Du Maurier, Daphne. Rebecca, first edition, London: Victor Gollancz Limited, 1938. Octavo, publisher's cloth lettered in gilt. Contents generally good with toning and occasional light spotting; slight wear and small crease to blank leaves at rear; binding solid with light rubbing to spine and light wear to corners; a little dusty
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Ashbee, Charles Robert. Four Essex House Reprints: The Deserted Village; Elegy Written in a Country Churchyard; The Eve of St Agnes; Adonais, London: David Paradine Developments Limited, 1977. Printed by Kingprint of Richmond, each one bound by Weatherby Woolnough of Wellingborough in green card covers lettered in gilt, the whole housed in a grey paper-covered slipcase bearing gilt paper label. Very well preserved, clean, bright; a couple of light scuffs to the slipcase
Bremer Presse. Emerson, Ralph Waldo. Nature, Munchen: Bremer Presse, 1929. Limited edition numbered 70 of 280 for subscribers of the Bremer Presse. Printed by hand on Zanders hand-made paper. Quarto, quarter-parchment lettered in gilt with marbled boards. Very well-preserved, clean, bright; a couple of very light marks to parchment spine; a couple of faint marks to the endpapers
Classroom posters, 1930s/40s. Teaching in Practice for Infant Schools: Projects and Pictures, complete 60 colour plates (as called for), including one of a young Queen Elizabeth II (as Princess), one of Mickey & Minnie Mouse, one of Bonzo the dog, various world cultures/industry. Plates measuring 36cm by 34.5cm. Housed in original folder bearing printed Index. Generally well-preserved with bold, vibrant colours, some with light creasing from handling, a couple with heavier creasing and marginal wear (first and last plate with short tears at top)
Golden Cockerel Press. Gill, Eric (Illus.). Sonnets and Verses, by Enid Clay, illustrated with wood-engravings by Eric Gill, Golden Cockerel Press, 1925. Limited edition numbered 177 of 450. Octavo, quarter-cloth with paper title label and blue paper covered boards. Contents good, clean, bright; binding tight and solid with some general discolouration and light wear to extremities
Zapf, Hermann. Manuale Typographicum: 100 Typographical Arrangements, Frankfurt & New York: Z-Presse, 1968. Limited edition, signed by Hermann Zapf and numbered 330 of 800 (Exemplar). Quarto, quarter-vellum lettered in gilt, Tiranti Bookshop ticket on front pastedown, housed in card slipcase. Very well-preserved, clean, bright; light wear to corners; glue mark to front free endpaper; some marks and wear to slipcase
Harris, Moses. Natural System of Colours, [second edition, considered almost as scarce as the first], London: Printed by L. Harrison and J. C. Leigh, 1811. Edited by Thomas Martyn and dedicated to the second President of the Royal Academy, Benjamin West. Association copy, originally belonging to Benjamin West but not inscribed. Quarto, half crushed morocco with paper-covered boards and morocco title label lettered in gilt. Title, dedication, address (two pages), text complete in 11 pages, and complete with three hand-coloured plates: Prismatic, Compound, Examples. Loosely inserted sheet of pencil-sketched circles. Contents generally very good, the hand-colouring well-preserved and vibrant; dedication page bearing manufacturer's watermark (J Whatman 1808); some light, even toning (more noticeable in some places than others); protective tissue-guards present for the first two plates; tissue-guards foxed; occasional pale marks/spots in places; very faint creasing and light wear to edges in places; boards rubbed and worn, contents loose, loss to the leather at spineVery scarce. Only a few copies of the first edition are known to exist (including the Royal Academy's copy, which is lacking the third plate). In 1963, Faber Birren published 'a facsimile edition of what is perhaps the rarest known book in the literature of color'. This second edition is considered almost as rare as the firstProvenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820). It is known that West was greatly interested in the discipline of colour theoryDr Alexandra Loske has kindly provided the following comments for inclusion in this catalogue:'This is a very exciting book to appear in a public auction. It may be a short work, but it is one the most influential and beautiful books in Western colour history. The entomologist Moses Harris was the first to introduce detailed colour wheels in English literature on colour, in the late 18th century. This splendid second edition, published posthumously in 1811, is evidence of the increasing interest in colour in the 19th century, and in Enlightenment sources. Only a year earlier the German polymath Johann Wolfgang von Goethe had published his substantial Zur Farbenlehre (On the Doctrine of Colours), and shortly after the British "Colourman" George Field wrote his first of many books on colour theory. Fewer than ten copies of the first and second editions of Harris's book are recorded. I have inspected almost all of them, and the quality of the hand-coloured plates in this copy is outstanding.'Dr Alexandra Loske, colour historian and author of Colour: A Visual History (2019), University of Sussex and Royal Pavilion & Brighton Museums
De Quincey, Thomas. Confessions of an English Opium-Eater, edited by Richard Garnett, large paper edition numbered 29 of 50 and signed 'Charles Whittingham & Co.', London: Kegan Paul, Trench & Co., 1885, printed at the Chiswick Press. Octavo, bound by Riviere in full vellum lettered in gilt, marbled endpapers, top edge gilt (remainder untrimmed). Very well-preserved, clean, bright; light bump to upper headcap
Gaskin, Arthur J. (Illus.). Stories by Hans Christian Andersen, in two volumes, London: George Allen, 1893. The influence of William Morris is evident in Gaskin's illustrations. Octavo, publisher's pictorial cloth, patterned endpapers. Contents generally very good, clean, bright; occasional handling marks and little spots; wear to edge of final page in first volume (originally uncut); bindings solid with some marks, fading to spines, and light bumping/wear to headcaps/corners (2)
Breitling. A Breitling Crosswind Gentleman’s stainless steel Automatic Chronograph Wristwatch, c. 1999, ref. no. B13055 serial 9349, with black dial having gold Roman numerals and three gold tone ringed subsidiary dials with date aperture at ‘3’, case approx. 45mm diameter, on Breitling stainless steel and 18k bracelet with fold-over clasp, with warranty and paperwork Condition: light wear, sold as seen, service advised
Wooster, David. Alpine Plants, first & second series (two volumes), second edition, London: George Bell & Sons, 1874, publisher's blue embossed buckram lettered in gilt, illustrated with numerous chromolithographic plates. Together with A New British Flora: British Wild Flowers In Their Natural Haunts, in six volumes, London: Gresham Publishing Company, 1919, publisher's gilt blue cloth. Contents generally good, clean, bright, occasional light marks and wear; bindings generally solid with bumps and wear in places (8)
Laboratory Press. Garnett, Porter. A Documentary Account of the Beginnings of the Laboratory Press, Carnegie Institute of Technology, for private distribution, Pittsburgh: The Laboratory Press, 1927. One of 95 copies printed on Crown & Sceptre paper. Including a loosely inserted compliments slip from Laboratory Press. Quarto, quarter-vellum with paper title label and marbled boards. Contents very good, clean, bright; binding tight and solid with a couple of trivial bumps and light wear to corners
Rackham, Arthur (Illus.). The Legend of Sleepy Hollow, by Washington Irving, first edition thus, London: Harrap, 1928. Quarto, publisher's gilt green cloth, top edge gilt, eight colour plates and 30 black & white illustrations within the text. Contents good and bright with spotting to opening leaves and outer page edges; Ex Libris bookplate obscuring owner inscription on front free endpaper; binding good, tight, solid, light wear to cloth at extremities
Pullman, Philip. His Dark Materials. Signed trilogy. Northern Lights, 1995; The Subtle Knife, 1997; The Amber Spyglass, 2000. First editions, Subtle Knife a second issue, London: Scholastic. Each book signed by the author in blue ink on title. Octavo, publisher's cloth lettered in gilt, complete with dust-jackets. Northern Lights with first issue dust-jacket: 'Point' on spine; 7-9 Pratt Street address on rear inner flap. Contents very good, clean, bright; some light handling marks and tiny scuffs to outer edges of text-blocks; bindings good and solid with slight shelf-lean and light bumping to headcaps; dust-jackets lightly knocked at edges/headcaps with faint wear at corners; Northern Lights with slight wear to dust-jacket at bottom of spine (3)
Golden Cockerel Press. Morgan, Gwenda (Illus.). Gray's Elegy Written in a Country Churchyard, London: The Golden Cockerel Press, 1946. Limited edition numbered 727 of 750, printed on Arnold's mould-made paper, eight engravings by Gwenda Morgan. Octavo, quarter cloth lettered in gilt with marbled boards, top edge gilt (remainder untrimmed). Very well-preserved, clean, bright; light wear to corners. Together with a scarce illustrated edition of Thomas Gray's Elegy published by Hurst & Blackett, 1902, printed by George W. Jones, rebacked with original boards, internally good (2)
Fry, Edmund. Pantographia: Containing Accurate Copies of all the Known Alphabets in the World, London: Printed by Cooper & Wilson for John and Arthur Arch, 1799. Bearing bookplate on front pastedown, 'From the Library of Philip Viscount Snowden of Ickornshaw'. Octavo, later half-calf, ex-library and bearing several stamps for Keighley Institute, Milligan Collection, 1897. Contents generally very good throughout with occasional light toning and marks; binding tight and solid with bumps and wear to corners and spine
Thackeray, William Makepeace. The Works, in 13 volumes, London: Smith, Elder, & Co., 1910. Octavo, half crushed morocco lettered in gilt, top edge gilt, marbled endpapers, bookseller's tickets on front pastedowns (Henry Walker, Leeds). Contents generally good and bright with some spotting; some wear to edges of what must have been uncut pages; bindings tight and solid with some handling marks to cloth and light wear to extremities of morocco; spines discoloured. Together with The Baby's Opera, by Walter Crane, London: Warne Ltd., no date, worn dust-jacket (14)
J. K. Harry Potter and the Deathly Hallows, first edition, hardback, signed by the author in black ink on title page ('To Joely, J K Rowling', with hologram sticker), London: Bloomsbury, 2007. Contents very good, clean, bright; small pale mark on title page and again opposite with faint wear to gutter; one very small ink mark to lower edge of text block; binding tight and solid, boards very good and bright; vibrant well-preserved dust-jacket with light bumping at edges and a couple of very faint marks. The seventh and final novel of the Harry Potter series
Georg Braun & Frans Hogenberg. Canterbury, bird's eye plan, 1588 or later, hand-coloured copper engraving on laid/chain-lined paper. Framed and glazed recto & verso, 31.5cm by 45.5cm (mount window recto). Appears well-preserved with light general toning; one very small area of wear with slight loss by central fold-line
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's laminated pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual light toning to page edges; a small scuff to fore-edge just lightly chipping into the extreme edges of paper; binding very well-preserved, tight, solid, laminate entirely present, boards and spine bold and vibrant; the very faintest of wear to extreme corners; incredibly light bumping to headcaps; incredibly faint rubbing and tiny marks to laminate. The author's debut novel and first in the Harry Potter series. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries - this being one of the more desirable 200
Bodoni, Giambattista. Manuale Tipografico, in two volumes, facsimile of the 1818 edition, London: Holland Press, 1960. One of 500 copies. Quarto, paper boards, housed in matching slipcase. Contents very good, clean, bright; bindings solid with some light discolouration/spotting to spines; splitting to slipcase
A collection of ten various late George III seal fobs, seven in unmarked yellow metal mounts, three in base metal, all set with intaglio seals in moss agate and other polished agates, height of largest 4cm (10)Condition: generally good overall with light wear in accordance with ageProvenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Upton, Florence K.; Bertha Upton. The Golliwogg's Polar Adventures, London: Longmans, [1900]. Featuring gift inscription for Christmas 1900. Oblong quarto, quarter-cloth. Contents very good, clean, bright; binding tight and solid with light rubbing/marks to boards and very faint wear to extremities; some wear/loss to endpapers
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents very good, clean, bright; usual very light toning to page edges; a few pages with tiny nicks to extreme edges and light fold-lines to a few corners; a couple of very faint marks in places; a very faint diagonal crease and light cockling to opening leaves; binding badly worn with splitting/loss to joints/edges/corners; only remnants of publisher's laminate present at extreme inner edges of boards; a sticker across base of spine, with a small patch of loss to pictorial boards at either side (upper and lower board). The author's debut novel and first in the Harry Potter series. Very scarce. One of only 500 copies, 300 of which were sent to libraries and schoolsProvenance: Purchased by the vendor 15 years ago at a table-top sale. Bearing Edinburgh City Libraries label and barcode to front free endpaper, stamped 'WITHDRAWN', with a long list of date stamps ranging from 15 December 1997 to 12 October 1999. Edinburgh City Libraries stamp and pencil details on copyright pageEdinburgh has long been regarded by many as "the home of Harry Potter"
Rowling, J. K. Harry Potter and the Deathly Hallows, first edition, hardback, signed by the author in black ink on title page ('To Hazel, J K Rowling', with hologram sticker), London: Bloomsbury, 2007. Together with provenance: original admittance card/ticket for the signing event at Natural History Museum, 20 July 2007; unused activities sheet from the event; three deflated/unused balloons from the event; three unused stickers; 'Moonlight Signing' ticket with handwritten number; original orange paper gift bag from the event; original poster; red HB pencil, plus three cinema tickets for Harry Potter and the Order of the Phoenix (12/07/2007) and an advertisement for Deathly Hallows audiobook. Book contents very good, clean, bright; binding tight and solid with vibrant well-preserved dust-jacket (unread); a few light bumps to boards beneath dust-jacket; ephemera in excellent condition. The seventh and final novel of the Harry Potter series
Wills, A. W. Sunny Days in Burma, Birmingham: Privately Printed at The Midland Counties Herald Press, 1905. Quarto, full vellum lettered in gilt, top edge gilt (remainder untrimmed), illustrated with plates from photographs taken by the author, protective tissue-guards. Very well-preserved, clean, bright; a few tiny marks around half-title; light spotting to the outer untrimmed edges. Very scarce
**REOFFER IN JAN ATTIC SALE BISHTON £100-£150** An 18K black pearl and diamond Pendant, having rectangular bale grain set five round brilliant-cut diamonds, total diamond weight approx. 0.05ct, joined to ‘light peacock’ cultured pearl, with The Black Pearl Gem Co Certificate no. 24332, for 2006, pearl 9.7mm diameter, gross weight 2.8g, together with a pair of 14K black cultured pearl drop Earrings, each pearl approx. 9.0mm diameter (3)
Burns, Robert. Poems, Chiefly in the Scottish Dialect, to which are added Several other Pieces not contained in any former edition of his poems, Glasgow: Chapman & Lang, 1801. Contemporary half-calf with marbled boards, stipple-engraved frontispiece portrait of Burns, etched plate depicting the house in which he was born. Contents with toning and occasional light spots and stains; binding with bumping and wear; lacking title label to spineProvenance: By descent. Vendor's late husband was descended on his mother's side from noted artist Benjamin West PRA (American, 1738-1820)
Gregynog Press. Milton, John. Four Poems by John Milton: L'Allegro, Il Penseroso, Arcades, Lycidas, with Wood-Engravings by Blair Hughes-Stanton, Newtown: The Gregynog Press, 1933. Limited edition numbered 87 of 250. Tall octavo, red Heritage calf, lettered on spine and blind-embossed on upper cover. Internally good, clean, bright; calf lightly worn all over; pencil inscription on front free endpaper with light wear from a couple of erased inscriptions
Naphtol AS in Textile Printing, manual, c.1925, featuring more than 250 coloured swatches (including Art Deco patterns). Quarto, red buckram lettered in gilt. Contents good, clean, bright; swatches well-preserved and vibrant; some pale spotting to endpapers; binding good and solid with general rubbing and light marks
Carroll, Lewis. Through the Looking-Glass and What Alice Found There, London: Macmillan, 1928. Octavo, publisher's pictorial green cloth. Contents good, clean, bright; some light spotting to edges of text-block; binding bright and solid with a couple of little marks, bumping to corners and shelf-lean
Breitling. A Breitling Old Navitimer Gentleman's stainless steel and 18k gold Automatic Chronograph Wristwatch, c.1999, the navy blue dial with three subsidiary dials and date aperture at ‘3', signed 'Breitling Navitimer', case approx 41.5 mms diameter, ref. no. ‘D13022’ ‘ 9434’, on Breitling 18k gold and stainless steel bracelet with fold-over clasp, bakelite box with warranty and paperworkCondition: light wear, ticking, sold as seen, service advised
Potter, T. R. The History and Antiquities of Charnwood Forest, London: Hamilton, Adams, and Co., 1842, complete with 20 engraved and lithographic plates, ten wood engravings within the text, frontispiece, and pictorial title (as called for). Contemporary embossed cloth boards, rebound to style with recent spine, spotting and light dampstaining in places (including pictorial title). Leicestershire Interest
Vigano, Vico (Illus.). Albo Pascoliano, limited edition signed by the artist and numbered 95 of 500, Bologna: Nicola Zanichelli, 1911. Quarto, full vellum, 15 etched plates with protective tissue-guards, etched portrait mounted on upper board, two indistinctly signed inscriptions on half-title. Light foxing throughout; binding well-preserved with a few scratches and light marks
Fleece Press. Brett, Simon. Mr Derrick Harris: 1919-1960, Denby Dale: The Fleece Press, 1998. One of 280 copies, printed on Zerkall paper, bound by Smith Settle in quarter-cloth with paper title label and paper covered boards, separate folders of engravings and colour prints, the whole housed in a fitted cloth-covered solander box. Very well-preserved, clean, bright; some very light marks to cloth case
Menpes, Mortimer. Japan: A Record in Colour, London: A. & C. Black, 1901. Featuring an original watercolour sketch on title page, inscribed, 'To G W Jones from Mortimer Menpes'. Quarto, publisher's gilt cloth, top edge gilt (remainder untrimmed). Contents very good, clean, bright; occasional light spotting (usually confined to the captioned tissue-guards); lacking half-title; binding tight and solid with some handling marks and light wear to extremities
Collection of miscellaneous books, 19th & 20th century, to include Seventy-Five Portraits of Celebrated Painters, etched by James Girtin, London: J. McReery, 1817; Character Sketches from Charles Dickens, by "Kyd", London: Raphael Tuck [c.1899]; Picture Logic, by Alfred James Swinburne, fourth edition, London: Longmans, 1881; The Life and Letters of Charles Samuel Keene, by George Somes Layard, limited edition signed by the author and numbered 104 of 250, London: Sampson Low, 1892; Rupert Stories, by Mary Tourtel, London: Sampson Low [1947]; The Light Side of Egypt, by Lance Thackeray, London: A. & C. Black, 1928; Dutch and Flemish Flower and Fruit Painters, by Ralph Warner, London: Mills & Boon, 1928; Ducatus Leodiensis: Topography of the Town and Parish of Leedes, by Ralph Thoresby, Leeds: Robinson, 1816, and others, condition varied, as found, in two cartons (2)
The Book of Psalms, one of only ten copies printed by Ronald Harrington Hutson, Lincoln, 1932. Octavo, full vellum lettered in gilt. Featuring tipped-in autograph letter signed by Hutson, in which he states 'there are 10 complete bound copies in existence'; the endpapers and opening blank with owner inscriptions as referred to in the letter. Binding very good, tight, solid; contents generally very good with occasional pale spots and a light tape mark to rear blank
Pope, Alexander (Transl.). The Iliad of Homer, first volume only, London: W. Bowyer, 1715. Quarto, full contemporary panelled calf, engraved frontispiece, red & black title page, engraved head-pieces/vignettes and capitals within the text, bearing armorial bookplate for Sir Henry Paston-Bedingfeld, Baronet. Contents generally good and bright, some light damp; binding worn with splitting to joints and some loss to calf. Together with The Pictorial Museum of Animated Nature, Vol.I only, London: Charles Knight, no date, quarto, with wear/damp as found (2)
Breitling. A Breitling Navitimer TwinSixty Gentleman’s stainless steel Automatic Chronograph Wristwatch c. 1999, the black dial with four subsidiary dials, luminous hands, case approx. 41mm diameter, ref. no. ‘A39022’ ‘0532’, on Breitling stainless steel bracelet with fold-over clasp, with warranty and paperworkCondition: light wear, ticking, sold as seen, service advised
Cresset Press. Spenser, Edmund. The Shepheardes Calendar, illustrated by John Nash, London: The Cresset Press, 1930. Limited edition numbered 34 of 350. Illustrations coloured in the stencil process at Curwen Press. Small folio, quarter-vellum lettered in gilt with cloth covered boards, top edge gilt (remainder untrimmed). Contents very good, clean, bright; some toning to rear endleaves; two neat stamps and reference number from County Technical Library; binding tight and solid with some light marks and bumps to corners; some wear to cloth
Rowling, J. K. The Harry Potter Gift Set: Harry Potter and the Philosopher's Stone, first edition, fifth impression ("10 9 8 7 6 5"), hardback, London: Bloomsbury, 1997; Harry Potter and the Chamber of Secrets, first edition, tenth impression ("10"), hardback, London: Bloomsbury, 1998. Complete with slipcase depicting each cover (one on each side). Contents generally good and bright with some pale spotting to opening leaves of each volume; bindings tight and solid, boards well-preserved if a little dusty; dust-jackets with a couple of short tears, dirt to spines, a couple of light creases; slipcase well-preserved but dust/dirt along top edge
Breitling. A Breitling Crosswind Gentleman’s stainless steel and 18K gold Automatic Chronograph Wristwatch, c. 1999 ref. no. B13055 serial 0788, with white dial having gold Roman numerals and three gold tone ringed subsidiary dials with date aperture at ‘3’, case approx. 45mm diameter, on Breitling stainless steel and 18k bracelet with fold-over clasp, with warranty and paperwork Condition: light wear only, ticking, sold as seen, service advised
Rowling, J. K. Harry Potter and the Philosopher's Stone, first edition, first issue [one of only 500], London: Bloomsbury, 1997, hardback, publisher's pictorial boards, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice on p.53; 'Philosopher's' is misspelled 'Philospher's' to rear cover; 'Wizardry and Witchcraft' [rather than 'Witchcraft and Wizardry'] to rear cover. Contents with usual light toning to page edges, pale spots and occasional marks; worm damage through corner of pages throughout; lacking front free endpaper and half-title (presumably a library copy at some point, but with no reference to this); binding badly worn, lacking laminate, loss to spine/edges/corners/headcaps; spine crudely reinforced with tape. As found. Very scarce. Only 500 copies were printed of this true first issue hardback, and 300 of those were sent to schools and libraries
GEORGE FOX: COMPASSION TO THE CAPTIVES WHEREIN IS SHEWN UNTO THEM THE WAY OF GOD WHICH IS BUT ONE, WHICH IS NOT KNOWN IN THE MANY SECTS AND OPINIONS THAT ARE IN THE DARK WORLD BUT IN THE LIGHT WHICH COMES FROM CHRIST WHICH CONDEMNS THE WORLD WITH ITS DEEDS SO THEY THAT LIVE IN THE MANY SECTS AND OPINIONS THEIR WAYS SEEN AND DENIED BY THE CHILDREN OF LIGHT WHO DWELL IN HIM WHO IS THE WAY, THE TRUTH AND THE LIFE..., London, printed for Robert Wilson, 1662, 1st edition, lacks first leaf of index bound in before title, otherwise complete, collates [4] 3-279 lacks blanks, contemporary calf worn, scarce
W W JACOBS: 18 titles: THE SKIPPERS WOOING AND THE BROWN MAN'S SERVANT, London, C Arthur Pearson, 1897, 1st edition, 3rd issue, 8pp adverts at end for Autumn 1897, original green cloth gilt; MANY CARGOES, London, Lawrence & Bullen, 1897, 5th edition, lacks ffep, original pictorial cloth worn; SEA URCHINS, London, Lawrence & Bullen, 1898, 2nd edition, original pictorial cloth; A MASTER OF CRAFT, London, Methuen, 1900, 1st edition, lacks ffep, 47pp adverts at end for August 1900, some foxing, original pictorial cloth worn; LIGHT FREIGHTS, London, Methuen, 1901, 1st edition, 48pp adverts at end for July 1901, original pictorial cloth; ODD CRAFT, London, George Newnes, [1903], 1st edition, 5pp adverts at end, original pictorial cloth; CAPTAINS ALL, London, Hodder & Stoughton, 1905, 4th edition, original pictorial cloth; THE LADY OF THE BARGE, London and New York, Harper & Bros, 1905, 5th impression, original pictorial cloth worn and soiled; DIALSTONE LANE, London, Methuen, 1906, 1st Methuen edition, 41pp adverts at end for November 1907, original pictorial cloth; SALTHAVEN, London, Methuen, 1908, 1st edition, 40pp adverts at end for August 1908, original pictorial cloth bright gilt; SHIPS COMPANY, London, Hodder & Stoughton, [1911], 1st edition, original pictorial cloth worn, spine darkened; SHORT CRUISES, London, Methuen, 1911, 3rd edition, original pictorial cloth; NIGHT WATCHES, London, Hodder & Stoughton, 1914, 1st edition, original pictorial cloth; THE CASTAWAYS, London, Hodder & Stoughton, 1916, 1st edition, original cloth, spine dulled; DEEP WATERS, London, Hodder & Stoughton, [1919], 1st edition, original pictorial cloth; AT SUNWICH PORT, London, Methuen, 1926, original pictorial cloth, d/w + 2 others (18)

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534338 item(s)/page