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Lot 119
the first in Edwardian style with an open scrolling figure set along the flaring lines with graduated seed pearls and small round brilliant cut diamonds, enclosing in the centre an oval cut light blue topaz, and suspending below a similar but pear cut topaz, the bud bale set with another pearl and a diamond, length 3.8cm; also an articulated pendant with a heart pavé set with round brilliant cut diamonds and a ring of six seed pearls, with similarly set bow surmount, and tapered bale, length 2.5cm (2)
Lot 120
the oval cut light blue spinel collet set in a plain mount, tapered bale, Birmingham hallmarks for 9ct gold 1968, length with bale 2.0cm, with a fine curb link chain, also 9ct gold, London 1992, length 40cm; together with a pair of screwback earrings, each fitting fronted by a creased heart motif suspending a pierced oval mount holding a collet set emerald cut aquamarine, unmarked yellow metal tests for 18ct gold with 14ct fittings, length 1.9cm (2)
Lot 135
the first a ruby two stone crossover ring, with round cut rubies claw set to coronet galleries, the shank forming a serpentine line between, unmarked white metal, size K-L; the second a trefoil of even sized round cut diamond, ruby and light blue sapphire, the stalk with a further small diamond, unmarked yellow metal, size I½; the third a line of five round cut sapphires with round brilliant cut diamond points in the interstices, hallmarked 18ct white gold, London 1975, size M½ (3)
Lot 167
of open double heart form with a central oval cabochon moonstone and a similar smaller one pendant beneath, the inner heart a partial wreath of leaves, and set with five light blue round cut sapphires, yellow metal stamped '9ct', suspended from a baby belcher link chain with barrel clasp also stamped '9ct'; length of pendant with suspensory loop 3.8cm, of chain 43cm, cased
Lot 178
the rectangular cushion cut sapphire of delicate light mauve-blue, claw set to a border of twelve spaced round brilliant cut diamonds, broad solid shoulders with incised lines tapering to the plain shank, size L, white metal stamped '750' and with distinctive maker's mark (not recognised); estimated weight of sapphire 4.64cts, total estimated weight of diamonds approximately 0.50 carat
Lot 204
the first designed as a pierced twisted wreath of flowering stems, alternating white and yellow gold, London hallmarks 1972, ring size R, 5.01g; the second ring set with an oval light pink coral in a collet and ropetwist mount, undercut scrolling gallery, plain polished shoulders and shank, size N, yellow metal stamped ‘K18’; the third a garnet flowerhead cluster with one large and ten small round cut garnets, plain tapered shank size O½, yellow metal stamped ‘9ct’. (3)
Lot 54
the cushion cut light orange-brown topaz in a gas pipe mount with border of seed pearls, closed back slightly concave setting, measuring 14.7 x 13.7mm, presumably originally a ring head, now on a wire bangle with bifurcated shoulders; together with a pair of flowerhead cluster earrings each with a round cut blue zircon in a border of 3mm pearls, screwback fittings, yellow metal stamped '9ct' (2)
Lot 68
the largest in a broken mount, estimated weight 1.18ct, estimated colour J/K, estimated clarity P (material chips and inclusions but close to girdle); the second weighing ±0.90cts, estimated colour I, estimated clarity P (areas of speck inclusions; naturals, chips on girdle); the third weighing ±1.00cts, of a light orangey brown colour, estimated clarity SI (cleavage chips on the girdle, fine facet edge abrasion) (3)
Lot 80
the first a hand-made trefoil with raised edging, incised veins and ropetwist detailing, claw set to the centre with an oval cut light blue-green sapphire, clasp with safety catch, suspensory loop and integral safety chain, London hallmarks 1985, width 3.8cm; the second designed as two wire loops meeting at a round cut blue zircon centre, London import hallmarks for 9ct gold, 1979, length 3.5cm (2)
Lot 87
the first an oval petal edged hoop of uniform round cut vivid light blue sapphires, length 2.2cm; the second an antique amethyst and seed pearl flower with serpentine stem set with three more seed pearls, applied to a safety pin mount, length 3.8cm; the third a Victorian paste brooch with an oval cut bright mid blue stone crimp collet set to an open undulating border of round cut white stones, all in closed back settings, length 2.7cm (3)
Lot 95
the pierced convex panel of rectangular cushion shape set with a central sunburst of pear and marquise cut orange sapphires, in a field of vari-cut red, green, pink, purplish, light blue and white hardstones, many of which may also be sapphires, to pierced shoulders and a tapered shank, size N, Birmingham hallmarks for 9ct gold, length of panel 2.8cm, cased
Lot 167
1990 Gibson Firebird V electric guitar, made in USA, ser. no. 9xxx0xx4; Finish: cardinal red, some light fading to top, tape residue requires cleaning from back, otherwise good; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good; Case: original hard case; Overall condition: good
Lot 96
1980 Daion '80 12 & 6 double neck acoustic guitar, made in Japan, ser. no. 1xxxx2; Finish: walnut, light surface imperfection; Fretboard: rosewood; Frets: generally good; Electrics: working; Hardware: generally good; Other: bridges appear to have previously had some work, minor gap to the back end of each bridge but not considered a problem; Case: original hard case; Overall condition: good
Lot 241A
Sleeping Beauty Turquoise and White Zircon Ring, an oval cut cabochon of over 2cts of the bright, matrix free, turquoise from the Sleeping Beauty mine in Arizona which closed for the mining of this much admired stone earlier this century; to either side of the turquoise are three rows of three round cut natural white zircons, totalling 0.5ct, adding elegance and light in support of the main stone; size S
Lot 250A
Black Spinel Pear Drop Loop Earrings, pear drop open loops, pave set with round cut black spinels, suspended from inverted pear shaped studs, similarly set with black spinels, totalling over 4cts, all sparkling in the light, from within the black rhodium, rhodium vermeil and silver setting; 1.4 inches (3.8cms) long
![[TOPOGRAPHY]. RIVER THAMES Reports of the Engineers appointed by the Commissioners of the Navigation of the Rivers Thames an](https://cdn.globalauctionplatform.com/e64c5203-1910-4634-a16d-abac0103811c/d7d69dc6-53cd-47bc-8a24-abb1010b823f/468x382.jpg)
Lot 79
[TOPOGRAPHY]. RIVER THAMES Reports of the Engineers appointed by the Commissioners of the Navigation of the Rivers Thames and Isis to Survey the State of the said Navigation from Lechlade to Days Lock... , and An Account of the Tolls Payable... From Cricklade to Stanes, 1791, engraved folding plan frontispiece; together with An Estimate of the Works proposed to be done, 1791; Report the Second by M. Mylne, Surveyor and Engineer on the Navigation of the River Thames between Lechlade and Whitchurch, 1791; Report of the Committee of Commissioners... , 1791, engraved folding plan frontispiece; Copies and Extracts of Proceedings of the Commissioners..., undated; and Report of the Committee of the Thames Navigation Commissioners, of the State of the Navigation below Great Marlow,... 1789, with Mr Brindley's Estimates for making a Navigable Canal from Monkey Island and Boulter's Lock to Isleworth, bound as one, half leather, the spine gilt ruled and with a crimson title label, octavo (marginal annotations, mainly in light pencil).
![Chris Levine (British 1979-), 'She's Light [Dots], Fluro Lips (Kate Moss)', 2011, silkscreen in colours on paper, signed and](https://cdn.globalauctionplatform.com/996628b3-45c0-49dc-9702-abc000c7fad9/3c383243-7fef-40ad-8640-abd500dbffe4/468x382.jpg)
Lot 108
SPQR - a Mid-Century Italian ebonised beech valet chair / stand, circa 1950s, detachable garment hanger with drawer under seat, no maker's labels, seat height 40cm Good original condition, no obvious damage or repair, some small light areas of wear through general use, no maker's marks or labels.
Lot 20
VICKE LINDSTRAND FOR KOSTA BODA - a Mid-Century Swedish amber art glass vase, cylindrical form with trapped air bubble base and graduating colour, etched signature on base with model no. LH 1889, height 21.5cm Very good original condition, no cracks or restoration, base has two miniscule chips on the edge along with a few light abrasions through general handling, signature is clear.
Lot 27
R LALIQUE - a Mid-Century French opalescent glass Rampillon vase, tapered cylindrical form with frosted floral design and polished domed bosses, wheel-carved signature to base with model no. 991, design introduced in 1927, height 13cm Very good original condition, no cracks or restoration, one tiny chip on the inside of the top rim along with some tiny nibbles to the base edge, some very light abrasions on high points and base through general handling, signatures are clear.
Lot 39
WILHELM KAGE FOR GUSTAVSBERG - a Mid-Century Swedish green glaze ceramic Argenta bowl and coaster, silver overlaid decoration, signatures on bases, largest diameter 12.5cm, (2) Both in very good original condition, no chips, cracks or restoration, some light crazing in the centre of the bowl, silvered decoration slightly worn in places, signatures are also slightly worn.
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534297 item(s)/page