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Lot 416

A gilt metal hanging light fitting (no shade)

Lot 518

A 1930's brass and opaque glass panel ceiling light

Lot 1018

A pair of vintage mid century nautical interest desk lamp / table lights in the shape of fishing boats. One of wooden construction with brass safety rails, white frame, fisheye windows, raised on a wooden plinth base and a brass body boat with single light fitting raised on a wooden plinth base. Measures 5cm long. 

Lot 1091

A retro vintage industrial enamel light shade in the manner of Louis Poulsen The light has a circular curved UFO style shade and is decorated in a white colourway. Stamped made in Denmark to the  Measures 42cm wide. 

Lot 1103A

John and Sylvia Reid - Stag - A retro vintage 20th Century 1970's golden light oak upright pedestal chest of drawers. The chest having a single bank of sox straight drawers all having vertical square handles with circular centers with being raised on a plinth base. Measures 119cm x 77cm x 43cm. 

Lot 1111A

A vintage retro 20th century studio pottery ceramic table lamp by Celtic Pottery Newlyn Cornwall being decorated with black abstract motifs on a yellow and white background with brass light fixture 

Lot 1119

A group of three early 20th century circa 1930’s table lamps and lights to include an Arts and Crafts style copper lamp of a cylindrical form along with a large brass table lamp with tapered column raised on a circular foot together with a large copper and glass ceiling light having a white milk glass shade in a shape of a mushroom. Measures 77cm tall. 

Lot 1149

A pair of 20th century antique style Chinese oriental blue and white ginger jar table lamps having brass light fittings, blue transfer print decoration depicting floral motifs and rural scenes, raised on a circular hardwood plinth base. No makers mark visible. Measures 60cm tall. 

Lot 1362

A late 19th century French “ La Victoire “ gilt wood and plaster table lamp statue having grass light fitting to the top and raised on a plinth base. Brass plaque to the front reading “ La Victoire” After August Moreau. Measures 66cm tall.

Lot 191

A collection of vintage 20th century studio art glass ware to include Liskeard Studio Glass vases, Czechoslovakia studio art glass vases and bonbon dish, Murano style ashtray, Czech Art Deco Blown Yellow Cased Spatter Satin Glass Light Shade Ruckl Bohemian, etc. Lampshade measures 27cm diameter. 

Lot 203

A retro vintage Disney Mickey Mouse lamp having a globular shaped light shade set on a column shaped support raised on circular base with a Mickey Mouse figurine. Stamped C Walt Disney Productions. 31cm tall

Lot 920

A vintage 20th century desk lamp in a shape of miniature theatre light having four folding light deflectors adjustable light shade, high adjustable column raised on three points base finish in green colour. Peter John London label to the front.

Lot 941

E. Gomme- G Plan- Brandon Range- A retro 20th Century G Plan light oak pedestal bedside cabinet with single drawer over a single door cupboard.

Lot 953

A collection of four retro vintage light shades to include a UFO textured plastic shade, a cylindrical amber shade, a red fabric tasseled shade and more. Measures 38cm diameter.

Lot 963

A vintage late 20th century industrial factory UFO cage ceiling hanging light / lamp having brushed aluminium pendant shade with a metal wire cover. No makers marks. Measures 32cm length. 

Lot 167

Three six-branch ceiling light fittings; together with a selection of wall lights.

Lot 181

Seven white painted metal light fittings, two three-branch, four five-branch and one six-branch.

Lot 202

A pair of modern brass table lamps of rococo design, each 49cms high to top of light fitting.

Lot 329A

A Gear for Music 'Deluxe' 16.5" Chinese made Viola, with flamed maple two-piece back and rims, boxwood tailpiece and chin rest, light amber varnish, length of back 42cms, cased with bow.

Lot 392

19th Century British School - A portrait of a Victorian gentleman with red hair and beard, wearing a light-blue bowtie and a rose in his lapel, oil on canvas, 46.5 x 37cms, in gilt frame.

Lot 65a

A silver-mounted cut glass aspirator with light-blue enamel decoration; dressing table items, including: hand brushes; clothes brushes; pin jars; a pair of dwarf candlesticks; and a small quantity of costume jewellery.

Lot 10

Make & Model: Audi S4 T Quattro AutoDate of Reg: S4 VTPColour: Silvercc: 2995MoT: 15-09-2021Fuel Type: PETROLMileage: 70kTransmission: AUTOSummary: Customer has advised us that Oil Light is on due to Faulty Sensor + vehicle data sheet present showing service record at 39kVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=131867

Lot 106

DENHAM (DIXON) AND HUGH CLAPPERTONNarrative of Travels and Discoveries in Northern and Central Africa, in the Years 1822, 1823, and 1824, 2 vol., FIRST EDITION, engraved frontispiece and 36 plates (1 hand-coloured), one large folding map, illustrations in the text, occasional light spotting, short repair to blank margin of one leaf, contemporary diced calf, neatly rebacked in calf gilt, 4to (270 x 208mm.), John Murray, 1826Footnotes:An account of an expedition undertaken to discover the course of the Niger from the starting point of Tripoli, following along the Sahara trade route to the kingdom of Bornu (present-day Nigeria).Provenance: Edward Parker, of Brosholme, Yorkshire.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 115

After Henry Salt (British, 1780-1827)'The Town of Abha in Abyssinia'; 'The Mountains of Samyat'hand-coloured lithographs engraved by L. Bluck after Salt, light spotting and toning, mounted, framed and glazed, William Miller, 180947.5 x 65.0cm (18 11/16 x 25 9/16in). (2)For further information on this lot please visit Bonhams.com

Lot 159

CHAMPLAIN (SAMUEL DE)Les Voyages de la Nouvelle France occidentale, dicte Canada, FIRST COMPLETE EDITION, second issue with cancelled leaves D2-3 replacing the offensive passage regarding Richelieu, with inserted folding map of Canada by Champlain dated 1664, hand-coloured in outline, 6 large engravings in the text (2 full-page), woodcut map and one woodcut text diagram, numerous woodcut head-pieces and initials, light browning and foxing, some rust-marks to C3 at end, contemporary brown stained limp vellum, vellum spine label with manuscript title in ink (chipped), covers crinkled, remains of shelf label at foot of spine, preserved in cloth solander box with gilt lettered leather spine labels [Sabin 11839], 4to (226 x 162mm.), Paris, Claude Collet, 1632Footnotes:'LA PERE DE LA NOUVELLE FRANCE': the most complete edition of the Voyages of Samuel de Champlain (1567-1635), navigator, cartographer, explorer and founder of Quebec.A key figure in the history of Canada, Champlain crossed the Atlantic more than twenty times, founding Quebec and New France on 3 July 1608. From there, he explored the surrounding territory, allied himself with the Hurons and the Algonquins, and took part in the first Mass on the island of Montreal. He also created the first accurate coastal map during his explorations, and founded various colonial settlements.The work describes all of the preceding French expeditions to the New World as well as his own, with a history of Canada from 1619 to 1632. It also 'gives us the first accurate accounts we have of the Indians of the interior of the present State of New York. The most remarkable event in Indian history was caused by Champlain's first visit to the shores of the lake bearing his name. In a conflict between the two named races of savages, he gave the victory to his friends the Abnaquis, by the use of his musket. The Iroquois never forgave the injury, and thousands of Frenchmen were slaughtered to avenge it' (Thomas W. Field, An Essay Towards an Indian Bibliography, 1991, no. 268).The present copy has a large hand-coloured map of Canada, drawn by Champlain in 1616 and printed by Pierre Duval in 1664, inserted in place of the 1632 map which is missing in most copies. The eight illustrations include a map, natives in war dress, a village attack, a hunting scene, native women, a religious ceremony and a funeral rite. The text is complete with the 8-page map table, the Traitté de la marine et du devoir d'un bon marinier, and the final De la Doctrine chrestienne du R.P. Ledesme, not found in some copies.Provenance: François de La Poterie, former librarian to Cardinal Jules Mazarin, ownership signature ('La Poterye') at foot of title-page; Seminary of Sainte Magloire, inscription recording Poterie's gift at head of title-page ('ex libris Oratorii Sammagloriani. Ex dono Domini de la Poterye'). Sainte Maglore, founded in 1618, was the only seminary in Paris during the seventeenth century, and was a fertile training ground for future bishops. In the eighteenth century it became an active hotbed of Jansenism and, during the Revolution, the state seminary of Paris; unidentified old red stamp on title and last page.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 25

Anak Agung Gede Sobrat (Indonesian, 1911-1992)A busy market in Indonesia signed 'A.A.Gde Sobrat' (lower centre)oil on canvas124.5 x 83.5cm (49 x 32 7/8in).Footnotes:ProvenancePurchased from the artist by the current owner's uncle, Jacob Gjerding.Private collection, Denmark.Born in Padangtegal, Gianyar, Bali, Anak Agung Gede Sobrat was mesmerised by wayang kulit (traditional shadow puppetry) when he was a child. His grandfather, a well-known wayang puppeteer, taught more than carving rawhide puppets as he introduced Sobrat to a world of Hindu epics: the Ramayana and Mahabharata.Sobrat subsequently joined the Pita Maha group and became one of the first Balinese painters to adapt Western aesthetics into his paintings. He studied under German artist Walter Spies (1895-1942) and Dutch painter Johan Rudolf Bonnet (1895-1978). Spies' legendary style of magical-realism and mastery of light captured Sobrat's imagination, and later from Bonnet, Sobrat honed his techniques of portraiture. Subsequently, his style evolved from traditional compositions such as the use of the Malat scene of the landing at Tuban to pseudo-anatomical realism. (See Vickers, Adrian, Balinese Art: Paintings and Drawings of Bali 1800-2010, Tuttle Publishing, Singapore, 2012, pp.118-119, 182).Sobrat was best known for his depictions of village life and Balinese dance. This market scene aptly demonstrates his interest in appropriating bodily anatomy and space.His works are in the collections of the Neka Art Museum (Ubud, Bali), Museum Sonobudoyo (Yogyakarta, Java) and Rijksmuseum voor Volkenkunde (Leiden, Holland).For further information on this lot please visit Bonhams.com

Lot 68

Captain Claudius Richard William Harris (British, 1826-1862)Front View of the Ruined Mosque, the Jumah Musjid; and View of the modern village of Mandoo and of the ancient mosque the Jumah Musjid, a pairwatercolour each 22.8 x 34cm (9 x 13 3/8in). (2)unframedFootnotes:Both works offered are believed to be the originals upon which J. Guiand based two lithographs published in his The Ruins of Mandoo: The Ancient Mahommedan Capital of Malwah in Central India by J Guiand, of Nice from Original Sketches of Captain Claudius Harris of 8th Madras Light Cavalry with Descriptive and Historical Notices (Day & Son, London, 1859).For further information on this lot please visit Bonhams.com

Lot 97

ZANZIBARSTERN (IRMA) Zanzibar, NUMBER 27 OF 150 SPECIALLY BOUND COPIES, SIGNED BY THE AUTHOR, from an overall edition of 500 copies, tipped-in plates, light dampstaining to fore-margin throughout, AUTOGRAPH POSTCARD SIGNED BY STERN loosely inserted, publisher's fabric-backed cloth, light dampstaining, 4to, Pretoria, J.L. Van Schaik, 1948This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 262

WILLS, Sporting Terms (Cycling), Side Shake, A Light Roadster & A gear Case, Capstan fronts, Vice-Regal back (1), FR to generally G, 3

Lot 130

A pair of turned alabaster vases, 10" high, a brass five-light oil lamp, two oak bowls, three silver plated trays and a pair of vases

Lot 158

A 1930s moulded cloud glass lampshade, 5 1/2" high, a 1960s red spot decorated glass lampshade, a set of three shaded glass lampshades, two waved glass lampshades and a wall light

Lot 19

A pair of Baccarat cast and carved glass quadrant three-light candlesticks, 7" wide (chips)

Lot 197

A Danish silver two-light table candelabra with weighted base, 4 3/4" high, and a silver pin dish with weighted base

Lot 203

A Continental 800 grade cigarette case, a silver mounted vesta striker, a coffee spoon handle, formed as a claymore and a silver bladed fruit knifeCondition:Striker has a few small dents to silverCigarette case has some light surface scratchesThe tip of the fruit knife is bent 

Lot 223

A lady's Omega 9ct gold cased wristwatch with silvered dial and baton numerals, on 9ct gold bracelet, in red morocco leather boxCondition:Hands set fine.It winds and runs.The bracelet is hallmarked.Gross weight is 16.9gBox has some light scuffs 

Lot 224

A gentleman's Omega Seamaster automatic 18ct gold bracelet watch with silvered dial and Arabic and baton numerals, 33mm case dia, in brown morocco leather boxCondition:Hands set fine.The rotor does not wind and run.No dents to case or rims, no apparent deep knife marks around openings.No visible repairs or soldering to bracelet.Clasp and springs are okay and close tight.Gross weight 108.2gBox has some light scuffs to edges. 

Lot 262

A pair of Naive School prints, show cattle with owners and a similar pig, in moulded pine frames 15"x18" overallCondition:Reproduction prints, light marks to frames, no visible condition issues.

Lot 350

A set of six late 19th century carved bar back dining chairs with stuffed over seats upholstered in a light blue fern patterned linen, on turned supportsCondition:One or two small breaks in the back splats, clean and sturdy apart from that 

Lot 57

A Slovakian cut glass vase, 8 1/2" high, a celery vase, an etched bulbous stemmed vase, three opaque glass wines, a pair of candlesticks, a quantity of glass light fittings and shades, scent bottles, glass salts, jugs and other glassware

Lot 593

BRITISH SCHOOL - MR MASON'S HOUSE OSWESTRY; CHARLES DARWIN'S BIRTHPLACE SHREWSBURY, TWO, BOTH BEAR SIGNATURE, DATE AND INSCRIPTIONS, PEN AND INK, 18.5 X 26.5CM AND SMALLER (2) Both with light stains and foxing

Lot 594

WINIFRED WILSON (1882-1973) - THREE HORSES IN THE SHADE OF A TREE, SIGNED, OIL ON CANVAS BOARD, 16 X 26CMWinifred Wilson and her sisters, Violet and May, were all pupils of Sir John Alfred Arnesby Brown, RA Good condition, requires a light clean

Lot 606

ATTRIBUTED TO WILLIAM COLLINS,  RA (1788-1847) - CROSSING THE BRIDGE, SIGNED, INDISTINCTLY DATED 184- , OIL ON CANVAS, 22 X 36.5CM Patch repair centre right, support somewhat uneven on the stretchers but otherwise unlined, light craquelure, varnish yellowed with age, in ornate Victorian gilt frame with loss

Lot 625

ALFRED ALLAN (FL MID 20TH CENTURY) - WAVES BREAKING ON A SCOTTISH BEACH, SIGNED, OIL ON CANVAS, 61 X 95CM Varnish requires a light clean, the artist's card on the reverse

Lot 632

JOHN BRUNSDON, ARCA (1933-2014) STONEHENGE, 1977,  AQUATINT WITH MARGINS, SIGNED BY THE ARTIST IN PENCIL, INSCRIBED WITH THE TITLE AND ARTIST'S PROOF 1/10, 45 X 59.5CM No glass in frame; light water stain lower left corner and slightly creased

Lot 77

LESLIE DURBIN. AN ARTS AND CRAFTS SILVER CHILD'S MUG, FLARED CYLINDRICAL WITH TAPERING HANDLE, ENGRAVED WITH INITIALS S.J.O. AND DATE 1954, 77MM H, MAKER'S MARK, LONDON 1954, 5OZS 10DWTS One or two very light polish scratches only

Lot 790

A GEORGE III OAK TRIPOD TABLE, EARLY 19TH C, THE ROUND TOP ON BALUSTER PILLAR, 67CM H; 81CM DIAM Scuffs, marks and light scratches consistent with age and use. Solid on base

Lot 798

A NORTHERN EUROPEAN CARVED AND DARK STAINED OAK SIDE CABINET, FLANDERS, C1870, CARVED AND APPLIED WITH GROTESQUES AND DEMI FIGURES, THE UPPER PART ENCLOSED BY A DOOR WITH LEADED AND COLOURED GLASS LIGHT BENEATH CUSHION MOULDED CORNICE, THE DOOR TO THE LOWER PART CARVED WITH A 'TENIERS' SCENE, 226CM H; 50 X 99CM Good overall condition with light wear and some scratches to the top. Small triangular chip to one piece of glass in upper door

Lot 826

A LIGHT OAK DRAW LEAF TABLE AND A SET OF FOUR CHAIRS, TABLE 74CM H; 91 X 91CM Good clean solid condition

Lot 835

A MODERN LIGHT OAK SIDEBOARD, 87CM H; 122 X 35CM

Lot 836

A CONTEMPORARY LIGHT OAK SIDE TABLE AND A BEDSIDE TABLE, WITH OXIDISED OR PLATED METAL HANDLE OR KNOBS, BEDSIDE TABLE 47CM H; 49 X 50CM Both in good condition

Lot 85

AN EDWARDIAN GADROONED OVAL SILVER TEA CADDY AND COVER, 9CM H, MARKS RUBBED, BIRMINGHAM 1902, 3OZS 17DWTS Light wear but not noticeably dented, no repair

Lot 86

AN EDWARDIAN SILVER INKWELL, WITH REEDED BORDERS AND CUT GLASS LINER, 88 X 90MM, BY C & G ASPREY, LONDON 1906 Light wear, no engraving

Lot 1

A GOLD WEDDING BAND, UNMARKED, 7.5G, SIZE M Light wear, apparently made from several other rings

Lot 102

EIGHTEEN MAINLY GEORGE III - VICTORIAN SILVER SALT AND MUSTARD SPOONS, LATE 18TH / EARLY 20TH C, 5OZS 15DWTS In typical average condition with some light wear but mostly good

Lot 103

A SILVER HAND MIRROR AND HAIRBRUSH, DIE STAMPED WITH CHERUB'S HEADS, EARLY 20TH C AND LATER, MARKS OBSCURED Light wear but not apparently holed or split

Lot 108

A SET OF FOUR EDWARDIAN OBLONG SILVER SALT CELLARS ON FOUR FEET, 51MM L, BY H MATTHEWS, BIRMINGHAM 1909, 4OZS 12DWTS Light wear only

Lot 115

A CHRISTIAN DIOR EPNS  CIGARETTE BOX, C1970, THE LID INSET WITH A CARVED GREEN HARDSTONE STYLISED FLOWERHEAD, CEDAR LINED, 15 X 23MM, MARKED Christian Dior MADE IN FRANCE Light scratches and marks consistent with age

Lot 119

A GEORGE III SILVER TEA SERVICE, OF PROW FORM WITH GADROONED RIM AND GREEK KEY BORDER, THE DOMED LID WITH INTEGRAL HINGE, CRESTED, TEAPOT 13CM H, BY ROBERT, DAVID AND SAMUEL HENNELL, LONDON 1801 AND 02, 36OZS 5DWTS Light wear consistent with age, minor dents on widest part of teapot, play in hinge

Lot 124

AN AUSTRO-HUNGARIAN SILVER SALVER, WITH PLAIN FIELD AND NEO CLASSICAL STYLE CAST OPENWORK BORDER OF PATERAE AND FESTOONS, IN GUILLOCHE RIM, 39.5CM DIA, BY SCHWARZ AND STEIMER,  VIENNA, EARLY 20TH C, 48OZS 8DWTS Good condition, a few light polish scratches, no engraving back or front, no erasure

Lot 125

A GEORGE V SILVER ROSE BOWL WITH UNDULATING APPLIED C SCROLL AND FLOWER RIM, 15.5CM H, BY MAPPIN AND WEBB, BIRMINGHAM 1911, 19OZS 15DWTS Light polish wear only, marks reasonably good, in our opinion no erasure

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