* Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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Thomas Rose Miles (English, 1844-1916) 'A Surface Run of Submarines'oil on canvassigned41 x 61cm***CONDITION REPORT***Oil on canvas relined relatively recently, canvas remains tight and clean, a few small spots showing particularly in the sky but look to be retouching, very slight stretcher marks and some light fine stable craquelure in places, signed lower left, title reproduced on the back of the canvas, not framed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* Sidney Nolan (Australian, 1917-1992) Untitled landscapeoil on boardinscribed153 x 122cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on board in honest untouched condition, perhaps a few light dirt marks but essentially good order, housed in an ornate red and gilt scroll border frame with inscription verso that looks to be in the artist's hand giving the date 8th Aug 1966, frame stamped by IFC Art of London, back of the work numbered 7 in the top left corner, handlers labels for Martinspeed LtdPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Philip Castle (English, b.1942) 'Guardsman within a fantasy city’acrylic on canvasmonogrammed verso98 x 84cm***CONDITION REPORT***Original canvas now slightly saggy, paint a little dirty with some light scuffing running into the blue, otherwise fair, housed in a slim metal frame with no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George II mahogany extending dining table, with two single drop leaf D ends and serpentine aprons, on tapered legs with pad feet, extends to 230cm x 137cm***CONDITION REPORT***Overall of a reddish light mahogany tone, with numerous small scuffs, dents and marks commensurate with age and use, one drop leaf looking a little more matted than the other, similar wear and tear to the underframe but essentially good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* A Louis XV style carved giltwood framed fire screen, the silk panel printed with roundels of playful amorini, within naturalistic beadwork decorated foliage, 60cm wide, 93cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Private collection Guernsey***CONDITION REPORT***Some light rubbing to the gilding with small losses and repairs scattered throughout, main silk panel is damp damaged and discoloured with splits running through it, along with some loss to the appliquésPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
*Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese gilt-decorated black lacquer games box, mid 19th century, the cover and side panels decorated with figures amid pavilions and trees, within brocaded borders, the interior with five similar lidded boxes and various card trays, total width 36cm, contains approximately 200 mother-of-pearl counters***CONDITION REPORT***Lid with a crack and flaw running to the right of the central panel and further small losses to the lacquering around the edges and at the corners, base starting to come apart at the corners with some losses at the edges, internal trays with some light surface rubbing but essentially good, internal boxes in good order, gaming counters overall in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A good Victorian ormolu mounted walnut and marquetry centre table, the serpentine rectangular top inlaid with flowers and scrollwork over two frieze drawers, on fluted end columns and acanthus carved downswept feet, 129cm wide, 70cm deep, 73cm high***CONDITION REPORT***Overall in very good condition, probably restored some years ago, a few light scuffs and scratch marks to the top, original locks fitted but no key, very minor denting and scuffing to the underframe.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Gwendolen John (Welsh, 1879-1939) Study of four women seated in churchpencil drawing16 x 15cm***CONDITION REPORT***Pencil on brown paper, not laid down, slight discoloured across the extreme top edge of the paper with some very light creasing running through the work, not signed, card mount and glazed red frame, detail of a related work verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Edward Kilburn (1818-1891),William Edward Kilburn (1818-1891), an overpainted albumen print on card of Sir William Napier, 17 x 13cm, case overall 23 x 21cm***CONDITION REPORT***Honest untouched condition, slight fading and scuffing at the corners to the case, interior in very good order, a few light dirt specks under the glass.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese blue and white ‘phoenix’ saucer dish, Jiajing mark and probably of the period, the centre painted with two phoenixes below the character Shou within a border of rocks and waves, crimped edge, six character marked to base, 14.4cm diameter***CONDITION REPORT***Tiny glaze losses to the edge, light scratching to the interior, the underside with some drier patches indicating it may have come from a ship wreck, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Peter Rouw (1771-1852), a wax profile of Charles James Fox, case diameter 13.5cm***CONDITION REPORT***Honest untouched condition, a few pronounced dirt or mould specks showing across the head, further mould spores and dirt marks to the background and the inside of the glass, original now slightly oxidised gilt bezel and green morocco case with light outer scuffing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 20th century French miniature timepiece modelled on a 17th century domed bell clock, the silvered Roman dial with sunphase and the sides engraved with Elizabethan ladies, finials set with pearls, eight day movement signed Made in France 5505, 4.75cm wide, 9.5cm high, with original leather travelling case***CONDITION REPORT***Looks to be in good original condition, a little light rubbing to the ormolu on the sides panels and the back door, a later plaque applied to the base inscribed 'Given by M.P. to Brittany for the Millenium', leather case with signs of wear but essentially good, comes with two associated winding keys, movement going but not tested for timekeeping.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Harold Mockford (English, 1932-2023) 'The Old Lady's Room'oil on canvassigned, titled and dated 1975 verso82 x 82cm***CONDITION REPORT***Oil on canvas in original untouched condition, slight bulge at the top where the canvas meets the strecher, some light dirt specks and a little light flaking of the paint near the lower right corner but essentially in good condition, original painted wooden frame. Artist inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* Sidney Nolan (Australian, 1917-1992) Cloud Sceneoil on canvas183 x 161cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Formerly from the Collection of Lord McAlpine. Oil on canvas, slight sagging to the canvas, and perhaps a little light surface dirt but essentially good untouched condition, housed in a gold and black painted wood frame with signs of light rubbing, label verso for Rees Martin Art ServicePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Harold Mockford (English, 1932-2023) Dungeness from the Seaoil on boardsigned, titled and dated Nov Dec 92 verso90 x 90cm***CONDITION REPORT***Honest untouched condition, a few scattered dirt specks throughout the work and one or two light scuff marks but otherwise original, original painted wooden frame with artists inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A good pair of late Victorian Elkington & Co. silver twin branch, three light candelabra, of ornate scrolling design, Birmingham, 1898, overall height 48.5cm, weighted, arms only 55.9oz.***CONDITION REPORT***Small silver solder repair to neck of one stem. Overall condition is otherwise good. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Follower of Sir Edward Coley Burne-Jones (English, 1833-1898) Portrait of a ladysanguine chalk36 x 25cm***CONDITION REPORT***Sanguine chalk on light buff paper which may have slightly but evenly discoloured, a fine horizontal bleached line showing just abover her hairline running across the work, some loose insect dirt and a few small dirt spots upon the work, discoloured washline mount and plain wood frame with inscribed attribution verso stating sitter to be Harriet Marian Stephen (1840-1875) (Mrs Herbert Duckworth) however the work is thought to be circa 1910.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Japanese bronze, silver and gold overlaid vase, Kyoto Kuroda zo workshop, Meiji period, decorated with a spider on a web suspended from bamboo, on a dark brown patinated ground, signed by the artist to the body and to the base ‘ Kyoto Kurosawa zo’, 27.5cm high***CONDITION REPORT***Slightly worn due to polishing over the years with the main brown patination a little rubbed through in places, silver overlay a little tarnished in places with some copperish tones showing through, equally rubbed from polishing at the raised edges and rims, a few light surface scuffs throughout.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
*§ Laurence Biddle (English, 1888-1968) ‘’Geranium’s, pansies, nemesia and coleopsis’trompe l’oeil style, oil on panelinscribed verso and dated 1926, together with a paste down ink drawing of a butterfly21.5 x 34cmPlease note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Good untouched condition, very slight inward curve of the panel particularly in the lower right corner, would perhaps benefit from a light clean, a fine but stable craquelure through much of the paint, apparently unsigned, housed in an old gilt frame. Duncan Miller Fine Arts label verso dated 1984 stating signed and inscribed with title which refers to the label on the back, with a further label stating number 70 in the artist's catalogue, blurred Christie's stencil number BD90PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sam Toft (b.1964) Little Dog Dorismixed media on boardsigned and dated 200083 x 59cm***CONDITION REPORT***mixed media on board in honest condition, a few light scuff and scratch marks and some tiny white paint specks on the paint,l plain white frame, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* A pair of late 19th century French Empire style bronze and ormolu three light candelabra, with bird finials, foliate scroll branches, classical figure stems with sphynx and Medusa mask socles, 20cm wide, 63cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Sotheby’s - Mallet at Bourdon House, 9th March, 2007, lot 663, thence Private collection Guernsey***CONDITION REPORT***Both in good probably restored condition, ormolu is bright and shiny, branches slightly out of shape and some oxidisation marks showing particularly around the bases, one figure slightly turned to the right in relation to the socle.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George V circular silver tazza, by Barker Brothers, large shaped rim, gadrooned border and fretwork decoration on circular foot, Chester, 1912, diameter 24.2cm, 19.9oz.***CONDITION REPORT***Numerous light surface scratches in places. Wobbles slightly on a flat surface. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Kennedy (British, 1905-1997) 'A Summer Group'oil on canvassigned, remnant of 1952 Royal Academy Exhibition label verso75 x 62cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, would benefit from a light clean, perhaps a slight imperfection in the paint showing above the lower right corner as a slight vertical mark, signed in the lower right corner, housed in the original carved giltwood scroll frame which is in good condition with title plaque at the base, Frost & Reed label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Alfred Augustus Glendening (c.1840-c.1910) Ducks before a watermilloil on canvassigned and dated '9930 x 50cm***CONDITION REPORT***Relined many years ago, canvas remains tight, paint might benefit from a light clean but no real faults noted, housed in a gilt scroll frame with a few losses, no inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lawson Wood (British, 1878-1957) Tennis playerswatercolour and gouache on papersigned in ink42 x 32cm***CONDITION REPORT***Good clean condition with fair strength of colour, most signs of dirt are on the glass rather than the work but there are a few small marks and perhaps some light rubbing in the lower left corner, modern washline mount and glazed gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* A Louis XV marquetry inlaid kingwood poudreuse, on cabriole legs, 76cm wide, 46.5cm deep, 71cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Private collection Guernsey***CONDITION REPORT***Overall of a light honey brown tone, top escutcheon is loose but present in the drawer, comes with two working keys, overall good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Jacob Abplanalp of Grindelwald, a carved group of William Tell and his son, standing upon a naturalistic base, dated 1307, signed in the wood, 30cm high, 26cm deep, 71cm high***CONDITION REPORT***Overall with a rich light toffee brown colour, some areas looking a little more bleached particularly around the front foot of the son, other very minor scuffs and scratches throughout along with being a little dusty, a fine hairline crack running through the front of the plinth, stamped by the maker on the right side.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Edwardian Sheraton revival painted satinwood elbow chairs, decorated with cherubs, flowers and musical trophies, with squab cushions and caned seats on turned tapered fluted legs, fitted brass castors, 58cm wide, 57cm deep, 88cm high***CONDITION REPORT***Both in good condition with a rich light toffee coloured tone, a few minor scuffs and knocks commensurate with age.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Ernest Gaston Marché (French, 1864-1932) French river landscape in winteroil on canvassigned64 x 92cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, canvas remains tight, may benefit from a light clean but no real faults noted, housed in probably the original giltwood and gesso fruit carved frame which is in equally good order. A few number inscriptions to the back but no other details available.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Walter John Beauvais (English, 1942-1998) Figures watching the Oxford and Cambridge boat raceoil on canvassigned and dated '7349 x 75cm***CONDITION REPORT***Oil on canvas in honest untouched condition, might benefit from a light clean but no real faults noted, later fgilt frame with small damage to one corner.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A matched pair of late 19th/early 20th century silver two branch, three light candelabrum, with scroll arms, on beaded square bases, Hawksworth, Eyre & Co, one Sheffield, 1881, the other Sheffield, 1901, height 49cm, weighted, arms only 61.6oz (a.f.).***CONDITION REPORT***Base of stem of later stick repaired. Repair around the side of the foot also.Other stick has a split at the top of the stem and the angles are worn. Splits and a repairs to the angles on the base.Numerous small dings to both columns. Minor scratches and dings elsewhere in general. Hallmarks mainly, clear but with some rubbing.Overall condition is generally quite poor.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly John (British, 1906-1993) '7.15pm at St Tropez'oil on canvassigned45 x 65cm***CONDITION REPORT***Untouched condition, one small scratched tear in the sky showing the bare canvas through the paint, a little light craquelure particularly in the top left corner, otherwise good, later gilt frame, Stacy Marks label verso along with artist title on the back of the canvasPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* A Tibetan gilt bronze figure of a deity, 17th century, holding a purba in his right hand, seated on a corpse, rockwork base, Sanskrit inscription to the back of the base, 10cmProvenance: Spink & Son Ltd, London, 29th June 1989Please note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Rubbing to the patination now leaving a light golden bronze tone to the raised extremities with darker and blackish in the crevices, small minor scattered nicks from handling over the years, but essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
* * A late 19th century French ormolu mounted kingwood parquetry tray topped table, by Francois Linke, of serpentine circular form with acanthus loop handles and cube parquetry veneer, over foliate scroll mounted cabriole legs with scroll feet, 80 x 72cm, 65cm highPlease note this lot attracts an additional import tax of 5% on the hammer price Provenance: Private collection Guernsey***CONDITION REPORT***Originally with a superstructure over and a detachable tray. Overall in good clean condition, probably restored 20 years ago or so and still in good order, some very light rub marks to the top and a few dark spots to the ormolu but essentially good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese bamboo 'river landscape' inscribed brushpot, bitong, 19th century, carved in relief with figures on boats in a mountainous river landscape, with figures in pavilions looking outward, three column inscription verso, on three shaped feet, reddish brown patina, 12cm high, a few small wormholesA very similar ‘landscape’ bamboo brushpot dated to the Qing dynasty appears in Spink & Son Ltd, London, Bamboo & Wood Carvings of China and the East catalogue (number 40) edited by Roger Keverne, November 1979.***CONDITION REPORT***Overall of a light reddish brown tone, five cracks starting to run up from the foot rim along with smaller hairline cracks also from the foot rim, small what look to be worm holes on the inside of the rim and running down inside the body of the pot.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
** Vittorio Ferro (1932-2012), a Murano glass Murrine vase, with an all over flower head design, in purple, yellow and light blue, unsigned, 23cm highPlease note this lot attracts an additional import tax of 20% on the hammer price***CONDITION REPORT***Good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of late 19th century French Louis XVI style ormolu seven light candelabra, each with foliate scroll and flower stems, with musical putto scroll bases, 74cm high***CONDITION REPORT***Both with a slightly matted gilt finish, a little wobbly and loose at the sconces and arms, some of which look to be slightly bent out of shape but would probably all benefit from a careful tightening, not fitted or wired for electricity.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Italian ormolu mounted calacaita marble urns, with fruiting finials and ram's head and swag mounts, 19cm wide, 44cm high***CONDITION REPORT***Look to date to the mid to late 20th century, ormolu with a slightly brassy tone, light rubbing to the gilding particularly around the bases but essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese soapstone seated figure of Guanyin, 17th/18th century, holding a scroll in the left hand and a rosary of beads in her right hand, on a shaped base, 15.5cm high***CONDITION REPORT***Natural flaws within the stone, rubbing to the gilt and painted decoration but essentially good order, light rubbing to the underside.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese embossed copper hand warmer, 17th/18th century, embossed and chased with a continuous scene of boys in a garden, the pair of looped swing handles with cicada terminals, engraved four character mark in a square to the base, 16.5cm across***CONDITION REPORT***Oxidisation and dirt spots throughout commensurate with age, signs of some light rubbing and wear again commensurate with age, but essentially good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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