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Lot 105

A QIANJIANG CAI ‘SANXING GODS’ PORCELAIN SQUARE VASE IN THE MANNER OF CHENG MEN (1833-1908), CONGChina, Republic / Minguo periodOf archaistic square shape (cong), resting on a circular foot, with a square body applied with two moulded elephant handles with rings, and a circular neck, adorned in famille rose enamels, two opposite sides with the triad of Star Gods and boys attendants, the two other opposite sides with calligraphies. H: 27 cm – Side: 12 cm浅绛彩“福禄寿三星”方瓶、琮中国,现代/民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- faded enamels to some parts;- the bottom drilled to be mounted as a lamp;- UV / black light checked.

Lot 109

A PAIR OF MIRROR FAMILLE ROSE PALETTE ‘LADY QIU XIANG’ OR ‘TONG BOHU THREE SMILES MARRIAGE’ ROULEAU VASESChina, 20th century, Possibly Republic / Minguo periodOf rouleau shape, resting on a spread foot, with an everted rim. One adorned with a beautiful lady holding a fan, i.e. the renowned prostitute Lady Qiu Xiang, the other one adorned with a young man also holding a fan, i.e. Tong Bohu also known at Tang Yin. Both inscribed with a long-lasting calligraphy describing the subject. Both bearing two identical seals, one reading “三希堂製”, lit. and “Made of the Sanxi Hall”, the other one reading “石渠宫精鉴玺”, the Shiqu palace imperial seal. Both inscribed with in cobalt blue with an apocryphal four-character Qianlong mark within a double square to the below.H: 19,6 cmNotes: The “Tang Bohu Dian Qiuxiang” (唐伯虎點秋香), lit. “Tang Bohu / Tang Yin orders (or buys) Qiuxiang” (三笑姻緣), also known as the “San Xiao Yinyuan”, lit. “The Three Smiles Marriage” is a folk legend whose main characters are Qiu Xiang (秋香), a renowned prostitute from Nanjing whom lived during the Ming Dynasty and was born in Chenghua, and Tang Bohu also known as Tang Yin (1470-1523), a famous painter from Suzhou. It is said that Tang Yin orders Qiuxiang whom he married. This story is currently a well-known subject of the Cantonese operas.一对粉彩"唐伯虎点秋香"花瓶中国,20世纪,可能为现代/民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- faded enamels to several parts;- a light hairline to one;- a light hairline to the other (visible from the inner part).

Lot 111

A FINELY PAINTED FAMILLE ROSE PALETTE ‘MEIREN AND CRANE’ PORCELAIN ROULEAU VASE, BANGCHUIPINGChina, 20th centuryResting on a ring foot, of elongated ovate shape, with a tubular neck and an everted rim. Very finely painted in Famille Rose enamels with Meiren in loose robes on a bamboo raft amidst crashing waves holding a vase with chrysanthemums, another vase with chrysanthemums on her right, a crane grasping a peach sprig on her left. The below inscribed in cobalt blue with an apocryphal six-character Guangxu mark in kaishu.H: 34 cm粉彩“美人与鹤”花瓶中国,20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few losses of enamels (see the crane);- UV / black light checked.

Lot 114

A MASSIVE COBALT BLUE DECORATED YELLOW GROUND ‘LOTUS AND EIGHT TREASURES OF BUDDHISM’ PORCELAIN VASEChina, 20th centuryOf archaistic hu vessel shape, resting on a tall spread foot, with a globular body flanked by two beast face shaped handles and with a trumpet neck. Adorned in gilt-enhanced underglaze cobalt blue with bands of lotus as well as with “The Eight Treasures of Buddhism” against a yellow ground, with stylised lotus petal to the base of the vase and crashing waves to the foot and to the rim. The below is all covered in light blue and centred by an apocryphal cobalt blue six character seal / zhuanshu mark of Emperor Qianlong. The inner part is also covered in light blue.H: 50 cmProvenance: A private collection, Nice, French Riviera, France.大“莲花八宝”瓷供瓶中国,20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- some chips, notably one to the rim and some to the moulded handles;- a small point repaired in enamels around the neck.

Lot 115

A FAMILLE VERTE ENAMEL BISCUIT PORCELAIN MODEL OF A PARROTChina, Qing Dynasty, 18th to 19th centuryNaturalistically molded as a quail standing on a non-enamelled biscuit porcelain base with holes, possibly to hold joysticks. The bird is enamelled in famille verte enamels.H: 19 cm粉彩“鹦鹉”模型中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a few firing cracks to the base;- may a few tiny chips in the bird paws;- a restoration to the beak.

Lot 118

*A CHINESE EXPORT PORCELAIN TURQUOISE AND BLACK CAT NIGHT LIGHTChina, Qing Dynasty, 19th centuryThe recumbent is covered all over with a turquoise glazed ground against which is a black zebra pattern. The inner part of the cat would have been set with a candle which light would have come through the eyes, the ears and the back of the feline.H: 10,4 cm – L: 20 cm – w: 14,3 cmProvenance (according to the seller): Bought in 2003 from the closing sale of Charlotte Horstmann & Gerald Godfrey Ltd., Hong Kong, China.Note: Cat nightlights were made as early as the late Ming period. Two blue and white examples were found in the first Hatcher cargo (sold Christie's, Amsterdam, 14 March 1984, lots 279 and 280.) The French Jesuit Père d'Entrecolles was famously struck by the form on his Kangxi period visit to Jingdezhen.中国出口绿松石黑猫瓷夜灯中国,清代,19世纪*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: UV / black light checked.

Lot 120

A PAIR OF FAMILLE ROSE ‘PARROT ON A PERCH’ LIDDED VASESTHE DESIGN ATTRIBUTED TO CORNELIS PRONK (1691-1759)   Possibly China, 19th or 20th century  A pair of baluster porcelain vases, probably part of a five-piece garniture, adorned in the famille rose palette with a parrot on a perch suspended from a melon-form ornament, the bird chained to the stoop and with colourful plumage, the right talon grasping a cherry sprig, with a blue border at the flared mouth and foot.  H: 35 cm Notes:   1. This design is often attributed to Cornelis Pronk but the direct evidence is still lacking. However, the 'parrot' pattern can also be found on Makkum earthenware as well as Meissen porcelain from the 18th century. The present examples were probably part of a five-piece garniture, such as the set illustrated in William R. Sargent, Treasures of Chinese Export Ceramics from the Peabody Essex Museum, Massachusetts, 2012, p. 248, no. 123. Also compare with a related pair of beaker vases offered at Bonham's London, United Kingdom, 2018/11/06, lot 622, priced at GBP3.000-5.000.2. In the Shan Hai Jing (山海经) or Classic of the Mountains and Seas from the period of the western Han (202 BC-220 AD), the yingmu (parrot) is described thus: ‘The parrot is a happy bird... Inside a cage, happy on its own, A secluded branch becomes its throne.’一对粉彩“栖息鹦鹉”带盖花瓶由荷兰瓷器设计师科内利斯· 普朗克设计中国,清代,19-20世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: UV / black light checked.

Lot 121

A CLOISONNE ENAMEL ‘LOTUS’ ARCHAISTIC JAR, HUChina, Ming Dynasty, 16th or 17th century he pear-shaped vase is finely enamelled around the globular body, shoulder and neck with registers of large lotus blooms borne on leafy meandering scrolls, all supported on a tall, splayed foot similarly decorated. The shoulders are applied with a pair of enamelled Taotie mask handles suspending flattened, loose rings that bear enamelled decorations as well. H: 36,2 cmWeight:  Note: For a related cloisonné jar at public auction, please refers to Zacke Vienna, 2021/03/05, lot 1, sold for €13,904 incl. BP. Also see Sotheby’s Hong Kong, 2015/04/07, lot 3727, sold for HKD250.000 incl. BP.景泰蓝 “莲花”仿古罐中国,明代,16-17世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a rare vase in that condition together with original handles;- foot and rim lightly distorted;- a few losses of enamels;- a few small restorations (around the rim and the foot notably).

Lot 124

*A CLOISONNE TOAD SHAPED JOYSTICK HOLDERChina, Qing Dynasty, Possibly Jiaqing periodShaped as a kneeling four-legged frog, its mouth open meant at being a joystick holder, its below with a sapeque / coin.H: 7,7 cmWeight: 166 gramsNote: This joystick holder is either shaped as a frog or as a toad. The frog (蛙, wā) is a symbol of fertility because it has the same pronunciation as the word for baby (娃, wá). The Chinese for "toad" is pronounced chánchú (蟾蜍), sometimes shortened to just chán (蟾). In some Chinese dialects the pronunciation of "toad" (chán) is very similar to that for "coin" (钱, qián).景泰蓝蟾蜍型手柄中国,清代,可能为嘉庆年间*This lot is under temporary importation. An extra VAT will be applied to the final invoice. Please contact our office (yuchen@adams.ie) for further information. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- faded gilt to several points;- minor scratches;- a few tiny minor lacks of enamels;- UV / black light checked.

Lot 125

A PAIR OF ‘FLOWER SPRAY’ CLOISONNE WINE CUPS AND A WARMERS Qing Dynasty, Likely Jiaqing period  The footrim of the cup fitting snugly into the mouth of the associated bulbous warmer, the cup with flaring sides rising to a gilt rim, the exteriors of both decorated with a similar flower spray. The below of one cup bears a label.  H: 10,1 cm  Notes:  1. One similar cup and warmer set was sold at Sotheby’s New York, The United States of America, 2013/03/19, lot 328 for USD10.000.  2. Another similar cup and warmer set was sold at Christie's London, United Kingdom, 1983/03/30, lot 68.一对景泰蓝“散花”酒杯及温酒器清代,可能为嘉庆时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- bubbles in the cloisonné;- maybe a few minor losses of enamels (we have not seen any with our eyes but it can happen);- lightly distorted rim;- faded gilt to several parts as well as minor scratches and wears.

Lot 127

A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers and birds against a red ground. The below bears the mark De Sheng / 德成 as well as a an old label both inscribed in Chinese Mandarin and French describing the work of the studio.H: 36,2 cmweight: 2000 grams Note: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- a few losses of enamels;- UV / black light checked;- a restored part.

Lot 128

A CLOISONNE ENAMEL ‘FLOWER’ BALUSTER VASE BY THE STUDIO DE SHENG 德成China, Late Qing to Republic / Minguo periodAdorned in vivid enamels with numerous flowers against a black ground. The below bears the mark De Sheng / 德成.H: 24,3 cmNote: For a detailed discussion of the De Cheng factory in Beijing and their 'very high quality' output starting in the Guangxu reign and continuing through the fall of the Manchu dynasty, see Beatrice Quette, ed., Cloisonné: Chinese Enamels through the Yuan, Ming, and Qing Dynasties, 2011, pp. 28 and 59-60. In the same publication, see p. 299, cat. no. 146: the yellow ground stick.景泰蓝花瓶- 德成工作坊制作中国,晚清至民国时期[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- little “chips” to the rim notably;- faded gilt to several points including the below;- scratches to the below.

Lot 134

A HEAVY CASTED DARK PATINA BRONZE INCENSE BURNER AND STAND, LUChina, Qing Dynasty, 18th to 19th centuryResting on three short feet, with a compressed belly and two handles, all covered with a crusty dark brown patina, the below with a cast with an apocryphal mark of Emperor Xuande on this columns within a square. Resting on an open-worked ‘plum blossoms’ stand.H (on stand): 8,7 cm – D: 14 cmWeight: 1465 grams重铸古铜香炉及支架中国,清代,18-19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- crusty patina;- wears and scratches, nothing major;- stand lightly distorted.

Lot 136

AN 'ELEPHANT' BRONZE INCENSE BURNERPresumably China, Qing Dynasty, 19th centuryThe elephant naturalistically casted standing four squares, carapisoned with a reticulated removable saddle unveiling an inner cavity for burning the incense.H: 18,5 cm - L: 24,5 cm - depth: 9,5 cmWeight: Over 2 kilogramsNote: The elephant is sometimes shown carrying a "treasure" vase (bao ping 宝瓶) on its back.  Since the word "vase" (ping 瓶) has the same pronunciation as the word for "peace" (pingan 平 安), the implied meaning is "may you have 'good luck' (elephant) and 'peace' (vase)". The combination of an elephant and a vase conveys the wish “taiping Youxiang”, i.e. “May there be a peaceful reign”.“大象”青铜香炉推测中国,清代,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- minor wears, scratches and faded patina of the bronze to several parts;- please look at the below of the feet, their aspect may implied that that elephant had been previously affixed to a stand (or a very large lid of an incense burner?).

Lot 157

A SUITE OF (3) EMBROIDERED SILK FRAGMENTS OF A CEREMONIAL ROBE, JIFU PAO China, Qing Dynasty, 19th century Three light orange ground silk panels with an embroidered design, one archaic frontal five-claw dragon (zheng long) flying amidst clouds and four of “The Eight Treasures of Buddhism” above crashing waves, one side dragon (xing long) and one phoenix. All the three framed.  Dimensions (the biggest embroidered panel, frame excl.): 29,8 x 23,2 cm一套(3)件礼服刺绣丝绸残片中国,清朝,19世纪[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESE

Lot 198

A BIEN HOA 边和 STONEWARE ‘WARRIORS’ ARCHAISTIC VESSEL, HUVietnam, Bien Hoa School of Applied Arts, Second half of 20th centuryResting on a short ring foot, with a globular body, the neck applied with two dragon handles, all covered with a light beige slip ground against which are depicted dark brown slip warriors. The below engraved with the mark of the maker, likely reading "Huu Duc".H: 28,2 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESE

Lot 202

A GROUP OF TWO ‘THEPANOM AND NORASINGH’ BENCHARONG WARE LIDDED POTSChina for Thailand / Siam, Bencharong ware, Ayutthaya Period, 18th-19th centuryBoth with a lotus bud shaped finial and reserved-decorated with red and yellow thepanom and norasingh on a black ground.Dimensions (the biggest): H: 10,8 cmAlso included in that lot:- a small ‘flower’ lidded pot, also a Bencharong ware, that one dating to the King Rama V (1868-1910) period - H: 7,5 cm- a small lidded silver pot dating to the King Rama V (1868-1910) period - H: 4,2 cmNotes:1. Sets of porcelain such as this example were commissioned from China, usually from the southern Jiangxi province, and exported to Thailand.2. The thepanom is a celestial being from Buddhist cosmology. The norasingh is a mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer.3. Thai Minor Arts, The Fine Arts Department, 1993; Treasures from the National Museum, Bangkok, The National Museum Volunteers, 1987; McGill, F. (ed.), Emerald Cities: Arts of Siam and Burma, 1775-1950, Asian Art Museum, 2009; and Bromberg, P., ‘A passion for Bencharong’, in Arts of Asia, May-June, 2010.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:ALL PIECES UV / BLACK LIGHT CHECKEDThe biggest lidded jar:- chip? or at least loss of enamels on the finial of the lid;- a few chips to the inner rim;- losses of enamels around the rim due to frictions;- also few chips minor to the foot.The middle size lidded jar:- not its original lid;- two chips to the rim of the jar with a crack;- minor chips to inner rim;- loss of enamels around the rim of the jar due to frictions;- a chip to the foot;- also losses of enamels to the rim of the lid with one minor chip.The smallest jar:- both lid and jar restored with chips etc.Silver piece:- OK.

Lot 203

A BLEU DE HUE PORCELAIN LIME POTVietnam, Nguyen Dynasty, 19th centuryResting on a flat unglazed foot, with a globular boy and an arched handle, an original hole to the front part. Adorned in cobalt blue with a landscape.H: 15 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a few minor firing cracks in the handle;- a tiny minor loss to the foot;- the hole for pouring is not glazed.

Lot 205

A LARGE BLEU DE HUE ‘LOTUS POUND’ WATER PIPEVietnam, Nguyen Dynasty, 18th to 19th centuryAdorned in cobalt blue shades with a lotus pond with lotus and nenuphars, a couple of Mandarin ducks as well as three wild geese amidst bamboo. The below is adorned, also in cobalt blue, with a Tho (longevity) symbol. Set with a metal mount with a loose handle.H (the handle excl.): 12,4 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- wears and scratches;- two dark points in the glaze;- a tiny firing crack to the below.

Lot 206

A BLEU DE HUE ‘DRAGON, QILIN AND KHANH THO’ PORCELAIN PLATE INSCRIBED WITH THE MARK ‘KHANH XUAN THI TA - 慶春侍左 - ETERNAL SPRING, LEFT PALACE’ Vietnam, Presumably Nguyen Dynasty Finely painted in shades of blue with a dragon, a qilin or Chinese unicorn as well as a Khanh (福, happiness) and a Tho (寿, longevity) symbol, the outer also painted with a dragon chasing a qilin. The below inscribed in cobalt blue with a four-character mark reading “khánh xuân thị tả” (慶春侍左), i.e. Eternal Spring, Left Palace, a referring to the Trinh residence. The rim with a metal mount. D: 16,1 cmNotes: 1. Compare with a related plate preserved in the Museum of Royal Antiques of Hué as visible in 2018 as part of the exhibition titled “Signed porcelains from the Lê, Trinh and Nguyen Dynasties”. Also compare with a bowl with a similar decor and an identical mark preserved at the Musées Royaux d’Art et d’Histoire, Bruxelles, Belgium under accession number EO. 2738. 2. Also compare with a plate sold at public auction in Paris 06/14/2019, lot 680, for €101.400 BP incl. as well as with a bowl, also sold in Paris, 2019/10/16, lot 134, for €110.500 BP incl.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- a very light and small crossed hairline to the below (in the glaze only).

Lot 229

VU CAO DAM 武高谈 (VIETNAM AND FRANCE, 1908-2000)  ECOLE DES BEAUX-ARTS DE L’INDOCHINE (INDOCHINA FINE ARTS COLLEGE), 7TH PROMOTION (1931)  Portrait of a young lady with a blue scarf  Circa 1950  Mixed media on silk laid on cardboard  Signed to the lower right  33 x 23,8 cm  Provenance: From a French Riviera Estate, France, where Vu Cao Dam has been working and living.Notes:  1. Biography: Vu Cao Dam was born in Hanoi in 1908 to a Catholic family of the local bourgeoisie. In 1926, he joined the Fine Arts School of Hanoi (Ecole des Beaux-Arts de l’Indochine), where he studied the art of painting and drawing and from which he graduated in 1931. With the support of his professor, Victor Tardieu (1870-1937), Vu Cao Dam participated in the 1931 edition of Paris International Exhibition following which he settled in France. He was, above all, known for his sculptures, which brought him numerous commissions upon his arrival in Paris. Marked by the Western avant-garde (Fauvism and the Paris School), Vu Cao Dam’s creations lie on the edges of Asian traditions in general, and Vietnamese and Chinese in particular. He was one of the four famous Vietnamese painters who emigrated in Paris, the others being Le Thi Luu (1911-1988), Mai Trung Thu (1906-1981) and Le Pho (1907-2001).  2. Comparison: This painting seems to belong to a series of portraits of young women of similar size painted in the early 1950s. For a portrait of this series at public auction, see Christie’s Hong Kong July 11, 2020, lot 251, painted in 1952 and sold for HKD525.000 BP incl. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- silk laid on a wooden panel;- stains;- traces of the frame;- scratches;- veneer stains;- UV / black light checked;- maybe a few old re-paints by the artist (one lower left hair, one front neck, one upper right shoulder = left + right as seen from the person looking at the painting);- a small chock above the forehead in the hairs;- dust;- PROVENANCE: ACQUIRED FROM A FRENCH RIVIERA ESTATE NEAR SAINT PAUL DE VENCE WHERE THE ARTIST USED TO LIVE.

Lot 230

LE PHO (VIETNAM AND FRANCE, 1907-2001)Maternite / Mother and childLithographCirca 1955Inscribed with “E.A.” (epreuve d’artiste) on the lower leftSigned on the lower rightDimensions (the sole print): 46 x 32,4 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - has been rolled but stay flat;- four light folds (not very visible and not destroying the whole image);- tape traces to the top of the back of the leaf;- maybe lightly insolated.

Lot 241

NGUYEN QUANG MAU (VIETNAM, 20TH CENTURY)Poissons rouges de l’Abondance / Goldfish of Abundance / 金玉滿堂A lacquered wooden shallow dishSigned to the back: “Ng Mau”D: 28,9 cmNote: A lacquer artist sometimes wrongly referred to as Nguyen Mai.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- minor scratches;- light cracks;- a few losses in the lacquer;- faded gilt signature to the back;- trace of label to the back.

Lot 248

Jamini Prokash GANGOOLY (1876-1953) also known as J.P. GANGULY“Sunset Kanchenjunga”Oil on artist / student board (PREVIOUSLY DESCRIBED AS PANEL)Stamp to the back of the board: "PREPARED STUDENT ACADEMY BOARD WINSOR & NEWTON […] LONDON"Signed to the lower leftTitled and signed to the back22 x 29 cmNotes:1. J. P. Gangooly belonged to the extended Tagore family in Calcutta. Like many of his class of affluent gentlemen artists, Gangooly didn’t go to art school but was a product of private art training at home, initiated later into art by Abanindranath Tagore. Gangooly painted at the time of rise of new nationalist and modernist art movements. The skills he commanded in illusionist oil painting, realist portraiture and landscapes were all part of the essential training that marked the formation of the new professional artist in colonial India. Over the first decades of the 20th century, the artist demonstrated his flair in various genres, ranging from portraiture to neo-classical and mythological paintings. However, landscapes and riverscapes became his chosen genre where he developed his special style of densely mist-laden atmospheric effects of sunrise and sunsets on bathing ghats, river banks and mountain ranges. Gangooly especially surpassed himself in the picturesque views of the Himalayas, and in the village and river scenes of Bengal. He painted nearly a hundred oils of the sun setting on the river Padma, which earned him the sobriquet ‘Painter of Padma’. In 1905, he was elected the joint chairperson of the Bangiya Kala Samsad, Calcutta, and founded the Indian Society of Oriental Art, Calcutta, in 1907. In 1936, he was elected joint director of the Academy of Fine Arts, Calcutta. Gangooly became vice-principal of the Government College of Art & Craft, Calcutta, in 1916, a position he held till his retirement in 1928.2. Kangchenjunga, also spelled Kanchenjunga, is the third highest mountain in the world. It rises with an elevation of 8,586 m (28,169 ft) in a section of the Himalayas called Kangchenjunga Himaldelimited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies between India and Nepal.3. Compare with a very close painting offered at Christie’s London, United Kingdom, 2016/06/25, lot 24, sold for €11.831 BP incl.[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- unframed to see how it is;- NEW DESCRIPTION: OIL ON STUDENT / ARTIST BOARD with a stamp to the back of the board: "PREPARED STUDENT ACADEMY BOARD WINSOR & NEWTON […] LONDON"- frictions and dust along the margins (not visible but when framed):- also few losses of painting along the margins (not visible when framed).

Lot 250

ZAO WOU-KI (FRANCE AND CHINA, 1921-2013)Untitled, Abstract composition in blue 1978Print / Aquatint in colors on Rives BFK paperEpreuve d’artiste / Artist proofInscribed with E.A. (epreuve d'artiste) in the margin, to the lower leftSigned and dated to the lower right, in the margin: “78”Dimensions (the sole print): 49,5 x 42,5 cmDimensions (with the frame): 81 x 61 cmReference: AGERUP 299.Note: Compare with an identical print, edition 91/99, sold at public auction at Drouot, Tessier-Sarrou, in Paris, 2013/11/27, lot 34, for €5.500. [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- framed with a glass, but may not be glued (we have not open the frame);- light folds to the lower part of the leaf (margins, not to the print);- fresh colours;- collectors researches glued to the back of the frame.

Lot 261

A MASSIVE JAPANESE IMARI CHARGERJapan, Edo to Meiji period, 19th centuryOf shallow circular form, decorated in red, blue and gilt against a white ground, centred with still life group and eight radiating panels, within a gilt edged rim.D: 54,7 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report:- UV / black light checked;- scratches and wears, minor;- faded gilt decoration to some parts.

Lot 263A

A BALUSTER SATSUMA VASE POSSIBLY BY SEIKOZANJapan, Meiji periodResting on a short ring foot, with a compressed globular body a slightly garlic neck. Richly adorned in gilt and polychrome enamels with flowers, including peonies, and cloudy curves. Bears a seal signature to the below possibly reading Seikozan.H: 28,8 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a crack to the ring foot;- a "stain" in the clouds to one side (maybe removable);- a very light hairline to one side.

Lot 264

A PAIR OF SETO PORCELAIN BARREL-SHAPED GARDEN STOOLSJapan, Meiji periodOf barrel shape, with two dragon-shaped applied handles to the upper part, with open-worked coin / sapeques to the sides, adorned in blue, grisaille and pink enamels with chidori birds amidst sakura and kiku flowers.H: 47,5 cm - D: 22 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- a minor tiny chip to one of the bird tail (one of the top of the stool);- a chip with a small missing part to one handle;- scratches mostly located to the tops of the stools.

Lot 267

A PAIR OF CLOISONNE ENAMEL VASES BY OTA JIN’NOE (1858-1907) Japan, Meiji period Of elongated ovate shapes, both adorned in vivid enamels with flowers against a light cream white ground. Both below are incised with the mark of the artist: “太田造”. H: 24,4 cm[INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESECondition Report: Condition report: - UV / black light checked;- hairlines / cracks around the neck of one;- a "stain" / trace to the vase with the cracks to the side;- a small stain to the same vase around the foot.

Lot 365

A India General Service Medal 1854-95 with three clasps:- Chin-Lushai 1889-90, Hazara 1891, Burma 1885-7, engraved Captain D.C. Ramsey Spence, 26th Light Cavalry Indian Army 

Lot 171

Queens Royal Hussars Captain smock jacket with UN badge with MP light smoke shirt.

Lot 164

Highland light infantry 2's tunic with ribbon. 

Lot 497

A George V Efficiency Medal with Territorial Bar, awarded to Sjt. J.I. Sherwood, 3304889, 5th Highland Light Infantry 

Lot 359

A Punjab Medal 1848-49 with the Chilianwala and Goojerat clasps, awarded to J. Pile, 3rd Light Dragoons

Lot 495

A George V Efficiency Medal with a Ceylon Bar, later engraved to Rfn. J. Light C.P.R.C.

Lot 426

A QUANTITY OF ASSORTED BOXED DIECAST VEHICLES, Dinky Toys Nash Rambler, No.173, pink body with blue flash, black gloss base with no number, yellow and red non picture box, Dinky Toys De Soto Fireflite, No.192, turquoise body , light tan roof and flash, gloss black base with no number, yellow and red non picture box, both models in lightly playworn condition with only minor paint loss, marking and wear, boxes complete but damaged, a boxed Moko Lesney Matchbox Series Accessory Pack, No.A4, complete with seven of the eight road signs (missing 'Bend'), signs are all complete and in good condition with very minor paint loss and wear, decals all in good condition, type B box which is complete but damaged, a boxed Matchbox Superfast Pony Trailer, No.43, complete with both white horses, yellow body, dark green base, grey door, complete and in very good condition with very minor paint loss and wear, box complete but has some damage and a boxed Benbros Qualitoy Stephenson's Rocket locomotive and tender, playworn condition with minor paint loss and wear, appears complete except that one set of wheels on the tender is loose, box complete but damaged (5)

Lot 20

A GENTS 'BULOVA AMBASSADOR' AUTOMATIC WRITSWATCH, round charcoal grey dial signed 'Bulova', baton markers, date window at the three o'clock position, silver hands, stainless steel case back signed 'Bulova', 3-430317, approximate case width 37.9mm, fitted with a stainless steel bracelet with a fold over clasp, watch winds, sets not running, difficulty setting the date function (Condition Report: few scratches to the glass, general light wear)

Lot 231

AN ARCHIVE OF WORLD WAR ONE MEDALS PLAQUE ETC TO A CASUALTY SERVING IN THE DUKE OF CORNWALLS LIGHT INFANTRY, to include British War & Victory medals, named 23821 Pte W Holtom(medals are mint, never been out of packets of issue with original box and postage outer envelope, WWI Memorial Death plaque, named Walter Holtam) with card envelope, DCLI Cap badge, an original photo and order of Service for the unveiling of a memorial tablet from Holy Trinity Young men's bible class in 1923 original, a School attendance medal in the name Harry Olton & a pair of olive drab 'chaps' Walter Holtom is listed on the CWGC site as Walter Holton, He became a Casualty on 23rd July, 1916, He was serving at the time with the 1st Btn, the Btn were attacking the German lines just north of the village of Longueval, close to High Wood, it is in this action that Holton met his death, an almost complete archive to a brave Casualty from WWI

Lot 60

A SELECTION OF SCANDINAVIAN ENAMEL TABLEWARE, to include a set of five silver gilt Danish enamel oyster forks by Egon Lauridsen, each with a different coloured enamel handle, in green, blue, yellow, white and pale blue, with crown shape terminals, stamped Ela Denmark Sterling 925S, lengths 120mm, together with a pepper pot, open salt and spoon, all with blue enamel and by Volmer Bahner, stamped VB Sterling Denmark, lengths 40 to 50mm, approximate total gross weight 103 grams (condition report: overall good condition, the spoons have light to moderate surface scratches, enamel in good condition, the pepper pit, salt and spoon show moderate tarnishing in places, the spoon has some damage to the enamel)

Lot 12

A YELLOW METAL DIAMOND HALF ETERNITY RING, of a wave design, channel set round brilliant cut diamonds interspaced with rectangular cut diamonds, total estimated diamond weight 0.35cts, plain polished band, stamped '14k', ring size N, approximate gross weight 3.3 grams (condition report: nice bright diamonds in good condition, general light wear, overall good condition)

Lot 393

TWO BOXED SCX ELECTRIC RACING SETS, McLaren F1, No.80510 and Rally Australia, No.80530, contents not checked but both sets appear largely complete with correct cars and in fairly good condition, but Rally set is missing Electronic Timer, with a boxed SCX Lap Counter, No.88030 and Stop Light, No88050, contents not checked, all boxes with damage and wear (4 boxes)

Lot 197

A Collection of Vintage Schick Injector Razor Blades and Cased Razor Together with a Light Meter

Lot 561

A Collection of Motoring Ephemera to Include Rally Souvenirs, Super Car Coasters, Personal Accessory Light, Rolls Royce Ashtrays, Wedgwood Jasperware, Triumph Stag Car Model etc

Lot 4

A WHITE METAL JAPANESE STYLE BOX, hinged square box, depicting a tri-coloured oriental river and mountain scene, stamped 'Silver', approximate dimensions 65.7mm x 57.2mm x 14.0mm, approximate gross weight 47.5 grams (Condition report:- overall condition good, general light wear, slight tarnishing in places)

Lot 282

VICTORIAN CRIMEA AND BALTIC MEDAL GROUP, to include 1854 Crimea medal two bars, Sebastopol & Azoff, named to Wm(William) Harvey, RMLI Royal Marine Light Infantry, La Crimea Sardinian issue type medal un-named and the Baltic Medal 1854-55 named Wm (William) Harvey RMLI, only approximately 10% of all the Crime medals awarded had the entitlement to the Azoff Bar, only Naval personnel and quite scarce

Lot 485

A box containing two antique continental brass and glass light fittings

Lot 484

A box containing a pair of glass and metal wall lights together with a 1930s glass pendant light shade and a further mid 20th century light shade

Lot 351

A 1970s metal pendant light fitting (green) together with a further white metal standard lamp head

Lot 281

A box and a holdall of assorted bags, AA car kit, folding trolley, LED light etc

Lot 682

A box containing a quantity of vintage cameras and accessories to include Polaroid with boxed flash guns, Kodak boxed Brownie, light meters etc

Lot 400

*Mary Newcomb (1922-2008)Seated nudepencil19 x 13.5cmProvenance: Crane Kalman Gallery.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, work is housed in an acidic mount, there is some water damage to the work, as shown in images. Light time staining.

Lot 205

A Whitefriars glass Textured range 'Pyramid' vase, designed Geoffrey Baxter, model 9674, in Pewter, 17cm highCondition report: No chips or cracks.Some light surface scratches to the base.

Lot 71

A pair of pierced twin handled silver bon bon dishes, E.S. Barnsley & Co, Sheffield 1912, of lobed form with bow handles, monogrammed 'F' to the centre of the bowl, 14.5cm wide (inc handles) and approx. 5 1/2oztCondition report: Light surface scratches, knocks and light pitting.

Lot 401

Boris Smirnoff (French/Russian, 1895-1976)Two standing female nudesmixed media33 x 22.5cm;together with Trevor Clark (20th/21st Century)'Realisation'signed in initials 'TC' and dated '90' l.l., oil on board, with artist's label verso61 x 51cm;andEuropean School (20th/21st century)Nudesigned indistinctly u.l., oil on canvas61 x 46cm (3)Condition report: Boris Smirnoff: not viewed out of glazed frame but appears to be in good condition.Trevor Clark: unexamined under UV light, light surface dirt, overall in good condition.European School: not viewed under UV light, paint loss along rebate of frame and small patches of paint loss elsewhere, loose in frame, surface dirt, when viewed close up this is not in good condition, but on when hung on a wall its colours would still be appealing.

Lot 278

Three Bisque headed dolls, to include a Heubach Koppelsdorf 320-5, with articulated limbs, and an open mouth, 48cm high, an Armand Marseille doll, head impressed 390n. D.R.G.M. 276/1 A. 8½ M, with open and close eyes, 60cm high, and a Heubach Koppelsdorf doll, stamped 320-6, 60cm high (3)Condition report: Head appears free from damage, other than light surface scratches, wig loose, eyes fixed and 'gluey', fingers lost AM doll - head, free from cracks and restoration, lightly scratched, fingers complete320-6 - head free from damages, lightly scratched, eyes broken, hands and arms badly cracked, overall very dirty

Lot 404

Late 18th/ early 19th century Rajasthani school, a prince and a princess in a courtyard, gouache, 25 x 16.5cm, unframedCondition report: One tiny area of flaked paint. Some light scratches, dirt and marks.

Lot 38

A collection of silver and silver plated items, comprising a small mug, cream jugs, sugar basins, a cruet set, a modern wine coaster, an engine turned cigarette box, assorted cased sets of silver spoons, silver plated candlesticks and a quantity of silver plated cutlery, approximately 28ozt weighable silverCondition report: All pieces with light surface scratches and knocks. Some pieces with heavier knocks and wear to hallmarks.

Lot 341

Six Victorian framed colour printed potlids, comprising: 'Victor Emmanuel and Garibaldi'; Victoria and Albert; Shrimpers; fish seller with barrow; poultry plucking; Hamlet.Condition report: Three have sealed backs, Victoria and Albert poor with dirty crazing, others have minor chips and light crazing, one has crcked frame.Please see additional images. 

Lot 498

A glass and silvered five light bag chandelier, each light suspended from a stag head, 54cm wide, 90cm highCondition report: Exposed screws, wear to finish. Glass seems generally complete. General knocks and losses.

Lot 69

A set of six Chinese export silver forks, Luen Hing, and marked '90', the finials in the form of figures in traditional dress, the stems on bamboo form, 13cm long and approx. 3 3/4oztCondition report: Light surface scratches and knocks, otherwise good condition.

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