We found 534297 price guide item(s) matching your search
There are 534297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534297 item(s)/page
Lot 475
A pair of French moulded and cut glass and gilt metal mounted six light... A pair of French moulded and cut glass and gilt metal mounted six light candelabra, in Louis XV style, late 19th century, the sockets and foliate cast drip pans on scrolling branches around the central stems, each with a spherical finial above graduated tiers of arms hung overall with faceted glass bead swags and teardrop pendants, on triform openwork stands, each on three paw feet, 68cm high Please note: this should read late 19th century and later
Lot 112
A BELGIAN PERCUSSION PISTOL BY M BERLEUR having a walnut frame and white metal mountings bearing a dog and bird, the octagonal barrel proof marked, the side plate marked "M. Berleur", with horn ram-rod, the attachable carved walnut stock bearing a stag with horn butt plate. Gun-36cm, Stock-32cm CONDITION: Appears in good condition, minor scratches to wood, small areas of light rust
Lot 1421
Dinky Toys - 263 Superior Criterion Ambulance. cream with red light to roof and flash to sides. Complete with stretcher and patient; 205 Ford Lotus Cortina rally car - white/red, racing no.7 decals, light blue interior, spun aluminium hubs; 250 Police Mini Cooper; 187 De Tomaso Mangusta; Ford Cortina in bright Line green; Triumph 2000; Jaguar E Type; Austin Mini Moke; 240 Cooper racing car; 243 BRM Racing car, all unboxed (10)
Lot 525
Armand Marseille DEP Bisque Head and Shoulder Plate Doll, Mould No 370, with weighted blue sleep glass eyes, painted lashes and brows, open mouth showing upper teeth, with long light brown wig, on cloth body with composition lower arms and legs, height 20"; together with a further Armand Marseille Bisque Socket Head Doll with weighted blue sleep glass eyes, painted lashes and brows, open mouth showing upper teeth, short brown wig, on five piece jointed composition body (lower leg detached, A/F), height 16" (2)
Lot 538
Armand Marseille Bisque Socket Head Doll, head mould No 390, with weighted blue sleep glass eyes, painted lashes and brows, open mouth showing upper teeth, mid-brown wig, on five piece jointed composition body, height 23"; together with further Armand Marseille Bisque Socket Head Doll with weighted blue sleep glass eyes, painted lashes and brows, open mouth showing upper teeth, light brown plaited wig, on five piece jointed composition body (A/F)
Lot 219
A late 19th century French ormolu and champleve enamel clock garniture, the clock with a circular dial inscribed '..BAILLY A LYON', with Roman numerals and twin train movement striking on a bell, enclosed within a drum shaped case set with two putti and urn shaped surmount, raised on fluted and scroll supports, together with a pair of three light candelabra, the clock 34.5cm high x 18cm wide
Lot 228
A late 19th century French ormolu and porcelain mounted clock garniture, the mantel clock with circular dial and Roman numeral panels, the twin train movement striking on a bell, within a scroll and putti cast frame, raised on four tapered cylindrical supports and two paw feet, together with a pair of four light candelabra, the clock 42.5cm high x 27.5cm wide
Lot 1563
AFTER JOHN FREDERICK HERRING Senr (1795-1865) FOX HUNTING: THE MEET; THE START; THE RUN; THE DEATH The set of four, lithographs with hand colouring, by J. West Giles, printed by M. and N. Hanhart, published by E. Gambart and Co, 1854 Each 57.5 x 85.5cm. (4) ++ Laid down; light staining; pl.3 with substantial losses in margins; pl.4 with long tear; a furnishing set only; modern oak frames
Lot 1570
•VALERIE THORNTON (1931-1991) THE TOWER OF LONDON; THE GEFFRYE MUSEUM Two, colour etchings, 1979 and 1971, each signed, dated, titled and numbered 6/90 and 25/30 37 x 58cm and 33.5 x 52cm; with a colour linocut of a farm landscape by Allan Jennings, 1960, signed, dated and numbered 26, 38 x 55.5cm. (3) ++ The Thorntons with a little light staining; the Jennings with some pale foxing
Lot 1572
•GRAHAM CLARKE (b.1941) CORFE CASTLE; BUTTERCUP JOE; SOME KENTISH REVELLERS; WINTER GOODS Four, colour etchings with aquatint, each signed, inscribed and three numbered from editions of 250 or 400 (`Kentish Revellers` inscribed `Artist's Proof`) Each 34.5 x 53.5cm. approx (printed from bevelled plates) (4) ++ Each in generally good condition; `Corfe` a little faded, `Revellers` slightly light stained
Lot 1641
•JOHN McDOUGAL (1851-1945) CEMAES BAY, NORTH WALES Signed and dated 1900, watercolour 16.5 x 24cm.; with three further works by or attributed to the same hand, comprising a seascape, bears signature, gouache, 24 x 38cm.; cottages by the shore, unsigned, 16.5 x 24.5cm.; and cottages by a lake, signed, 19.5 x 32cm. (4) ++ Each in generally good condition but in need of a light clean
Lot 1642
•JOHAN BRIEDE (1885-1980) THE ARDENNES RETREAT; THREE VIEWING TOWERS AT HILVERSUM DESTROYED BY TYPHOONS Two, both signed, both inscribed with title in Dutch and dated 12/13/1/1945 and 16/17/1/1945 23.5 x 31cm. and 21 x 32cm.; and another of Nichtevecht, signed and dated 5/9/41, 16.5 x 22.5cm. (3) ++ Each needs a light clean; the second example with some foxing
Lot 1695
CIRCLE OF WILLIAM LARKIN (c.1580-1619) PORTRAIT OF A LADY, TRADITIONALLY IDENTIFIED AS LADY ARABELLA STUART (1575-1615) Seated, three quarter length, wearing a cream dress with fine lace collar and cuffs, embroidered with pink carnations and pea pods and adorned with red rosettes, her light auburn hair dressed high with red ribbons, oil on panel Overall panel size 113 x 82cm. Provenance: Collection of Norman Lamplugh, c.1931; Sothebys London, c.1963-1965 (purchased for £400 by the consignor) Exhibited: London, Grosvenor Square, Loan Exhibition of Scottish Art and Antiquities, Feb-Mar 1931, no.1147 (illustrated, as by Paul Van Somer) * The identification of Lady Arabella Stuart as the sitter is traditional. Lady Arabella (sometimes Arbella) was the daughter of Charles Stuart, Earl of Lennox, the younger brother of Lord Darnley. She stood next to her cousin James in the line of succession for the English throne following Queen Elizabeth's death in 1603 (portraits of Lady Arabella and Anne of Denmark, James's Queen, are often confused). Some supporters claimed that Lady Arabella's claim was the stronger as she was English born but James succeeded peaceably and treated his cousin with leniency by exculpating her of any involvement in plots to succeed Elizabeth. A rumour that she was to be married to William Seymour, 2nd Duke of Somerset, proved to be true upon their engagement in February 1610 but Arabella then had to swear her loyalty before the King at a meeting of the Privy Council. Her jagged descent from King Henry VII and Seymour's ancestral links to Mary Tudor strengthened the couple's claim to the throne. In contravention of this, she and Seymour wed in secret in June 1610. The King feared an insurrection: Seymour was sent to the Tower for his insubordination to the King whilst his bride was put into the care Sir Thomas Perry and then of the Bishop of Durham before trying to flee to France dressed as a man. She was seized by the King's men in the English Channel and sent to the Tower where she died of malnutrition in September 1615 after refusing all food. Lady Arabella's body was buried in Westminster Abbey, directly on top of the coffin of Mary Queen of Scots. The label on the frame ascribes the picture to Federico Zuccaro (c.1540-1609) but his 1575 portraits of Queen Elizabeth and the Earl of Leicester are Zuccaro's only undisputed works painted in England and he had returned to Italy by about 1589. No wholly undisputed portrait of Lady Arabella is known although a full length image in the North Carolina Museum of Art, c.1605, ascribed to John de Critz, is generally acknowledged to depict her. There are some evident facial similarities between that portrait and this lot, which may be dated to 1605-1610. ++ Cradled in 1929; scattered retouching of craquelure throughout; some flaked losses and incipient blistering, principally in background
Loading...-
534297 item(s)/page