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Lot 232
Military Toys by Dinky & Other Makers, including 151b 6-wheel Covered Wagon, 162 18-Pounder Field Gun Set, 152b Reconnaissance Car (2), 152a Light Tank, 161b Anti-Aircraft Gun On Trailer, 153a Jeep, solid steering wheel, Astra Searchlight, Anti Tank Gun, aircraft by Dinky, Timpo and Crescent, P-G (20+)
Lot 572
Various 1950s-1960s plastic Toy Vehicles and Aeroplanes, Trade box of 9 hard plastic trucks in various colours, in box for 12 items, label on side states 2222 Trucks, 1 Doz Asstd Colours Made in England, Brimtoy Pocketoy Trucks (3, one Overhead Repair lorry boxed, one lacks back)and three Hong Kong Copies (two incomplete), grey plastic Empire Made Scooter (lacks one brake lever) and six plastic BOAC friction drive Comets (3 red, 3 blue) and Palitoy yellow plastic car with light, F-VG, boxes P-G (qty)
Lot 645
Britains rare post-WW2 2024 Light Goods Van in a pale light green, with 'Britains' logo, complete with driver in blue uniform, generally G, a few faults, (2 with driver), drivers door slightly loose on hinge, right side rear door with split to bottom hinge and small 'crease' to bottom of window frame, some paint chips, 'Britains' logos worn, driver G,
Lot 130
D'Oyly John (1906-1993) An oil on canvas painting depicting a continental town scene with building, dock, boats and trees. Multiple figures with water, boats and mountains to distance. Signed to lower right hand corner Doyly John. Frame measures:49cm x 84cm. Painting measures: 34cm x 70cm. Condition, does have some light water markings to the sky.
Lot 152
Fanny Mary Minns (aka Frances Mary Minns) 1847-1929 - Isle Of Wight born artist. An incredible unseen sketchbook of studies by Minns. The inner board signed ' FM Minns -Edinboro August 1900 '. The book features several finished and unfinished sketches, largely annotated by Minns noting where and who they are of. Sketches of note include; Holy Loch, Lay's Yard Colchester, On Cowes Pontoon (studies of people), Court Chapel Dresden, Leopold Vienna, Hungarian Shepherd and many others. Some coloured. A charming and rare artist's sketch book. Fanny Mary Minns, was born at Node Hill, Carisbrooke, Isle of Wight, Hampshire in 1847, sixth and youngest child of William Minns, partner in the dry cleaning and dyeing business of Bright and Minns, and his wife Mary née Bright, who married at Niton, Hampshire on 28 March 1836. The dying business lasted for some 164 years and allowed Fanny, the luxury of training as an artist. In 1851, a 4 year old, living at Node Hill, Carisbrooke, Isle of Wight with her parents, 57 year old William of Southampton and 38 year old Mary, and five siblings, Jane 13, William 12, Charles 10, Walter 8 and Kate 6, all born at Newport. It seems probable that Fanny received painting lessons from Ellen Cantelo (c.1825-1898) of Carisbrooke, who made her living as an artist. As the Royal Academy in London was closed to women until 1862 Fanny proceeded to Dresden Art Academy and she established herself as a teacher of painting. Her father died in 1852 and Fanny continued to reside with her widowed mother on the Isle of Wight. Working in watercolour she produced a huge number of local landscapes, working 'al fresco' to capture the immediacy of light and colour. She also did hasty sketches for further work in her studio and her continental travels certainly took her to Switzerland where Alpine scenes, including the Matterhorn are among her works. A member of the Ipswich Art Club 1889-1890 and exhibited from Glen Cottage, Isle of Wight in 1889, three pictures, 'Roses', 'In the New Forest, Sunset' and 'Alpine Anemones' she also exhibited two items of earthenware but she exhibited widely, including the Birmingham Art Gallery, the Walker Gallery in Liverpool, the Royal Society of British Artists and the Society of Women Artists. As well as teaching painting, Fanny received commissions to illustrate books from several publishers, including for 'The Silence of Dean Maitland', by local author Maxwell Gray (Mary Gleed Tuttiett), and illustrated 'Romance of the Hill Station and Other Stories' by Mrs H S Lerverton and Mary's landscapes caught the attention of Ruddock and Co, providing views of the Island and Dorset in the 'Artist' series of postcards. In 1911, she held an exhibition of her work at the Unity Hall in Newport where she displayed 110 paintings. Mary travelled in search of new subjects until the end of her life. She was of Langsnek, Medina Avenue, Newport when she died Ryde, Isle of Wight on 11 May 1929, aged 82, and buried beside her mother at Mountjoy Cemetery in Carisbrooke, she was unmarried. She is sometimes recorded as Frances but her birth and death records are Fanny. (From www,suffolkartists.co.uk/index.cgi?choice=painter&pid=1909)
Lot 245
A stunning 19th Century Italian Venetian probably Murano glass chamberstick / candlestick having a cased gilt pineapple type decoration with scrolled handle decorated with aventurine fleck. Brass light fittings with petal decorated sconce. Converted to electricity in the early 20th Century with shaped section to underside of base. Measures: 12cm tall
Lot 454
Two late 19th century Victorian Cricklite, S. Clarke, Fairy Pyramid, Fairy night light pressed glass holders with Nailsea glass shades. The holders being pressed glass bowls with notation " Cricklite Clarkes Patent Trade Mark ". The Nailsea shades, one in red and an the other blue each with white pulled feather design. Measures; 12cm tall.
Lot 269
A 19th Century brass twin coaching / table desk lamp light oil lantern raised on stepped circular base with relief decoration. Central column supporting two arms under large frosted glass shades decoration with acanthus leaves and floral medallions. The oil burner twin pushers stamped Duplex England. Measures 72cm high.
Lot 438
A pair of late 19th century Victorian Cricklite, S. Clarke, Fairy Pyramid, Fairy night light cut glass holders with Nailsea glass shades. The holders being cut glass and faceted pedestal with notation " Cricklite Clarkes Patent Trade Mark ". The Nailsea shades being yellow with with white pulled feather design. Measures; 24cm tall.
Lot 436
A graduating pair of late 19th century Victorian Cricklite, S. Clarke, Fairy Pyramid, Fairy night light holders by Taylor Tunnicliffe pottery one being smaller each with a Thomas Webb Burmese glass shade. The holders being ceramic with textured floral exterior, gilt pierced rim, reservoir and a raised shade holder with notation " S. Clarke's Patent Trade Mark Fairy Pyramid ", Tunnicliffe pottery mark to base. The shades being milk glass with a gradient pink colourway. Measures; 19cm diameter.
Lot 463
Two late 19th century Victorian Cricklite, S. Clarke, Fairy Pyramid, Fairy night light pressed glass holders with flower glass shades. The holders being moulded glass bases with notation " S. Clarkes Patent Trade Mark Fairy ". The flower shades different colours, one red with yellow streks and the other blue each having textured petals and rims being marked ' Clarkes Fairy Pyramid '. Both A/F Measures; 11m wide.
Lot 25
SOUTH AFRICA AND RHODESIA, 2 VOLS Cape Town: Atkinson & Partners, circa 1925 & 1929 LIMITED EDITION, both numbered 404 of 500, folio, xiii + 526 pp, xv + 624 pp, 8 photogravures each, full original morocco; first volume: corners lightly bumped, light wear on top and bottom of spine, all edges gilt with some wear, paperloss on eps, photogravures with light foxing; second volume: light wear on hinges, spine sun lightened, some scuffing and nicks on front and back board, corners bumped, p. 359 duplicated, p. 361-2 missing, fingertip tear in ep with tape repair (2)
![Paris: Chez l'auteur & Durand (Vol IV), 1765-1775 FIRST FESSARD EDITION, 8vo, LXXI + [3] + 100; VI + 102; IV + 95; [iii]](https://cdn.globalauctionplatform.com/ce7a6bf4-1551-43d0-a521-aadf00cdd297/5b62a0fb-94b7-4841-b95f-aae1005dfe0b/468x382.jpg)
Lot 23
Paris: Chez l'auteur & Durand (Vol IV), 1765-1775 FIRST FESSARD EDITION, 8vo, LXXI + [3] + 100; VI + 102; IV + 95; [iii] + [2] + 134; [iii] + 103; [ii] + [1] + 115 pp, 6 engraved title pages + 1 frontis + 243 engraved plates + 243 vignette headpieces + 226 vignette tailpieces, full polished calf with gilt, all edges gilt, marbled end papers, Holland paper with wide margins, light wear to boards, some corners bumped, few isolated foxing marks in text blocks; Vol I: very light foxing in prelims; Vol IV: p. 29 – 31 incorrectly numbered as issued; Vol V: light foxing on eps (6)
![A La Haye: Aux Dépens du Libraire, MDCCXL [1740] NOUVELLE EDITION, 12mo, complete with 15 frontispieces and 7 fold out geneal](https://cdn.globalauctionplatform.com/ce7a6bf4-1551-43d0-a521-aadf00cdd297/3433c8bc-ee0a-400b-8a9e-aae1005e0000/468x382.jpg)
Lot 24
A La Haye: Aux Dépens du Libraire, MDCCXL [1740] NOUVELLE EDITION, 12mo, complete with 15 frontispieces and 7 fold out genealogical tables, full red morocco with gilt, waxed text block edges, marbled eps, label with previous owner’s name “Sum Caroli Whibley” on eps, light wear on hinges, some corners bumped, inner hinges worn, price in pencil on ep, frontis shadowed on facing page, intermittent light foxing in a few volumes, isolated small brown stains on a few pages; Vol 1: small stain on bottom of text block; Vol 8 & 10: first free ep loose (15)
![London: George Routledge and Sons, [c. 1890] EDITION DE LUXE, limited to 500, 8vo, illustrated, half bound in tan leather wit](https://cdn.globalauctionplatform.com/ce7a6bf4-1551-43d0-a521-aadf00cdd297/a6f89819-5d12-4475-aa7a-aae1005dfba1/468x382.jpg)
Lot 22
London: George Routledge and Sons, [c. 1890] EDITION DE LUXE, limited to 500, 8vo, illustrated, half bound in tan leather with gilt lettering and edging, light scuffing on boards, some wear to headcaps, uncut pages, tanning along narrow margin of first free eps of all volumes, most pages unopened, some volumes with inner hinge starting (30)
![Stuttgart: Eduard Hallberger, [1874] FIRST EDITION THUS, folio, two volumes in one as issued, [8] + 496 columns + 804 columns](https://cdn.globalauctionplatform.com/ce7a6bf4-1551-43d0-a521-aadf00cdd297/78484148-2954-470b-a4da-aae1005df657/468x382.jpg)
Lot 21
Stuttgart: Eduard Hallberger, [1874] FIRST EDITION THUS, folio, two volumes in one as issued, [8] + 496 columns + 804 columns (with two columns per page), 154 full page wood engraved illustrations, German translation of Old Testament with Hebrew headings and Roman Catholic Apocryphal books, recased with original covers laid down, boards worn, small tear in headcap, all edges gilt, remains of tape on front and back paste downs, foxing and tanning in prelims, 4cm tear at bottom hinge of half title page, foxing on text block edges, some small tears in lower margins of text pages as well as a few plates, first hundred pages show wear and light soiling with heavy foxing on approximately 4 pp, another 4 pp with heavy foxing in gutter, 5 pp in Apokryphen with foxing and damp stains in lower margin, foxing in the margins of the last 8 pp, about 13 plates with foxing in margins ranging from light to heavy
Lot 258
Great Britain. 1913 Pattern Bayonet. American manufacture, by Remington. For use in the Middle East. Wooden grip with two incised central lines. Maker's mark, date 1913, 3 17; acceptance marks at ricasso. Longer muzzle ring cross guard. Leather scabbard with metal fitting (marked W.J.H. / B) with round stud. Arabic number "400" on side edge of cross guard, symbol and Arabic number 2-6 on side of pommel. Light rust. Very Fine.
Lot 225
Great Britain. 1822 Pattern Light Cavalry Officer's Sword. By Dolan & Co., St. Martin's Lane, London. Gothic hilt guard, wire-wrapped fishskin grip, crosshatched, stepped button pommel. Single fullered, 32 1/8" blade with etched ornate pattern and crowned monogram of Victoria Regina; maker's name and brass proof mark at ricasso. Blackened metal scabbard with two ring mounts. Light scuffs and rust to scabbard. Otherwise a Very Fine sword.
Lot 257
Great Britain. 1913 Pattern Bayonet. American manufacture, by Remington, Dec. 1915. Blackened wooden grip with two incised central lines. Maker's mark, date 1913, 12 15; acceptance marks at ricasso. Longer muzzle ring cross guard. Leather scabbard with blackened metal fitting with round stud. Light residue at ricasso. Very Fine.
Lot 232
Great Britain. 1895 Pattern Infantry Officer's Sword. By J & B Pearse & Co., 28 Floral St, London. Nickel-plated steel half-basket hilt with royal monogram of George V, fish-skin wrapped grip, pommel with small ball finial. 32 1/3" single fullered blade with etched crowned and radiant George V monogram, maker's name and PROVED P brass inset at ricasso, brass scabbard with two rings. Some rust on basket, light staining. A Fine sword.
Lot 253
Great Britain. 1907 Pattern Bayonet. By Wilkinson, June 1915. Wooden grip. Maker's mark, crowned GR, date 1907, 6 '15; and test mark, acceptance mark, and other marks at ricasso. Leather scabbard with metal fitting with almond-shaped stud. R W K F 13 on front of pommel. Light rust. Very Fine.
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534325 item(s)/page