Attributed to Aert de Gelder, Dutch 1645-1727- Study of a young woman and a man wearing a soft cap, possibly representing Esther and Mordecai; brown ink and sepia and grey wash with traces of red chalk, on laid paper with arms of Amsterdam watermark, bearing indistinct monogram 'A...' or 'R...' (?), and date inscription 'f 164 (both lower right), the reverse bearing further inscription 'Ja...n Six', numbered 'N. 117' and '49', and stamped with unidentified collectors' mark 'G.W.', encircled, in violet ink, the reverse of the frame extensively inscribed, in French, 'Aert de Gelder / Dordrecht 1645-1727 / étude pour la fiancee juive de la Pinakothèke de Münich', and with further transcriptions of the writing and stamp on the reverse of the sheet, 27.7 x 21.1 cm. Provenance: Private Collection, UK. Note: The present drawing, which depicts a young woman in regal or possibly bridal attire beside an older man wearing a soft beret, may represent the subject of Queen Esther, the Jewish wife of King Ahasuerus, and her cousin, Mordecai, who together defied a plot to kill the Jewish people in Persia. After their people were saved, Esther and Mordecai wrote a letter to all the Jewish people in the Persian provinces, urging them to commemorate this victory, thus laying the foundations for the festival of Purim. The subject of Esther was often treated by Rembrandt (1606-1669) and his pupils, including, significantly, Dordrecht-born Aert de Gelder, who was one of the last pupils to work in Rembrandt's studio and who continued to work in the older master's style until the 18th century. De Gelder revisited the story of Esther and Mordecai on several occasions, and the composition of the drawing presented here bears similarities to paintings of the same subject held in the collections of the Museo Nacional de Bellas Artes, Buenos Aires (inv. no. 8643) and the Musee de la Chartreuse, Douai. The striking directness and modernity of the composition, the dramatic interplay of light and shadow, and the distinctive combination of heavy wash and chalk are typical of De Gelder's approach. An example of a similar technique used by the artist includes a drawing depicting the Dream of Jacob, now in the collection of the British Museum, London (Oo,10.120). It is worth noting that the facial features of the female figure are reminiscent of those of Saskia van Uylenburgh (1612-1642), Rembrandts first wife and frequent model, who was portrayed not only by her husband but also others working in his environment, including Govaert Flinck (1615-1660). The collector's mark G.W. [Lugt 12226] is not identified, but possibly relates to an anonymous auction held in Paris on the 7th January 1920.
We found 534325 price guide item(s) matching your search
There are 534325 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534325 item(s)/page
John 'Warwick' Smith, OWS, British 1749-1831- The New Road over the Pontine Marshes; pencil and watercolour on paper, signed, dated, and inscribed 'New Road over the Pontine Marshes / JohnSmith / 1803' verso, 23 x 34.5 cm. Provenance: with Martyn Gregory, London, where purchased by the present owner; Private Collection, UK. Exhibited: March 1985, Martyn Gregory, 'Exhibition of Early English Watercolours', catalogue 39, lot 121. Note: 'Warwick' Smith was the son of a gardener to the Gilpin family, and, as a result of this connection, went on to study under the animal painter Sawrey Gilpin (1733-1807). Over the course of his career, Smith became particularly celebrated for his topographical watercolours, depicting views across Britain and Italy, where he travelled under the patronage of George Greville (1746-1816) between 1776-81, leading to the publication of 'Select Views in Italy'. Smith likely revisited the present sweeping marshland view several times over the years. A smaller sketch of a nearly identical scene, showing the Via Appia through the Pontine Marshes flanked by rustic architecture, was recorded in the collection of Sir John Trevelyan, 5th Baronet (subsequently with Abbott and Holder, London). That example was dated 1795. The present picture is a classic and striking example of Smith's work, with an expansive vista illuminated by soft, warm light. A similarly vibrant and warmly lit vista, also depicting the countryside between Naples and Rome, is held in the collection of the Morgan Museum and Library, New York [1984.20].
Robert Dodd, British 1748-1815- Windsor Castle Packet and La Genie Privateer; pencil, watercolour, and bodycolour heightened with scratching out on paper, inscribed 'WINDSOR CASTLE PACKET, and Le GENIE PRIVATEER / To William Rogers Esqr. commanding the Windsor Castle, and his brave Crew; this View, of their engaging and capturing a French / Privateer Schooner of superior force on the 1st of October 1807 / Comparative Force: Windsor Castle. 8 small Guns, 28 Men / Le Genie. 6 six Pounders one 24 P. 86 Men' to the lower margin, 30.2 x 35.4 cm. Provenance: Private Collection, UK. Note: A print after the present drawing is held in the collection of the National Maritime Museum in Greenwich [PAG9422], as is another drawing by Dodd of ''La Blanche' towing 'La Pique', a French prize' [PAF5856], similarly depicting the sails battered by canon fire. As Robert Dodd also used to engrave his own naval battle scenes for wider distribution, it is likely that the present picture, which is accompanied by an inscription to the lower margin, is a preparatory study for the known print of this subject. The 'Windsor Packet' was launched at Yarmouth in 1804, serving as a Falmouth packet, often completing journeys to New York and the Caribbean islands of Barbados and Jamaica. The ship is best known for its decisive defeat of the French privateer schooner 'Jeune Richard', which, despite the much greater resources and man-power of the French vessel, resulted in its capture at the hands of the 'Windsor Packet'. A contemporary report of the action describes how 'This achievement reflects the highest honour upon every office, man, and boy that was on board the Windsor Castle; and, in particular, the heroic valour of her commander, so decisive of the business, ranks above all the praise. Had Captain Rogers stayed to calculate the chances that were against him, the probability is, that the privateer would have ultimately succeeded in capturing the packet; whose light carronades could have offered very little resistance at the usual distance at which vessels engage; and whose very small crew, without such a coup-de-main, ay, and without such a leader, could never have brought the combat to a favourable issue'.
Sir William Blake Richmond, RA, British 1842-1921- Porch of Sultan Hassan; oil on panel, signed with initials and dated 'W.B.R 1888' (lower right), 40 x 29.4 cm. Provenance: Purchased in 1912 from the Fine Art Society by Constance Goetze (wife of the artist Sigismund Goetze). Purchased in 1986 by a private collector, Melbourne, Australia and thence by descent. Literature: Helen Lascelles, 'The Life and Works of Sir W. B. Richmond, special Christmas edition of The Art Annual', 1902, illustrated p.21. Simon Reynolds, William Blake Richmond – An Artist’s Life, 1842-1921, 1995, pp.350, 356, 358. Exhibited: New Gallery, London, 'The Works of Sir William Blake Richmond, Winter 1900-1901', either no.248 or no.252. The Fine Art Society, London, 'Paintings of Italy, Greece and Egypt by William Blake Richmond', March 1912, no.19. Royal Birmingham Society of Arts, 'Autumn Exhibition', 1912, no.116. Note: ‘The minarets and towers of Cairo are gilded with a pale gold shimmer. The city is a phantom, it is transparent, it is light all light, but so delicate that every detail is concealed within the soft embracing atmosphere. Nothing looks real – nothing is to be grasped – the city is an unreality…’ (William Blake Richmond, 'The Silver Chain', 1916, p.24). Richmond first visited Cairo in 1885 and was enchanted by the city, making several return visits in the next few years. He was particularly interested by the places of worship and painted the Mosque of Sultan Hassan several times, including a depiction of the interior courtyard (private collection). As his wife later recalled; ‘This was the most Eastern place that Sir William visited, and the tropical heat, the low mud huts, the brilliant moonlight on the palms, the crowds of Arabs, and the primitive way of life, were to him intensely attractive… He stayed some time in Cairo, devoting himself especially to drawing in the mosques and about the environs of the delightful city, not yet spoiled by European barbarians, frequently spending the entire day in one or other of the mosques observing the picturesque crowds of Arabs, negroes and Copts passing from the shadow of the deep doorways and recesses to the full light of the court open to the sky. One has not realised what colour is until the East has been visited.’ (Helen Lascelles, 'The Life and Works of Sir W. B Richmond, special Christmas edition of The Art Annual', 1902, illustrated p.21).
Paul H Ellis, British fl.1882-1908- Street Scene in Jerusalem; oil on canvas, signed 'Paul.H.Ellis' (lower left) and inscribed 'Street. Scene / Jerusalem' verso, 25.3 x 20.4 cm. Provenance: Private Collection, UK. Note: Ellis was most prolific as a painter of Orientalist scenes, with street scenes of Middle Eastern and North African cities, including Istanbul, Thebes, and Cairo, forming a significant part of his output. The present work, depicting a busy street in Jerusalem illuminated by a warm, golden light, is typical of the artist's work.
An octagonal silver cigarette box with gilded interior, Walker & Hall, Sheffield 1938, 10cm, 5.2oz.Condition report:Shape remains very good, no dents or distortions. The cover closes very flush. Slight rubbing to the maker's touch mark to the body, but crisp assay and date letter, and crisp marks elsewhere. Minor rubbing to the gilt interior of the cover where it closes over the body. Light surface scratching and wear.
Haselbech oak dining table, rectangular boarded top with cleated ends, turned legs, 153x92cm, height 77cm.Condition report:The top is in good overall condition, only a few light surface marks and scratches, however the corner ends all have scuff and heavy scratching (see additional images). Frame is sound. Legs and friezes are relatively free of significant marks and wear. Distance between the legs on the end 55cm, distance between the legs along the sides 88cm.
Early 19th century needlework panel of cupid in a rose garden, in a gilt frame with ribbon surmount, panel measures 48cm x 41cm; a gilt framed Regency style mirror, oval plate, with Urn and Swag mount, 71x44cm; and a brass and onyx four-light candelabra, 37cm.Qty: 3Condition report:There are losses to the embroidery, repair and damage to the top of the frame. There are losses and cracks to the mirror surround. The centre of the candelabra and one foot are loose. Please see additional uploaded images.
Victorian pine cupboard, two doors, plinth base, width 77cm, depth 45cm, height 77cm.Condition report:Colour variation, staining, and some light surface scratching throughout. The interior is equally a little stained. There is a 5mm gap between the cupboards so not exactly a tightly sealed cupboard. Latch is replaced.
1931 The Melton Mowbray of John Ferneley, Major Guy Paget. The first edition of this work of sporting / hunting interest, presented in original dust wrapper. Complete with publisher's order sheet, dedicated to H. R. H. The Prince of Wales. Illustrated with plates in colour, photogravures & half-tones. Some light discolouration & bumping to the book, d/w has noticeable sunning to the spine and a tear to the head of the spine. 4to.
An early 20th century Austrian 900 standard silver gilt and guilloche enamel cigarette case, Vienna circa 1920, the all over engine-turned design with white spiral straps and picked out in gold, gilt interior, hallmarked, maker's mark A-K, 9 x 6 cm, 156g, in very good condition, light wear from occasional use
A ladies Longines Dolce Vita stainless steel quartz wristwatch with rectangular white dial signed, Arabic twelve and six, interspaced with baton markers, case back signed L5.158.4, approximate case width 11.2mm and a ladies Omega De Ville stainless steel quartz wristwatch, the gold toned rectangular dial with baton markers, case, 23mm x 18mm, set to a bi-colour brick link strap with folding snap clasp: general light wear to both, watches wind, in need of a battery, overall condition good (2)
Barbie - Mattel - Three unboxed vintage Barbie dolls plus some accessories. Lot includes Crystal Barbie; Magic Moves Barbie (operated when tested); and Twirly Curls Barbie. Dolls show light signs of play - Magic Moves Barbie has some age related staining to outfit - and on the whole, the dolls appear to be in Very Good condition. Dolls are unchecked for completeness. (3) (This does not constitute a guarantee) (K)
Denys Fisher - Kenner - An unboxed Kenner 'Steve Austin' (Six Million Dollar Man) wearing Back Pack Radio, with several unboxed items of clothing. The figure comes wearing red top and trousers, and white socks and is marked 'General Mills Fun Group' to rear of torso, and also has the 'fake' rubberised 'roll-up' skin over the right arm (appears reproduction). On its back the figure wears the Back Pack Radio which comes with wire, antenna, headphone helmet - inside the pack is the 'radio' earpiece. The figure and pack show light signs of play appearing to be Excellent condition overall. The figure also comes with a small group of clothing which includes 'Maskatron' jacket and trousers; 'Critical Assignment T-Shirt and Shorts' and similar. Clothing appears to be in Good - Very Good condition with some signs of age to some. (This does not constitute a guarantee) (K)
Denys Fisher - Kenner - An unboxed Kenner 'Steve Austin' (Six Million Dollar Man) with Biosonic Arm. This scarce version comes wearing red stripe shirt with 6MDN badge, denim jeans, and red trainers. The figure itself is marked 'General Mills Fun Group' to rear of torso, and has some very light play marks to torso appearing to be in Excellent condition overall. The figure comes with three 'breakaway' wooden planks, and six plastic 'concrete' blocks. (This does not constitute a guarantee) (K)
Carrera - A boxed Carrera Evolution James Bond 007 Goldfinger slot car set - The 1:32 #25330 set comes with instruction manual, track, 2 x controllers, 2 x cars. Set appears in very good condition. Box appears ingood condition with light storage wear. (This does not constitute a guarantee) (M)
Denys Fisher - Kenner - An unboxed Denys Fisher 'Bionic Bigfoot' (Six Million Dollar Man). The hard to find figure comes with its switch and bionic compartment chest cover. The figure shows some signs of very light play otherwise appears to be in Very Good - Excellent slightly dusty condition overall. (This does not constitute a guarantee) (K)
Dinky - 6 x unboxed airplanes including Messerschmitt Bf109E in desert camouflage # 726, 2 x P-47 Thunderbolt # 734, Spitfire MKII # 719, A6M5 Zero-Sen # 739 and Junkers JU87B # 721. They show signs of light use, some have minor damage / small parts missing, they appear Fair to Good overall. (This does not constitute a guarantee) [ba]
Denys Fisher - Kenner - An unboxed Kenner 'Steve Austin' (Six Million Dollar Man) in OSI Undercover Assignment outfit. The figure comes wearing denim jacket and jeans (GMFGI label inside jacket) blue jumper with 6MDN badge, and brown shoes - the watch and bionic pack are missing. The figure itself is marked 'General Mills Fun Group' to rear of torso, and is missing its removable modules to the right arm, and has some light play and age discolouration marks to face and torso - on the whole the figure and outfit appear to be in Very Good condition. (This does not constitute a guarantee) (K)
Dinky - 2 x unboxed Shado 2 vehicles from the UFO TV series, one with dark green body, base and orange underside of roof, the other has dark green body and underside of roof and a light green base. Both have dark green rollers, black tracks and white interiors. They appear Very Good with only light signs of use. (This does not constitute a guarantee) [ba]
Atlas Editions, Warships of World War 2 (WW2) Collection - 24 x boxed die-cast battleships and a binder of Ships of War catalogues - Lot includes an Atlas Editions #7134111 USS Hornet. An Atlas Editions #7134112 USS Lexington. A 1:1000 USS Missouri 1944, and similar. Models appear mint in mostly very good boxes. Some boxes have light storage wear. (This does not constitute a guarantee) (M)
Loading...-
534325 item(s)/page