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Lot 61

Summilux-M 1,4/50 mm, um 1986Leitz, Wetzlar. Nr. 3415927, zweite Ausführung mit Filtergewinde von 43 mm. Glas unter Punktlicht sauber. Mit Rückdeckel und Original-Schachtel 11114. Das schwarz eloxierte Objektiv in Topzustand. Start Price: EUR 500 Zustand: (2/2)Summilux-M 1,4/50 mm, c. 1986Leitz, Wetzlar. No. 3415927, black-anodized finish, second version with 43 mm filter, with back cap and original box 11114, glass clean under point light, lens in excellent condition. Start Price: EUR 500 Condition: (2/2)

Lot 62

Summilux-M 1,4/75 mm, um 1980Leitz, Canada. Nr. 3439757, zweite Version in einem guten Zustand. Glas unter Punktlicht sauber. Gut für "Bokeh"-Aufnahmen geeignet, ein gesuchtes M-Objektiv. Mit Vorderdeckel, Rückdeckel (Minolta) und Original-Verpackung 11815. Start Price: EUR 900 Zustand: (2-/2)Summilux-M 1,4/75 mm, c. 1980Leitz, Canada. No. 3439757, second version, with front cap, Minolta back cap and original box 11815, in very good condition, glass clean under point light, a sought-after user lens, suitable for bokeh effects. Start Price: EUR 900 Condition: (2-/2)

Lot 63

Summicron-M 2/90 mm, um 1993Leitz, Canada. Nr. 3616475, in der beliebten silber verchromten Ausführung und in sehr gutem Zustand. Glas unter Punktlicht sauber. Mit beiden Deckel. Start Price: EUR 400 Zustand: (2-/2)Summicron-M 2/90 mm, c. 1993Leitz, Canada. No. 3616475, silver-chrome version, with both caps, in very good condition, glass clean under point light. Start Price: EUR 400 Condition: (2-/2)

Lot 64

Elmarit-M 2,8/90 mm, um 1990Leica, Solms. Nr. 3462307, beliebtes "Portrait"-Objektiv in unbenutztem Zustand, unter stark schrägem Punktlicht in vorderer Gruppe ein schwacher Belag erkennbar. Ausziehbare Gegenlichtblende, Filteranschluß für 46 mm, mit beiden Deckeln und Schachtel 11807. Start Price: EUR 300 Zustand: (2/2-)Elmarit-M 2.8/90 mm, c. 1990Leica, Solms. No. 3462307, popular "portrait" lens, with extendable lens hood, 46 mm filter connection, both caps and box 11807, in apparently unused condition, a faint film visible on front lens group under a strong oblique point light. Start Price: EUR 300 Condition: (2/2-)

Lot 65

Summilux-R 1,4/50 mm, um 1982Leitz, Wetzlar. Nr. 3231415, Glas sauber unter Punktlicht, 3-cam, Version mit ausziehbarer Gegenlichtblende, mit Vorder- und Rückdeckel, nummeridentischem Karton 11776 mit Stoffbeutel, Garantiekarte und Customer-Care-Karte vom 20. Juni 2023. Start Price: EUR 400 Zustand: (2-/2)Summilux-R 1.4/50 mm Lens, c. 1982Leitz, Wetzlar. No. 3231415, three-cam, version with pull-out hood, front and back caps, box 11776 with identical number and fabric pouch, guarantee card and customer care card dated June 20, 2023, clean glass under point light. Start Price: EUR 400 Condition: (2-/2)

Lot 67

Summilux-R 1,4/80 mm, um 1986Leica, Solms. Nr. 3399131. Glas unter Punktlicht sauber, Rück- und Vorderdeckel und Köcher sowie Leica Customer-Care-Karte vom 6. Juli 2022 für dieses Objektiv. Voll einsatzfähig. Start Price: EUR 400 Zustand: (3-/2-)Summilux-R 1.4/80 mm Lens, c. 1986Leica, Solms. No. 3399131, with case and Leica Customer care card dated July 6, 2022, clean glass under point light, good usable condition. Start Price: EUR 400 Condition: (3-/2-)

Lot 72

Linhof 70 und Plaubel Peco, nach 19551) Linhof, München. Linhof 70 Nr. 1771205, Systemkamera für Formate von 6 x 9 bis 6 x 6 cm, Entfernungsmesser und Belichtungsmesser laufen, mit gekuppeltem Super-Angulon 8/65 mm, Glas unter Punktlicht sauber, Verschluß läuft, mit Super-Rollex 6 x 6, 3 kleine Abdeckungen/Belederungen fehlen. Voll funktionstüchtige Kamera. (3-/2-) - 2) Plaubel, Frankfurt. Peco Universal II, 13 x 18 cm, mit Blechrückteil für 13 x 18 und für 9 x 12, Adapter für 6 x 9, Wechselschlitten 6 x 9 mit Plaubel-Rollfilmkassette 6 x 9, Frontstandarte mit Weitwinkelplatine und Normalplatine (Bohrungsmaß für Universal Heliar 30 cm), 6 Kassetten 13 x 18 und 2 Kassetten 9 x 12, alles in Koffer. (3/3) - Und: 3) Heliar 4,5/13,5 in Compur, Heliar 4,5/21 cm (mit Putzspuren), englische Luftbildoptik 4/5 in. (innen trüb) und Zeiss Apo Tessar 9/30 cm. Unterschiedlicher Zustand. Start Price: EUR 180 Zustand: (-/-)Linhof 70 and Plaubel Peco Cameras, after 19551) Linhof, Munich. Linhof 70, no. 1771205, camera system for formats from 6 x 9 to 6 x 6 cm, rangefinder and exposure meter working, with coupled Super-Angulon 8/65 mm and Super-Rollex 6 x 6, glass clean under point light, shutter working, a few sections of missing leather, full working condition. (3-/2-) - 2) Plaubel, Frankfurt. Peco Universal II, 13 x 18 cm, with sheet metal back for 13 x 18 and for 9 x 12, adapter for 6 x 9, interchangeable slide 6 x 9 with Plaubel rollfilm cassette 6 x 9, front standard with wide-angle circuit board and normal circuit board (drilling dimension for Universal Heliar 30 cm), six cassettes of 13 x 18 and two cassettes of 9 x 12, all in a case. (3/3) - And: 3) Heliar 4.5/13.5 in Compur, Heliar 4.5/21 cm (with cleaning marks), English aerial photo lens 4/5 in. (cloudy on the inside) and Zeiss Apo Tessar 9/30 cm, mixed condition. Start Price: EUR 180 Condition: (-/-)

Lot 73

Speed Graphic 4 x 5 inch, um 1950Graflex, Rochester. Für 4 x 5 inch, Schlitzverschluß 1/10 -1/1000 läuft, Tücher gut, gekuppelter funktionstüchtiger Entfernungsmesser Kalart passend zu Kodak Ektar 4,7/127 mm Nr. EO 3628, vergütet, unter Punktlicht unbedeutende Putzspuren an Frontlinse, in No. 2 Kodak Supermatic, läuft, Metallplatine, Blitzhalter King-Sol mit Reflektor für PF100-Blitzbirnen und weiterer passender Reflektor HR für kleinere Blitzbirnen, mit 2 Suchermasken, 4 Doppelkassetten, diverse Blitzbirnen und Original-Koffer für die ganze Ausrüstung. Wenig benutzt, stabile Standarte, für Anwendung voll tauglich, Blitz ungeprüft. Start Price: EUR 160 Zustand: (3/3)Speed Graphic (4 x 5 inches), c. 1950Graflex, Rochester, New York. For 4 x 5 inch, focal plane shutter 1/10-1/1000, coupled Kalart rangefinder suitable for accompanying Kodak Ektar 4.7/127 mm no. EO 3628, coated, in No. 2 Kodak Supermatic shutter, metal plate, flash holder King-Sol with reflector for PF100 flash bulbs and another HR reflector for smaller flash bulbs, with two viewfinder masks, four double cassettes, various flash bulbs and original case for all the equipment, little sign of use, stable standard, suitable for use, flash untested, shutter and rangefinder working, shutter cloth good, insignificant traces of cleaning on front element under point light. Start Price: EUR 160 Condition: (3/3)

Lot 74

Sinar Norma 4 x 5 inch AusrüstungSinar, Schweiz. Sinar Norma mit 3 Grundrohren, zusammen 73 cm, Vor- und Rückstandarte, Mattscheibenrückteil, Copal-Verschluß läuft, Normalbalgen, Hilfsstandarte, Kompendiumhalter, Schneider Symmar 5,6/210 mm mit "Mickey Mouse"-Blendenhalter, Glas unter Punktlicht sauber, Binokularlupe (stark benutzt) mit Balgen, Weitwinkelbalgen 2 Doppelkassetten Fidelity 4 x 5 und dazugehöriger Koffer. Start Price: EUR 220 Zustand: (3/3)Sinar Norma 4 x 5 Inch Camera OutfitSinar, Switzerland. With three basic tubes (73 cm in total), front and rear standard, focusing screen back, Copal shutter, standard bellows, auxiliary standard, compendium holder, Schneider Symmar 5.6 / 210 mm lens with "Mickey Mouse" aperture holder, binocular magnifier (heavily worn) with bellows, wide-angle bellows, two Fidelity 4 x 5 double cassettes and accompanying case, shutter working, glass clean under point light. Start Price: EUR 220 Condition: (3/3)

Lot 75

Linhof Technika 6 x 9 mit Schneider-Objektiv-Satz, um 1955Linhof, München. Technika Nr. 80386 für 6,5 x 9 cm mit nummeridentischen Steuerkurven für Schneider-Kreuznach-Optiken Angulon 6,8/65 mm, Xenar 3,5/105 mm und Tele-Xenar 5,5/180 mm, alle Verschlüsse laufen und alle Linsen unter Punktlicht sauber, mit 3 Suchermasken, Linhof-Kompendiumblende 42 mm, 4 Filter, Linhof-Wasserwaage, 2 Rollfilmmagazine Rollex 6 x 6 und Super Rollex 56 x 72 mm, 4 Doppelkassetten 6,5 x 9 für Platten oder Filme und Mattscheiben-Rückteil. Alles in Metallkoffer. Start Price: EUR 350 Zustand: (3/3)Linhof Technika 6 x 9 with Schneider Lens Set, c. 1955Linhof, Munich. No. 80386 for 6.5 x 9 cm, with corresponding matched cam for distance-meter-coupled Schneider lenses: Angulon 6.8/65 mm, Xenar 3.5/105 mm and Tele-Xenar 5.5/180 mm, three viewfinder masks, compendium sunshade 42 mm, four filters, spirit level, two roll-film magazines Rollex 6 x 6 and Super Rollex 56 x 72 mm, four double cassettes 6,5 x 9 for plates or sheet films and focusing screen back, all in metal case, all shutters working and all lenses clean under point light. Start Price: EUR 350 Condition: (3/3)

Lot 79

Rollei 35, Rollei SL26, Rollei A110 und Zubehör für Rolleiflex 6 x 6Franke & Heidecke, Braunschweig. 1) Rollei 35 "Made in Germany by Rollei" Nr. 3071213, Verschluß und Belichtungsmesser laufen, minimale Delle an Rückwand rechts, sonst gut erhalten, mit Trageschlaufe, Tasche, Deckel, UV-Filter und Fremd-Sonnenblende. (3/3) - 2) Rolleiflex SL26, mit Tessar 2,8/40 mm, sehr gut erhalten, mit Tasche. - Dabei: Dekorativer Karton der Bereitschaftstasche zur SL26 mit Zubehör. (2-/2) - 3) Rollei A110, mit Blitz, Etui und Kette. (2-/3) - Und: 4) Rolleiflex-Zubehör für 6 x 6: 6 verschiedene Deckel (gesucht), 2 Filter Baj. I in Gelb und H1, Mikro-Tubus Baj. II mit Schachtel, Rolleicord-2-Tasche und Rollei­magic-Tasche. Start Price: EUR 140 Zustand: (-/-)Rollei 35, Rollei SL26, Rollei A110 and Rolleiflex 6 x 6 AccessoriesFranke & Heidecke, Brunswick. 1) Rollei 35, "Made in Germany by Rollei", no. 3071213, shutter and exposure meter working, light dent on back, otherwise in good condition, with strap, case, cap, UV filter and sunshade. (3/3) - 2) Rolleiflex SL26, with Tessar 2,8/40 mm, very good condition, with case. - In addition: Box for SL26 case. (2-/2) - 3) Rollei A110, with flash, case and strap. (2-/3) - And: 4) Rolleiflex 6 x 6 accessories: 6 assorted caps, sought-after, 2 Bay. filters (in yellow and H1), Bay. II micro-tube with box, Rolleicord 2 case and a Rolleimagic case. Start Price: EUR 140 Condition: (-/-)

Lot 80

6 Miniaturkameras, um 1920-701) Ernemann, Dresden. Heag XV für Platten von 4,5 x 6 cm, Nr. 198542, Ernemann Doppel-Anastigmat 6/105 mm, Verschluß läuft, Ausklappmechanik geht nur mit Nachhilfe, mit eingeschobener Packfilmkassette. (3/3) - 2) Lumière & Jougla, Frankreich. Eljy, Nr. 91016, um 1940, Lypar 3,5/40 mm, Verschluß T, B, 1/25-1/100. Sek. (3+/3) - 3) Riken Optical Industry, Japan. Steky für 10 x 14 mm, Stekinar-Anastigmat 3,5/25 mm und Steky-Tele 5,6/40 mm, mit 2 Etuis. (3-4/-) - 4) Durst S.A., Bozen. Duca, um 1946, 24 x 36 mm für Agfa-Karat-Kassette, 50 mm, Verschluß T + I, Export-Version in Feet. (3/3-) - 5) Feinwerktechnik, Lahr. Mec 16 SB, Nr. 6580732, 10 x 14 mm, 2/22 mm Heligon, die erste Kamera der Welt mit TTL-Lichtmessung. Verschluß und Belichtungsmesser laufen. (3/3) - Und: 6) Wirgin, Wiesbaden. Edixa 16 M, Xenar 2,8/25 mm, UV-Filter mit Sprung, Verschluß läuft. (3/3) Start Price: EUR 140 Zustand: (-/-)6 Miniature Cameras, c. 1920-701) Ernemann, Dresden. Heag XV, no. 198542, for 4.5 x 6 cm plates, Ernemann Doppel-Anastigmat 6/105 mm, shutter working, folding mechanism working with assistance, with inserted packing film cassette. (3/3) - 2) Lumière & Jougla, France. Eljy, no. 91016, c. 1940, Lypar 3.5/40 mm, shutter T, B, 1/25-1/100 sec. (3+/3) - 3) Riken Optical Industry, Japan. Steky for 10 x 14 mm, Stekinar Anastigmat 3.5/25 mm and Steky Tele 5.6/40 mm, with two cases. (3-4/-) - 4) Durst S.A., Bolzano, Italy. Duca, c. 1946, 24 x 36 mm for Agfa-Karat cassette, 50 mm, shutter T + I, export version in feet. (3/3-) - 5) Feinwerktechnik, Lahr. Mec 16 SB, no. 6580732, 10 x 14 mm, 2/22 mm Heligon, the first camera in the world with TTL light metering. Shutter and light meter working. (3/3) - And: 6) Wirgin, Wiesbaden. Edixa 16 M, Xenar 2.8/25 mm, UV filter cracked shutter working. (3/3) Start Price: EUR 140 Condition: (-/-)

Lot 82

13 bunte Rollfilm-Kameras1) Ensign Camera No. E29, blau, mit Teil des Original-Karton. - 2-3) No. 2 Beau Brownie in Hellbraun-Beige und Schwarz-Dunkelrot. - 4-5) No. 2a Beau Brownie in Blau-Hellblau und Schwarz-Dunkelrot. - 6) Rainbow Hawk-Eye Special No. 2A Folding, blau. - 7-8) No. 2 Brownie Model F in Oliv und Braun. - 9) Portrait Brownie No. 2 in Blau. - 10-11) Vredebox in Grün und Rot. - 12) Agfa Ansco Box, ähnlich Cadet, in Braun. - Und: 13) Six-20 Brownie Senior, schwarz-chrom­farben. Start Price: EUR 120 Zustand: (3-3-/3)Group of Colorful Rollfilm Cameras1) Ensign Camera No. E29, blue, with part of original box. - 2-3) No. 2 Beau Brownie, brown-beige and black-dark-red. - 4-5) No. 2a Beau Brownie, dark and light-blue and black and dark-red. - 6) Rainbow Hawk-Eye Special No. 2A Folding, blue. - 7-8) No. 2 Brownie Model F in olive and brown. - 9) Portrait Brownie No. 2 in blue. - 10-11) Vredebox in green and red. - 12) Agfa Ansco Box, similar to Cadet, in brown - And: 13) Six-20 Brownie Senior, black-chrome. Start Price: EUR 120 Condition: (3-3-/3)

Lot 97

Suter Aplanat und 2 Reisekameras für 18 x 24 cm, um 19001) Suter, Basel. Nr. 21198 Aplanat C No. 4 12/30 cm, Irisblende bis 45, Glas unter Punktlicht sauber, gute Abbildungsqualität, mit Anschraubring, (3-/2) - Und: 2-3) Deutschland, beide Reisekameras vermutlich vom selben Hersteller, da fast identische Kassetten-Maße, Edelholz mit Messingbeschlägen, grüner Balgen mit schwarzen Lederecken, doppelter Auszug, umsetzbares Rückteil, an Mattscheiben-Rückteilen Mattscheiben mit Schäden, mit Segeltuchtornister. Eine wenig benutzte Kamera, deren Bodenplatten-Einrastung ausgebrochen ist, müßte repariert werden, mit 2 guten Doppelkassetten, die andere eine stark benutzte Kamera mit losem Rodenstock Apo Ronar 9/36 cm, innen mit Pilz, mit 3 guten Doppelkassetten. (4/-) Start Price: EUR 120 Zustand: (-/-)Suter Aplanat and 2 Field Cameras for 18 x 24 cm, c. 19001) Suter, Basel. No. 21198 Aplanat C, No. 4 12/30 cm, iris diaphragm up to 45, glass clean under point light, good image quality, with screw ring. (3-/2) - And: 2-3) Germany, both field cameras probably by the same maker since the cassette dimensions are almost identical, hardwood with brass fittings, green bellows with black leather corners, double extension, convertible backs and canvas cases, one with 2 good double cassettes and overall little sign of past use, however catch on baseplate broken off, the other heavily worn, with loosely attached Rodenstock Apo Ronar 9/36 cm (internal fungus) and 3 good double cassettes, both cameras with damaged ground glass. (4/-) Start Price: EUR 120 Condition: (-/-)

Lot 1

Six Veteran motoring books, published pre-1918,comprising A B Filson Young: 'The Complete Motorist' (4th Edition 1905); John Henry Knight: 'Light Motor Cars and Voiturettes', 1902; M M Shoemaker: 'Winged Wheels in France', 1906; 'L H Baekeland: 'A Family Motor Tour Through Europe', published by The Horseless Age, New York, 1907; Charles L Freeston: 'The High-Roads of The Alps', 1910 and Henry J Hecht: 'The Motor Routes of Germany', 1914 (Ex Libris Montague Motor Museum); together with assorted Veteran & Vintage motoring reference books, four 1950s London-Brighton programmes and a re-print of the 1907 BARC Brooklands programme, (various conditions) . (14)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 107

Two leather helmets and two pairs of driving goggles to suit Veteran motorists,the helmets in dark brown leather with light tan chamois linings, pop-stud chin-straps and one with pop-stud leather peak; the folding goggles both with tinted lenses, one pair with leather side shields and buckled strap in case; the other pair with foam surrounds and elasticated strap with link, contained in khaki tin. (6)For further information on this lot please visit Bonhams.com

Lot 110

Two full-length motoring coats and two pairs of gauntlets to suit veteran motorists,both single-breasted, button fastening, with lapels, collar and buckle belt, comprising one in light brown leather, with single left side, breast, and inside pockets, pop-stud cuffs, woven wool lining, (leather worn and torn to shoulders and sleeves); the other in light brown sheepskin, satin lining; offered together with two pairs of brown leather motoring gauntlets, one pair in horsehide leather with woollen lining and pop-stud buckled fastening; the other pair by Richard Millau with label numbered 'M.No.90-65', size 8½, with tan leather lining; and offered together with a brown Gladstone style bag (worn with some holes and handle broken). (7)For further information on this lot please visit Bonhams.com

Lot 129

A boxed 'Antique Car' battery-operated tin-plate toy by Toys Nomura (T.N) of Japan,1960s, lithographed tin-plate toy depicting a 1901 Vis-a-Vis motorcar, with 'head light mystery action' and rocking/shaking mechanism features, complete with moulded plastic well-attired gentleman driver figure, some minor wear to tin-plate in places but in otherwise seemingly good condition with bright colours, battery compartment in seemingly good clean order, 25cm long, contained in original box (some light wear) with interior card tray and lid with box art. (3)For further information on this lot please visit Bonhams.com

Lot 14

The Car Illustrated; bound Volumes VI to X, (1903 to 1904),subtitled 'A Journal of Travel by Land, Sea & Air', a run of issues from Volume VI, No.66 (26th August 1903), to Volume X, No.130 (16th November 1904), bound in five light-blue cloth bindings with gilt-embossed decorative hard covers, bound with indices but without covers, some scuffs and stains to bindings in places. (5)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 32

'La Voiturette Bedelia - Grand Prix de L'ACF 1913', a print after Gamy, 1913,hand-coloured pochoir print on paper, by Mabileau & Co. of Paris, depicting a cycle car race, damp spot to upper edge and some light staining and foxing to edges, 43.5 x 89cm, framed and glazed. For further information on this lot please visit Bonhams.com

Lot 33

Two framed reproduction motoring prints,comprising a Lucas Lamps 'We make Light of our Labour' reproduction adverting poster, 58 x 39cm, and an 'Automobiles De Dion Bouton' reproduction poster after Wilhio, 57 x 42cm, both wooden framed and glazed. (2)For further information on this lot please visit Bonhams.com

Lot 3011

Corgi die-cast model No.492 Volkswagen (Beetle) European "Police" Car - finished in two-tone green/white with "Polizei" side and back decals, brown interior with two "Policeman" figures, blue roof light steering mechanism and spun hubs; in blue and yellow carded picture box with collectors club folded leaflet and steering ringCondition Report: Both model and box in very good condition.Two original pricing labels on box.

Lot 3143

Mamod TE1a "Reversing Traction Engine" - light green boiler with red spoked wheels; meths burner; steering control rod and a used spare driving belt; in illustrated box with paperworkCondition Report: Has been used but in good condition just a little grubby from storage.Box also in reasonably good condition with minor opening and storage damage.

Lot 3234

Corgi - Limited Edition Aviation Archive AA34602 1:32 scale D-Day 60th Anniversary DH Mosquito PR XVI-NS502, No. 544 Squadron, RAF Benson, June 1944; boxed Condition Report:Port wing tip navigation light missing, otherwise new and never displayed. Lacking certificate of authenticity.

Lot 194

Two model seated cats Condition: ginger cat - light weight, made from plastic / resin, good condition tiger - plater, chip to it's left ear

Lot 20

Two Chinese stoneware bowls,Song dynasty (960-1279), each sturdily potted with rounded sides rising from a circular foot, covered with a light blue or a pale aubergine glaze draining from the rim and falling short of the foot, revealing the brown body,15.7 and 16cm diameter (2)Provenance: From the Collection of the Nightingale family, Lea Hurst, Derbyshire, by repute;Collection of Mr William Gregory (d.1995) of Tansley House, Matlock, Derbyshire;purchased by the vendor’s father and thence by descent.宋 蓝釉碗 及 紫釉碗 一组两件Condition ReportBoth with foot rim chipped and cracks to glaze.

Lot 22

A collection of four Chinese stoneware bowls,Song dynasty (960-1279), each with rounded sides rising from a circular foot, with moulded, incised or plain decoration, covered with a beige or a light blue glaze,15 to 17.3cm diameter (4)Provenance: From the Collection of the Nightingale family, Lea Hurst, Derbyshire, by repute;Collection of Mr William Gregory (d.1995) of Tansley House, Matlock, Derbyshire;purchased by the vendor’s father and thence by descent.宋 青白釉碗 一组四件Condition ReportAll with chips or cracks in various locations.

Lot 298

Bùi Hữu Hùng (Vietnamese, b.1957)Untitledsigned and inscribed, mixed media on plywood panel122 x 122cmCondition ReportUnframed. Small chips to edges. Small dark speckles of light surface dirt. A small loss to the top left corner. Some very light surface scratches. The board is slightly bowed. Screw holes to the reverse.

Lot 299

Phạm Thanh Vân (Vietnamese, b.1977)'House by the River', 2010oil on canvas100 x 120cmProvenance: Purchased from Thanh Mai Gallery, Vietnam.Condition ReportFramed: 123 x 142cmSome very light dirty marks around the boat, please see images, but appears to be in otherwise good condition. The canvas is unlined. The work has been framed so that the edges are visible and the edges have been wrapped with black. Some brown oily marks to the reverse.

Lot 32

A Chinese blue-glazed bowl,Song-Yuan dynasties, the rounded sides rising from a circular foot, covered by a light blue glaze with lavender streaks,23cm diameter宋至元 蓝釉碗Condition ReportRestoration and cracks to rim in various locations.

Lot 324

Utagawa Kunisada 'Toyokuni III' (Japanese, 1786-1865) and Utagawa Hiroshigi (Japanese, 1797-1858),'Azuma Genji yuki no Niwa' (Eastern Genji: The Garden in Snow), an oban triptych of woodblock prints,each sheet 32 x 23.5cm, framed and glazedProvenance: The Estate of John Graham (1927-2021), Harlow.Condition ReportDid not examine outside of the frame.Foxing and staining marks, paper cockled and creased. Light rubbing and mottled colours to the upper section of central and the right sheets. Colours faded.

Lot 330

Kamisaka Sekka (Japanese, 1866-1942),woodblock prints, depicting 'Rokkasen' and 'Nakaguni' from the series of 'Momoyo-gusa' (A World of Things), c.1909-10, 29 x 44cm, and woodblock print, 'Cranes, the first sunrise of the New Year' from the series 'Chiousa', 1899,23 x 34cm, framed and glazed (3)Condition ReportDid not examine outside of the frames. Small cracks, surface scratches and knocks to frame. Nakaguni - Creasing to the centre. Light rubbing and mottled colours to the lower right section. Rokkasen - Creasing to the centre. Paper cockled. Minor foxing marks. Cranes - some dirt marks. Paper cockled.

Lot 362

A Chinese pottery jar,Neolithic period (c.6500-1700 BC), the olive-shaped body with a wide everted neck and twin loop handles to the shoulder, painted in red and black pigments with cross-hatch pattern roundels within horizontal bands,39cm longCondition Report30cm high.Surface scratches and small chips in various locations. Signs of retouch, possibly fully restored.  There are signs of patching and repaint, but difficult to see under UV light where exactly it has been restored or how much it has been restored.

Lot 17

9CT GOLD CURB LINK CHAIN, heart shaped padlock, 36.6gmsProvenance: private collection CarmarthenshireComments: very good overall, light wear Condition Report:The length of bracelet is 19cmsThe safety chain is broken.

Lot 171

DISNEY HASBRO: LUKE SKYWALKER FORCE FX LIGHT SABER, The Black Series, model no. B8665 / B3921, boxedProvenance: private collection CardiffComments: box tabs creased and damaged from cellotape

Lot 22

9CT GOLD ALBERT CHAIN, graduated curb link, T-bar, with 9ct gold pendant, 41cms long, 45.1gmsProvenance: private collection PembrokeshireComments: good overall, light wear and tear

Lot 23

TWO 22CT GOLD WEDDING BANDS, 6.8gms gross (2)Provenance: private collection PembrokeshireComments: good overall, light wear

Lot 24

GOLD JEWELLERY comprising 9ct gold gents signet ring, ring size V, together with 9ct gold tie clip, 17.2gms gross(2)Provenance: private collection PembrokeshireComments: good overall, light wear, both engraved with initials

Lot 26

LATE VICTORIAN GOLD HALF SOVEREIGN, 1900, veiled head, mounted in yellow metal foliate brooch mount set with three sapphires, 7.9gmsProvenance: deceased estate CarmarthenshireComments: mount appears to be unmarked, light wear overall

Lot 27

EDWARD VII GOLD SOVEREIGN, 1910, in 9ct gold pierced pendant mount, on 9ct gold circle link chain, 23.4gmsProvenance: deceased estate CarmarthenshireComments: good overall, light wear commensurate with age

Lot 28

9CT GOLD CIRCLE LINK CHAIN, 46cms long, 38.9gmsProvenance: deceased estate CarmarthenshireComments: good overall, light wear commensurate with age, clasp working well

Lot 29

ASSORTED GOLD JEWELLERY comprising 9ct gold cameo pendant brooch, 9kt gold spiral chain, 9ct gold carnelian and onyx revolving fob, and two pairs of 9ct gold earrings, 19.8gms gross (7)Provenance: deceased estate CarmarthenshireComments: good overall, light wear commensurate with age, one butterfly back missing

Lot 30

MILLENIUM DIAMOND PENDANT ON 10K WHITE GOLD CHAIN, the single round brilliant cut stone measuring 0.25ct approx., in box with International Gemmological Information card, 1.3gmsProvenance: deceased estate CarmarthenshireComments: good overall, light wear commensurate with age, some wear to interior of box

Lot 31

9CT GOLD ALBERT CHAIN, curb link, T-bar, 43cms long, 38.0gmsProvenance: deceased estate CarmarthenshireComments: good overall condition, light wear only

Lot 47

9CT GOLD OVAL LOCKET, scroll engraved on 9ct gold flat curb link chain, 75cms long, 36.5gms, in Gregorys Jewellery boxProvenance: deceased estate PembrokeshireComments: good overall, light wear

Lot 78

GEORGE V SILVER FOUR PIECE TEA SET J. Gloster Ltd, Birmingham 1921, of rectangular form, scroll engraved, ebonized handles and finials, comprising teapot, hot water jug, sucrier and jug, 58ozt approx (4)Provenance: private collection PembrokeshireComments: good overall, wear and light surface scratches overall, no significant damage

Lot 80

GEORGE V SILVER HEXAGONAL BOWL, raised on three feet, Sheffield 1917, Atkin Brothers, 14ozt approxProvenance: private collection PembrokeshireComments: good overall, wear and light scratches commensurate with age

Lot 106

A TALL IVORY NETSUKE OF A SENNINUnsignedJapan, 18th century, Edo period (1615-1868)A powerful, tall ivory netsuke depicting a sennin-immortal holding an unravelling scroll before him and securing his large hat in the back. The balding immortal is depicted with long hair falling against his shoulders and with a long, pointed beard, his loosely fitted artemisia leaf robe opening at the chest, the himotoshi in the back formed by one hole above the waist, the cord channel running through an opening of the draping sleeve. The sennin's expression is boldly crafted, the mouth agape dramatically, the glaring eyes inlaid with dark horn pupils. The ivory bearing a superb, honey-yellow patina.HEIGHT 9.7 cmCondition: Excellent condition with minor wear and only very few light age cracks.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207512278-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 12

A FINE FOUR-CASE INRO DEPICTING BIRDS IN FLIGHT ABOVE NETS AND FISH TRAPSUnsignedJapan, late 17th to early 18th century, Edo period (1615-1868)Of rectangular and flattened form, finely lacquered in hiramaki-e on a roiro ground which is polished in sections to reveal the red lacquer base giving the piece a superbly rustic appearance. The front decorated with birds flying near a drying net, both inlaid with iridescent mother of pearl. The reverse with a fisher's trap made of mother-of-pearl on the shore next to swirling water. The layers of lacquer are highlighted by gold hiramaki-e, most visible in the design of the water. The edges with karakusa designs in hiramaki-e. The interior cases of roiro with gold fundame edges. With a reticulated antler ojime.HEIGHT 5.8 cm, LENGTH 5 cmCondition: Very good condition with minor wear, minuscule losses to the mother-of-pearl, light rubbing to the edges, and a small nick to one corner of the cord runner.Provenance: From a private collection in Switzerland. The interior with an old collector's number, '108.'Gulls and other seabirds typically follow fishing boats in order to pick up scraps left in their wake. This lot depicts a moment of stillness, when the fishermen have left and the birds are free to pick the scraps from the nets of the fishermen.Museum comparison:Compare a related inro with the same shape and with a similar motif of a heron next to a fish trap, unsigned, dated between the 17th and 18th century, in the Musée National des Arts Asiatiques-Guimet, accession number 16073.0016.

Lot 122

YOSHITOSHI: A SUPERB AND LARGE WOOD NETSUKE OF KAN'U STROKING HIS BEARDBy Yoshitoshi, signed Yoshitoshi 慶寿Japan, late 18th to early 19th century, Edo period (1615-1868)Published: Sagemonoya (2022) A Selection of Netsuke & Sagemono from the Collection of Georgina & Gabor Wilhelm, p. 12, no. 9.A powerfully sculpted and large netsuke of remarkable thickness depicting the God of War Kan'u (Guan Yu) standing proudly and stroking his long and elegantly flowing beard. The legendary general wears a cloud-patterned robe below a cuirass with beast-masked shoulder plates. Note the superbly carved facial features and fingers which curl around his beard and are placed against his hip. Two large himotoshi to the back and signed towards the hem of the robe YOSHITOSHI.HEIGHT 8.8 cmCondition: Good condition with minor wear and traces of use. Some light chipping with associated repairs to the edge of the robe in the back.Provenance: The Gabor Wilhelm Collection, Paris.Guan Yu (died 220) was a Chinese military general serving under the warlord Liu Bei during the late Eastern Han dynasty of China. Guan Yu's life was lionised and his achievements glorified to such an extent after his death that he was deified during the Sui dynasty. He is reported to have had a 'peerless beard'. In the present netsuke he is depicted in a portraitist manner with particular attention devoted to the long beard, which is central to the composition, the eyes of the viewer being immediately drawn to the curved, elegant fingers caressing this legendary figure's facial hair.Literature comparison:Only two works are recorded by this exceptionally rare artist in Fuld's Netsuke and Ojime Index. One depicting Gama Sennin is illustrated in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part B, p. 992, and the other depicts a man tying his fundoshi illustrated in Barry Davies Oriental Art, The Netsuke Collection of W.G Bosshard Part 1, no. 92.

Lot 145

A SUPERB OSAKA SCHOOL IVORY NETSUKE OF A RABBIT WITH TREE BRANCHUnsignedJapan, Osaka, late 18th to early 19th century, Edo period (1615-1868)Finely carved, the recumbent hare (usagi) places its delicately carved feet on the side of a hollow log, which is finely detailed with splits and a bark that only partly covers the rotten tree branch. The full cheeks and delightful nose naturalistically depicted with incised hair and inlaid eyes of lustrous buffalo horn. The himotoshi pierces the base of the log and ends in the natural hollow of the log. The ivory has a deep yellow patina to the underside.LENGTH 5.6 cmCondition: Good condition with minor wear, some light chipping to the right ear, and natural expected age cracks.Provenance: Nagel Auction, 16 December 2019, Stuttgart, lot 4068. German private collection, acquired from the above.Auction comparison:Compare a related netsuke from the early Osaka school depicting a lunar hare, sold at Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 63 (sold for 4,803 EUR).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0355).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

Lot 15

YOSEI: A FINE TSUISHU AND MITSUDA INLAID THREE-CASE LACQUER INRO WITH BUFFALO AND DRAGONFLIESBy Tsuishu Yosei, signed Yosei 楊成 zo 造 Japan, 17th-18th century, Edo period (1615-1868)Of upright rectangular form and oval section, bearing a lustrous roiro ground, lacquered in tsuishu (carved red lacquer) with frolicking dragonflies above grasses and leaves incised and filled with gold lacquer. The reverse similarly decorated and with a stumpy ox inlaid in mitsuda (pewter), sitting with his back facing the viewer, as he rests on the ground. The interior compartments of roiro with gold fundame edges. Incised to the bottom YOSEI zo [made by Yosei].HEIGHT 6.9 cm, LENGTH 5.3 cm Condition: Very good condition with minor wear and few light surface scratches.Provenance: From an old French private collection. Three old collector's labels to the first case, '58,' '58,' and 'Yosei, E/EG/B.' The Yosei family can be traced back to as early as the 14th century, however, the school was formally founded in the first half of the 17th century by Tsuishu Yosei VIII. He was succeeded by another twelve generations. The school mainly focused on the tsuishu technique, but also worked in tsuikoku, guri, and chinkinbori. A great variety of artifacts were produced including inro, netsuke, and ojime. Museum comparison: A closely related lacquered inro with tsuishu dragonflies over flowers by Yosei is in the Toledo Museum of Art, Ohio, object no. 1950.75C.Auction comparison: Compare a related lacquered inro of five formal characters by Yosei at Bonhams, Fine Japanese Art, 16 May 2013, lot 144 (sold for GBP 25,000).

Lot 169

A SUPERB AND LARGE OSAKA SCHOOL INLAID WOOD NETSUKE OF GAMA SENNIN, ATTRIBUTED TO KOKEISAI SANSHOAttributed to Kokeisai Sansho (1871-1926), unsignedJapan, Osaka, late 19th to early 20th centuryThe strikingly tall figure superbly carved as an amused Gama Sennin with his toad playfully clambering on his shoulder. The toad, with one arm under sennin's neck and the other on top of his head, seems to be unwilling to extricate itself from his master's shoulder. Gama is shown with his mouth agape in a humorous, wide-open grin, his face set with large eyes of inlaid bone with reddish horn pupils, as he holds one of the toad's legs, in an attempt to pull it down, while the toad embraces his master's head in impish resistance. The immortal is clothed in a loosely fitted robe with long draping sleeves, typical of hermits, the leaves inlaid with stained bone and horn. The amphibian's skin is finely textured, and the eyes are inlaid in gilt with reddish horn pupils. Two very large and asymmetrical himotoshi ringed in green-stained bone to the back. The light wood, typically used by the Osaka master Kokeisai Sansho (1871-1926), finely polished with a smooth grain.HEIGHT 14.8 cmCondition: One foot with a repair and possibly minor repairs to inlays. Generally very good condition and presenting beautifully.Provenance: Toledano, Arcachon, October 1988. Ex-collection Guy de Lasteyrie, acquired from the above. De Lasteyrie is a member of the Lasteyrie du Saillant family and is considered among the leading French collectors of netsuke.This superb carving of Gama Sennin is remarkable not only due to its size but also due to its irresistible charm and character imbued with a healthy sense of humor. The use of various inlays against the pale, polished wood creates a very appealing color contrast. This is all very typical of the work of Kokeisai Sansho (1871-1926).Museum comparison:Compare a related wood netsuke of Gama Sennin from an Osaka artist, signed Tsuji, in the British Museum, accession number 1912,1012.4.Auction comparison: Compare a related wood netsuke of a warrior with a closely related expression and pose, at Christie's, A Private Collection of Japanese Art, 20 October 2015, New York, lot 53 (sold for USD 37,500).Additional Note: There is a strong possibility this netsuke is more likely carved by Minko or Hasegawa Ikko, both residents of Tsu. For a closely related example of a Daruma with similar expression and with similar inlays see Bonhams, The Jamese A. Rose Collection of Netsuke and Sagemono, 17 September 2012, New York, lot 2069 (sold for USD 10,000).

Lot 17

A FINE MOTHER OF PEARL AND HARDSTONE INLAID FOUR-CASE LACQUER INRO WITH FRUITING PEACHESUnsignedJapan, late 19th century, Meiji period (1868-1912)Of upright rectangular form and oval section, bearing a lustrous roiro ground, finely decorated in gold takamaki-e with kirigane and inlays of mother-of-pearl and hardstone, to depict a verdant peach branch with blossoming flowers and buds, and some ripe fruits, all borne on leafy stems. The interior compartments of red lacquer with gold fundame edges. HEIGHT 8.3 cm, LENGTH 5.3 cm Condition: Good condition with minor wear, few light scratches, some tiny losses along the edges and some minor rubbing and losses to lacquer.Provenance: From the collection of Arend Louis Serné. An old Japanese label to the interior of the top case. Arend Louis Serné (1925-2021) was the fourth-generation owner of the firm A. Serné & Son, Costumiers, located on the Groenburgwal, Amsterdam, Netherlands, established in 1866. An avid piano player, he was also fond of modern literature, and a passionate collector of inro. He started his inro collection in the late 1970s. At that time, he entered the gallery Aalderink Oriental Art along the Spiegelgracht in Amsterdam and was immediately captivated by the beauty of inro. He began his collection with three simple specimens but hoped to own more. He remarked, “Oh that's nothing, a decent collection must be about a hundred pieces!” And collect he did. Arend was not concerned with the signature or the rarity, but with the intrinsic poetic beauty embodied in this very Japanese art form.

Lot 19

TOYOSAI: A SUPERB TWO-CASE LACQUER INRO DEPICTING ISE-EBE AND SALMONBy Kanshosai Toyosai, signed Toyosai 桃葉斎 with seal Kanshosai 観松斎 Japan, Edo (Tokyo), late 18th to early 19th century, Edo period (1615-1868)Of horizontal rectangular form and oval section, bearing a lustrous roiro ground, one side lacquered in thick red takamaki-e to depict an ise-ebi (spiny lobster) in front of a hiramaki-e ferns in gold, the other side with a gold and silver takamaki-e salmon attached to a cord, the fish partly scaled to reveal the lustrous reddish-silver insides. The interior compartments of nashiji with gold fundame edges. Signed to the bottom TOYOSAI in gold lacquer with a red-lacquered seal Kanshosai. HEIGHT 5.6 cm, LENGTH 7.4 cm Condition: A fine crack to the top case. Some light surface scratches. Generally in very good condition with minor typical wear to edges and presenting well. Provenance: Old French private collection. Three old collector's labels affixed to the exterior and interior of the top case, including an old Japanese label and two further collector's labels '55,'.Kanshosai Toyosai was a distinguished lacquerer and inro decorator who worked during the second half of the 18th century in Edo. Auction comparison: Compare a related five-case lacquer inro by the Kajikawa family depicting nine ise-ebi at Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 297 (sold for GBP 21,250).

Lot 207

SARI: A SUPERB WOOD NETSUKE OF A RECLINING DOGBy Sari, signed Sari 左里Japan, Iwashiro Province, c. 1800-1820, Edo period (1615-1868)A large and remarkable wood netsuke, pleasingly tactile and compact, depicting a dog tightly coiled into a ball, its fur masterfully rendered with minute incision work. The slender, bushy tail sweeps around to the front, resting between the dog's face and its paw, as the hound stares forwards, its glaring, enigmatic eyes inlaid in bright, translucent orange glass. The underside shows the lanky curved legs forming a dense bundle, the 'natural' himotoshi running through underneath, and signed within an oval reserve in cursive script SARI.LENGTH 4.2 cmCondition: Very good condition with minor wear including some light surface scratches throughout.Literature comparison:Compare a closely related wood netsuke of a dog with puppy (note the similar reishi-shaped snout) illustrated in Coullery, Marie-Therese / Newstead, Martin S. (1977) The Baur Collection, pp. 342-343, no. C 1070.

Lot 256

TAKAHASHI HOUN: AN IMPORTANT WOOD NETSUKE OF A MYTHICAL ELEPHANTBy Takahashi Houn (Hogen Houn, 1810-1854), signed Houn 鳳雲Japan, c. 1850, Edo period (1615-1868)Published:Joly, Henri L. (1912) The W. L. Behrens Collection, Part 1, Netsuke, no. 5327 and illustrated on pl. LXIX.Hurtig, Bernard (1973) Masterpieces of Netsuke Art: One Thousand Favorites of Leading Collectors, p. 211, no. 891.Bandini (1977) Values and Record prices, Part II in Journal of the International Netsuke Collectors' Society, 5 /3, p. 20, listed as joint 5th most expensive netsuke at auction in that year.Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part A, p. 200.La Gazette Drouot, no. 21, 27 May 2011 p. 177.D. Wright's report of the Wrangham sale in International Netsuke Society Journal, 31/2, p. 35, discussed and illustrated.G. Wilhelm's report of the same in Bulletin Association Franco-Japonaise, no. 110, pages unnumbered, discussed and illustrated.Exhibited:Ashmolean Museum, Oxford, Inro. An exhibition of Japanese Inro from the collection of E.A. Wrangham, October-November 1972, no. 34.Finely carved, the elephant-like animal reclining with its head turned back, the movement producing folds throughout the body and neck, the mouth slightly opened smiling benevolently, with large wrinkly ears and trunk, the trunk curling around one of the long tusks which rest against the mythical animal's body, forming a compact composition. The underside with generously excavated himotoshi and the signature in Tensho characters HOUN.Takahashi Houn was a pupil of Kokei (lot no. 186) and worked in Edo (Tokyo), where he was awarded the title Hogen for his carving of Buddhist images. He was highly respected during his lifetime, carving the 500 Rakan (fig.1.) for the Kamakura temple. Furthermore, he was the master of Takamura Toun, a highly respected carver of Buddhist wood figures and master of the celebrated artist Takamura Koun (1852-1934), for an example of the latter's work see fig. 2.Only very few netsuke are recorded by Takahashi Houn and this is the only illustrated netsuke by the carver in literature. The reason is likely that he focused his attention on carving larger scale Buddhist images commissioned by various temples. The unique treatment of material and subject clearly show the roots of this celebrated carver, the present carving really being more a Buddhist sculpture rather than a netsuke, akin to the highest-level Kamakura carvings, though in miniature form.LENGTH 4.7 cmCondition: Very good condition, few light surface scratches.Provenance Ex-collection W. L. Behrens (1861-1913). Sold at Glendining's, London, 1-8 December 1913. Glendining's, London, November 1931. Anonymous sale, Sotheby's London, 11 January 1965, lot 93, purchased by Edward A. Wrangham. Sold at the latter's second sale, Bonhams London, 10 May 2011, lot 90 (sold for GBP 19,200). French private collection, acquired from the above reputedly in competition with Edward 'Ned' Johnson III.The elephant-like mythical being depicted in this netsuke is by no means an ordinary elephant, but rather a religious creature frequently depicted in early Buddhist art or a baku (nightmare-devouring creature). The wrinkly body and trunk, long tusks, and smiling attitude bear an uncanny resemblance to the famous imaginary elephants (sozo-no-zo) from the Nikko Tosho-gu. This type of elephant was also frequently depicted in Buddhist art as the familiar of Fugen Bosatsu or on various architectural elements depicting baku.Museum comparison:Compare a related wood figure of The Eleven-Headed Kannon, by Takahashi Houn, in the collection of the Ashmolean Museum.

Lot 27

KAN: A SUPERB CERAMIC-INLAID THREE-CASE LACQUER INRO DEPICTING A PARROT, WITH HAIKU POEM BY MATSUO BASHOBy Ogawa Haritsu (Ritsuo, 1663-1747), sealed Kan 観Japan, c. 1700, Edo period (1615-1868)The three-case inro of square shape and bearing a superbly polished roiro ground, lacquered in red and gold takamaki-e, with creamy-white ceramic inlay, depicting a parrot lowering its head towards a bird feeder. The verso fittingly inscribed with a famous poem by the haiku poet Matsuo Basho (1644-1694): mono ieba, kuchibiru samushi, aki no kaze [When you say something, your lips will feel the chill of an autumn wind]. It is a caution against idle talk. The two sides of the inro thus combining very well, as parrots (and some people) tend to repeat everything they hear. The interior cases lacquered in red with fundame rims. With two further characters inscribed Basho 芭蕉 and sealed Kan [for Ogawa Haritsu, Ritsuo].HEIGHT 7 cm, LENGTH 7 cmCondition: Very good condition with minor wear to lacquer and very light rubbing to the ground.Provenance: From the collection of Arend Louis Serné. Arend Louis Serné (1925-2021) was the fourth-generation owner of the firm A. Serné & Son, Costumiers, located on the Groenburgwal, Amsterdam, Netherlands, established in 1866. An avid piano player, he was also fond of modern literature, and a passionate collector of inro. He started his inro collection in the late 1970s. At that time, he entered the gallery Aalderink Oriental Art along the Spiegelgracht in Amsterdam and was immediately captivated by the beauty of inro. He began his collection with three simple specimens but hoped to own more. He remarked, “Oh that's nothing, a decent collection must be about a hundred pieces!” And collect he did. Arend was not concerned with the signature or the rarity, but with the intrinsic poetic beauty embodied in this very Japanese art form.Ogawa Haritsu, also known as Ritsuo, one of the great individualists in the history of lacquer, was a poet as well as a painter, potter and lacquerer. In the 1680s, he became a disciple of the haiku poet Matsuo Basho (1644-1694).Matsuo Basho was the most famous poet of the Edo period in Japan. During his lifetime, Basho was recognized for his works in the collaborative haikai no renga form; today, after centuries of commentary, he is recognized as the greatest master of haiku (then called hokku).

Lot 3

A SUPERB AND RARE FOUR-CASE LACQUER INRO WITH BUGAKU ACCESSORIESUnsignedJapan, 17th-18th century, Edo period (1615-1868)Of rectangular form and oval section, finely layered with two-toned nashiji on a roiro ground and takamaki-e with iridescent aogai (mother-of-pearl) and gold-leaf inlays depicting the various accessories needed to perform the Bugaku dance. A large fan lacquered to one side with dense decorations including a fierce oni mask surrounded by a sinuous dragon. The reverse with two torikabuto and a sho flute. The interior cases of nashiji with gold fundame rims. With a rock crystal ojime.HEIGHT 7.5 cm LENGTH 6.7 cmCondition: Very good condition with minor wear, expected losses to the kirigane flakes, and light rubbing to the edges. Presenting beautifully.Provenance: Glendining and Co. Auction, 17 June 1953. Private collection, acquired from the above, assembled by the previous owner's great-grandfather and thence by descent. The interior with an old collector's label, '678 g. 17/6/53. 1/-/-.'Bugaku is a Japanese traditional dance. The defining elements of this dance were introduced through Southeast Asia to the Chinese Tang court and its use in Japan dates back to the Heian period (794-1185) and is still performed today.

Lot 30

RITSUO: A MASTERFUL AND RARE INLAID TWO-CASE INRO DEPICTING THE YOKAI BOX FROM THE SHITAKIRI SUZUME, WITH EN SUITE NETSUKE AND OJIME, THE NETSUKE BY OHARA MITSUHIROBy Mochizuki Hanzan (1743-1790), signed Ritsuo 笠翁 and kakihanJapan, 18th century, Edo period (1615-1868)The remarkable two-case inro of box shape, acting as a trompe-l'œil optical illusion, with a 'hinged lid' opening to reveal several yokai creatures, inlaid in stained horn, antler, amber, ceramic, and various metals. A rokurokubi-esque snail creature with a single cycloptic eye is seen to the very left, poking its long neck through a hole in the box, next to a praying mantis with gilt eyes, and two anthropomorphic frog-creatures to the right. The ground is lacquered in an attractive reddish-brown, simulating a basketweave design, the front decorated with a gold sparrow crest, a metal-inlaid snail slithering through teared holes to either side of the inro and further with carved red lacquer flames emerging from within throughout the composition. A wasp and a butterfly are visible within the opening to the sides of the inro. With realistically modeled metal fittings posing as the hinges and closing mechanism of the box. Signed underneath in gold lacquer RITSUO with a red-lacquered kakihan, identifying the artist as Mochizuki Hanzan (Haritsu II, 1743-1790). The interior of dense nashiji with gold fundame rims.With an en suite bone ojime depicting a stylized sparrow and a beautifully matching, thick manju netsuke carved from walrus tusk and depicting a sparrow above bamboo, executed in sumi-stained kebori, signed MITSUHIRO (Ohara Mitsuhiro, 1810-1875) and with the artist's kakihan.HEIGHT 6.6 cm, LENGTH 7 cmDIAMETER (the netsuke) 4.5 cmCondition: Very good condition. Only minor wear and rubbing to lacquer, some typical minuscule losses along the edges, some light surface scratches to the underside.Mochizuki Hanzan, thought to have lived from 1743 to 1790, called himself Haritsu II and was a close follower of Ogawa Haritsu (1663-1747) though he was neither his son nor his pupil. The kakihan (artist's cursive monogram) on the present inro is a close match to a kakihan seen on an inro bearing his signature, the signature illustrated in Wrangham, E. A. (1995) The Index of Inro Artists, p. 67.The inro depicts the famous treasure box from the Tongue-Cut Sparrow (Shitakiri Suzume), which was opened by the story's culprit, Arababa, and contains a host of supernatural bakemono and yokai. The manju netsuke and ojime are matching as well, both depicting sparrows.

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