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Lot 649

A Tiffany style lead and coloured glass ceiling light shade, with red rose decoration, diameter 44cm

Lot 571

A metal sculpture of a soldier in armour the solder is attached to a lamp post fitting which has been converted into a light fitting, H54cm

Lot 518

HUSBANDS & SONS BRISTOL - a Victorian brass and tinplate magic lantern, with original box, H35cmGood overall condition, lenses appear to be in tact, some light surface scratching, burner missing

Lot 650

A Tiffany style lead and coloured glass ceiling light shade, with floral and dragonfly decoration. D - 50cm.

Lot 495

Cauldon Ltd, Brown Westhead Moore & Company, 3 coffee cans and 4 saucers, gilded and floral decoration, retailed by T Goode & Company London, and Coalport, 4 coffee cans and 6 saucers in June Time pattern, and 2 Crown Staffordshire coffee cans, no saucersAll in good condition, just some light surface wear, gilding lightly rubbed, some of the Coalport saucers possibly seconds

Lot 2125

A LARGE ASSORTMENT OF NEW AND BOXED LIGHT BULBS

Lot 880

A LARGE QUANTITY OF CAMERAS AND ACCESSORIES TO INCLUDE A CANON EOS 500, HALINA PAULETTE, OLYMPUS C-960 ZOOM, KONICA REVIO, GOODMANS G-SHOT, ETC PLUS EXTRA LENSES, CAMERA CASES, FLASH, LIGHT METER, TRIPODS, VINTAGE PHOTOS, ETC

Lot 2122

AN ASSORTMENT OF TOOLS TO INCLUDE A WORK LIGHT AND A MONEY DETECTOR ETC

Lot 828

FIVE VINTAGE GLASS LIGHT SHADES

Lot 1584

NINE RETRO GLASS LIGHT SHADES

Lot 2368

AN ASSORTMENT OF LIGHT FITTINGS

Lot 1823

THREE TRAILER LIGHT BOARDS

Lot 2050

A LARGE CHROME INDUSTRIAL STYLE LIGHT FITTING

Lot 2366

AN ASSORTMENT OF STRIP LIGHT FITTINGS AND STRIP LIGHT BULBS

Lot 816

FOUR VINTAGE GLASS LIGHT SHADES TO INCLUDE TWO CRANBERRY WITH ETCHING, ETC

Lot 2692

A MODERN LIGHT OAK TWO DRAWER FILING CABINET STAMPED 'MADE IN DENMARK', 36.5" WIDE

Lot 2091

TWO VEHICLE LIGHT FITTINGS

Lot 1845

A BOX OF 'NEW OLD STOCK' 250W LIGHT BULBS WITH E40 SCREW IN FITTINGS

Lot 2060

A DECORATIVE METAL INDIAN STYLE LIGHT FITTING

Lot 1557

A PAIR OF TIFFANY STYLE LIGHT FITTINGS AND SHADES

Lot 448

A Tiffany style light shade, of tapering form, decorated with amber roundels against a cream ground, 38cm diameter.

Lot 970

A gilt metal hall lantern, with a four branch light fitting, with suspension chain, lantern 120cm high.

Lot 307

Seven Andrew Stadden cold painted military figures, comprising Princess Patricia's Canadian Light Infantry, Carabinier-Cycliste 1913, Private 5th Army Italian Campaign 1943, Sergeant Retreat from Mons 1914, Royal Marines Commando D-Day Landings June 1944, Private 8th Army Western Desert circa 1942, and Lieutenant General George S Patton 1944.

Lot 907

An Ercol light elm drop leaf dining table, 72cm high, 110cm wide, 62cm wide, 122 cm extended, together with five Ercol Windsor dining chairs, comprising a pair of carvers and three single chairs.

Lot 909

A 1960s light elm armchair, possibly Ercol, upholstered in purple fabric, 58cm wide.

Lot 194

After Loys-Potet. Amour Perplexe, spelter figure on a marble socle base, stamped verso fabrication Francaise, made in France, with later added brass pole, possibly for a light fitting, 42cm high.

Lot 171

A group of alcohol, to include Muy Fresco sherry (2), Cockburns light port (2), Amaretto, liqueurs, etc. (a quantity)

Lot 1200

Large enamelled industrial light fitting, D: 45 cm. Not available for in-house P&P

Lot 1580

Light oak drawleaf dining table, 100 x 140 x 80 cm H. Not available for in-house P&P.

Lot 1692

Clarke twin head halogen work light. Not available for in-house P&P

Lot 1748

Light with coloured bulb and a further light bulb. Not available for in-house P&P

Lot 1374

Brass table lamp with shade and a green glass hanging light shade. Not available for in-house P&P

Lot 1191

Quantity of mixed Lilliput Lane cottages with light damages. Not available for in-house P&P

Lot 310

A George III cut-glass eight light chandelierWith central urn-shaped shaft and serpentine branchesDecorated with faceted spires and pendants20th century 110x84x84 cm

Lot 93

Henry William Standing (fl.1894-1931)Exercise in the yardsigned and dated 'H.W Standing/1909' l.l., watercolour35 x 52.5cmCondition Reportoverall: 52.5 x 69.5cmThere are some areas of rubbing where the paint has a rough texture. There is light 4cm vertical crease to the sky with some loss to the paint in this area. A further crease to the lower left corner.

Lot 22

Samuel Spode (1798-1872)'Hannah', a mare in a stablesigned 'SPODE' l.l., inscribed with title l.c., oil on canvas51 x 61cm'Hannah' by King Tom out of Ment More Lass, was owned by Baron Meyer de Rothschild. It won the Oaks and St Leger in 1871.Condition Reportoverall: 59 x 74cmThe canvas does not sit well in the glazed frame and the inscription 'HANNAH' is obscured by the bottom edge of the frame. Surface dirt with flaking and discolouration to the lower left corner. Craquelure starting to emerge to the head of the horse and some minor surface abrasions. Under UV light there is retouching visible to the head of the horse and to the floor of the box. Please see images. 

Lot 79

â–´ Juliet McLeod (1917-1982)'Court Martial'signed and dated 'Juliet McLeod./1947' l.l., inscribed with title on frame verso, oil on canvas54.5 x 65.5cmCondition Reportoverall: 68 x 79cmVisible stretcher marks with surface dirt and some discolouration to the varnish. Two patches to the reverse, one 10 x 12cm, and the other 5 x 3cm. Unexamined under UV light, for a full report please contact the department.

Lot 132

After Antoine Louis Barye'Tigre qui Marche'bronze with brown patina, signed 'BARYE' and with the foundry mark 'F. BARBEDIENNE. Fondeur' on the base41cm wide10cm deep21cm high overallCondition ReportLight surface dust and dirt. No obvious damage or restoration apparent. Natural wear to the patina in raised areas as would be expected. Please see additional condition images.

Lot 219

English School, 19th centuryA fox terrier in a landscapebears signature 'E Landseer' l.l., oil on canvas26 x 30.5cmCondition Reportoverall: 34.5 x 42.5cmThe canvas has been lined. There is craquelure throughout and some evidence of retouching to the extreme edges, due to peripheral frame rubbing. Not examined under UV light, for a full report please contact the department.

Lot 33

â–´ Norman Hoad SEA (1923-2014)'Hard At It!'signed 'NORMAN HOAD' l.r., and inscribed with title on label verso, sanguine pastel31 x 45.5cmCondition Reportoverall: 52 x 64.5cmSome very light rippling but in otherwise apparently good order. Unexamined out of glazed frame.

Lot 262

Phil Coles (contemporary)'Amazon Apocalypse', Black Caimen;'Congo Killer', Vundu Catfish;'Death Ray', Giant Freshwater Stingray;'Amazon Flesheaters', Piraibaa set of four, one signed and dated 'Phil Coles '08' l.r., pencil, coloured crayons, watercolour and gouache, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28.5 x 39.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cmSome light creasing to 'Piraiba' and 'Giant Freshwater Stingray' but in otherwise good condition. Well presented and ready to hang.

Lot 32

James Pollard (1792-1867)'Moses'aquatint in colours, published by R Pollard & Sons, Holloway, Londonplate 37.5 x 47.5cmCondition Reportoverall: 53 x 61cmTime staining with some light speckles of surface dirt.

Lot 146

George B Newmarch (fl.1827-1873)Studies of hens and cockerelsfour, each signed and dated '1858', oil on board13 x 18cm (4)Condition Reportoverall: 21 x 25cmSome surface dirt otherwise in generally good order. Unexamined under UV light, for a gull r

Lot 20

James Chalmers (19th century)A racehorse in a stablesigned and dated 'J.S Chalmers/1864' l.l., oil on canvas46 x 61cmCondition Reportoverall: 62 x 77cmCraquelure with spots and speckles of surface dirt. The canvas has been relined. Unexamined under UV light, for a full report please contact the department.

Lot 258

Phil Coles (contemporary)'Cold Blooded Horror', Amur Catfish, Biwa Rock Catfish and Giant Lake Biwa Catfish;'South Pacific Terrors', Giant Trevally;'Devil of the Deep', Humbolt Squid;'Alligator Gar', Alligator Gara set of four, pencil, coloured crayons, watercolour and gouache, each signed by Jeremy Wade, presenter of 'River Monsters', on an Icon Films label verso28.5 x 39.5cm and similar (4)Provenance: Commissioned by Icon Films, makers of 'River Monsters'.Phil Coles did a combined biology and art degree, originally intending to pursue a career in natural history illustration, but instead found his place in the wildlife film-making industry as a producer/director. As such, he has worked with many broadcasters, especially ITV, National Geographic, Curiosity Stream, Animal Planet and the Smithsonian Channel. Through both his work and recreation, he’s had the privilege to visit many parts of the globe and has seen a spectacular diversity of wildlife - it's these memories he carries home and tries to share through his artwork, which remains a true passion. He continues to push into fine art, but has also produced a large volume of work as an illustrator, including three field guides to whales and dolphins and another on sharks, graphics in television shows including ‘Wild Britain with Ray Mears’ and ‘River Monsters’, and many magazines and science journals. He continues to be active in both television and art, with wildlife the true passion at the core of both.Condition Reportoverall: 42 x 52cmVery light handling creases but in otherwise good condition. Well presented and ready to hang.

Lot 213

English School, 20th centuryStudy of a terrieroil on board20 x 30.5cmCondition Reportoverall: 32 x 42cmIn apparently original condition. In a glazed frame. Unexamined under UV light.

Lot 242

Arthur Charles Dodd (fl.1878-1891)'None but the Brave Deserve the Fair'signed and dated 'ARTHUR.C.DODD.1890' l.l., inscribed with title verso, oil on canvas64 x 76.5cmCondition Reportoverall: 92 x 105.5cmUnexamined out of glazed frame or under UV light but appears to be in generally good order. Light surface dirt.

Lot 57

â–´ Lionel Dalhousie Robertson Edwards (1878-1966)'On the way to the meet';'Rails';'Water';'The Lucky Man';'The Unlucky Man';'Returning Home'coloured lithographs, copyright 'Lawrence & Jellicoe Ltd., 34 Henrietta Street, Covent Garden, London, W.C.', 'J.L.Goffart printer, Brussels.'27.5 x 70.5cm, unframed (6)Condition ReportDiscolouration, staining and small dirty marks to the margins. Light handling creases to the corners. There is some foxing starting to emerge to 'On the Way to the Meet' and 'The Unlucky Man'.

Lot 287

â–´ Donald C Grant (1930-2001)Cape buffalo;African Lion;two, signed 'Donald Grant' l.r. and l.l. respectively, black chalk19 x 24.5cm and 20.5 x 27.5cm (2)Condition Reportoverall: 34 x 39.5cm and 34 x 41.5cmCape buffalo- discolouration to the paper and some light creasing to the right edge. Framed with an acidic mount.African lion- staining to the upper corners where it appears non-archival tape may be affixed to the reverse, please see images. Unexamined out of glazed frames.

Lot 3

Stanley Wilson (1836-1898)Horses, goats and domestic fowl in a stable yardsigned and indistinctly dated 'Stanley Wilson/1884' l.l., oil on canvas35 x 45.5cmCondition ReportOverall: 50 x 6cmThe canvas has been lined. In general, well presented and ready to hang. Under UV light no retouching is visible. Some light cracking and a small loss to the top of the frame, please see images. 

Lot 238

â–´ Debbie Harris ASEA (b.1973)A study of houndsindistinctly signed and dated '2006' l.r., acrylic on canvas70 x 70cmCondition Reportoverall: 75.5 x 75.5cmSome light spots and speckles of surface dirt. Unexamined under UV light, for a full report please contact the department.

Lot 196

John Morris (1865-1924)The day's bag, gun dogs in a landscapesigned 'John Morris' l.l., oil on canvas91 x 71cmCondition ReportOverall: 107 x 86cm.The canvas is lined and is presented cleaned and ready to hang. A little craquelure in places. Under UV light, there is some fluorescing in parts, most significantly to the rock to the lower right foreground and spots and smudges to the sky and extreme top edge.

Lot 12

â–´ William Albert Clark (1880-1963)'Dunkirk II', a thoroughbred in a landscapesigned and dated 'W A Clark/1932' l.r., signed and with the artist's address verso, oil on canvas50.5 x 61cmCondition Reportoverall: 69 x 79cmSurface dirt. Otherwise in apparently original condition. Unexamined under UV light, for a full report please contact the department.

Lot 84

â–´ James Power (b.1946)'Cottenham Point to Point';'Cottenham Point to Point, A Winner II'the first signed 'James Power' l.r., inscribed with title and dated '2020' l.l., the second signed 'James Power' l.r., both also signed and inscribed verso, oil on canvas29.5 x 42cm (2)Condition Reportoverall: 40.5 x 53cmIn good condition. Well presented and ready to hang. Unexamined under UV light, for a full report please contact the department.

Lot 245

Fred French (fl.1883-1916)A hunting dog signed and dated 'F French/1909' verso, oil on board17 x 19.5cmCondition Reportoverall: 24 x 27cmThere is some scuffing to the extreme edges of the board which is slightly bowed. Superficial surface abrasion with resulting paint loss upper centre, some surface dirt. Unexamined under UV light, for a full report please contact the department.

Lot 51

â–´ Neil Cawthorne SEA (1936-2022) Huntsmen and hounds on a country roadsigned and dated 'Neil Cawthorne '88' l.r., oil on canvas51 x 65.5cmCondition Reportoverall: 68 x 83cmUnexamined under UV light however appears to be in good order. For a full report please contact the department.

Lot 220

John Alfred Wheeler (1821-1903)Head of a terriersigned with initials l.c., oil on board18 x 19cm, unframedCondition Reportsurface dirt. Some superficial surface abrasions and scuffing to edges due to being unframed, unexamined under UV light.

Lot 39

â–´ Victoria Mac Dermott (b.1972)Study of a foxindistinctly signed l.l., oil on board31 x 36cmCondition Reportframed 46.5 x 42cm, appears to be in good condition, uninspected under UV light, please contact the department for a full report

Lot 210

â–´ John Trickett (b.1952)A springer and huntsmansigned 'John Trickett' l.r., oil on canvas51 x 66cmCondition Reportoverall: 66 x 81cmA few spots and speckles of light surface dirt. There is some patchiness and discolouration to the varnish in the lower left quarter, please see illustration. No significant signs of damage or restoration.

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