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Cauldon Ltd, Brown Westhead Moore & Company, 3 coffee cans and 4 saucers, gilded and floral decoration, retailed by T Goode & Company London, and Coalport, 4 coffee cans and 6 saucers in June Time pattern, and 2 Crown Staffordshire coffee cans, no saucersAll in good condition, just some light surface wear, gilding lightly rubbed, some of the Coalport saucers possibly seconds
Seven Andrew Stadden cold painted military figures, comprising Princess Patricia's Canadian Light Infantry, Carabinier-Cycliste 1913, Private 5th Army Italian Campaign 1943, Sergeant Retreat from Mons 1914, Royal Marines Commando D-Day Landings June 1944, Private 8th Army Western Desert circa 1942, and Lieutenant General George S Patton 1944.
Henry William Standing (fl.1894-1931)Exercise in the yardsigned and dated 'H.W Standing/1909' l.l., watercolour35 x 52.5cmCondition Reportoverall: 52.5 x 69.5cmThere are some areas of rubbing where the paint has a rough texture. There is light 4cm vertical crease to the sky with some loss to the paint in this area. A further crease to the lower left corner.
Samuel Spode (1798-1872)'Hannah', a mare in a stablesigned 'SPODE' l.l., inscribed with title l.c., oil on canvas51 x 61cm'Hannah' by King Tom out of Ment More Lass, was owned by Baron Meyer de Rothschild. It won the Oaks and St Leger in 1871.Condition Reportoverall: 59 x 74cmThe canvas does not sit well in the glazed frame and the inscription 'HANNAH' is obscured by the bottom edge of the frame. Surface dirt with flaking and discolouration to the lower left corner. Craquelure starting to emerge to the head of the horse and some minor surface abrasions. Under UV light there is retouching visible to the head of the horse and to the floor of the box. Please see images.
â–´ Juliet McLeod (1917-1982)'Court Martial'signed and dated 'Juliet McLeod./1947' l.l., inscribed with title on frame verso, oil on canvas54.5 x 65.5cmCondition Reportoverall: 68 x 79cmVisible stretcher marks with surface dirt and some discolouration to the varnish. Two patches to the reverse, one 10 x 12cm, and the other 5 x 3cm. Unexamined under UV light, for a full report please contact the department.
After Antoine Louis Barye'Tigre qui Marche'bronze with brown patina, signed 'BARYE' and with the foundry mark 'F. BARBEDIENNE. Fondeur' on the base41cm wide10cm deep21cm high overallCondition ReportLight surface dust and dirt. No obvious damage or restoration apparent. Natural wear to the patina in raised areas as would be expected. Please see additional condition images.
English School, 19th centuryA fox terrier in a landscapebears signature 'E Landseer' l.l., oil on canvas26 x 30.5cmCondition Reportoverall: 34.5 x 42.5cmThe canvas has been lined. There is craquelure throughout and some evidence of retouching to the extreme edges, due to peripheral frame rubbing. Not examined under UV light, for a full report please contact the department.
Phil Coles (contemporary)'Amazon Apocalypse', Black Caimen;'Congo Killer', Vundu Catfish;'Death Ray', Giant Freshwater Stingray;'Amazon Flesheaters', Piraibaa set of four, one signed and dated 'Phil Coles '08' l.r., pencil, coloured crayons, watercolour and gouache, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28.5 x 39.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cmSome light creasing to 'Piraiba' and 'Giant Freshwater Stingray' but in otherwise good condition. Well presented and ready to hang.
James Chalmers (19th century)A racehorse in a stablesigned and dated 'J.S Chalmers/1864' l.l., oil on canvas46 x 61cmCondition Reportoverall: 62 x 77cmCraquelure with spots and speckles of surface dirt. The canvas has been relined. Unexamined under UV light, for a full report please contact the department.
Phil Coles (contemporary)'Cold Blooded Horror', Amur Catfish, Biwa Rock Catfish and Giant Lake Biwa Catfish;'South Pacific Terrors', Giant Trevally;'Devil of the Deep', Humbolt Squid;'Alligator Gar', Alligator Gara set of four, pencil, coloured crayons, watercolour and gouache, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28.5 x 39.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cmVery light handling creases but in otherwise good condition. Well presented and ready to hang.
Arthur Charles Dodd (fl.1878-1891)'None but the Brave Deserve the Fair'signed and dated 'ARTHUR.C.DODD.1890' l.l., inscribed with title verso, oil on canvas64 x 76.5cmCondition Reportoverall: 92 x 105.5cmUnexamined out of glazed frame or under UV light but appears to be in generally good order. Light surface dirt.
â–´ Lionel Dalhousie Robertson Edwards (1878-1966)'On the way to the meet';'Rails';'Water';'The Lucky Man';'The Unlucky Man';'Returning Home'coloured lithographs, copyright 'Lawrence & Jellicoe Ltd., 34 Henrietta Street, Covent Garden, London, W.C.', 'J.L.Goffart printer, Brussels.'27.5 x 70.5cm, unframed (6)Condition ReportDiscolouration, staining and small dirty marks to the margins. Light handling creases to the corners. There is some foxing starting to emerge to 'On the Way to the Meet' and 'The Unlucky Man'.
â–´ Donald C Grant (1930-2001)Cape buffalo;African Lion;two, signed 'Donald Grant' l.r. and l.l. respectively, black chalk19 x 24.5cm and 20.5 x 27.5cm (2)Condition Reportoverall: 34 x 39.5cm and 34 x 41.5cmCape buffalo- discolouration to the paper and some light creasing to the right edge. Framed with an acidic mount.African lion- staining to the upper corners where it appears non-archival tape may be affixed to the reverse, please see images. Unexamined out of glazed frames.
Stanley Wilson (1836-1898)Horses, goats and domestic fowl in a stable yardsigned and indistinctly dated 'Stanley Wilson/1884' l.l., oil on canvas35 x 45.5cmCondition ReportOverall: 50 x 6cmThe canvas has been lined. In general, well presented and ready to hang. Under UV light no retouching is visible. Some light cracking and a small loss to the top of the frame, please see images.
John Morris (1865-1924)The day's bag, gun dogs in a landscapesigned 'John Morris' l.l., oil on canvas91 x 71cmCondition ReportOverall: 107 x 86cm.The canvas is lined and is presented cleaned and ready to hang. A little craquelure in places. Under UV light, there is some fluorescing in parts, most significantly to the rock to the lower right foreground and spots and smudges to the sky and extreme top edge.
â–´ William Albert Clark (1880-1963)'Dunkirk II', a thoroughbred in a landscapesigned and dated 'W A Clark/1932' l.r., signed and with the artist's address verso, oil on canvas50.5 x 61cmCondition Reportoverall: 69 x 79cmSurface dirt. Otherwise in apparently original condition. Unexamined under UV light, for a full report please contact the department.
â–´ James Power (b.1946)'Cottenham Point to Point';'Cottenham Point to Point, A Winner II'the first signed 'James Power' l.r., inscribed with title and dated '2020' l.l., the second signed 'James Power' l.r., both also signed and inscribed verso, oil on canvas29.5 x 42cm (2)Condition Reportoverall: 40.5 x 53cmIn good condition. Well presented and ready to hang. Unexamined under UV light, for a full report please contact the department.
Fred French (fl.1883-1916)A hunting dog signed and dated 'F French/1909' verso, oil on board17 x 19.5cmCondition Reportoverall: 24 x 27cmThere is some scuffing to the extreme edges of the board which is slightly bowed. Superficial surface abrasion with resulting paint loss upper centre, some surface dirt. Unexamined under UV light, for a full report please contact the department.
â–´ John Trickett (b.1952)A springer and huntsmansigned 'John Trickett' l.r., oil on canvas51 x 66cmCondition Reportoverall: 66 x 81cmA few spots and speckles of light surface dirt. There is some patchiness and discolouration to the varnish in the lower left quarter, please see illustration. No significant signs of damage or restoration.

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534310 item(s)/page