5" x 10", framedA few light surface abrasions in the sky

Lot 1689

Frank Wasley (1854 - 1934), oil on board, study of Baggy Head near Barnstaple, signed with monogram, 9.5" x 7.5", framedWould benefit from a light clean, generally good original condition

Lot 1694

20th century British School, oil on board, an extensive landscape, circa 1920s, unsigned, 13" x 16", unframedGood original condition, would benefit from a light clean

Lot 1714

19th century watercolour portrait of a gentleman in a library chair, unsigned, 12" x 9.5", framedPainting has very light foxing in the background, very slight paper discolouration, generally good, beautiful bright gilt gesso frame with a few very minor age-related gesso cracks, generally very good, no labels or inscriptions verso

Lot 1716

19th century oil on canvas, portrait of the Duke of Wellington, unsigned, 30" x 25", framedNot re-lined, no canvas damage patches or repairs, a few tiny spots of overpainting in the background and a few small areas of minor craquelure but paint is stable and would benefit from a light clean, generally good

Lot 1718

Bernard Rice, 2 etchings, Cattaro, 33/60, 9.5" x 9.5", and African women, 11.5" x 7.5", both signed, framed (2)Landscape has very light foxing, African women in good condition, mounts discoloured

Lot 1730

Tilopa Monk, colour etching, abstract, signed 88/100, plate 11.5" x 15.5", unframedA few very light creases in the margin, no foxing, generally good

Lot 1740

Attributed to Sidney Pike, oil on canvas, rural landscape, unsigned, 20" x 30", framed2 very small patch repairs, a few small areas of light craquelure but paint all stable, generally good condition, frame has a couple of tiny gesso chips, generally good

Lot 1751

Henri Lebasque, etching, Parisian scene, from an edition of 500, plate 13" x 10.5", and Jean Frelaut, etching, Parisian scene, 1937, 13.5" x 10.5", framed (2)Even paper discolouration and light foxing

Lot 1788

Attributed to George Duffield Hardy, oil on canvas, circa 1840, old watermill, unsigned, 10" x 12", unframedVery old re-lining, very light age-related craquelure but paint all stable, generally good condition

Lot 1822

Frank Rawlings Offer, oil on board, sunset on the Thames at Richmond, signed, 8" x 16", framedGood condition, would benefit from a light clean, modern frame also good

Lot 12

Archibald Knox for Liberty & Co - Three pieces of Tudric comprising coffee pot, teapot and hot water jug decorated in relief with stylised honesty plants and cane handle, marked 0231 to the base, largest piece approximately 22 cm (h). [3]Condition Report: Pieces appear in good condition, no sign of significant damage, all hinges in good order and lids close flush, handle wrappings in good condition, some light surface scratching / marks in areas.

Lot 122

Lot to include hand tools, electric screwdriver, security light, door locks, padlocks and similar.

Lot 137

A mixed lot to include ceramics, plated ware, wall clock, hand painted glass ceiling light and similar, two boxes. [2]

Lot 138

Mixed ceramics to include Villeroy & Boch, Spode Christmas Tree pattern, Wedgwood and similar, metalware and light shade, two boxes. [2]

Lot 185B

Lot to include a decorative wall mirror, approximately 45 cm x 68 cm, a three branch ceiling light and two cottage teapots. [4]

Lot 271

A Lalique opalescent Coquilles bowl, # 3204, relief moulded to the exterior with overlapping shells, wheel cut R LALIQUE FRANCE and engraved No3204, approximately 13 cm (d)Condition Report: Appears in good condition, no chips, cracks or signs of significant damage, one or two areas of light surface scratching / abrasions.

Lot 299

An 18ct gold cased Walker & Hall ultra slim wristwatch, the case back marked 2502G, on expanding Tessuflex gold plated strap, approximately 45 grams all in.Condition Report: Watch not currently running, hands set fine but unable to wind, dial appears good, glass has extensive light scratching.

Lot 301

A brass cased marine stick barometer, the silvered dial marked Russell Norwich, with gimbal wall mount, approximately 93 cm. [2]Condition Report: Appears in good condition, no damage to the glass, some light surface scratching to the case.

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