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Lot 194

David Carr (20th century)'Winter Garden'signed 'DAVID CARR' l.l., also signed 'David Carr' and inscribed verso, oil on board61 x 61cmCondition report: Some surface dirt and dust, small holes at the corners and one small hole upper centre, probably from time of execution. Some slight paint loss along lower left edge. Not examined under UV light, please contact the department for a full report.

Lot 2

*Fred Yates (1922-2008) 'Chilham, Canterbury' signed and dated 'YATES 72' l.l., inscribed with title and artist's address on frame verso, oil on board 41 x 59cm *Artist's Resale Right may apply to this lot.Condition report: Surface very dusty with brown stains and brown powdery dirt. Would benefit from cleaning. Paint a little lumpy in places, for example in sky near central chimney. Unexamined under uv light. Contact department for further report and images.

Lot 205

*John Ash (1926-1999) Cafe scene signed 'ash' l.r., oil on canvas 77 x 87cm *Artist's Resale Right may apply to this lot.Condition report: In apparently good condition, unexamined under UV light, please contact the department for a full report. Some losses to the frame.

Lot 208

*Doris Zinkeisen (1898-1991) Elegant figures, horses and carriages a pair, pencil 18.5 x 30cm (2) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of gazed frame. Some light creasing.

Lot 210

*Doris Zinkeisen (1898-1991) Figures in carriage and on horseback; Figures and carriages before a castle a pair, the first signed with initials l.r., pencil 18.5 x 31cm and 14 x 29.5cm (2) *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frames. Figures in carriage and on horseback - some light handling creases and light grey marks to sky Figures and carriages before a castle - a diagonal crease to centre, light handling creases to sky, a tiny grey dot near left edge.

Lot 211

*Ernest Forbes (1877-1962) Harrogate, c.1920s signed 'Ernest Forbes RBA' l.r., oil on canvas 35.5 x 40.5cm *Artist's Resale Right may apply to this lot.Condition report: The canvas has been lined. There does not appear to be any significant signs of retouching nder UV light, presented ready to hang.

Lot 212

*Clifford Charman ROI (1910-1993) 'Billingsgate Buildings' signed 'Clifford Charman' l.l., oil on canvas board 77.5 x 56.5cm Provenance: Studio sale of the artist in 'Modern and Contemporary British and Continental Pictures', Bonhams London, 18 March 1993, lot 231. Exhibited: At the Guildhall Art Gallery, London, no.58. *Artist's Resale Right may apply to this lot.Condition report: Some surface dirt. Exhibition number '58' stuck down lower left and painted over. Some paint loss along the rebate of the frame and a scratch lower centre. Lower right corner, the canvas is coming away from the board. Please see illustrations. Not examined under UV light, please contact the department for a full report. There has been a knock to the frame at the upper-centre, otherwise it is well-presented and ready to hang.

Lot 213

*Clifford Charman ROI (1910-1993) South London oil on canvas board 66 x 55.7cm *Artist's Resale Right may apply to this lot.Condition report: Some white patches to the area of the lefthand door where it looks as if the picture has rubbed against something resulting in paint loss, also a few scratches near the top on the shop awning - please see illustrations. Not examined under UV light, please contact the department for a full report. The picture is smartly framed and ready to hang.

Lot 216

*Christopher Compton Hall (1930-2016) 'The Slate Works, Porthmadog, Wales' signed 'C.C. Hall' l.l. and inscribed as titled on artist's label verso, oil on board 26 x 31cm *Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition, not examined under UV light, please contact the department for a full report. Some small losses to the frame at the corners.

Lot 22

*Sir Eduardo Paolozzi RA (1924-2005) Clenched fist plaster 17 x 17 x 9cm *Artist's Resale Right may apply to this lot.Condition report: The bar protruding above and below the fist appears to have broken off and been reattached, with transparent yellow glue above, and white clay-like material or putty below. Surface knocks, abrasions and some small chips throughout, along with a little light surface dirt.

Lot 226

*Joan Warburton (1920-1996) 'Lobster' signed with initials and dated 1962 l.r., inscribed on label verso, pen and ink 35 x 38cm *Artist's Resale Right may apply to this lot.Condition report: A few scattered spots of brown foxing. A little light discolouration to the paper lower left corner. Also some very light ripples to the paper under the left claw, only visible from certain angles. Not seen outside of glazed frame.

Lot 227

*Joan Warburton (1920-1996) Portugal inscribed 'Portugal' l.r., pastel 40.5 x 53.5cm Provenance: With Sally Hunter Fine Art label verso. *Artist's Resale Right may apply to this lot.Condition report: Some light discolouration to the paper. Tiny speckles of foxing throughout, and a few larger spots in places. A little light cockling to the paper in lower right corner and right edge. Not seen outside of glazed frame.

Lot 228

*Joan Warburton (1920-1996) 'Bearded Iris and Iris Sibirica' signed with initials and dated '81 l.l., inscribed on old label verso, watercolour 52 x 32cm Provenance: With Sally Hunter Fine Art label verso. *Artist's Resale Right may apply to this lot.Condition report: A few light specks of foxing, for example in the centre, below the stems and above the yellow flower. A little light discolouration to the paper; a pale margin can be seen down the left edge. Not seen outside of glazed frame.

Lot 229

*Joan Warburton (1920-1996) Earl of Arran signed with initials and dated '95 l.r., pastel 35 x 51cm *Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Otherwise in good condition. Not seen outside of glazed frame.

Lot 232

*John Morley (b.1942) 'Fig and Redcurrants' signed and dated 'John Morley/2003' l.r., signed, inscribed as titled and dated verso, oil on canvas board 19.5 x 24.8cm A lifelong interest in botany began during Morley's childhood spent partly on an estate in Kent, where his grandfather was a gardener. He studied at Beckenham School of Art alongside David Inshaw and developed an interest in Sir Peter Blake and the Brotherhood of Ruralists. This group revered the beauty of the countryside and took inspiration from a wide range of artists. Morley chose to develop his infatuation with the countryside in East Anglia, whilst the rest of the group favoured the West Country. He and his wife, painter Diana Howard, settled in an isolated retreat near Beccles in Suffolk. Morley exhibited for 49 consecutive years at the Royal Academy Summer Exhibition, from 1964 until 2013. He was represented by the Piccadilly Gallery, London, for 30 years. *Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame or under UV light, but appears to be in good condition. Some slight paint flaking to the frame, otherwise well-presented and ready to hang.

Lot 242

*William H Jones (b.1953) 'Kirkby Lonsdale Churchyard' signed 'WILLIAM H JONES' l.r., signed, inscribed and dated 'Kirkby Lonsdale Churchyard/William H Jones 2015' verso, oil on board 28.5 x 57.5cm *Artist's Resale Right may apply to this lot.Condition report: Not examined under UV light, appears to be in original condition, well-presented and ready to hang.

Lot 246

*John Edmund Mace (1889-1952) 'Lincoln Cathedral' signed 'John Mace' l.r., inscribed as titled on artist's label verso, oil on panel 32 x 40cm *Artist's Resale Right may apply to this lot.Condition report: Dust on painting and frame. Some brown marks on surface. Otherwise appears to be in good condition. Not examined under uv light, so please contact department for a more detailed report.

Lot 249

*Stanley Orchart (1920-2005) The Ouse at Bedford and the Suspension Bridge signed 'Orchart' l.l., oil on board 46 x 122cm *Artist's Resale Right may apply to this lot.Condition report: Surface has some light dirt. Otherwise appears to be in good condition.

Lot 250

*John Frederick Lloyd Strevens (1902-1990) Portrait of the artist's wife signed 'Strevens' u.r., oil on canvas 45 x 33cm *Artist's Resale Right may apply to this lot.Condition report: Canvas a little loose, may benefit from re-stretching. Some craquelure to right side, left side and lower part. Possible issues with bitumen. Face seems to be ok. Not examined under UV light, please contact the department for a full report.

Lot 256

*John Ash (1926-1999) Ballerinas readying for rehearsal signed 'Ash' l.l., oil on canvas 86 x 76.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In apparently good condition, unexamined under UV light, please contact the department for a full report.

Lot 263

*Trevor Chamberlain (b.1933) Motcomb Street signed and dated 'T Chamberlain '93' l.l., oil on board 19.5 x 15cm *Artist's Resale Right may apply to this lot.Condition report: There is a possible repaired scratch to the centre of the board, however there is no fluorescing under UV light and the picture is well presented and ready to hang.

Lot 270

*Carl Felkel (Austrian, 1896-1980) Greek Coast signed 'C FELKEL' l.l., oil on canvas 45 x 65cm *Artist's Resale Right may apply to this lot.Condition report: Surface dirt. Some craquelure to sky. Canvas loose in frame. Not viewed under iv light. Contact department for a more detailed report.

Lot 289

*André Masson (French, 1896-1987) Untitled etching, signed 'André Masson' and numbered 4/50 in pencil image 26.5 x 20.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Light handling creases to margin, otherwise in good condition.

Lot 3

*Fred Yates (1922-2008) 'The Weir, Eel Mill, Wimborne, Dorset' signed 'FRED YATES' l.r., inscribed as titled on frame verso, oil on board 26 x 31cm *Artist's Resale Right may apply to this lot.Condition report: A little dusty. When examined, light brown dirt can be seen on surface, may be improved by a light clean. Otherwise in good condition.

Lot 31

*Sir Peter Blake RA (b.1932) Q is for Quarters screenprint in colours, 1991, signed, inscribed with title and numbered 73/95 in pencil, from the 'Alphabet' series, on wove paper, with margins sheet 102.5 x 77cm, unframed *Artist's Resale Right may apply to this lot.Condition report: A few light half-moon creases in places. A small crease and tear at the centre of the top edge.

Lot 310

After Georges Braque 'The Bird' lithograph in colours, signed in plate 'G.B.', published by School Prints Ltd., and printed in Great Britain by W S Cowell Ltd. 48.5 x 71cmCondition report: There is some historic creasing to the paper across the centre, which has been flattened out to be framed. Some other light creases, rippling to the paper along the edges of the mount. However, overall the work is well-presented and appears to be newly mounted in a smart pale wood frame. Unexamined out of glazed frame, please refer to images for more detail.

Lot 323

*Comte Régis de Bouvier de Cachard (French, 1929-2013) Les Deux Colonnes, San Marco, Venice signed and dated 'BOUVIER de CACHARD '71', l.r., also signed and inscribed verso, oil on canvas 35.5 x 40.5cm *Artist's Resale Right may apply to this lot.Condition report: Some very light ssurface scratches, a little craquelure. Some tiny losses to edges. No major condition issues.

Lot 326

*Peter Denmark (1950-2014) Untitled dated '89 l.r., acrylic on canvas 35 x 35cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. canvas attached to box frame, some light surface dirt.

Lot 328

*Harry Webster (1921-2011) 'The Stream' signed and dated 'Webster 61' l.r., oil on canvas 63.5 x 67cm Exhibited: 'Harry Webster Retrospective', Hall Farm Dairy, Martlesham, Suffolk, September 2007, no.18. Sold with two leaflets from the Retrospective and two booklets by Catherine Webster and K Hudson, inscribed by the artist's wife, Pamela. *Artist's Resale Right may apply to this lot.Condition report: Areas of deep craquelure throughout. Dust on surface. Some tiny flecks of white paint on surface. Not seen under uv light, please contact department for more detailed report.

Lot 330

*Rodrigo Moynihan RA (1910-1990) Abstract composition lithograph in colours, signed 'Rod. Moynihan' and numbered 33/100 in pencil 22.5 x 22.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Margins overall light brown in colour.

Lot 333

*Faith Shannon (1938-2018) Abstract composition signed 'Faith Shannon' l.l., oil on canvas 51 x 76cm *Artist's Resale Right may apply to this lot.Condition report: Some paint loss along the rebate of the frame, canvas is quite loose, appears to be in generally good condition, not examined under UV light, please contact the department for a full report.

Lot 345

Betty Merken (American, b.1947) 'Ultramarine' monotype, signed 'Betty Merken', inscribed '01-13-16', inscribed with title and numbered 1/1 in pencil sheet 50.5 x 58.5cm; 'Terre Verde' monotype, signed 'Betty Merken', inscribed '01-13-27', inscribed with title and numbered 1/1 in pencil sheet 51 x 58cm (2)Condition report: Ultramarine: a few pale flecks to printed area. A very light smudge of dirt in top left margin. Top left corner of sheet is lightly bumped. A very light wave to the top half of the sheet, although this could be due to how it has been mounted. No other obvious flaws, not seen outside of glazed frame. Terre Verde: Some flecks of dirt to the printed area. A very light wave to the top half of the sheet, although this could be due to how it has been mounted. No other obvious flaws, not seen outside of glazed frame.

Lot 346

Doug Glovaski (American, b.1951) 'Appearance #32' 2014, watercolour and gouache 111 x 77cmCondition report: A very light wave to the paper, some of the edges are a little cured or lightly bumped. Some grey marks scattered throughout, although we believe these were created by the artist rather than surface dirt. Not seen outside of glazed frame.

Lot 355

Linda Colletta (American, b.1974) 'Breeze' signed 'Li Cotton' u.r., acrylic on canvas 118 x 114cmCondition report: Some light waves to the canvas. The canvas also appears a little dirty in lower left quarter. A few specks of surface dirt. Not seen outside of glazed frame.

Lot 365

Karl Brandstätter (Austrian, b.1946) Cubist figure etching and aquatint in colours, signed 'Brandstatter' in pencil l.r., and numbered 12/60 l.l. sheet 50.2 x 65.5cm, unframed; Jean René Bazaine (French, 1904-2001) Untitled, 1953 lithograph in colours, signed and dated 'Bazaine 53' in pencil l.r., and numbered 162/300 sheet 75.5 x 54.2cm, unframed; Adrian Heath (1920-1992) Untitled, 1973 lithograph in colours, signed and dated 'Heath 73' in pencil sheet 79 x 58cm, unframed (3)Condition report: Brandstatter: time staining/discolouration to the sheet, soft creases along the centre - however, this is mostly visible from the reverse rather than from the front, some handling marks at the margins. Bazaine: discolouration of the entire sheet but particularly browning to the edges, specks of foxing emerging, light creasing at the corners, accidental pencil line top left, with pencil marks from previous owner reverse. Heath: one small smugde centre-left, minor handling creases, overall, condition is good. Please refer to illustrations for more detail on condition.

Lot 371

*Karel Appel (Dutch, 1921-2006) 'L'hibou rouge' lithograph in colours, 1969, signed 'Appel', dated, and numbered 63/75 in pencil sheet 76 x 56cm *Artist's Resale Right may apply to this lot.Condition report: The paper has browned slightly and there is a crease visible in both top and lower margin. A very light wave to the paper. A smudge of dirt in the yellow section centre left. Not seen outside of glazed frame.

Lot 376

*Kurt Jackson (b.1961) 'Above Dove dale on the 12 Apostles...sunny hot afternoon, voices echoing in the gorge below' signed 'Kurt J', inscribed and dated 16.6.96 l.r., mixed media 57 x 77.5cm, mounted *Artist's Resale Right may apply to this lot.Condition report: The paper is lightly cockled. Some large pale spots of foxing in the sky. A little light discolouration to the sky. Corners and edges are lightly bumped and curling slightly. Attached to back board by numerous pieces of double sided tape verso.

Lot 377

*Olga Lehmann (German-British, 1912-2001) Mural design signed l.l., gouache over pencil 27 x 59.5cm *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some line of paint loss to lower right corner on red. A crease to upper right has caused a tiny line of paint loss. See additional condition images. Some light scratches. Overall these issues do not affect the appearance in my opinion.

Lot 387

*Bill Jacklin (b.1943) 'First Light' lithograph in colours, signed in pencil 'Bill Jacklin' l.r., from an edition of 65 sheet 75.8 x 56.4cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some handling creases and soft creases to the top-right and lower-right of the paper, discolouration and yellowing to the sheet.

Lot 389

*Keith Coventry (b.1958) 'Simmons Estate'; 'Roman Point'; 'Tiber Estate'; 'Berwick Tower' etching, 2008, each signed 'K Coventry', inscribed with title and numbered 30/50 in pencil, from the portfolio 'Copper and Silk' published by Paul Stolper, on Somerset wove paper each sheet 61 x 48.5cm (4) Artist's Resale Right may apply to this lot.Condition report: Simmons Estate: small smudge of dirt top right corner, faint Tiber Estate: small smudge of dirt next to number Roman Point: small smudge fingerprint in lower left printed margin, very minor Berwick Tower: a very light wave to the paper, although only visible from certain angles and probably due to how it has been framed. Overall these are all in very good condition. Not seen outside of glazed frames.

Lot 4

*Fred Yates (1922-2008) Figures in a park signed verso, oil on board 11 x 15cm *Artist's Resale Right may apply to this lot.Condition report: Dust and some surface dirt, could benefit from a light clean, but paint seems to be in good condition.

Lot 407

*Paul Horton (b.1958) 'My Beautiful Balloon'; 'Smuggler's Cove' lithograph in colours, each signed 'Paul Horton' in pencil l.r., inscribed as titled and numbered 36/195 and 103/195 respectively 50.5 x 50.5cm and 60 x 53cm (2) With certificates of authenticity. *Artist's Resale Right may apply to this lot.Condition report: My Beautiful Balloon: not examined out of glazed frame but appears to be in good and original condition, smartly framed and ready to hang. Smuggler's: not examined out of glazed frame, some possible light foxing emerging in the sky (but difficult to tell without unframing). Some damage to the mount caused by tiny ants?, would probably need remounting. Otherwise, smartly framed.

Lot 408

Harry Brioche (Seychellois-British, b.1965) 'Long Way Home' signed 'H Brioche', oil on board 64 x 64cmCondition report: In good condition and smartly framed, not examined under UV light please contact the department for a full report.

Lot 416

*Richard Smith (1931-2016) 'Sun Curtain' layered lithograph printed in colours, signed and dated '71 in the stone, on wove paper sheet 61 x 91.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: The paper has discoloured a little at extreme edges. Some light half-moon handling creases in places. A couple of small flecks of dirt. Overall good condition.

Lot 424

*Denise Ballard-Wyllie ARE (contemporary) 'Into the Renaissance Garden' screenprint in colours, signed 'Denise Wyllie', inscribed as titled in pencil and numbered 36/150 50.2 x 70cm, unframed Exhibited: The Royal Academy Summer Exhibition, 2019; 'Wyllie's Gardens of Paradise', Vyhod Media Centre, Petrozavosk, Russia 2020. Wyllie exhibited and exchanged with Russian artists during Glastnost, contributing to the foundation of Art Kontakt Russia/UK - an independent, international group of thinkers and artists, who now head and thrive in the leading art establishments in Karelia, Russia. Wyllie often works in an artistic partnership with Clare O'Hagen. Together, these artists have worked on a number of projects, including 'Transformations in Science and Art', a 42-metre cross-media work, on permanent exhibition in the Royal Mint Building, London. Sold on behalf of the Curwen Print Study Centre to raise funds for the expansion of the studio, gallery space and additional equipment. Visit curwenprintstudy.co.uk *Artist's Resale Right may apply to this lot.Condition report: Very light blue line approx 2cm top left margin, and some minor handling creases. Overall in very good condition.

Lot 455

Mark Tobey (American, 1890-1976) Abstract (kites) lithograph in colours, signed 'Tobey' and numbered 7/80 in pencil image 28.2 x 28.5cm, unframedCondition report: Light handling creases to margin, otherwise in good condition.

Lot 460

Kazuo Shiraga (Japanese, 1924-2008) 'Passionate Winner' screenprint in colours, 1988, signed and numbered 125/300 in pencil, from the Official Arts Portfolio of the XXIV Olympiad, Seoul, Korea image 55 x 72cmCondition report: A very light wave to the paper, barely noticeable. A couple of tiny indents to the lower margin, on visible under close scrutiny. Otherwise in good condition. Not seen outside of glazed frame.

Lot 462

*Iulian Atomei (contemporary) 'Autumn in Provence' signed 'Iulian' right side, signed and dated 'Iulian Atomei 2017' verso, oil on canvas 45.6 x 56cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In apparently very good and original condition, not examined under UV light, please contact the department for a full report.

Lot 463

*Iulian Atomei (contemporary) 'Dinner at Golfe-Juan, Thursday' signed 'Iulian' side, signed and dated 'Iulian Atomei / 2017' verso, oil on canvas 35.1 x 45.6cm, unframed *Artist's Resale Right may apply to this lot.Condition report: In apparently very good and original condition, not examined under UV light, please contact the department for a full report.

Lot 469

*Geoffrey Hamilton Rhoades (1898-1980) 'In a London Garden', 1931 signed 'Rhoades' and dated '31 l.r., signed and inscribed as titled on artist's label verso, oil on canvas 40.7 x 56cm *Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, canvas slightly loose with ripple to the top right. Not examined under UV light, in apparently good and orignal condition.

Lot 473

Yoshitomo Nara (Japanese, b.1959) Cosmic girl (eyes open) offset lithograph printed in colours, 2008, from the edition of 500, published by BALTIC Centre of Contemporary Art, Gateshead, for the artist's exhibition, on smooth wove paper, the full sheet sheet 71.9 x 51.7cm, unframedCondition report: Half-moon handling creases and rolling creases throughout. Some hard horizontal creases on the right side and one top left. Some light surface dirt. Worn throughout.

Lot 480

*D Face (b.1978) 'Street Improvements II, III and IV', 2008 screenprint in colours, each signed 'D FACE' in pencil l.r., and numbered A/P 15/20, 19/150 and 20/150 in pencil l.l., with 'The Black Rat Press' blind stamp each sheet 78.5 x 40.5cm, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: II - A/P 15/20: some dirt/mark to the lower left edge of the image causing light lines and also a semi-circular mark on the left of the blindstamp caused by a light scratch from the edge of the paper to approx 3cm up. III - 19/50: very slight crease in top left corner, a minor scratch to top left of the image in the black 'D Face Automatic' - please see illustrations. IV - 20/50: In generally good and original condition.

Lot 482

*Lucas Price aka Cyclops (b.1975) 'Telepathic Heights', 2011 screenprint in colours, signed 'CYCLOPSANE' l.r. and numbered 17/200 l.l. in pencil, with 'The Black Rat Press' blind stamp sheet 97 x 71cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some light pencil marks to the top and bottom margins, some handling creases, two thumb print marks (surface dirt) at the top and right edge, a crease at the top right corner.

Lot 485

*Ben Eine (b.1970) 'Context' two screenprints in colours, signed and dated 'Ben Eine, 2019' in pencil each sheet 30 x 30cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Red copy - good condition. Yellow copy - a little rubbing to lower left corner of margin, a very light mark to left margin and a very small crease to upper left corner. In my opinion these are not major condition issues.

Lot 490

Swoon (American, b.1977) 'Daniella' Digital archive print in colours, 2005/2018, from the un-numbered edition of 50, on Moab Entrada 335gsm wove paper, with margins sheet 40.8 x 32.8cm, unframedCondition report: Light handling creases, otherwise in good and original condition.

Lot 498

*Banksy (b.1974) Think Tank poster offset lithographic poster, 2003, a Parlophone Records Company promotional poster for the release of Blur's 'Think Tank' album sheet 76 x 51cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some light half-moon handling creases in places. The corners are a little soft

Lot 503

*James Cauty (b.1956) 'The Rise and Fall of Portslade Massif', 2007 screenprint in colours, signed 'Cauty' l.l. in pencil and numbered 4/50 l.r. sheet 70 x 49.6cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Some small creases along the edges and handling creases at the centre, also some light surface dirt top left. Darker yellow line top-right probably from time of execution.

Lot 58

*Jane Dowling NEAC (b.1925) 'View from the National Theatre' gouache on board, inscribed as titled verso 23.3 x 30.5cm *Artist's Resale Right may apply to this lot.Condition report: Surface dirt, would benefit from a light clean, some black specks across the top-left that look to be paint splatters? These are also on the frame on the left side too. There are a couple of brown spots lower left.

Lot 60

*Roland Collins (1918-2015) A street scene signed l.l., watercolour and gouache 37 x 52.5cm *Artist's Resale Right may apply to this lot.Condition report: The paper could have a very light wave, although this is incredibly subtle and may be down to the way it is mounted. No other obvious flaws.

Lot 7

*Linda Weir (b.1951) A still life of flowers, a view through the window beyond signed with initials and dated '98 l.r., oil on board 66 x 40cm *Artist's Resale Right may apply to this lot.Condition report: Surface dusty and a little dirty. May benefit from a light clean.

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